Written by Scoil Naomh Fiachra, Clontubrid Primary School

Designed by Jon Auty

@stuntcentral

Choosing our Hero

When we started our project we didn't know who to choose as our local hero. There were

many names to choose from.

There is one man from our parish who has worked as a priest in Korea for over forty years.

There is a local nun who has spent all her life working with the old and sick people in the

parishes around us and she helped to build a home for old people.

There is another nun who has set up a centre near us for young people who are addicted

to drugs, alcohol and gambling.

One of our past pupils played rugby for Ireland.

Several of our past pupils have won All-Ireland hurling medals playing with Kilkenny. One

local hurler was even named Hurler of the Year in 1969.

There was a local man who died a couple of years ago who told us many stories about our

local area long ago. He knew everything about the history of our area and was very good

to tell stories.

Martin Grace: Our Local Hero

But we still wanted to do a project with a difference. That's why we thought it would be

fun to write about Martin Grace. Not many people know who Martin Grace is but nearly

everyone has seen him on television or in the cinema. Even if you saw him you wouldn't

know him. That's because he's a stuntman. When some of the famous actors do dangerous

and exciting scenes in films it is often Martin Grace who is really doing the dangerous bits.

Martin Grace is the one who takes the risks and makes the actors look brave. He is the

really brave one but he doesn't look for the glory. That's one of the reasons why he is our

hero.

One problem with doing a project on Martin Grace is that he doesn't live in Ireland at the

moment. He comes home sometimes but now he is working on a film in California in U.S.A.

This is a big problem because they are eight hours behind us so we couldn't even talk to

him on the phone very easily. By the time he was getting up we would already be home

from school. When Martin said he would love to help us with our project we decided the

best way to talk to him was by email. And that is what we did.

We asked him questions. He answered us and then we wrote back about what we thought

of his answers. He also sent us loads of photos and he gave us permission to use them in

the project.

Questions for Martin

We all tried to think of questions we would like to ask about stuntmen and films. Martin

said he would do his best to answer them. In the end we got to ask twenty of the

questions. We tried to pick the questions that would tell us the most interesting things

about films and stunts and Martin himself.

Martin: "Running along an iceberg on a lough in Iceland. The film was "A View to a

Kill". Icebergs can very quickly flip over dangerously."

After Martin answered the questions we wrote some of our thoughts about his answers and

sent them to him. We have some of them printed here after Martin's answers.

1. How did you become a stuntman in the first place?

Children, I have read your questions with interest and I shall answer all questions to the

best of my ability and recollection. So here we go starting with, HOW DID I BECOME A

STUNTMAN?

I did not know of the word Stuntman when I was at school in Lisdowney. But certain events

probably sowed the seeds that led me in that direction. I recall a travelling Film Show

coming to Lisdowney and they set up a tent up Knockmannon road on the left side, past

the old pump either in Mahers or Kenny’s field. I was about six at that time. They played

there for about a week. They showed western films, which were very flickery and jumpy

on the screen. Their power was from an old generator, which could be heard thumping

outside as I watched those films wide-eyed and with fascination.

The cowboys spent the complete duration riding in and out of a canyon. It did not make

sense but boy it was exciting. The hero would get tied up by the bad guys and the horse

would come back to undo the ropes tying up the hero.

This is the school team, which won the St. Kieran's League in 1956. Martin Grace is third from the

right in the back row. He scored 3 goals and 2 points that day. The boy on his right is Pat Delaney.

Pat later won four All-Ireland medals with Kilkenny. But on this day the hero was Martin Grace!

There was also a travelling show came called Vick Loving. They pitched tent on the

Aharney road by Ryan's cottage and Mooney's. They put on various acts, which I enjoyed.

There used to be Point-to-Point races at Balleen and there I saw this showman who used to

balance a bicycle and a long ladder on his chin. I think he had a little monkey on top of

the ladder. On returning home I got out a ladder and eventually balanced that ladder on

my chin.

Freshford was a venue for senior annual sports day. There was this big athlete called

Comerford, from Crettyard, who, although big, won most of the contests: three-miles run,

high jump, pole vault and throwing the half hundred weight (56lbs). I thought this is

something for me. Again on returning home I got out a 56lb weight and started to throw it

about.

I remember also when a ball went over a wall about 4 metres high I was egged on to jump

from the top to retrieve it and of course I jumped landed on my backside and just sat

there in shock unable to move. When the boys asked me to get the ball I could only grunt

as I guess my vertebrae got all shook up.

That was my first experience of a shock and I must have liked it as it worked out ok.

Larry Hamilton came as master to Lisdowney NS during my last few years there. He

introduced us to compete in athletics, sports and hurling. He also introduced an American

This is the old school in Lisdowney where Martin went to school. It was closed down

in the 1960s. Now it's used as a cattle shed. The travelling shows set up in a field

beside the school.

game called softball, a sort of baseball. In addition he moulded us into a team in the

under 14 group to win two Leagues.

Later in Kilkenny Technical School I relished sports days and won some trophies. I only

spent one year in Kilkenny Tech. It should have been two but I got restless to get out in

the world and earn a living.

Emigration at that time seemed an attractive option and London was near and there was

lots more happening there at that time regarding sports facilities and entertainment. All

that I had experienced up to this point in what I have written had some bearing on the

fact that I eventually became a Stuntman.

This is Martin in

the Cadbury's

Milk Tray

advertisement.

This is one of

the stunts that

made him

famous. The

famous line at

the end of the

ad was "And all

because the

lady loves Milk

Tray!"

This is the 100 feet fall that Martin did from the minaret in Rhodes. This is the highest

fall he did. The film was called "Escape to Athena". He described this stunt when he

answered question 4.

“Thank you for your responses to my answers and your kind remarks. I actually spent from

midnight until 6a.m. reading each question and giving meticulous thought to each one

determined not to leave any unanswered. It was a pleasure to oblige and refreshing to be

taken down part of memory lane again.

I remember Geoff Brennan (RIP) known for his Trashing Machinery. We obviously saw the

same Showman in Balleen. I did not see the cart wheel act but in addition to his ladder

act he also laid on a bed of nails and separately on some broken glass. The bed of nails I

did some years later it looks impressive especially if you get the biggest man around to

stand on your chest while you are pretending to relax. There is usually a method to all of

those things. I believe this showman was there every year and probably did variations and

changes from year to year”.

This is Martin practising for the jump from the tower. The photo is taken

from the ground looking up. It looks like the photographer is in for a

fright.

What was your first job?

I will tackle these questions in two parts (A) Preparing to be a stuntman. Jobs I did to

survive that period, (B) My first Film Action job.

When I first arrived in London I went straight into this car showroom, which had a vacancy

sign up and landed my first employment with pay. Very soon I was looking for, and joined

a gymnasium and started weightlifting. That followed joining boxing and wrestling clubs. I

learned a lot of skills in those sports. Each one of those wanted me to concentrate on

their individual sport and make me a champion. But I was looking at a broader picture and

wanted to get involved in entertainment. I took lifesaving classes and became a lifeguard.

I had heard that Butlin's holiday camps took on enthusiastic young men and women as

what they called "Redcoats", to organise sports and entertainment, as Lifeguards, and to

be cheerful with the campers. I had also heard that a lot of entertainers, show people and

future film people often started at Butlin's.

I was thrown straight into the deep end immediately the first week, organising sports

days, swimming galas, water polo and a spot in one of their plays. There I discovered

about an Acting School in London where they did night workshops. It was called the

Mountview Theatre. I also discovered a Stunt school that at that time taught basic

fighting, falling and sini gymnastics. Although it was only the basics it started me on the

road, which was going to be long.

From there I got introduced to an agency that catered to commercial companies who were

looking for athletic people to take part in action projects. But it was not that simple as I

had to walk round London for weeks and months to all those advertising agencies to meet

and talk to their Casting Agents for their approval, hopefully. At the same time I am taking

lessons and classes in Fencing, Swordplay, Karate, Trampoline and gymnastics, all of which

will benefit my performances in the future.

"Hanging outside on the Eiffel Tower,

Paris, about 500 feet up from the

ground. This was on the James Bond

film "A View to a Kill". I wore a

concealed harness and cable for this

one."

If your first job had nothing to do with films, how did you change to being a

stuntman?

Alas, I am sent for my "FIRST" audition. They are looking for two characters, a White

Knight in Armour fighting a Black Knight. I walked in to the audition full of confidence,

tanned by the summer sun, looking fit and athletic. The Director said straight away,

pointing at me,

"That is my White Knight!"

I was going to be under the supervision of the man playing the Black Knight, who was a

very experienced Stuntman, on my first action job although just a fight scene.

I worked on many small action bits until in 1964 I landed the part of stunt double to do a

series of Stunts on a Cadbury's Milk Tray chocolate ad, jumping on a train and leaping off,

transferring from a sports car on to a helicopter and dropping on to a hotel, leaping on to

a moving truck and jumping into a lake and later swinging across a gorge after being

chased by wolves. It all progressed from there.

That has got to be the longest answer to any of the questions and I hope it tells you what

you wanted to know.

"Discussing strategy with Roger Moore, now Sir Roger Moore on "A View to a Kill", in San

Francisco, U.S.A. He was a bit taller but shoes with a bit of extra heel made up the difference."

After I sent the answers it dawned on me that there were some events that happened

during my preparation period for Stunts. At age 19 at a weightlifting club in Hertfordshire I

broke a British record for a Squat lift of 420lbs for under 20 class in year 1961, inspired by

the half-hundredweight thrower at Freshford Sports!

I won a contest for a European Charlton Heston that gave me a free trip to Hollywood and

my first visit to the Studios there.

What is your favourite type of stunt?

My favourite Stunt was always the very High Fall. That is when it got above 60 feet up to

100 feet, which I have done many times in my career when I was a performing Stuntman at

top level.

Again when I was very young in Lisdowney there was a bell at the top of the Church and it

fascinated me to look up and it looked such a colossal height then. I had this feeling of

wanting to go up there and look down.

But it was in Rhodes from a Mosque that I got the opportunity to go much higher, around

100 feet and actually fall majestically from it. The job was offered to any of the stuntmen

"Avoiding a fast beach buggy in Corfu on the James Bond film 'For Your eyes Only'."

who wished to take it but there were no takers, so I let the Co-ordinator know I was

willing to do it. Although I was doing regular falls around up to 40 feet, doing 100 takes a

lot of practising, increasing the height on a daily basis to get perfect body control to

achieve accuracy and to get psychologically prepared.

The exciting part is the day of the shoot. You are now on your own and completely in

charge of yourself. It's a long climb up the interior stairs. Your thoughts are of the landing

rig of cardboard boxes and combination of sponge mats that will break your fall,

Have they been laid properly? Yes, I supervised the rig myself.

I am convinced I have done this many times before. I arrive at the top. I step out on to a

parapet. Cameras are set and looking up. You feel excited. The Adrenalin is flowing. There

is now no return. You feel king of the world but still in control. I have a walkie talkie 2-

way radio. My communication is down to three people The Director, The Stunt Co-

ordinator, and the last man the First Assistant Director who gives me "Roll cameras!" and

then a clear "Action Martin!"

I usually let out a loud scream. It is a way to release any tension and it mesmerises the

audience. On the fall down everything is crystal clear. It is truly an amazing experience. I

see the landing rig and as I accelerate toward it. It seems to be rushing at me and then in

a split second I tuck my head and flip on to my back. A critical manoeuvre. I land perfectly

and walk away, not a scratch. That is the high fall.

"Being thrown around like a rag doll by Richard Kiel "Jaws" on

"The Spy Who Loved Me". He was 7ft. 2ins. But also a very kind

man."

"Unusual

request

from a

Pop

Promo

music

company.

Just a

head on

fire.

What a

way to

make a

living!"

When you were in school did you want to be a stuntman?

When I was at school I did not know about Stunt people. Although I was curious about

travelling shows and circuses that had "Stunty" type of acts.

"Instilling confidence. This boy on "Shallow Hal" washed up into a tree when the fat lady jumped

into the pool. Notice he has a good position, and a branch for each hand. He also wore a hidden

harness and was wired off."

‘True love

is worth

the weight’

"With native college students. I trained them to do basic action and to make them act like

savages. They responded well."

"This student

achieved

good

reactions.

Here he

simulates

getting an

arrow

through his

neck. Special

arrow. I sort

of went

native here."

If you were not a stuntman what do you think you would be?

When at school I did not know what I really wanted to be. That is probably also part of the

reason I pursued that career. It's a bit off beat as careers go. I knew I wished to travel and

do something exciting. I did think about being a pilot. Mainly because Mr Larry Hamilton,

our teacher, took us to Baldonnel Airforce Base and I found it very exciting when a young

Dublin pilot flew a jet close above our heads and the noise seemed shattering. That is also

possibly why my second most favourite piece of action in a movie is the helicopter opening

scene in FOR YOUR EYES ONLY, as I spent three weeks hanging outside and underneath the

helicopter with roaring engines, downdraft and very exciting!

"Joe Viterelli who played the Irish

Father on 'Shallow Hal'. Jack Black who

played a major role in 'King Kong'. This

photo was taken during the filming of

'Shallow Hal'."

"You want me to climb down the side of the train? Using signs to let the helicopter pilot know where

I am aiming for on "Octopussy" in Peterborough in England.

"Another of my

favourite action

pictures. Caught in

mid-air. It shows

danger and

expression and good

body position. Was in

real set explosion

using a trampette for

the effect."

What age were you when you did your first stunt?

Later in 1974 I did a Stunt Show tour in Scandinavia Sweden Finland and Denmark. By this

time I was already a stunt performer for 10 years. The Film Business was down a bit at

that time. I got approached by this Norwegian promoter who had this great idea to do a

show on the theme of The Stars Behind The Stars.

They had done the show the previous year with great success. They needed an

experienced Utility stuntman who could step in at any time and do any of the

stunts in any of the acts so I found myself doing the High Falls, Car Crashes, Rollovers,

Tunnel of Fire, Motorcycle jumping over cars, Fight demonstrations,

Sword Fights Musketeer style.

Some of the acts were done in a comedy humorous style. Although I had been a

film stuntman for 10 years this Stunt show with its constant 6 evening shows per week

improved my capabilities immensely and made me a number one choice

at the head of the competition for the future Projects. There is a downside to travel ling

shows. You arrive at a town in the afternoon go straight to a hotel check-in, then to the

arena venue, prep air all the equipment, check vehicles, motorcycles, ramps and do light

rehearsals for position and precision. Then back to the hotel, have a shower, an evening

snack, put on the showman glitter gear and head back to the venue for

the show.

The crowds have assembled they expect something big and exciting. You are now on your

own. You know your acts will work. You are brimming with

confidence - this is the only way. It is exciting and exhilarating when you drive out in front

of the audience to make your introduction. The Show starts with easier acts. Then they

"Jumping onto a Restaurant Boat on the River Seine in Paris. This was for the film 'A

View to a Kill', one of the James Bond films. Beautiful bridge!"

Martin can just be seen as he jumps off the bridge. He is marked with a blue X.

get bigger bolder and more exciting. Your Adrenalin flows. You feel like king of the world.

By the end of the show you feel like you will never need sleep. We go back to the hotel

clean up and find a restaurant to have dinner. It feels like you can stay up all night. All of

a sudden you start to feel very tired. The excitement has gone. You go back the hotel,

collapse on the bed. It is 1a.m. You get up at 7a.m., have breakfast, into our cars and

head for the next venue, possibly 3 to 4 hours away. Then a repeat of the previous day.

One can imagine after 3 months of this repetition how exhausted mentally and physically

one can get. But I enjoyed the challenge and experience and have no regrets.

"Hanging on to a moving train. Action from

"Octopussy" (James Bond). The bars were added to

the side of the train to assist climbing."

This photo did not come out very well but we

wanted to put it in because this was the kind of

stunt Martin was doing when he was injured and

ended up in hospital with a broken pelvis.

"On the Golden Gate

Bridge in San

Francisco Bay. Not

many get the chance

to be up there. Notice

how small the cars

look. On the film 'A

View to a Kill'."

Did you ever do any stunts with animals?

Second part re stunts with animals. I did a Stunt on "The Onedin Line" for BBC TV in the

eighties doing a back somersault after being shot.

I rode a camel as double for Roger Moore on THE SPY WHO LOVED ME in Egypt. I also

supervised the training of falling and rearing horses on ANNA AND THE KING in Malaysia in

1999.

On RAIDERS OF THE LOST ARK I had to put my hand into a narrow hole in the rock face

that was surrounded with tarantula’s i.e. poisonous spiders. The spider expert told me to

move my hand into the hole very slowly and gently and it worked. Stunt people must

always listen to such experts. Understanding is often half the battle.

A section of the bridge was built back at Pinewood Studios. Martin shared his doubling

duties with stunt colleague Jason White.

“Many horses will rear naturally but for films the horse must rear only when it is

required to. Here the trainer is giving him some practice."

"The best falling horses are

usually timid and not so

strong. Mares are often

better at falling. Three

falls are a maximum each

day. After that the horse

gets bored.

This horse was for falling.

During the training period

the horses learn how to lie

down and relax. Notice the

very soft sand. It makes

them feel comfortable."

What was the best movie you ever did a stunt in?

There was a series of Films that were very good, that I did Stunts on, mainly the James

Bonds - FOR YOUR EYES ONLY - the opening helicopter scene.

A VIEW TO A KILL because I did Stunts on two of the world's most famous landmarks the

Eiffel Tower in Paris and the Golden Gate Bridge in the USA. Although I must not leave out

RAIDERS OF THE LOST ARK - falling on the statue in the snake pit and lots of other action

and Stunts that were not so big but flowed well and looked good.

"This is a beautiful show horse we used

on "Shallow Hal". He was trained to

rear, sit and walk on his knees for a

short distance."

What was your favourite subject in school?

You have asked me the trickiest question, full marks for that. It is probably why I took up

a career such as doing Stunts. I can say I liked Sport best of all and did not dislike any

other subjects.

Poetry is something I liked. When I went to Kilkenny Technical School I liked the art class,

also the Science class as the teacher would take us for walks on the country roads to

examine flowers. If I had my life over again with the experience I have gained in life,

School would have a greater priority.

"This is the finished article. A spectacular fall with man and horse. Neither one gets

hurt. This is a very experienced Spanish stuntman on the filming of 'Anna and the

King'."

"This little

fellow got all

the attention

during training

for the film

'Anna and the

King'."

How many times did you end up in hospital?

I ended up in hospital twice that was a bit serious. A dislocated neck in 1970, which now

has two vertebrae fused together but does not affect me, apart from being slightly stiff at

times.

The second serious visit to hospital was 25 years ago with a broken pelvis. Magically it

came good and I went on to do some of my best work after that. I did visit a hospital in

Fiji after being in an explosion, just for observation overnight.

Stunts always sound dangerous but for years and years nothing bad happened because of

the safety precautions and skills that are applied.

"One of our trained falling horses getting familiar with the elephants on 'Anna and the King'."

"Although I was a Stunt Co-ordinator on 'Shallow Hal', Peter Farley, the Director,

requested that I give Irish dialect lessons to Joe Viterelli, the actor, who played

an Irish father."

Is there a stunt that you would love to do but never got the chance?

I feel I have done all the Stunts I needed to do in my career. Although I once had an idea

on a James Bond film to suggest doing a stunt jumping from one air balloon on to another

up in the elements but it never developed. Stunts have to fit into the story.

Did you ever get scared in the middle of a stunt?

I never got a scared feeling in the middle of a stunt, but there is always a feeling of

concern which is very important, to keep alert and to be aware of all that is happening

around you while doing a Stunt.

"The third of my favourite stunts. Hanging underneath roaring engines, floating at speed. Very

exciting. On 'For Your Eyes Only'."

"Unusual props. A coffin used in shooting scenes in Venice on

Moonraker. Notice the hearse boat in the background. Transport in

Venice is on canals. It is built in sea water."

Where was the strangest place you ever worked?

Where was the strangest place I worked?

There were some strange places with customs far different than ours.

Papua New Guinea, where the natives still go to war with spears and bows with arrows. It

is mainly up in the highlands. They do not have much happening at weekends, no football

or games so hence one village goes fighting another over something simple. Maybe a pig

from one village wanders on to the land of another village then it is war.

In a village near Maddng, where we shot the film ROBINSON CRUSOE, the local chief made

me an Honorary Chief of his village. It was all done as a bit of fun.

The bush in Africa is another strange place that tends to make Europeans crazy if they are

not stable in the first place but I found it exhilarating and felt really good there. When

wandering in the bush one is liable to run into a troupe of baboons by day or warthogs in

the cool of the evening.

I sent a photo of some natives I trained to look savage and do some minor action and

reactions in Papa New Guinea on a Film called ROBINSON CRUSOE with Pierce Brosnan. I

am not sure if I mentioned that I was made a chief in a village just outside Ma dang. I

cannot say how strong the chieftainship is as it was performed in a humorous way. We shot

some scenes in a local village and used the natives as extras so the village Chief played

the part of the Chief and the Witch Doctor played his part as himself. They looked

wonderful in their native dress and paint. I asked if we could have pictures taken with

them and they obliged.

As the pictures were being taken I talked freely to the Chief about his job as Chief. I

noticed he wore this symbol around his neck of two boar’s tusks in the shape of

parenthesis or like forming brackets facing each other. He informed me that only the chief

could wear these. I asked him if I could become Chief. I think he saw the humour of this

and he smiled. All this time the Witch Doctor was listening in to our conversation in a

curious way. I told him I would turn up the next day with the boar's tusks and wished to

become Chief. I also said to the Witch Doctor I needed him there with his bunch of

feathers to do the ceremony. I am sure the Chief thought that was the end of that. On my

way back to our hotel resort I stopped at this souvenir shop and bought the same boars

tusks as the Chief was wearing. I told my stunt friends what was to happen. I also

mentioned it to Pierce Brosnan at dinner that night and I could feel his gaze from the side

looking at me. I am sure he must have thought I had gone crazy. But the very next day

there I am in the middle of the native village with the Chief putting the boar's teeth round

my neck and the Witch Doctor waving his bunch of feathers over my head muttering some

words. This is the first time I have told this story or happening outside the witnesses who

were there at the event. I sometimes think it is unbelievable. There are many interesting

things that happen on Film making other than about the Films themselves. Sometimes

those things and stories are more interesting.

What was the very first stunt you ever did?

Again the first stunt action on Film was for a Supersoft commercial, although I had done

some falls from scaffolding for safety film companies and practice. The Cadbury's Milk

Tray ad was probably the most noticeable and prominent of my early Stunt work.

"This was when I dressed well, as Roger Moore's double in the Gondola

chase in Venice on 'Moonraker'."

Is it difficult to hear the director when you are at the top of a high building?

It could be difficult to hear a director or anyone else when you are up high or in fact when

on the ground if too far away and if there are other noises going on. Therefore important

briefings and communications are done through two-way radios, either directly, or through

an assistant being nearby.

This is Martin on location on a tropical island, eating a coconut. This is the nice part

of being a stuntman!

Did "Jaws" really hit you when you were practising for your stunts?

"Jaws" - Richard Kiel - did not hit me during preparation or during shooting. We rehearsed

his action and made it simple. He is 7ft-2in. He is very feeble, has back and neck

problems. We rehearsed him coming after me. I vault over some rails to escape him as he

grabs me and is to drag me back over the rail like a rag doll. If you can see on the

photograph I sent with Jaws, I have my left hand on the rail and as he attempts to lift me.

I help him by pushing down on the bar and vaulting back over. He is one of the kindest and

nicest people you could ever meet. I met him in London the year before last. He was there

to promote his book. I was one of just a few people he had worked with that he invited to

meet him at Pinewood Studios.

This is an

autographed

photograph of

Harrison Ford

that Martin

sent to his

former

teacher, Larry

Hamilton,

during the

filming of one

of the Indiana

Jones films.

Martin did

double for

Harrison Ford

in these films.

What was the scariest stunt you ever did?

I never felt a stunt was scary. As a professional stunt person if you are scared then you

should not be there. As stuntmen we are expected to instil calm.

Thank you all for your Questions. I hope you now have some better understanding about

Stunts and that the answers help you to complete your project.

Wishing you all the best,

Martin G.

Why Martin Grace is my Local Hero.

Emma McC:

Martin Grace is my hero because it takes courage to jump from high buildings to the

ground, from bridges onto boats and from helicopters to buildings. Martin has that courage

that is why he is my local hero.

Shannon:

Martin Grace is my local hero because he worked with famous people like the James Bond

and the Indiana Jones crews.

He is also my local hero because he is kind and friendly. I know he is kind and friendly

because he helped us with our project and he took time writing answers to our questions. I

know he took time because the feelings in his answers are real. He is my hero for all the

time he spent on our project.

Claire:

Martin Grace is my local hero because he represents our parish in the movies. I really like

the photos he sent us. He answered all our questions very well and with so much interest

in what we asked him. He answered my questions very well.

I think this is one of our best projects because we are doing it about such a friendly and

brave hero.

Caroline:

We picked Martin Grace because he was local. He lived in this parish and went to school

here when he was younger. He started off in the Cadbury's Milk Tray advertisement on

television. At the moment he is working in California with Jim Carey. He is designing

stunts and helping people with stunts. Instead of doing them he is letting other people do

them and he is teaching them.

Ciara:

Martin Grace is our local hero because he is from the parish. He went to school in

Lisdowney and his teacher's name was Mr. Larry Hamilton.

He is working in California at the moment designing stunts for films. We chose him

because he is very interesting and he is very kind. He sent us pictures of some of his stunts

and some of the people he worked with. We sent him some questions and he answered

them with feeling.

Emma B:

When Martin Grace was a young boy he was just like any other child. He went to school in

Lisdowney and played hurling.

But when he was older he was all over the world doing stunts.

Shane:

Martin Grace is my local hero because he was very brave when he fought Jaws in the

movies and when he swung from pillar to pillar in the Indiana Jones movies.

And I also found out that he is related to me! He is very lucky to be alive when one of his

stunts went wrong.

John's Grandad, Geoff, used to go to the Balleen Races and it was amazing that Martin

mentioned the Balleen Races as well.

Simon:

I think he is my local hero because he started out in the same parish as me and because he

has been working with many famous people. I like him because he played hurling for

Lisdowney when he was in school and they were a very good team too.

I wonder if he is very rich or just not poor but not exactly very rich either. I hope he

comes back to live in Ireland.

Eoin:

Martin told us that he discovered an interest in stunts at the Balleen Races when he saw a

man balance a ladder on his chin. So when he arrived back home he walked into the

garage and picked up a ladder and for a while he tried to balance the ladder on his chin.

In the end he managed to balance the ladder.

Martin Grace is a local hero because he is a nice man who is a stuntman.

Jack:

Martin Grace is our local hero because he is a stuntman. He jumps off high buildings,

breathes fire, stands on moving trains and much, much more.

When he told us how he thought of being a stuntman I was astonished. He saw a man

balancing a ladder on his chin. He tried balancing a ladder on his chin and he did it. When

I heard that I thought he wanted to be in the circus. Also when he was a boy a ball went

over a wall 12 feet high. He climbed up the wall, jumped off the wall and got the ball.

Then he climbed back up the wall and jumped back down.

What we Learned from the Project

When we started we didn't know if Martin Grace would be interested in our project. The

first thing we learned was that he was really interested and he would have told us lots

more if we had room to fit it into our project.

We learned that there are many very nice people in films and that they are not always like

we think they are from their films.

At first we thought it wouldn't be possible to do the project because Martin was not

coming back to Ireland until July but we managed to get it done mainly by email and by

Martin posting over letters and photographs.

Martin Grace explained all about his stunts and sent us some brilliant photographs. We

didn't have room to put them all in so we had to choose which ones to include.

When we received the photos we had to scan them into the computer and then we had to

learn how to edit them. Some of them had to be cropped or rotated and we had to rename

them.

We want to put this project on our school website after the summer holidays so we named

the photos with names that suit the web. We had no capital letters and no spaces.

We also took some photos ourselves and uploaded them onto the computer and edited

them.

Martin explained not just the stunts but also how he felt about doing them. Sometimes he

surprised us with the things he said but now we understand much more about how films

are made and what happens behind the scenes.

There is a huge amount of planning even for one small scene. Now when we are watching

films we are looking out for the stunts as well as just watching the film and the actors.

We hope that the next time Martin is home in Ireland he will come to visit us at our

school.

It was interesting to imagine that Martin was once sitting in a classroom in this parish, just

like us. He played hurling for our school team and he scored goals!

The most surprising thing of all was that when Martin was in school one of his favourite

subjects was Poetry. Our teacher asked us why we were surprised at this. We didn't really

know, but we were!

This was an award-winning project on the career of local man Martin Grace, who was a top

Hollywood stuntman. Martin did stunt double for Roger Moore in the James Bond films and

for Harrison Ford in the Indiana Jones films.

Martin gave us a huge amount of his time in completing the project. He answered pupils'

questions personally and always followed up with emails to make sure that he had

answered fully and that pupils had understood what he meant.

From time to time the large yellow envelope would arrive from California with

photographs from Martin. Each photograph would have an explanatory note attached. This

would be followed up by an email or phone call to check if we needed anything else. A

real gentleman.

Sadly Martin died in Spain on January 27th 2010, aged 67. He had planned to visit the

school on his next trip home to Lisdowney. We intend to leave this project on our website

as our tribute to Martin. May he rest in peace.