marset catalogue 16 17 usa

katalogcatalogue

16/17

catalogue16/17

Index

AtlasAtlas Susp.

Cala IP65Cala PContinua

DiscocDiscoc ADiscoc C

FollowMeFuniculFunicul AFunicul S

GingerGinger A Ginger M, SGinger P, XL42, XXL60

Hazy Day

LabLa DiscrteLedcompass, RSCLedtubeLedtube R

Manhattan T5MarangaMaranga CMaranga P170Maranga SMercer, M, MiniMercer AMercer CMercer Susp

A218

74

C238

88196

D18

164204

F11894

158128

G10

15211478

H46

L254132178168172

M200

50206110144146192

20858

N62

P21426

136180100

S22215610414019438

18421052

212232

T12

18884

246

Nenfar

Plaff-on! Pleat BoxPoloPolo APolo floor

SantoriniScantling AScantling PScantling SSceneScotch ClubScotch Club A30, A40Scotch Club CSohoSoho CSoho IP44

Tam Tam, Mini, 4, 6Tam Tam ATam Tam PTXL

www.marset.com

Marset USA Inc.20 West 22nd StreetSuite 903

New York, NY 10010T +1 646 727 4250F +1 646 304 6959

[email protected]

Factory & HeadquartersAlfonso XII 429-431

08918 Badalona (Spain) T +34 934 602 067F +34 934 601 [email protected]

Barcelona ShowroomSantal 56 Interior

08021 Barcelona (Spain)T +34 932 005 [email protected]

222259

Outdoor238Cala

246TXL

52Soho

12Tam Tam

12Tam Tam

204 219

Ceiling218

Atlas204

Discoc208

Mercer212

Soho206

Maranga214

Plaff-on!210

Scotch Club

875

Pendant62

Nenfar46

Hazy Day74

Atlas50

Maranga58

Mercer26

Pleat Box18

Discoc8

Ginger38

Scotch Club

114 149

Table140

Scantling132

La Discrte144

Maranga136

Polo146

Mercer114

Ginger126

Funicul118

FollowMe

104Scantling

84Tam Tam

100Polo

78 111

Floor88

Cala94

Funicul110

Maranga78

Ginger78

Ginger

232Soho

222Santorini

254Lab

152201

Wall196

Continua178

Ledcompass156

Scantling166

Ledtube172

Ledtube R152

Ginger192

Mercer164

Discoc194

Scene158

Funicul180

Polo200

Manhattan T5184

Scotch Club188

Tam Tam

Pendant

98 Pendant Ginger Joan Gaspar, 2014

GingerWood is a great ally of cozy lighting. It is a material that is hard to mold, a challenge that the Ginger collection neatly resolves. The combination of sheets of wood and paper pressed together under high pressure achieves a laminate that appears almost entirely flat, which discreetly lights up spaces with indirect light.

The Ginger collection has been expanded to include larger table and pendant versions, versions with moveable arms, and an unobtrusive wall lamp.

1110 Pendant Ginger Joan Gaspar, 2014

Ginger 32

Range

p.114p.78 p.152

Ginger 60 Ginger 42

16.54

2.3

6

23.624

.65

5.125.125.12

6.5

6ft

1.8

7

1.8

7

1.8

7

3.3

96

.56

ft

12.6

6.5

6ft

Black electrical cord

Dimmable

Pressed wood diffuser of 0.16 inches in natural oak or wenge. Injected and lacquered black matte aluminum dissipater.

Ginger 32 120 V - 60 Hz

LED SMD 7,8W 700mA 2700K 1066lm (included)

Ginger 42 120 V - 60 Hz


Ginger 60 120 V - 60 Hz


Oak

Wenge

Dry locations only

1312

Tam Tam

Pendant Tam Tam Fabien Dumas, 2011

Its a juicy bunch of grapes, Nick Masons drums from Pink Floyd, the constellation of Perseus there are so many examples that could be used to describe the Tam Tam, a new perception in the world of lamps, which extols repetitiveness by focusing on the archetypal lampshade: a number of light sources pointed in different directions, geometrically arranged to invoke a feeling of organized chaos. The Tam Tam consists of a central shade in lacquered aluminum, to which are attached various satellite shades which can be rotated through 360 by means of a swivel mechanism. An opalescent, methacrylate diffuser softens the light.

Tam Tam is available as a suspension lamp in two sizes: a regular size with either 3 or 5 satellite shades and a mini size with 3 satellite shades. The central shade is available in black or off-white, and the satellite shades can be combined in black, off-white, orange, brown, green, sand and blue.

The colorful Tam Tam now comes in a new linear version that retains its fun, dynamic roots. These new pendant models have been simplified with the addition of a hanging pole to which colored lampshades are attached that can be oriented in any direction and come in a variety of colors. Consumers can mix and match the color and number of lampshades to suit the aesthetic of each atmosphere, each interior and every need.

These new members of the Tam Tam family fit more multipurpose spaces, either long or narrow, lighting bars or dining tables.

1514 Pendant Tam Tam Fabien Dumas, 2011

Tam Tam 3 Tam Tam 5Tam Tam Mini

p.188p.84

13.7

13.6

33.5

40

.1

19

.7

11.5

ft

13.7

13.6

41.1

40

.1

19.7

11.5

ft

8.6

25.9

10.2

13

.7

22.6

8ft


A large central shade in lacquered aluminum, to which are attached various satellite shades that can be rotated through 360. An opalescent methacrylate diffuser over the open end softens the light.

Central Shade

Black (Ral 9011)

Off-white (Ral 1013)

Satellite Shades

Black (Ral 9011)


Orange (Ral 2000)

Brown grey (Ral 7013)

Green (Ral 6025)

Sand (Ral 7032)

Blue (Ral 5024)

Tam Tam Mini

5x E12 CFL TYPE T 13W

5x E12 TYPE G 40W 5x E12 LED TYPE G16.5 5W

Tam Tam 3

9x E26 CFL TYPE T 18W 9x E26 TYPE A 60W 9x E26 LED TYPE A 11W

Tam Tam 5

13x E26 CFL TYPE T 18W 13x E26 TYPE A 60W 13x E26 LEDTYPE A 11W

Dry locations onlyRange

4.3 4.3 4.3

1.4

1.4

1.4

1716 Pendant Tam Tam Fabien Dumas, 2015

Tam Tam 4 Tam Tam 6

p.188p.84

57.09

Max

6.5

6ft

8.6

618

.11

85.43

Max

6.5

6ft

8.66

18.11

Metal structure lacquered in black. Lacquered aluminum lampshades adjustable 360 in any direction. An opal methacrylate diffuser filters the light. Each lampshade can be personalized in black, off-white, orange, grey brown, green, sand and blue.

Stem

Black (Ral 9011)

Shades

Black (Ral 9011)


Orange (Ral 2000)


Green (Ral 6025)

Sand (Ral 7032)

Blue (Ral 5024)

Tam Tam 4

120 V - 60 Hz

4x E12 CFL TYPE T 13W


Tam Tam 6

120 V - 60 Hz 6x E12 CFL TYPE T 13W




3.15 3.15

0.7

1

0.7

1

1918 Pendant Discoc Christophe Mathieu, 2008

DiscocAn exuberant fixture even when turned off, the Discoc offers a rich downward illumination along with a dramatic play of light and soft shadows. Its detailed study of incident light, as well as the reflections from both sides of its 35 opaque disks, provide the lamp with a nuanced, appealing gradation of light and depth. Further reflections dance off the chrome-covered sphere at the core, where the disks are anchored.

When the light is turned off, it retains its attractive presence, hinting at the expansion of energy that is fully expressed when it is turned on.

2120 Discoc Christophe Mathieu, 2008Pendant

Discoc 35 Discoc 53

Discoc 132

Discoc 68

Discoc 88

6.5

6ft

13.86

11.0

2

6.5

6ft

20.87

16.7

3

34.65

26

.77

9.8

4ft

51.97

40

.24

11.5

ft

9.8

4ft

26.77

20

.51

p.164p.204

Translucent electrical cord

35 opaque disks made in moulded ABS. Chrome sphere.

Discoc 35 120 V - 60 Hz

E12 CFL TYPE A19 11W

E12 TYPE G16.5 60W

E12 LED TYPE G16.5 5W

Discoc 53 120 V - 60 Hz

E26 CFL Globe 23W

E26 TYPE A21 150W

E26 LED TYPE A 11W

White (Ral 9003)

Matte grey (Ral 7037)

Matte beige (Ral 1001)

Black-Gold (Ral 9004-Gold)

Discoc 68 120 V - 60 Hz

3x E26 CFL Globe 23W 3x E26 TYPE A19 75W 3x E26 LED TYPE A 11W

Discoc 88 120 V - 60 Hz


Discoc 132 120 V - 60 Hz

6x E26 CFL Globe 23W 6x E26 LED TYPE A 11W

Range

4.3

4.34.34.3

4.3

1.4

1.4

1.4

1.4

1.

4

Dry locations only

2726

Pleat Box

Pendant Pleat Box Xavier Maosa & Mashallah, 2011

The idea behind the Pleat Box is that of a sophisticated crease in a piece of cloth, digitally designed and applied to a ceramic base. The ceramic shade is offered in white, brown, black, grey, and terracotta the result of recycling different enamels. The interior is available in brilliant white enamel, which enhances the luminous light from the lamp, or 24k gold, which generates an extremely warm light.

The Pleat Box is the result of the first-ever collaboration between Xavier Maosa (a master ceramicist from Barcelona), the Mashallah design studio in Berlin, and Marset.

2928 Pendant Pleat Box Xavier Maosa & Mashallah, 2011

Pleat Box 13 Pleat Box 24 Pleat Box 36 Pleat Box 47

10.2

4

5.12

6.5

6ft

7.0

9

9.25

6.3

14.17

6.5

6ft

6.5

6ft

10.2

4

18.5

6.5

6ft

White

White-Gold

Grey-White

Grey-Gold

Terracotta-White

Terracotta-Gold

Black-White

Black-Gold

Brown-White

Brown-Gold

Pleat Box 13 120 V - 60 Hz

E26 TYPE A 60W

E26 CFL TYPE T 18W Mini

E26 LED TYPE A 11W


E26 TYPE A 60W

E26 CFL TYPE T 18W Mini

E26 LED TYPE A 11W


E12 TYPE G16.5 40W

E12 CFL 13W Microtwist



E26 TYPE A 60W

E26 CFL TYPE T 18W

E26 LED TYPE A 11W


Ceramic diffuser with an interior of brilliant white enamel or gold. Ceramic canopy.

Dry locations only

5.12 5.12 5.12 5.12

3.8

2

3.8

2

3.8

2

3.8

2

3938

Scotch Club

Pendant Scotch Club Xavier Maosa & Mashallah, 2013

The warmth of the fixtures ceramics contrasts with the faceted edges of the sphere, making it seem as if it is winking playfully.

Made using a meticulous, traditional design process, the lamps are fired four times using glazes specifically developed for this collection and incorporate warm, high-quality materials, such as gold.

Available in white, blue, terracotta, or black ceramic, with brilliant white or gold enamel interiors, the pendant collections three sizes 7, 10 and 16 allow one to create sculptures in the air. The collection is completed with a ceiling model and two wall models.

4140

p.210 p.184

Pendant Scotch Club Xavier Maosa & Mashallah, 2013

Scotch Club 17 Scotch Club 26 Scotch Club 41

6.85

5.6

3

5.32 5.325.32

5.47

6.5

6ft

10.43

8.7

2

.84

2.8

4

2.8

4

8.39

6.5

6ft

12.99

16.22

13.4

3

6.5

6ft

White

White-Gold

Blue-White

Blue-Gold

Terracotta-White

Terracotta-Gold

Black-White

Black-Gold

Scotch Club 17 120 V - 60 Hz

2x G9 Bipin T4 60W


E26 TYPE A 60W

E26 CFL TYPE T 18W mini

E26 LED TYPE A 11W


E26 TYPE A 60W

E26 CFL TYPE T 18W

E26 LED TYPE A 11W

Ceramic diffuser with an interior of brilliant white enamel or gold. Ceramic canopy.


Dry locations onlyRange Available in white, blue, terracotta or black ceramic, with brilliant white or gold enamel

interiors, the pendant collections three sizes allow one to create sculptures in the air.

4544 Pendant Scotch Club Xavier Maosa & Mashallah, 2013

4746

Hazy Day

Pendant Hazy Day Uli Budde, 2014


Hazy Day is the outcome of a delicate study of light and its diffusion, inspired by that time of day when the sun has not yet come up and the light of the sky is filtered through the haze.

As a hanging lamp, the opal glass ball fades from a sandy matte to a shiny transparent finish at the small curvature that rounds out the lampshade. This detail breaks up the essential geometry of the sphere and harkens back to the technical procedure of glassblowing, the technique used to craft it.

Translucent Hazy Day 32 120 V - 60 Hz

E26 CFL Globe 14W

E26 LED Globe 7W

Hazy Day 44 120 V - 60 Hz

E26 CFL Globe 23W

Hazy Day 32 Hazy Day 44

12.6

9.2

16

.56

ft

17.32

12.7

6

6.5

6ft

1.8

1.8

A blown glass globe that fades from a sandy gradation to transparency. The lower part of the glass ends in a transparent curvature that shows glimpses of the bulb. White matte metal supports.

Dry locations only

5.125.12

4948

From certain vantage points, the downward-shifted position of the bulb and the bottom curvature generate a provocative sense that there is a double source of light.

Pendant Hazy Day Uli Budde, 2014

5150

Maranga

Pendant Maranga Christophe Mathieu, 2012

Maranga is the name of an imaginary fruit: exquisite, tempting, succulent. It reinterprets Scandinavian style in the essentiality of its shape and its rational use of lighting to generate a warm, comfortable atmosphere.

The shade is made up of 32 slice-like pieces which fit together to allow chinks of light to escape. This interplay of light and dark generates an effect which is rich in shades of light and prevents glare, while an opening at the bottom fitted with a diffuser gives out direct light downwards.

Maranga 32 Maranga 50

6.3

4.5

19.7

12.5

6.6

ft1.

4

1.4

6

.6ft

A shade made up of 32 polycarbonate sections, all attached to an upper chromed metal cover. Underneath there is a transparent polycarbonate diffuser with a prismatic engraving.

Maranga 32 120 V - 60 Hz

2x E12 TYPE B10 40W 2x E12 CFL candle 9W 2x E12 LED candle 5W

Maranga 50 120 V - 60 Hz

3x E26 TYPE A 100W 3x E26 CFL TYPE T 20W 3x E26 LED TYPE A 11W

White (Ral 9003)

p.110p.144p.206


4.3 4.3


5352

Soho

Pendant Soho Joan Gaspar, 2010

Soho is presented as a statement, in recognition of the merits of the lamps traditionally used in markets, taverns and cafeterias. After studying different volumes, proportions and materials, new uses and lighting effects have emerged. Thanks to the use of rotary moulded polyethylene, large sizes can be obtained. With a diameter of 44, it has been conceived for large spaces, while the 22 model is ideal for lighting a dining table. In the translucent white version, the whole structure emits ambient light.

An outdoor model is also available for illuminating porches, gardens and terraces or open-air dining areas.

5554 Pendant Soho Joan Gaspar, 2010

Soho 57

22.4

12

6.6ft

44.3

23.9

9.8ft

Soho 112

Shade in rotary moulded polyethylene. Methacrylate opal diffuser.


Soho 57

T5-C 22W+40W

LED SMD 28.1W 700mA 2700K 3800lm

Soho 112

8x T5 24W

LED SMD 127.2W 300mA 2700K 16680lm

White

Stone grey

Black

p.212Dry locations only

Range

4.3 4.3

1.4

1.4

Dimmablep.232

5756 Pendant Soho Joan Gaspar, 2010

5958

Mercer

Pendant Mercer Joan Gaspar & Javier M. Borrs, 2005

Mercer is a beautiful and elegant lamp. The fusion of different materials achieves a spectacular result due to its pure textile shade floating in a transparent blown glass structure. The inner diffuser is available in natural cotton ribbons and in a more modern and minimalistic pearl white version.

Mercer 44Mercer 30

7.79

11.81

6.6

ft

11.4

1

17.32

6.6

ft

Natural cotton ribbon

Pearl white

Mercer 30 120 V - 60 Hz

E26 TYPE A19 100W

E26 CFL TYPE T 15W

E26 LED TYPE A 11W

Mercer 44 120 V - 60 Hz

2x E26 TYPE A19 100W 2x E26 CFL TYPE T 20W 2x E26 LED TYPE A 11W

Textile shade that floats inside a transparent blown glass structure. In the 44 version, there is an opal diffuser disk on the lower part.

p.208 p.192p.146

Black braided cloth electrical cord


4.3 4.3

1.4

1.4

6160 Pendant Mercer Joan Gaspar & Javier M. Borrs, 2005

6362

Nenfar

Pendant Nenfar Joan Gaspar, 2013

The outcome of the designers arduous quest to create a fixture that seems to float on air, the Nenfar takes its name and its delicate shape from the water lily.

The Nenfar is a cluster of LED pendants, composed of several disks attached to a central stem. Each disk is distinct, separated from the others in a way that the downward beams do not intersect or interfere, but combine for a uniform, direct beam.

The result is an item that is midway between decorative and architectural, and be applied to both purposes with ease. Sober and well finished, the Nenfar utilizes top-quality materials and the power of LED to radiate an exquisite luminosity and create warm, welcoming atmospheres.

This fixture is in its element installed in a seriescreating areas lit at different heights and with various combinations of disksor on its own as a surprising, well balanced and subdued centerpiece. Choose from one, two, or three white or black disks supported by a polished chrome stem.

This fixture is available in pre-set configurations of 3, 5, 7, and 9 units, to ease installation.

6564

20W Canopy 30W Canopy

60W Canopy 100W Canopy

40W Hi-Lume Digital / Hi-Lume 3-Wire Canopy

100W 0-10V Canopy

For mounted canopy installation When the project requires a combination of different Nenfars, you will have to take into account the total power in watts, the power of the driver, and the wire entry points of the canopy. The total wattage of the selected Nenfar elements cannot exceed the max wattage of the canopys driver. Therefore, you must choose your canopy/driver by the power required. Finally, the number of Nenfars installed in a single canopy cannot exceed the number of wire entry points of that canopy.

7.28

5.31 3.94

10.24

7.87 4.72

1.57

11.02

8.46 4.92

1.77

1.26

8.86

6.89 3.94

4.5

7

1.57

7.87 4.72

10.24

3.5

4

9.65 4.72

12.2

PowerNenfar 1 9W

Nenfar 2 18W

Nenfar 3 27W

The Nenfar system allows one to regulate the light (Hi-Lume 3 Wire, Hi-Lume Digital or 0-10V) at 120-277V

Dimmable

Pendant Nenfar Joan Gaspar, 2013

Nenfar 1 Nenfar 3Nenfar 2

White

Black

Nenfar 1 LED 9W 24V 2700K* 700lm

(included)


(included)


(included)

A chromed metal stem supports a system of one, two, or three polycarbonate disks, attached at varying heights and with 120 degrees of separation between. A diffuser with a strip of perimeter LEDs projects the light downwards.

Black or white electrical cord, depending on the color of the model

* 3000K under request

9.76

8.5

1.26

6.7

3

8.0

7

18.3

59

.84

ft

7.28

6.81

8.0

7

11.6

5

1.26

7.28

9.76

10.2

24

.84

6.6

56

.65

8

8.86

1.5

8

9.84

ft

9.8

4ft

Dry locations only

Wire entry points 20W Canopy 2

30W Canopy 3

40W/60W Canopy 4

100W Canopy 5

6766 Pendant Nenfar Joan Gaspar, 2013


Nenfar Pre-set 3A Nenfar Pre-set 3B Nenfar Pre-set 5A Nenfar Pre-set 5B

Nenfar Pre-set 7A Nenfar Pre-set 7B Nenfar Pre-set 9A Nenfar Pre-set 9B

15.75 15.75

19.68

2.7

5

2.7

5

19.29 19.29

2.7

5

2.7

5

19.68 25.59 25.59

25.59 25.59

2.7

5

2.7

5

2.7

5

2.7

5

33.46 33.46

31.5 31.5 39.37 39.37

Nenfar Pre-set 3A3x Nenfar 3 + Canopy (100W)(driver included)

Nenfar Pre-set 3B1x Nenfar 1, 1x Nenfar 2, 1x Nenfar 3 + Canopy (100W) (driver included)







The Nenfar system comes in groups of 3, 5, 7 or 9 units to ease installation.

Dry locations onlyDimmable

7574

p.218

Atlas

Pendant Atlas Joan Gaspar, 2000

Transparent Atlas Susp 120 V - 60 Hz

E26 PAR30 75W

E26 LED PAR30S 13W 36 2700K

Transparent polycarbonate shade that envelopes the light source. Canopy made of white polyamide.

Atlas transforms a common bulb into a spotlight, enveloping it along its outline. Taking its nudity as the starting point, it dresses the bulb up with a transparent suit that also gives the lamp the added benefit of lightness.

Atlas is a directional spotlight made of transparent polycarbonate and a polyamide base.


Base Atlas 2

9.84

4.9

2

Atlas Susp.

9.8

4ft

6.6

9

4.33

1

4


7978

Ginger

Floor Ginger Joan Gaspar, 2014

Wood is a great ally of cozy lighting. It is a material that is hard to mold, a challenge that the Ginger collection neatly resolves. The combination of sheets of wood and paper pressed together under high pressure achieves a laminate that appears almost entirely flat, which discreetly lights up spaces with indirect light.


8180M

in 5

.12

Max

25.

59

Min 40.16 Max 67.32

Min

5.12

M

ax 2

1.65

Min 36.22 Max 57.09

88

99

89

101

Ginger XXL 60

Ginger XL 42

100

100

Range of positionsWith an original system to orient and suspend it, the Ginger lampshade hangs from a structure that replaces the ceiling. The system allows the lamp slide forward and backward and from side to side. The carbon fiber arm has two possible movements depending on the pre-established position of the pivot joint. It is altogether striking, spectacular yet contained. It comes in two sizes to fit the needs of different spaces.

Floor Ginger Joan Gaspar, 2014

Ginger P Ginger XXL 60Ginger XL 42

Pressed wood diffuser of 0.16 inches in natural oak or wenge. Injected aluminum dissipater, metal stem and base in lacquered black matte. Movable arm made of carbon fiber, lacquered in black matte.

16.54

3.3

9

49

.21

13.39

73.6

2

19.69

3.3

9

Max

21.

65

67.71

16.54

24.21

23.62

83

.46

4.6

5 Max

25

.59

79.53

Ginger P 120 V - 60 Hz

LED SMD 15.4W 700mA 2700K 2130lm (included)

Ginger XL 42 120 V - 60 Hz


Ginger XXL 60 120 V - 60 Hz


RangeDry locations onlyDimmer *


* Ginger P / XL 42: in-line motion sensor dimmer Ginger XXL 60: integrated motion sensor dimmer

p.114p.8 p.152

Oak

Wenge

8382 Floor Ginger Joan Gaspar, 2014

8584

Tam Tam

Floor Tam Tam Fabien Dumas, 2015

This year, the colorful, sonorous Tam Tam, already so multifunctional, now comes in a new linear version that retains its fun, dynamic roots. The new floor versions feature a central pole to which either one or three colorful, rotating satellites are attached.

These new members of the Tam Tam family are great for lighting intimate interior spaces, such as living rooms, offices, or reading nooks. Consumers can mix and match the color and number of lampshades to suit the aesthetic of each atmosphere, each interior and every need.

8786 Floor Tam Tam Fabien Dumas, 2015

p.188

9.45

45

.67

8.66

5.12

62

.99

11.22

Metal structure lacquered in black. Lacquered aluminum lampshades adjustable 360 in any direction. An opal methacrylate diffuser softens the light.

Tam Tam P3Tam Tam P

Tam Tam P 120 V - 60 Hz


Tam Tam P3 120 V - 60 Hz

3x E12 LED TYPE G16.5 5W


p.12

Range

Dry locations only

Structure

Black (Ral 9011)

Shades

Black (Ral 9011)


Orange (Ral 2000)


Green (Ral 6025)

Sand (Ral 7032)

Blue (Ral 5024)

8988

Cala

Floor Pie Cala Joan Gaspar, 2012

Everybody likes a warm, comfortable light. This is exactly what the new Cala lamp achieves through the combination of its lightweight but rigid oak structureinspired by the classic artists easeland its pearl white polyester shade.

The Cala is available in three sizes - 55, 65 and 70. The smallest version is ideal next to a sofa or armchair, while the larger models are conceived as general lighting for more open spaces.

The Cala collection is also available in an outdoor version.

9190 Floor Cala Joan Gaspar, 2012

p.238

Varnished oak structure. White polyester shade, made of a PVC-PET laminated film. Methacrylate diffuser.

Cala P140 Cala P165 Cala P180

12.6

16.34 17.32

64

.96

25.39

9.4

5

55

.12

22.44

16.54

70.6

7

13.7

8

27.56

Cala P140, P165 & P180120 V - 60 Hz

3x E26 CFL TYPE T4 20W 3x E26 TYPE A19 60W 3x E26 LED TYPE A 11W

Structure

Oak

Pigmented black oak

Shade

Pearl white


RangeDry locations only

9392 Floor Cala Joan Gaspar, 2012

9594

Funicul

Floor Funicul Llus Porqueras, 1979 / 2012

Funicul is a re-edition of a lamp originally designed in 1979. Llus Porqueras has always sought an absolute simplicity in his designs, doing away with everything superfluous to leave the essence of the useful, simple object. 30 years on, Funicul remains highly contemporary, both in its purist forms and in its features.

The name Funicul comes from the concept of a funicular action moving up and down. The mechanism for raising and lowering the lamp uses a pair of clips which make it very easy to change the height of the shade to meet the users needs. The shade itself can be rotated through 360 to point the beam of light wherever it is required.

The base of Funicul is covered in rubber on the bottom, avoiding the cold contact between the metal and the floor and adding stability to the lamp.

9796 Floor Funicul Llus Porqueras, 1979 / 2012

Moss grey (Ral 7003)


Black (Ral 9005)

Red (Ral 3024)

Blue (Ral 5024)

Funicul 120 V - 60 Hz

E26 TYPE A19 100W

E26 CFL TYPE T 20W

E26 LED TYPE A 11W

Base and stem in lacquered iron. Shade made of lacquered aluminum. Base wrapped with black rubber.

Funicul

9.76

7.24

53

.15

p.126 p.158



101100

Polo

Floor Polo Joan Gaspar, 2013

Black (Ral 9005)

White (Ral 9001)

Polo P

p.136p.180

Body and diffuser in lacquered aluminum. A switch is incorporated into the diffuser. Painted metal base and stem of aluminum.

13.78

17.32

1.77

3.94

10.43

23.97

The fluidity of its movements and its stability mean this flexible fitting can be moved anywhere without cluttering your desk or taking up too much valuable space. Its integrated LED technology allows one to direct the beam with the utmost precision, for a light that is both focused and warm, yet highly useful.

The Polo comes with a diffuser made from injected aluminum, arms and built-in swivel joints CNC milled from an aluminum block, and a rotary switch located in the upper part of the head stock. Available in both black and white, it is supplied with a range of accessories: base, clamp, table or wall bracket and a floor stand.

Polo P 120 V - 60 Hz

LED 7W 350mA 3000K 520lm

(included)



103102 Floor Polo Joan Gaspar, 2013

105104

Scantling

Floor Scantling Mathias Hahn, 2010

A combination of basic geometric shapes and the use of wood together with metal give this range of lamps a homely appearance, at the same time as a clearly defined personality.

All of the movements of the fully rotating shade use arms and hinges, and its technical precision means that springs or counterweights are not necessary in order to maintain the selected position. Scantling is a term used to define the size to which a piece of wood or stone is measured and cut, derived from the name of an old unit of measurement.

The interplay of the different elements used in its design gives this lamp an archetypal, almost graphic appearance.

107106 Floor Scantling Mathias Hahn, 2010

p.140 p.156

Lacquered iron stem and base. Solid oak arm supports a lacquered aluminum shade. The switch is built into the diffuser.

Scantling P73

4.53

11.22

28.82

7.8

7

53

.62

Scantling P73 120 V - 60 Hz

E26 CFL TYPE T 20W

E26 LED TYPE A 11W

Structure

White-Oak

Black-Oak

Shade

White (Ral 9010)

Black (Ral 9005)



109108 Floor Scantling Mathias Hahn, 2010

111110

Maranga

Floor Maranga Christophe Mathieu, 2012



p.50 p.144p.206



A shade made up of 32 polycarbonate sections, all attached to an upper chromed metal cover. Underneath there is a transparent polycarbonate diffuser with a prismatic engraving. The base and the stem are in lacquered metal.

Maranga P170

67.32

13.78

19.7

Maranga P170 120 V - 60 Hz


White (Ral 9003)

115114

Ginger

Table Ginger Joan Gaspar, 2014



117116 Table Ginger Joan Gaspar, 2014

Ginger MGinger S

Diffuser and pressed wood base of 0.16 inches in natural oak or wenge. Injected aluminum dissipater and lacquered black matte metal stem.

p.78

16.54

3.39

21.2

6

12.6

2.36

18.3

1

8.66 10.43

Ginger S 120 V - 60 Hz


Ginger M 120 V - 60 Hz



Range

p.8 p.152

Dimmer Dry locations only

Oak

Wenge

119118

FollowMe

Table FollowMe Inma Bermdez, 2014

Portable and rechargeable, FollowMe is a table lamp that can be taken wherever you go. Because of its small, warm, and self-contained character, it is ideal both indoors and outdoors. It also works in restaurants and terraces that have no access to electrical outlets, or to replace candlelight.

The oak handle beckons you to pick it up. Compact and small, it almost looks like a personal accessory. With a swinging lampshade made of white polycarbonate, it boasts a fresh, luminous look. It comes with LED technology and a dimmer. The battery is built-in, and it has a USB port for recharging.

121120 Table FollowMe Inma Bermdez, 2014

White-Oak FollowMe120 V - 60 Hz

LED 3,2W Warm light 240lm (included)

FollowMe

Rocking opal diffuser and white matte polycarbonate body. Plywood handle with natural oak veneer, brass switch and construction details. Five hours of battery life at peak performance.

11.3

4

4.84

Battery life: 5 hours in peak power10 hours in half power20 hours in a quarter power

Battery charging time: 10hDry locations only*Dimmer

* 3 positions dimmer

129128

Funicul

Table Funicul Llus Porqueras, 2013

Throughout his career as a designer, Llus Porqueras has always sought an absolute simplicity in his designs, doing away with everything superfluous to leave the essence of the useful, simple object. The Funicul is the epitome of that concept; 30 years after it first appeared, it is still cutting-edge.

While the standard Funicul was updated in 2012, the collection has also been extended to incorporate a table version, which retains the purity of the fixtures style and its original attributes.

Using the same double-clip mechanism of the original, this scaled-down model allows easy height adjustment and 360 shade rotation to fit the needs of any room or user. The base of the table model has been fitted with a black rubber sleeve to prevent cold-contact between the metal and the table, and to impart additional stability.



Black (Ral 9005)

Red (Ral 3024)

Blue (Ral 5024)

Funicul S 120 V - 60 Hz

E12 TYPE G16.5 25W

E12 CFL 13W micro-twist


Base and stem in lacquered iron. Shade made of lacquered aluminum. Base wrapped with black rubber.

p.94 p.158

7.76

19.8

14.25

6.1

2.7

6

Funicul S



131130 Table Funicul Llus Porqueras, 2013

133132

La Discrte

Table La Discrte Fabien Dumas, 2013



La Discrte 120 V - 60 Hz

E26 TYPE A19 60W

E26 CFL TYPE T2 18W

E26 LED TYPE A 11W

A structure of bent and lacquered metal with a base of natural oak and an embedded switch.

La Discrte aims to be something more than a light source, hidden within its design is the clear desire to be highly useful while retaining the decorative beauty of a well made object. Perfect for use as a desk lamp or to highlight treasured items, its configuration is simple yet forceful.

This fixture comes with an incorporated switch for ease of use, and and the wooden base, more than a simple fashion statement, brings to mind a solid, well crafted piece of furniture.

La Discrte can also be converted into a back-lit, wall-mounted shelf.


Dry locations only

La Discrte Wall bracket

15.08

10.3

2

8.27

1.5

8

4.53

135134 Table La Discrte Fabien Dumas, 2013

137136

Polo

Table Polo Joan Gaspar, 2012

The fluidity of its movements and its total stability make this flexible fitting a light source which can be moved anywhere without cluttering your desk or taking up too much valuable space. Its integrated LED technology allows one to direct the beam with the utmost precision, for a light that is both focused and warm, yet highly useful.

The Polo comes with a diffuser made from injected aluminum, arms and built-in swivel joints CNC milled from an aluminum block, and a rotary switch located in the upper part of the head stock.

Available in both black and white, it is supplied with a range of accessories: base, clamp, table or wall bracket and a floor stand.

139138 Table Polo Joan Gaspar, 2012

Black (Ral 9005)

White (Ral 9001)

Polo 120 V - 60 Hz

LED 7W 350mA 3000K 520lm (included)

Polo

Body and diffuser in lacquered aluminum. A switch is incorporated into the diffuser. Metal base with a polycarbonate cover.

Base

7

Clamp

3.35

4.13

Table bracket

1.97

3.7

4

p.100p.180


13.78

17.3

2

1.77

3.9

4

7


141140

Scantling

Table Scantling Mathias Hahn, 2010

Lacquered iron stem and base. Solid oak arm supports a lacquered aluminum shade. The switch is built into the diffuser.

p.104

23

.3

7.6

8

8.27

15.75

3.7

Scantling S

120 V - 60 Hz

E26 CFL TYPE T 20W

E26 LED TYPE A 11W

Scantling S

p.156

Structure White-Oak

Black-Oak

Shade

Black

White

A combination of basic geometric shapes and the use of wood together with metal give this range of lamps a homely appearance, as well as a clearly defined personality.





143142 Table Scantling Mathias Hahn, 2010

145144

Maranga

Table Maranga Christophe Mathieu, 2012

White (Ral 9003) Maranga S 120 V - 60 Hz

2x E12 TYPE B10 40W 2x E12 CFL candle 9W 2x E12 LED candle 5W

Maranga S

A shade made up of 32 polycarbonate sections, all attached to an upper chromed metal cover. Underneath there is a transparent polycarbonate diffuser with a prismatic engraving. The base and the stem are in lacquered metal.

19.7

9.06

12.6



p.50p.110 p.206



147146

Mercer

Table Mercer Joan Gaspar & Javier M. Borrs, 2006

Mercer is a beautiful and elegant lamp. The fusion of different materials achieves a spectacular result due to its pure textile shade floating in a transparent blown glass structure. The inner diffuser is available in natural cotton ribbons and in a more modern and minimalistic version, in pearl white.


Pearl white

Mercer Mini 120 V - 60 Hz

E12 TYPE G16.5 40W


Textile shade that floats inside a transparent blown glass structure. Opal diffuser disk on the upper part.

Mercer Mini

9.8

4

4.45

7.09

MercerMercer M

16.14

7.32

11.42

20

.86

14.96

9.45

Mercer M Dimmer

120 V - 60 Hz

E26 TYPE A19 100W

Mercer Dimmer 120 V - 60 Hz

E26 TYPE A21 100W

p.58 p.208 p.192



149148 Table Mercer Joan Gaspar & Javier M. Borrs, 2006

153152

Ginger

Wall Ginger Joan Gaspar, 2015


The Ginger collection has been expanded to include larger table and pendant versions, standing versions with moveable arms, and an unobtrusive wall lamp.

The simple wall version adds a plain rotating structure to the lampshade, turning it into the perfect lamp for the head of a bed, to illuminate a reading corner or even to be used as an occasional lamp over a table.

155154 Wall Ginger Joan Gaspar, 2015

Pressed wood diffuser of 0.16 inches in natural oak or wenge. Injected aluminum dissipater and metal stem in lacquered black matte.

Ginger A

12.6

21.85

16.2

2

2.3

6

5.3

9

6.3

Ginger A 120 V - 60 Hz


p.78Dry locations only

Range

p.8 p.114

Connections available: plug-in or hardwired

* Hardwired wall version: dimmablePlug-in wall version: inline motion sensor dimmer

Dimmer / Dimmable *


Oak

Wenge

157156

Scantling

Wall Scantling Mathias Hahn, 2010

Structure White-Oak

Black-Oak

Shade

White (Ral 9010)

Black (Ral 9005)

Lacquered iron structure. Solid oak arm supports a lacquered aluminum shade. The switch is integrated into the wall plate.

10.5

5

.3

7.7

3.7

Scantling A120 V - 60 Hz

E26 CFL TYPE T 20W

E26 LED TYPE A 11W

Scantling A

p.140

A combination of basic geometric shapes and the use of wood together with metal give this range of lamps a homely appearance, at the same time as a clearly defined personality.



p.104



159158

Funicul

Wall Funicul Llus Porqueras, 2013

Throughout his career as a designer, Llus Porqueras has always sought an absolute simplicity in his designs, doing away with everything superfluous to leave the essence of the useful, simple object. The Funicul is the epitome of that concept; 30 years after it first appeared, it is still cutting-edge.

While the standard Funicul was updated in 2012, the collection has also been extended to incorporate a wall version, which retains the purity of the fixtures style and its original attributes.

Using the same double-clip mechanism of the original, this scaled-down model allows easy height adjustment and 360 shade rotation to fit the needs of any room or user.



Black (Ral 9005)

Red (Ral 3024)

Blue (Ral 5024)

Funicul A120 V - 60 Hz

E12 TYPE G16.5 25W

E12 CFL 13W micro-twist


p.94 p.126

Funicul A

Stem and wall clip in lacquered iron. Shade made of lacquered aluminum.

19.3

7

15.3

5

11.61

6.1

2.7

6



161160 Wall Funicul Llus Porqueras, 2013

163162 Wall Funicul Llus Porqueras, 2013

165164

Discoc

Wall Discoc Christophe Mathieu, 2012

White (Ral 9003)




21 opaque disks made in moulded ABS. Chromed semi-sphere.

Discoc A120 V - 60 Hz

2x E12 CFL 11W 2x E12 TYPE G16.5 60W 2x E12 LED TYPE G16.5 5W

p.18 p.204

Discoc A

10.8

3

14.96 9.29

Attractive and decorative, the Discoc has become a resounding success, with one foot in Scandinavian design and the other in Mediterranean style. Its complex simplicity and evocative play of light and shade make this lamp ideal to illuminate and enrich a setting.

Two new tones, beige and grey, have been added to the existing color range, this time with a matte finish.


167166

Ledtube

Wall Ledtube Daniel Lpez, 2009

The Ledtube is a flexible LED wall lamp with a 24 lens that directs a sharp beam of light. Made of injected aluminum, with a frontal piece in transparent polycarbonate, the Ledtubes cylindrical shape and automatic on/off switch make it an attractive and convenient fixture.

Due to its functional architectural design, the Ledtube can be installed either vertically or horizontally, and is an excellent choice for a bedside, headboard, or under-cabinet light.

169168

This orientable lamp lamp is easy to use, as it turns on automatically when open and off when folded away.

Wall Ledtube Daniel Lpez, 2009

Injected aluminum structure and a frontal piece of transparent polycarbonate. Incorporated switch to turn the lamp on when opened and off when folded away.

Ledtube

Ledtube120 V - 60 Hz


Aluminum

White

Black

Bronze

Range of positions

1.77

2.17x6

6.6

9

5.8

5

2.68 1.65

2.5

4.3

p.172


171170 Wall Ledtube Daniel Lpez, 2009

173172

Ledtube R

Wall Ledtube R Daniel Lpez, 2012

This surface-mounted version of the Ledtube incorporates the LED technology of its predecessor into an attractive round casing. The orientable wall lamp is easy to use, with an incorporated switch to turn the lamp on when opened and off when folded away.

The lamps 180 rotation makes it deal for any bedside.

175174

This orientable lamp lamp is easy to use, as it turns on automatically when open and off when folded away.

Wall Ledtube R Daniel Lpez, 2012

Injected aluminum structure and a frontal piece of transparent polycarbonate. Incorporated switch to turn the lamp on when opened and off when folded away.

Ledtube R

5.2

1.34

Ledtube R 120 V - 60 Hz


Aluminum

White

Black

Bronze

p.166

Ledtube R Left

Ledtube RRight


177176 Wall Ledtube R Daniel Lpez, 2012

179178

Ledcompass

Wall Ledcompass Joan Gaspar, 2012

This orientable system of LED reading lights is based on a compass-style joint, which allows the light to be aimed easily in any direction. Inspired by the ventilation nozzles on airliners, the Ledcompass collection is easy and intuitive to handle as its LED technology enables users to aim the light without burning themselves.

With its clean, discreet lines, the Ledcompass is designed to function as a reading light, or to highlight shelves or countertops.

An injected aluminum body houses a 360 swiveling LED light. Integrated rocker switch at the base of the fixture.

Ledcompass Ledcompass RSC

5.3

4.1

4.3

2.3

2.7

3.9

4.7

Ledcompass / RSC 120 V - 60 Hz


Black

Silver grey

White

5.9 1.3

3.4

3.8

Dry locations onlyADA

181180

Polo

Wall Polo Joan Gaspar, 2013

The fluidity of its movements and its integrated LED technology make the Polo a light source with a great precision and versatility.

The Polos elegant diffuser is made from injected aluminum, with a rotary switch at its base. It is available in both black and white.

183182 Wall Polo Joan Gaspar, 2013

Body and diffuser in lacquered aluminum. A switch is incorporated into the diffuser.

Black (Ral 9005)

White (Ral 9001)

Polo A 120 V - 60 Hz


p.104 p.136



2.76

Polo A Wall bracketPolo A with clamp

Max

. 1.5

7

1.85

1.85

1.85 1.7

7

3.82

3.94

Polo A hardwired

1.97

1.97 1.77

3.82

3.94

0.71

0.3

9

1.97 1.77

3.9

4

2.76

3.54

4.5

3

4.33

185184

Scotch Club

Wall Scotch Club Xavier Maosa & Mashallah, 2013

The warmth of the fixtures ceramics contrasts with the faceted edges of the sphere, making it seem as if it is winking playfully.

Made using a meticulous, traditional design process, the lamps are fired four times using glazes specifically developed for this collection and incorporate warm, high-quality materials, such as gold.

Available in white, blue, terracotta, or black ceramic, with brilliant white or gold enamel interiors.

187186 Wall Scotch Club Xavier Maosa & Mashallah, 2013

p.210p.38

White

White-Gold

Blue-White

Blue-Gold

Terracotta-White

Terracotta-Gold

Black-White

Black-Gold

Ceramic diffuser with an interior of brilliant white enamel or gold. An inner reflector matches the white enamel or gold of the interior.

Scotch Club A 30

4.4111.81

5

.79

Scotch Club A 40

5.7915.75

7.17

Scotch Club A 30 120 V - 60 Hz

2x G9 Bipin T4 40W

Scotch Club A 40 120 V - 60 Hz

2x E26 TYPE A 60W 2x E26 CFL T2 18W 2x E26 LED TYPE A 11W

2x G24 q-2 T4 18W

Dry locations onlyADA*

**

* Only for Scotch Club A 30

** Only for Scotch Club A 40 with G24 q-2 T4 18W bulbs

RangeDimmable *

189188

Tam Tam

Wall Tam Tam Fabien Dumas, 2012

This wall version of the Tam Tam features either one of two shades, with 360 rotation. Versatile and cheerful, this fixture invites you to play with color, and we offer a shade selection of black, off-white, orange, brown, green, sand, and blue.

The Tam Tam is made to fit your environment, spreading light wherever you place them. The single shade fixture has an incorporated switch and is perfect as a bedside lamp, while the double shade version is great for corridors and general spaces.

They may be small, but theyre just as mighty as their big brothers. The Tam Tam is smart, attractive, and will bring a smile to your face.

191190 Wall Tam Tam Fabien Dumas, 2012

p.84p.12

White lacquered metal plate. Shade made of lacquered aluminum with an opalescent methacrylate diffuser.

Tam Tam A Tam Tam A2

Tam Tam A 120 V - 60 Hz

E12 CFL TYPE T2 13W

E12 TYPE G16.5 40W


Tam Tam A2 120 V - 60 Hz

2x E12 CFL TYPE T2 13W 2x E12 TYPE G16.5 40W 2x E12 LED TYPE G16.5 5W

8.6

10.3

8

.6

9.6

8.6

16.7

13

.7

9.4

5

9.45

9.0

6

Base


Shade

Black (Ral 9011)


Orange (Ral 2000)


Green (Ral 6025)

Sand (Ral 7032)

Blue (Ral 5024)

Range

Dry locations only

193192

Mercer

Wall Mercer Joan Gaspar & Javier M. Borrs, 2009

Chromed iron wall bracket. Textile shade that floats inside a transparent blown glass structure. Opal diffuser covers the fixtures top opening.

p.146

Structure Chrome

Shade Natural cotton ribbon

Pearl white

Mercer A

120 V - 60 Hz

E12 TYPE G16.5 60W

E12 CFL TYPE A14 7W

E12 LED candle 5W

Mercer A

p.58 p.208

6.0

6

4.7

9.57

Range

3.9

7.87

Dry locations only

Mercer is a beautiful and elegant lamp. The fusion of different materials achieves a spectacular result due to its pure textile shade floating in a transparent blown glass structure. The inner diffuser is available in natural cotton ribbons and in a more modern and minimalistic version, in pearl white.

195194

Scene

Wall Scene Joan Gaspar, 2012

A wall lamp which provides indirect light, Scene lights the wall in a neutral, discreet manner combining functionality and comfort. Scene features an opening at the front which creates a halo of light to stage this theatrical effect.

Made from injected aluminum, it is available in black or white.

White lacquered metal plate. Shade made of lacquered aluminum with an opalescent methacrylate diffuser over the open end.

Scene

Scene 120 V - 60 Hz

G24 q3 TYPE T4 26W

White (Ral 9003)

Black (Ral 9005)

3.4

11.3

2

3.9

7.2

Dry locations onlyADA

4.2

197196

Continua

Wall Continua Christophe Mathieu, 2010

Conceived as a modular system for producing continuous strips of light, the Continua is designed to fit easily in any decorative setting. Warm and understated, it explores new possibilities for interior design.

Presented in four different lengths, it can be installed as isolated modules, or continuousstrips can be created to illuminate corridors, headboards, etc. Its multi-faceted design also allows it to be used as a base for illuminated signs, or to lighting bathrooms.

An integrated Ledtube LED reading light can be built into the bottom of the fixture, perfect for a headboard.

199198 Wall Continua Christophe Mathieu, 2010

4.8

4.7

Continua

Continua + Ledtube Joint kit

A

3.3

3.6

A 120 V - 60 Hz

23.6 T5 HO Mini Bipin 24W



59 T5 HO Mini Bipin 80W

120-277 V - 50/60 Hz

34.6 LED 21.6W 2700K* 1572lm

47.2 LED 28.8W 2700K* 2096lm

59 LED 36W 2700K* 2620lm

Structure Transparent-Chrome

Diffuser White linen

Extruded anodized aluminum structure and polycarbonate profile with a diffuser in white linen. Chromed aluminum side over.

Suitable for damp locationsADA

* 3000K available upon request

** Only LED versions

Dimmable**

201200

Manhattan T5

Wall Manhattan T5 Joan Gaspar, 2005

The main virtue of this geometric collection of wall lamps is the rationality of its design and its ornament-free look. An interior silk-screened polycarbonate film complements the high quality of the T5 fluorescent light source, and the fixtures shape makes them suitable for vertical or horizontal installation, perfect for bathrooms or kitchens.

Chromed aluminum structure. Diffuser made of silk-screened polycarbonate.

Manhattan T5 63.5 (25) 120/277 V - 50/60 Hz

T5 HO Mini Bipin 24W

Manhattan T5 93.5 (36.81) 120/277 V - 50/60 Hz


Manhattan T5 123.5 (48.62) 120/277 V - 50/60 Hz


Structure

Chrome

Diffuser

White

Suitable for damp locationsADA

Manhattan T5 93.5

Manhattan T5 123.5

Manhattan T5 63.5

3

3

3

2.64.5

4.5

4.5

2.6

2.6

25

36.81

48.62

Ceiling

205204

DiscocAn exuberant fixture even when turned off, the Discoc offers a rich downward illumination along with a dramatic play of light and soft shadows. Its detailed study of incident light, as well as the reflections from both sides of the disks, provide the lamp with a nuanced, appealing gradation of light and depth. Further reflections dance off the chrome-covered semi-sphere at the core, where the disks are anchored.

When the light is turned off, it retains its attractive presence, hinting at the expansion of energy that is fully expressed when it is turned on.

Discoc C53 Discoc C68 Discoc C88

21 opaque disks made in moulded ABS. Chromed semi-sphere.

34.65

21.

46

20.87

13.3

9

7.5 10.63 12.4

26.77

17.2

4

p.164

Discoc C53 120V - 60Hz

E26 CFL Globe 23W

E26 TYPE A21 150W

E26 LED TYPE A 11W

Discoc C68120V - 60Hz


p.18

Discoc C88 120V - 60Hz


Ceiling Discoc Christophe Mathieu, 2009


White (Ral 9003)




207206

Maranga C

A shade made up of 32 polycarbonate sections, all attached. Underneath there is a transparent polycarbonate diffuser with a prismatic engraving.

Maranga C 120V - 60Hz


White (Ral 9003)

MarangaMaranga is the name of an imaginary fruit: exquisite, tempting, succulent. It reinterprets Scandinavian style in the essentiality of its shape and its rational use of lighting to generate a warm, comfortable atmosphere.


6.3

19.7

p.50 p.110 p.144

Ceiling Maranga Christophe Mathieu, 2012

5.12


209208

Textile shade that floats inside a transparent blown glass structure. Opal diffuser disk on the lower part.


Pearl white

Mercer C120V - 60Hz

2x E26 TYPE A19 60W 2x E26 CFL TYPE T4 20W 2x E26 LED TYPE A 11WMercer C

MercerThe ceiling version of the Mercer lamp joins this range of lighting fixtures that stand out for their subtle reversal of roles: the cloth shade is inside a structure of transparent blown glass. The glass delicately protects the shade in natural pleated cotton or in a sophisticated pearl white fabric, at the same time as producing additional reflections. The main aim of this lamp is to give the ceiling of a room a delicate, warm glow, at the same time as providing illumination.

17.32

5.51

6.9

3

6

p.58 p.146 p.192

Ceiling Mercer Joan Gaspar & Javier M. Borrs, 2010


211210

White

White-Gold

Blue-White

Blue-Gold

Terracotta-White

Terracotta-Gold

Black-White

Black-Gold

Scotch Club C G9 Bipin T4 40W

4.65

5.0

8

5.79

Scotch Club C

p.38

Ceramic diffuser with an interior of brilliant white enamel or gold.

Scotch ClubThe warmth of the fixtures ceramics contrasts with the faceted edges of the sphere, making it seem as if it is winking playfully.

Made using a meticulous, traditional design process, the lamps are fired four times using glazes specifically developed for this collection and incorporate warm, high- quality materials, such as gold.

Available in white, blue, terracotta, or black ceramic, with brilliant white or gold enamel interiors.

Ceiling Scotch Club Xavier Maosa & Mashallah, 2013


p.184

213212

SohoSoho is presented as a statement, in recognition of the merits of the lamps traditionally used in markets, taverns and cafeterias. After studying different volumes, proportions and materials, new uses and lighting effects have emerged. Thanks to the use of rotary moulded polyethylene, large sizes can be obtained. With a diameter of 44, it has been conceived for large spaces, while the 22 model is ideal for lighting a dining table.

In the translucent white version, the whole structure emits ambient light.

Shade in rotary moulded polyethylene. Methacrylate opal diffuser.

Soho C 57

T5-C 22W+40W

LED SMD 28.1W 700mA 2700K 3800lm

Soho C 112

8x T5 24W

LED SMD 127.2W 300mA 2700K 16680lm

White

Stone grey

Black

Soho C 57 Soho C 112

p.232

44.3

14.3

7.84.7

22.4

7.28

p.52

Ceiling Soho Joan Gaspar, 2010


215214

Plaff-On!The informal tone of its name perfectly matches the intention to offer an alternative to this type of lighting fixture. A ceiling lamp whose beauty lies in its simplicity and clarity, at the same time as offering multiple lighting effects thanks to its design. The structure around the diffuser, in blown white glass, is set slightly apart from the ceiling and filters the light upwards, creating a glowing halo. This same aluminum ring, which is also white on the inside, acts as a reflector and creates a new halo that surrounds the shade with direct light. Available in three diameters, it can also be used as a wall fixture.

Ceiling Plaff-On! Joan Gaspar, 2010

217216

Ring made of lacquered aluminum which supports an opal blown glass shade.

Plaff-on! 20 120 V - 60 Hz

2x G9 Bipin T4 60WLED SMD 7.8W 700mA 2700K

1066lm (included)2

Plaff-on! 33 120 V - 60 Hz

2x E26 TYPE A19 60W 2x E26 CFL TYPE T 20W

2x E26 LED TYPE A 11W LED SMD 20.8W 700mA 2700K

3023m (included)2

Structure

Silver grey

Black

Diffuser

White

Plaff-on! 50 120 V - 60 Hz

4x E26 TYPE A19 60W 4x E26 CFL TYPE T 20W

4x E26 LED TYPE A 11W 4x GU24 CFL 13W

LED SMD 28.1W 2700K 700mA

3800lm (included)1

1 Hi-lume dimmer driver 120/277 V - 50/60 Hz2 Triac phase control dimmer

3.9

2.48

7.87

Plaff-on! 20

13

4.65

2.9

Plaff-on! 33

19.7

5.43

3.54

Plaff-on! 50

Ceiling Plaff-On! Joan Gaspar, 2010

Dry locations onlyADA* **

* Only for Plaff-on! 20 ** Only for LED models

Dimmable

219218

Translucent Atlas 120V - 60Hz

E26 PAR30 75W

E26 LED PAR30S 13W 36 2700K

p.74

Transparent polycarbonate shade that envelopes the light source. Stainless steel and teflon joint. Base made of white polyamide.

Atlas

4.33

4

6.6

9

1

9.8

Base Atlas 2

9.8

4.9

AtlasAtlas transforms a common bulb into a spotlight, enveloping it along its outline. Taking its nudity as the starting point, it dresses the bulb up with a transparent suit that also gives the lamp the added benefit of lightness.

Made of transparent polycarbonate and a polyamide base, this directional spotlight can be grouped in bases of 2 units.

Ceiling Atlas Joan Gaspar, 2000

Dry locations only


Range

Outdoor

223222

Santorini

Outdoor Santorini Sputnik Studio, 2014

Inspired by the lanterns found on fishing boats, this collection of customizable outdoor lamps allows you to create multiple compositions. Users can choose how many shades to place on the diffuser, along with their order, position and direction. Available with white, grey, or mustard-colored shades, this interplay of combinations yields a rich array of direct or reflected light.

The Santorini collection can be hung from the ceiling, either individually or clustered together, or they can be strung up like a garland. They also work as wall lamps or standing lamps using accessories that can easily be added.

The Santorini is also available as a fixed-stem wall or ceiling fixture. The metal stem provides rigidity to the light, improving its usability in outdoor applications and lending the fixture a more solid appearance.

225224 Outdoor Santorini Sputnik Studio, 2014

Blown, pressed glass diffuser attached to a grey polycarbonate structure. Shades available in numerous colors. Metal support and accessories on grey with stainless anti-oxidant cataphoresis treatment for outdoor.

8.35

Garland accessory

Santorini

10.16

3.94

14.7

6ft

Santorini E26 CFL TYPE A19 14W

E26 LED Type A19 8W

White (Ral 9003)

Grey (Ral 7039)

Mustard (Ral 1032)

Canopy IP65

4.41 4.41

1.3

8

1.3

8

Canopy


Suitable for wet locations

Santorini A Fixed Stem

3.943.94

8.358.35

11.3

14.5

3

10.16

4

.72

Santorini C

10.16

15.2

4.72

Wall bracket

7.95

4

.72

67.

8

13

1.18

Floor accessory

8.94

4

.41

Wall bracket IP65

233232

Soho

Outdoor Soho Joan Gaspar, 2010

Soho is presented as a statement, in recognition of the merits of the lamps traditionally used in markets, taverns and cafeterias. After studying different volumes, proportions and materials, new uses and lighting effects have emerged. Thanks to the use of rotary moulded polyethylene, large sizes can be obtained. With a diameter of 44, it has been conceived for large spaces, while the 22 model is ideal for lighting a dining table. In the translucent white version, the whole structure emits ambient light. This outdoor model is suitable for illuminating porches, gardens and terraces or open-air dining areas.

This year, the Soho comes in two exterior versions wall and ceiling with a tube structure that allows the product to be used in a more architectural way to light up faades or outdoor spaces.

235234

Soho 112 120V - 60Hz

8x T5 24W

120V/277V - 50/60Hz

LED SMD 127.2W 300mA 2700K

16680lm (included)

Outdoor Soho Joan Gaspar, 2010

Soho 57

Soho 112

Soho A Soho C Fixed Stem

Shade in rotary moulded polyethylene. Methacrylate opal diffuser. Metal support lacquered in black with stainless anti-oxidant cataphoresis treatment for outdoor. Cable support for the wall version.

22.422.44

12

20.7

6

34.96

15.8

7

23

.22

5

.9

p.212

Soho 57 / A / C Fixed Stem120V - 60Hz

T5-C 22W+40W

120/277V 50/60Hz

LED SMD 28.1W 700mA 2700K

3800lm (included)

White

Stone grey

Black

p.52

22.44

4.3

12

6.5

6ft

1.4

44.33

23

.9

9.8

4ft

1.4


4.3

RangeDimmable

5.9

237236 Outdoor Soho Joan Gaspar, 2010

239238

Cala

Outdoor Exterior Cala Joan Gaspar, 2012

Creating a warm, comfortable indoor atmosphere in an outdoor space: this is the aim of the Cala. A highly decorative light, its structure draws on the simplicity of an outdoor cafe table of the classic painters easel.

The rotary moulded polyethylene shade is enclosed in a zipped Textilene sleeve which filters the light and gives it a texture rich in nuances.

There is also a wood indoor version, available in three sizes.

241240 Outdoor Cala Joan Gaspar, 2012

p.88

Structure in painted iron or iroko wood. A rotary moulded polyethylene shade is enclosed in a zipped textilene sleeve. Painted iron base with stainless cataphoresis treatment.

Cala 120 V - 60 Hz

2x E26 CFL TYPE T4 18W 2x E26 LED TYPE A 11W

Structure

Grey

Dark iroko

Shade

Brown

Weighted base

Cala 140 IP65

9.4

5

55

.12

Cala Susp. IP65

9.4

56

.56

ft

4.33

1.4

1.9

13

20.87

15.35

15.9

20.87

16.54

Weighted base: 12.05 lb


Suitable for wet locationsRange

243242 Cala by Joan Gaspar 2012Outdoor

245244 Outdoor Cala Joan Gaspar, 2012

247246

TXL

Outdoor Exterior TXL Joan Gaspar, 2007

Designed to illuminate gardens and terraces, TXL emits an extremely warm light, just like an indoor lamp. Tough and impressive, the floor version sits on a slate base which supports a voluminous shade made in fibre-glass coating with a plastic material. The pending version stands out for its lightness and is suitable for illuminating outdoor tables.

249248 Outdoor TXL Joan Gaspar, 2007

Cast iron base with slate, and metal stem, both with stainless cataphoresis treatment. Shade made of textilene ribbons. Diffuser in white acid etched glass.

TXL Susp. 70 TXL 170 TXL 205TXL Susp. 58

27.56

80

.32

22.84

66

.93

TXL 170 / Susp. 58 120 V - 60 Hz


TXL 205 / Susp. 70 120 V - 60 Hz


Structure

Grey

Shade

White


17.9

1

27.56

16.34 19.88

6.4

6ft

4.3

181

14.7

6

22.84

6.4

6ft

4.3

181

Suitable for wet locations

255254

LabSober, architectural, practical The Lab is an outdoor wall lamp that incorporates LED technology. A variable frontletmade of stone-compound, iroko wood, or either black, grey, or white aluminumallows it to alternately blend in to or stand out from its surroundings, making it an extremely versatile fixture ideal for a variety of applications.

Outdoor Lab Francesc Rif, 2012

257256

Structure made of injected aluminum with frontal lids in metal, wood or stone-compound, to be chosen.

Lab 1

4.96 4.963.15 3.15

4.9

6

4.9

6

Lab 2

Lab 1 120 V - 60 Hz

LED 3W 700mA 95lm (included)

Lab 2 120 V - 60 Hz

2x LED 3W 700mA 95lm (included)

Structure

White

Black

Lid

White

Grey

Black

Dark iroko

Light iroko

Stone-compound

Signage lid on request (Lab 2 only)

Outdoor Lab Francesc Rif, 2012

Suitable for wet locationsADA

259258 Outdoor Lab Francesc Rif, 2012

260 Symbols & Certifications

Symbols

ADA Compliant Wall Lighting: Objects projecting from walls with their leading edges between 27 inches and 80 inches (2 4 to 6 8) above the finished floor shall protrude no more than four inches into walks, halls, corridors, passageways or aisles.

Product with cULus mark indicates compliance with U.S. and Canadian safety standards, as set by Underwriters.

A fixture for indoor use, where it will not be exposed to excessive moisture and water.

A fixture that may be used in sheltered outdoor areas that are protected from direct contact with rain, snow, or excessive moisture.

A fixture suitable for outdoor locations that receive direct contact with rain, snow or excessive moisture.

Certifications

Dry locations only Suitable for damp locations Suitable for wet locations

ADA

Dimmer on the unit. Product which can be dimmed.

DimmableDimmer

263

CoordinationIsabel Valle

Concept, graphic design, art direction & creative direction in productionFolch

Photography Alexis TaulCoke BartrinaKlunderbieLeo GarcaMarc SerraMariluz VidalMiguel Fernndez

Illustration Pol Montserrat

Printing IngoprintPrinted in BarcelonaDecember 2015

Credits

reflections on light

Introduction

Behind any object, especially those concerned with light, there is a clear intention to attempt to improve the quality of life of the user and take care of the space in which the light is found. Light allows us to see our surroundings; as such, looking after light is essential, and it is precisely this that is at the heart of this project.

Reflections on light gathers a series of conversations with designers, architects and artists who work with and think about light every day. These films and interviews focus on the people behind the objects, concentrating on their creative vision and background from which their ideas are born; the importance of the beauty of well- made objects, and how the objects affect our perception of life.

Imma Bermdez p.04 Stefano Colli p.20 Joan Gaspar p.34 Xavier Maosa p.50 Maria Reig p.66

Christophe Mathieu p.82 Mathias Hahn p.98

2918267819409

Reflection 1

Inma BermdezMy favorite kind

of light is candlelight with its flickering

flame.

Interview4 5

Born in Murcia in 1977, at the tender age of one week old Inma Bermdez moved to Valencia a fount of Spanish creativity where she would eventu-ally study design. Today she works for a wide variety of companies in different countries. Though she is still based at her country home, 20 km from Valencia where she lives with her dogs, hens, vegetable patch, and close enough to her family to maintain a tradition of Sunday paella she travels all over the world to launch new products. With the FollowMe, she feels she is adding a feminine touch to the Marset line.

Interview6

On what day did you become a designer?I have liked to create things my entire

life. I have been creative and curious since I was little. I think that the day I began to be a designer was precisely when I began to work. I have always been insecure, and I did not have the sense that I was capable of creating anything until I saw that I was able to design things that were manufactured and brought to market.

Is the idea of having the ability to create things very powerful?I think that this perspective comes

from a person who is not living in the skin of a designer, because to me it is totally natural. On the other hand, the job of a surgeon seems incredible to me because I am totally unfamiliar with that field. To me, creating is natural, and I love it, it comes easily, I dont have to think a lot about what I am doing, I just do it.

Where did you study?I studied in Valencia, and in my last

year at university I went on an Erasmus trip to Germany. It was hard, but not too hard because my first rule after I arrived was not to compare, because if I compare it with what I had experienced at home, Im always going to prefer what I am more familiar with. When I live someplace else, my philosophy has always been to make the most of the place. This helps a lot; it lets you get to know people from another perspective and to be more relaxed. In Germany I learned the culture of recycling, I began to get close to nature, to animals. I met people who lived with hens and goats, who had their

own vegetable gardens, and I began to feel curious. And that is one of the reasons why I live the way I do now: in a house built in a sustainable way, with animals, a vegetable garden, hens and roosters, in a very relaxed way. An atmosphere like that helps me to get the peace and quiet I need to create.

After that, I worked in France in the summers in design workshops organised by the Vitra Design Museum. And later still I did an internship at Ikea and went to Sweden. I spent the winter there it was a bit hard because there was no light. I ate tons of chocolate, a total anti-depressant, but I learned a lot and it brought out the best in me.

After six years abroad and living back in Valencia, I worked at Lladr, which taught me about the world of porcelain.

What is light?Thats a difficult question light is

everything. If we didnt have light, we couldnt eat, we couldnt live. In this sense, light gives us life, its necessary for everything Light is life, happiness, enthusiasm, warmth love. Light is everything. Ultimately, if there is no light, there is nothing.

What does a beautiful light make you feel?It makes me feel peaceful, quiet

I am really bothered when a light isnt good. It affects my mood.

What is a beautiful light like?To me it is candlelight, firelight,

the light of a flame. This might be a bit anthropological, coming from back when we used to live in caves and use fire to illuminate things. At my home, when we light the fireplace, you can spend hours watching the flames. Its an amazing feeling. It captivates you its hypnotising.

7Inma Bermdez

98 Interview Inma Bermdez

11

And yet you make artificial light...Yes, I make artificial light, but I am

very careful with the kind of light I make: the tone, the intensity and the warmth of the light are very important. They are essential factors when designing a light.

We all have memories associated with life. Tell us one of yoursI live in Valencia, a city by the sea,

and when I was a little girl I didnt have a village to go to on the weekends, and in the summer we used to go to the beach by car. We would get there in the morning, and the reflection of the sun on the sea and the enthusiasm you have when youre a child and you go to spend a day at the beach is a really happy memory of mine. In addition it is also associated with the sea, and the sea is very important in my life.

You are Mediterranean...Yes, Im very Mediterranean, plus

I would fight tooth and nail to defend being Mediterranean. I like it. I think were sensitive, outgoing people. I love the Mediterranean diet, olive oil, tomatoes. I really defend everything Mediterranean.

What are the values of being Mediterranean?Subjectively, its being a joyful person,

a person with light, fun

Do you think that the place you grew up, the Mediterranean, has affected the way you design?More than that, I think that the

most important thing is to put yourself in the shoes of the user. Designing also means thinking about the role of the user, identifying the problem and trying to provide a solution. More than thinking about the origin of the designers culture, you have to determine the experience with this object, the psychology of the object.

What do your designs say about you?That depends on for whom you

make things. For Ikea, my designs are very practical theyre smart. For Marset, the FollowMe lamp says a lot about who I am. I am quite an expressive, spontaneous person, and people like the lamp; they smile when they see it.

I am functional for Ikea, I am the more romantic or floral Inma for Lladr, and for Marset I might be the more emotional Inma.

Do the things you design have a soul?Yes, objects have a soul, they convey

something to you, they speak to you, they are made to be touched and used. In fact, when you create them you have to think about this soul, about this language, which is what they are going to do, or how they are going to interact.

What is an optimistic lamp like?A lamp that makes you smile, that

draws a smile from you, that gives you a light that makes your eyes shine. A lamp that you love to me this is the kind of design I like. It is not always possible, but I think that weve achieved it with the FollowMe.

10 Interview Inma Bermdez

1312

Ultimatel y, if thereis no ligh t, there is

nothi ng. I.B.

Interview Inma Bermdez

15Inma BermdezInterview14

Interview16

Ultimately everyone likes it. After that its a question of price, but everyone who sees it smiles and likes it. And thats really difficult, to get a product that almost everyone responds well to. We human beings have different tastes, and each one is the son or daughter of different parents, so its difficult to reach everyone

Tell me about the FollowMe.Follow me, follow the light. I love its

name its like a treat. Its name is part of the products essence. The FollowMe is a portable, wireless lamp with batteries. You carry it with you so its like a gadget.

How did you come up with it?I like to dig into the companys past,

and I asked Marset for information on old designs from 20 or 30 years ago. So Javier Marset sent me a catalogue and I discovered a lamp from the 1970s which was called the Flash. It was a table lamp and I really liked the way the top was attached. That was my point of departure. With the sketch in hand, Javier gave me his marketing perspective and talked about a market niche: battery-powered lamps. Usually they have a more camping-style aesthetic, more practical, so I began to work to make it really attractive. And in conjunction with Marsets technical department we managed to create this delight.

Is design a lifestyle?Design is more a way of thinking.

A designer is a curious person. You like to know the reason behind things, and ultimately it is a way of seeing life. When you travel, you see things differently. You think: How was that made? What material is it made of?

Where do your ideas come from?Mainly from working ideas come

by thinking of them!

What is the perfect lamp like?I think that everyone has their own

definition of perfection. To me, it is a lamp that I want to have, that gives good light, a lamp that I like having wherever it is.

And perfect light?Thats difficult because it depends

on what its for, what mood depending on the action youre doing, you need a different kind of light. My favourite light far and away is firelight.

What remains for you to do?Lots of things. I want to be happy,

travel, have a family My most important goal is happiness, and to find it is it important to be near the people you love, my family and my dogs.

The best reward with FollowMe is having created something that makes people smile, that they like as much as I do. It means that its a job well done.

Inma Bermdez 17

Inma Bermdez 19Interview18

Reflection 2

Stefano ColliLight is life. It is being

able to recognize everything

21

Stefano Colli was born in 1966 in Reggio Emilia, the birthplace of Parmesan and balsamic vinegar. He studied architecture and design taught by great en-thusiasts in these fields, such as Achille Castiglioni, Bruno Munari, Enzo Mari and Vico Magistretti. It was after his studies that life lead him to Barcelona where he built his professional career and started a family. After more than 25 years as an architect, Stefano claims that architecture is a tool for com-municating and expressing emotion. In recent years he has specialised in corporate interior design, and has become concerned with how company strategies and innovation are conveyed through the interior spaces. He strives to find new ways of perceiving design, generating projects that are more accessible and viable for all audiences.

Interview20

23Stefano ColliInterview22

What kind of light do you usually find in the woods?Filtered light, for example. Its a kind

of light with a spectacular quality because it goes through the lattice created by the leaves and branches. Or the light that reflects off the ground after it rains. Plus, in the woods there are endless textures that stand out in the light the mos

marset catalogue 16 17 usa

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