mannerism
DESCRIPTION
Mannerism - Art & ArchitectureTRANSCRIPT
Presented By:-Farhan Asim
Varsha Kapoor
Saumya Kamboj
Prashant Awasthi
Ankit Vaswani
Pooja Pandey
MANNERISM
HISTORY OF ARCHITECTURE2014-2015
MANNERISM
• Post Renaissance Pre-Baroque
• 16th century (1520-1590)
• In Florence & Rome.
• Evolved from Italian word ‘Maniera’ –‘style’ or ‘way of working’.
• Artificial style in contrast to the naturalism of the high renaissance.
• Distortion of elements such as proportion and space.
• Expressive forms of arts rather than classical forms.
• Details out the lives and works of key artists of the Mannerist style.
• Recognition of artistic elements of Mannerist painting, sculpture and architecture.
• Irrational spaces.
MANNERISM – basic features
• Elongated features.
• Figura Serpentinate.
• Less emphasis on balance, symmetry and rational composition (values of High Renaissance).
• Unusual lighting effects.
• Expressive forms.
• Adopted from Roman Architecture style.
MANNERISM – basic features
• Elongated features.
• Figura Serpentinate.
• Less emphasis on balance,
symmetry and rational composition
(values of High Renaissance).
• Unusual lighting effects.
• Expressive forms.
• Adopted from Roman Architecture
style.
MANNERISM – basic features
• Elongated features.
• Figura Serpentinate.
• Less emphasis on balance,
symmetry and rational composition
(values of High Renaissance).
• Unusual lighting effects.
• Expressive forms.
• Adopted from Roman Architecture
style.
MANNERISM – basic features
• Elongated features.
• Figura Serpentinate.
• Less emphasis on balance,
symmetry and rational composition
(values of High Renaissance).
• Unusual lighting effects.
• Expressive forms.
• Adopted from Roman Architecture
style.
MANNERISM – basic features
• Elongated features.
• Figura Serpentinate.
• Less emphasis on balance,
symmetry and rational composition
(values of High Renaissance).
• Unusual lighting effects.
• Expressive forms.
• Adopted from Roman Architecture
style.
MANNERISM – basic features
• Elongated features.
• Figura Serpentinate.
• Less emphasis on balance,
symmetry and rational composition
(values of High Renaissance).
• Unusual lighting effects.
• Expressive forms.
• Adopted from Roman Architecture
style.
MANNERISM – characteristics
• PERFECTION & REACTION – THE NEXT STEP AFTER EXTREME END.
MANNERISM – characteristics
• ABSTRACTION OF THE ORDERS – HIDING OR COVERING UP THE ORDERS
OR COLUMNS.
MANNERISM – characteristics
• RUSTICATION – RELIEF IN EXTERIOR
THROUGH CHISELLED TEXTURE
• EXPOSED BRICK / STONE WORK.
• EARLIER THE EXTERIOR WAS COVERED
WITH EITHER STUCCO OR PLASTER
MANNERISM – characteristics
• ANTISTRUCTURALISM – NOT USING THE STRUCTURE FOR WHAT IT STANDS FOR.
MANNERISM – characteristics
• EXAGGERATION & DISMEMBERMENT – EXTENDING BEYOND LIMITS AND IN A SEPARATED WAY THUS
EACH EXTENDED ELEMENT HAS ITS OWN IDENTITY.