manila conference wed afternoon - rhythm

21
Wednesday 10 July 2013 Rhythm

Upload: wwz3254611

Post on 20-May-2015

94 views

Category:

Education


2 download

TRANSCRIPT

Page 1: Manila conference   wed afternoon - rhythm

Wednesday 10 July 2013

Rhythm

Page 2: Manila conference   wed afternoon - rhythm

1. Definitions2. The importance of pulse

Rhythm in the musical trinity The order of music in the Christian life

3. How pulse affects communicating Truths Fast and slow tempi

4. Introductions should establish pulse clearly

Overview

Page 3: Manila conference   wed afternoon - rhythm

Pulse: an emphasis or movementRhythm: the arrangement of pulses (notes

and rests) around a beatMeter: a consistent beat pattern (simple,

compound, triple, duple), which is defined by beats per bar

Subdivision: the practice of breaking down rhythms into smaller units

Tempo: the speed of the beat (measured in bpm)

Definitions

Page 4: Manila conference   wed afternoon - rhythm

The pulse is a sign of life – man is living, music has lifeIn the same way, breath is a sign of life. Man

breathes, music also breathes.

As musicians, it is very important to develop our rhythm skills (activity)

Why?

Its importance lies in how man was created by God

The importance of pulse

Page 5: Manila conference   wed afternoon - rhythm

Melody(spirit)

Rhythm(body)

Harmony(soul)

The Musical Trinity

Page 6: Manila conference   wed afternoon - rhythm

Our bodies have internal rhythm, a pulse

A pulse is necessary and good, but only in its proper place

No pulse = deadOverly visible pulse = sickUnderlying pulse = healthy

Rhythm and the body

Page 7: Manila conference   wed afternoon - rhythm

“… music needs to exhibit a flow, an overall feel for continuity, that moves progressively and irresistibly from beginning to end. It is not intended to hammer and drive a musical pulse into the mind…”

from Music & Ministry (p.93)

Dr. Johansson

Page 8: Manila conference   wed afternoon - rhythm

First Second Last

spirit soul body

melody harmony rhythm

dominant secondary controlled

The order of music in the Christian life

from Music in the Balance, F. Garlock & K. Woetzel, (p.63)

Page 9: Manila conference   wed afternoon - rhythm

But I keep under my body, and bring it into subjection: lest that by any means, when I have

preached to others, I myself should be a castaway.

1 Corinthians 9:27

Page 10: Manila conference   wed afternoon - rhythm

Rhythm in music affects our body

Rhythm is good, but only if it is under control

Rhythm should be subject to the melody

We must master rhythm in the same way that we must master our bodies

Summary

Page 11: Manila conference   wed afternoon - rhythm

‘pear’ quarter note

‘ap-ple’ two eighth notes

‘pine-ap-ple’ three eighth notes

‘wa-ter-me-lon’ four sixteenth notes

Four basic rhythms

Page 12: Manila conference   wed afternoon - rhythm

Many aspects of rhythm work together to convey truth. These include:temporhythmic values (e.g. lots of eighth notes or

lots of half notes)time signature

Example: Amazing Grace

How pulse affects communicating Truths

Page 13: Manila conference   wed afternoon - rhythm

Generally, slower tempi encourage reflection or meditation and faster tempi encourage joyfulness or zeal. Moderate tempi work best for most songs.

Examples: Glory to His Name

When playing for congregational singing, it is important to always choose a tempo which best reflects (or enhances) the thoughts of the song

How pulse affects communicating Truths

Page 14: Manila conference   wed afternoon - rhythm

Pianists and musicians should already ‘feel’ the tempo and pulse before they start playingPianists have a very important role in this area

A hesitant or uncertain introduction can negatively affect the singers and congregation

1 Cor. 14:8 For if the trumpet give an uncertain sound, who shall prepare himself to the battle? Through our ministry, we are ‘calling’ God’s people to

worship GodThis demands confidence in God’s enabling, not in self

ability

Introductions should establish pulse clearly

Page 15: Manila conference   wed afternoon - rhythm

1. Practice your introduction2. Know your tempo beforehand

Sing it in your head

3. Work with your song-leader Talk about what speed they are most comfortable

singing

4. Keep it simple5. Keep the beat steady

6. Master Tip: Play the dominant (5th) note of the key in the LH before the first beat of the bar (in C major, this would be G)

Top Tips for a Confident Start

Page 16: Manila conference   wed afternoon - rhythm

In order to identify the pulse/beat in a hymn, we must determine what the base grouping is

The base grouping is the smallest group of eighth notes that will fit into a beat according to the time signature (this is either 2 or 3 eighth notes)

Discerning the pulse in various time signatures

Page 17: Manila conference   wed afternoon - rhythm

EG. the smallest group is 2 – hence, there are FOUR beats

EG. the smallest group that divides 9 is 3 – hence, there are THREE BEATS

Discerning the pulse in various time signatures

Page 18: Manila conference   wed afternoon - rhythm

But what about 6 8?

6 8 is grouped into THREE, because 3 4 already groups them into TWO

Discerning the pulse in various time signatures

Page 19: Manila conference   wed afternoon - rhythm

Finding the beat requires knowing how to group the eighth notes

The table below shows how many beats are in each time signature

Let’s try beating these out together

Discerning the pulse in various time signatures

2 beats 3 beats 4 beats

2 4 3 4 4 4

6 8 9 8 12 8

Page 20: Manila conference   wed afternoon - rhythm

In groups, compose a short 8 bar rhythmic piece with at least 3 different rhythms, using various body percussion (clapping, tapping, clicking, stomping, etc.) Notate your composition on a blank piece of paper. Aim for variety and don’t forget to use rests.

In groups, pick three hymns and identify their following rhythmic characteristics; Time signature Appropriate tempo Meter (how many beats per bar)

Activities

Page 21: Manila conference   wed afternoon - rhythm

In groups, identify what character or mood would best fit the following hymns, and what tempo you would choose. Leaning on the Everlasting Arms Holy, Holy, Holy Great Is Thy Faithfulness Since Jesus Came Into My Heart Come Thou Fount How Great Thou Art To God Be the Glory

Whole groupWe’re going to sing a hymn/gospel song together at a slow

tempo, then a fast tempo

Activities