love never dies - full vocal score

(OCT

VOCATOBE

AL SCR 201

CORE 10 verssion)

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Act One Prologue

Darkness. A projection showing a mock-uf! of the New York Times dated 1897 bearing the headline: 'Paris Opera House Burns; Masked Fugttive Presumed Losl In Flames .

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An image appears alone. It is a FIGURII; the figure of a beautiful WOM4N: CliRISTINE. For a moment, perhaps, we believe -her real -- lhat she will sing. But no, sne is a ilummy -- a mannequin, a cold dead memory.

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From out of the darkness, a VOICE: 26 Agitato 1 PHAt~TOM 1

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years,

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~ ~'"" ~-e-~ade of life. Ten long years,

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~ liv- ing a mere fa -

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y wast-ing my time on

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Prologue (Oct 10) 35

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~ ~"" , ,-smoke and noise. In my mind, I hear

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But find I can't give them a voice with -out > >

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0 -61-" -61-" you! My Chris - tine, My Chris- tine ... Lost and gone, Lost and gone ...

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Now, like a stalker, a predator, there appears the PHANTOM. Alone with his strange perverse creation he serenades the puppet that was once his in flesh.

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----day starts, The day ends, Time crawls by. __ Night steals in, pac-ing the floor.

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Prologue (Oct 10)

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some- times, in dark -ness I dream that you are there But wake _n._

hold-ing noth-ing but the cold night -

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.. .. ~ -e- -----air. And years come, And years go, Time runs dry. __ Still I ache, deep in my

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core. My brok - en soul won't be a - live or whole,

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~ . 'Til I hear you sing once more. And mu - sic, your mu - sic, It teas-es at my

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~ ear. I turn, and it fades a-way and you're not here. Let hopes pass, let

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u dreams pass. Let them die! With -out you here, what are they

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u for? I'll a1 - ways feel no more than

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~ half - way real, 'Til I hear you sing once

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Prologue (Oct 10)

126

In his agony, the PHANTOM embraces his mannequin, believing for a mom~nt !hat it is real. Grandioso The Dummy breaks m hts grasp. H d'

e tsappears. A series of projections

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I : - - ~~~ "'-L' TI'"--------u- (8) _____________________________ _1 #-e-\ ____ __.,-e-~ Grainy black and white shots of the Statue of Liberty; Immigrants arriving in Ellis Island.

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_-e-~-e- #y~u-~u-------Another newspaper headline: 'Coney Isle Breaks Records. Crowds Flock To Rides, Freak Shows'. Old footal!;e of Conel

141 in it's heyaay, circa 907. ()

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From out of the gloom emer~es the figure of a WOMAN: upright, stiff, mirthless, lifeless except for her piercing eyes.

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157 The strange figures of SQUELCH, FLECK and GANGLE, fairground performers, join GIRY.

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We are transported to Con~ Island, 1907: a weird ana wonderful kaleidoscope of thrills and horrors.

Ev- ecy fan - ta- sy set free! Sod-om ris-ing by the sea! Won-ders and as-ton-ish-ments I FLECK and SQUELCH I

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(!) ~ For your de -lee - ta - tion. Phan-tomsand au-to-ma-tions for your fas - ci - na - tion!

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~ .~ ...... Mar-vels un-dreamt since the dawn of ere-a- tion!

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Prologue

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Mile by mile. And ly - ri - cal.

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nev - er still!

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Prologue (Oct 10)

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------

218

5th November 2010

Prologue (Oct 10)

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9th N()/Jember 2010

16 275

Prologue

~~~S~~ed~~~~M~d~~w~oo~d~~~~~~~~~.l~~~gJ~ng~~r~ooo~d.~~~~~~ 1 L

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Prologue A sign becomes prominent, inviting us to step inside Pbantasma STREET-URCHINS and CARNIES distribute leapts to a cunous gaggle ofONLaOKER, shOuting as they do so: PAMPHLETEERS (severaUy) Step right up -Mr Y welcomes you to Phantasma- starts today- only ten cents admission. '~ 283

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Wel-comeone andwel-come all! Wel-cometo th61lon-ster's ball. Wel-come one andwel-come aU!

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18 290 subp

Prologue

~~~~W~el~-c~om~e ~togth~e~W~el~-c~o~m~e ~togt~h~e IWte~lc~o~m~e~togt~h~e ~WEe~l-c~o~m~e~to~~th~e IW~e~lc~o~m~e ~to~~th~e~Wte~l-~co~m~e~t~ogth~e~ subp

the Wel-come to the Welcome to the Wel-come to the Welcome to the Wel-come to the

the Wel-come to the Welcome to the Wel-come to the Welcome to the Wel-come to the

Wel-come to the Wel-come to the Welcome to the Wel-come to the Welcome to the Wel-come to the

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4

Love Never Dies Scene 1 - Outside Phantasma

The entrance to PHANTASMA. SQUELCH, FLECK & GANGLE step fotward, once again, to address the ONLOOKERS.

3. Only For You

Moderato (l ..

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FLECK Featuring Dr Gangle, master of ceremonies!

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SQUELCH Mr Y welcomes you to Phantasmal

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SQUELCH Miss Fleck, aerialist extraordinaire ...

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-..(.-e-~-e-~-6-~-6-~ RECK The amazing Squelch,

8 world's strongest man ... I) ..

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GANGLE FLECK 12 And direct from Paris, France-- It's Coney Island's Ooh La La Girl--

ALLffiREE: Miss Meg Giry! A flock of showgirls runs out, flanking the STAR of the show.

Steady I MEG I 15 ~ (l .. 1":"1

,4!) Wei - come each and ev' - ry - one to our

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Love Never Dies 18 I MEG+ TRIO I ~

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0 fes - ti -val of fun! Some-thing no - ta - ble and new! We bring

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21 I MEG AND TRIO I _, (\ II

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u ,y~ gla-mour from a- far, plus a touch of the bi-zarre! And it's on-ly for you! See the

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.u See the

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u won-ders of our age all a-ssem-bledonour stage, Toofan-tas-tic to be true! What sen-

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.u .. won-ders of our age all a-ssem-bled on our stage,

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accel. Piumosso 29 IMEG TRIOI I MEG+ TRIO I ~ (\ ""' - + ""' +1:

v ~~ sa-tion seek-ers seek! Ev-ery kind of liv-ing freak! And they're on-ly for you! If it's

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Act 1 -3. Only For You 5th November 2010

Love Never Dies 33 .-A jf +I

-~ lf .. lf_ f!_ mar - vel and il - lu - sion that your soul and bo - dy crave, you'll be

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I ~ I-~ ~ .. lea - ving here con - tent, be in no doubt! All you

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I-~ -need to be is will - ing and per - haps a lit - tie brave! There's an

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oh so sim - pie way of fin - ding out! Is your

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a lit - tie hum- drum, IS your wife a lit - tie glum? We've the Al

Love Never Dies 53 ;(l .. 1'1:

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re - me - dy for all who wear a frown! We won't

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.~ --.... bite you, we'll de - light you! We in - vite you to sue - cumb to this

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.~ sing - u - lar att - rae - tion, which is off - ered at a frac - tion of the

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-price of an - y o - ther show in town! We've got

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~ ~ = i i :ij > > Act 1 -3. Only For You 5th November 2010

Love Never Dies 69 I SQUELCH I I MEG+ TRIO I ,; (\ ... I

~ I jug-glers from the east we've got bird and we've got beast! It's a pret-ty hea-dy brew

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-~ It's a pret-ty hea-dy brew

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We've a fidd-ler from the west with a self -ig-ni-ting vest and it's on-ly for you

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-We bring ma-gic we bring mirth! FromTi- ree toTun-buk tu

IGANGLE SQUELCH 1-

......_,. L l I r j We've been half-wayroundtheearth FromTi- ree toTim-buk tu

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-.''~ ~ ~ ~ -.' -.'' .I ~) .... ) .I -yr ~~ .... ) -,j ~7 Act I - 3- Only For You 5th November 2010

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Love Never Dies !MEG!

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To pre - sent to you to-day This de - lee-ta-ble dis-play

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-Wel-come one and wel-come all! We've got

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day's our grand de - but! Prince and

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day's our grand de - but! Prince and

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Act 1 -3. Only For You

!MEG+ TRIO! I

-

w -u___.-Which is on-ly for you

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won-ders wall to wall! And to-

won-ders wall to wall! And to -~ ~ ~ ~

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pau-per come on in, let the

pau-per come on in, let the

I

~ ~ 5th November 2010

Love Never Dies 90 Molto allarg

"' ') I .I I I I I I ~ ~ ') 'ca~t's '--''--_..-' \;..I \;..I spec - ta - de begin, on - ly for you! Such a

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spec - ta - de begin, 'cause It's on - ly for you! Such a I":\

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93 Tempo 1

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showyou'vene-ver seen! Such a show there's ne-ver been! Step right up and join the queue! r I j I T l I 11 J~

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show you've ne-ver seen! Such a show there's ne-ver been! Step right up and join the queue! I I !'- I .. ... $ \ ~') .. .. ,. ff

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96 .-'( I I

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Mis - ter y has all you need, sa - tis - fac-tion gua-ran-teed! And it's 1 _L ~J

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Mis - ter y has all you need, sa - tis - fac-tion gua-ran-teed! And It's I f.. f.. f..

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,---3-99 ""' I) I 'I I

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Love Never Dies

Hur-ry up,you'vegot- ta see! ~

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Get your tick-ets at the gate! Step right ~ ~ 1 I I I ~ .. 1: :J -a- 1.- .. 1: :J -a-

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Act I -3. Only For You 5th November 2010

I

I

I

I

Love Never Dies

Backstage

The entire company strikes a tableau, to thunderous applause. Then, as they break pose and run off, the stage revolves again so that we're backstage. Upstage, we see GANGLE still addressing the audience ...

GANGLE: Ladies and Gentlemen, Miss Meg Giry, the Ooh La La Girl! Five shows daily, only here at Phantasma. We begin to cross fade to MEG, backstage.

And now, the aerial exoticism of the fabulous Miss Fleck - half bird, half woman, all for only 10 cents a ticket...

104 Playout > >

> >

In the corridor backstage, showgirls and freaks rush back and forth, finding their places for the upcoming peiformances. MADAME GIRY enters. She is clearly in charge: a stony, commanding presence.

GIRY: Hurry up people! You have four more shows today!

107 J"t _[ .. ~ ... ~:

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:

... .. .. ~I .. .. ..

GIRY No time to dawdle!

..

IIO MEG runs in and makes a beeline straight for her. (\ I r--3-----,

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Love Never Dies

Mo-ther did you see? Was it all al- right? Mo-ther, was he watch-ing was he keep-ing out of sight?

".P ~-..- -eu:::::::- -::~

11!1

~ ~

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fright-ened half to death, and I had to catch my breath when thelights be-gan to dim!

~ ~ ~ ~ .. .. .. sim.

...... .. .. .. s Ossia

sud-den-ly a-ware of a pre-sence in the air, and I knew it was him!

-

.. .. .. ..

.. ..

I - -

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I was

I was

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Yes I

I

know there were some snags, there are mo-mentswhereit sags, there are num-bers wecould trim.

(\ J ~~. ~~I J~ ~ I I r I I I r 1 I I r1 I I r 1 I I i I I I i I

:

Act 1 - 3. Only For You 5th November 2010

Love Never Dies 129 ,-()

'-'

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-But at least I know he'll see what an as-set I could be for the

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Brooding, GIRY slaps down a newspaper in front of her DAUGin'ER. GIRY: Foolish child. Look. She arrives in New York tomorrow. (She turns away bitterly.) Christine Daae! MEG (looking at the article) Christine! GIRY: As for the master -- who knows where he is?

133 Meno Mosso (Misterioso) tJ

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137 tJ

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141 IGIRYI (tight seething) -'tl ~+I '

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show and for him!

..........

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:;t :i: -z;i-Ten long years not a sign, not a word. Ten long years, now she swims to our shores.

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. ~ y y .. .. .. ~ q .. ... ~ q ~ -::;. Let's just pray she keeps a - way from us, andfromhim,andhis dreams;tndhis scores ...

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Act 1 - 3. Only For You 5th November 2010

Love Never Dies She drifts away into a sullen reverie, while MEG hurries away to share with her FEUOfV DANCERS the news of CHRISTINE's return.

149 rl'( If

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In Pa-ree whenthemobsurround edhim Who was there? ./) b ... ~

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Where was~? When the law-men hound-ed him? Gone, long gone

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157 rl' If

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Who con- cealed you safe a - way? Smug-gled him up

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to Ca - lais?

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MEG, who has been oblivious to all this, now muses to herself:

159 Allegretto {Tenderly) ,r If ~ I I ~ ~

... !..l Found a freight - er out of France It seems a hun - dred

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Love Never Dies 162 ~A I

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years a-go when she and I were both on show. Dan - cing side by side, (l J

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r-!J v -,jl ~v shy and star - ry eyed .. The waves now bring her back to me, and

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a - ny day we two will be side by side a - gain. l I

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... ... 4 ...... watched as_ you rose like_ a star! Ah,Chris-tine We have

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- ~ ~. :; .. Act 1 - 3. Only For You 5th November 2010

183 tl' (\ I

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both tra - velled long,

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Tempo I (poco meno) 187 , I ~ ~

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seem a thou - sand miles

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191 tl'( I

lu v -.1' ... ~! ~C/ sails ac-ross the sea,

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195 , (\ I ~ ~

.. u I will show you

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Love Never Dies rall.

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tra - velled far! Ah Chris- tine, You

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a- way, and yet your ship ar - rives today,

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bring - ing you to me. And

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all the sights, Man - hat - tan's noise and

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Act 1 -3. Only For You 5th November 2010

Love Never Dies 198 (~ I

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Co - ney's lights! Friends at last a - gam,

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then. Just like

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GIRY: Dream your dreams of Christine, little Meg. But believe me, the grandeur of the Manhattan Opera House is closer to the champs-Elysees ... (scornfully)

206 than it is to the squalor of Coney Island. ~ ~ I

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just the same as

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MEG turns to the group waiting stage right. She exits as the stage darkens.

5th November 2010

Love Never Dies

Act One - Scene 2 4. Christine Disembarks (Oct 2010) I

MANHATTAN. OUTSIDE THE CUSTOM-HOUSE GATES.

Dockside at the disembarking of a massive ocean liner. Reporters, photographers, well-wishers and gawkers form an aisle to greet the disembarking passengers.

I CROWD & PASSENGERS I

f'(\ f

u friend! c;.;:;be-lieve you're My dear old

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u friend! C;:;-be-lieveyou're My dear old

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~ My dear old friend! C~e-lieveyou're f

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My dear old friend! Can't be-lieve you're (\ ~ ~

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u \,.ooo"' --here, old friend! Is it real-ly true? My (l I ~

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here, old friend! And so are you! My (l I [!]

~here, old friend! [!] Was Par-is hell? My

:

here, old friend! You'relook-ing well! My (l I

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C: ~ C: Act 1 - 4. Christine Disembarks

Love Never Dies 12 ,(I

u ... .. sweet old friend! Is - n't this a treat, old friend?

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u ... .. sweet old friend! Is - n't this a treat, old friend? The day I

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v ... sweet old friend! Is - n't this a treat, old friend?

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sweet old friend! Is - n't this a treat, old friend? The day I

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u And I'll get some brief time to spend

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dreamed at last has come! With my es -

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Act I - 4. Christine Disembarks

Love Never Dies 20 ~A

~ And ver - y dear old friend!

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~ And ver - y dear old friend!

t .. ------

II----.. 1 And dear old ver - y friend!

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teemed and ver - y dear old friend!

STAGE BAND A late comer rushes in. A I I I ..

( ~ ~ ~ [iF T ~ y ~ ~ ! - -:

I ..,; I

24 11_

Love Never Dies

REPORTER2 PHOTOGRAPHER 1 It's Mrs. Astor! PHOTOGRAPHER 2 Hey, Mrs, Astor! Over here! MRS ASTOR turns and flashbulbs go off

REPORTER 1

Is that the latest Paris style? She blows them a kiss and is escorted to her waiting carriage. The crowd is already looking past her.

PHOTOGRAPHER 1

40 r .10

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:

How was your trip? MRS ASTOR Over there, Lucille!

I

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Look, there's Colonel Vanderbilt! Hey Colonel, can I get a picture?

-R-

I

THE COLONEL smiles indulgently, as the flashbulbs go off PHOTOGRAPHER 1 Thanks, Colonel!

47 (\ "' 0 I

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51 r .10

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LATECOMER Hey, Colonel! Is Christine Daae still on board? VANDERBILDT Believe so, young man.

(He moves off)

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ONLOOKER 1 I bet she ain't got it no more, not like the old days. ONLOOKER2

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They say she's still pitch perfect, but it's like the flame went out or sometliing. He~ there she is' (cue to cut to bar 44)

57 "' ,J j j 1~1

C) I I I I I I r I r r r

Love Never Dies

All eyes turn. Suddenly, framed in the gateway, clutching the hand of a young boy, stands CHRISTINE DME. She is nearly obscured by veils and a clOche hat, but sfJe is gorgeous, iconic - every inch a star. There is a moment of awed silence as the onlookers take in this vision, then pandemonium. Flashbulbs explode, as the crowd surges around her.

Moderato, wann and romantic

attacca

REPORTERS AND PHOTOGRAPHERS RAOUL Christine Daae! Christine Daae! Over here! This way!

CHRISTINE, still silent, pulls the boy closer, protectively, then --STAGE BAND

Her name is-Her name is Madame de Chagny! Stand aside! Stand aside! Her husband appears. Dapper and handsome, brusque, irate

69 (\ .. I":\ ]\ J ~ .~ I I ~ I 1-i .J\ I I~ I .,. I .,. I .,. l I ~ I ~ I ~ I ~ I 'r' I 'r' I 'r' l I 'r' I 'r' I 'r' l I

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RAOUL (cont.) No pictures, do you hear? No pictures of my wife, no pictures of the boy! But he is ignored in the frenzy.

74 ]\ J ~ d ~ (\ .. I!) 1 'r' 1 r 1 r l 1 r 1 r 1 r1

:

80

I I I

AUTOGRAPH HOUND Hey, Christine, sing something! REPORTER2

I

Your first performance in years! Why ain't ya singin' at the Met?

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RAOUL The Vicomtesse has been eng~ed by the well-known impresario, Mr Oscar Hammerstein, for his new Manhattan Opera House.

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I I I

Act 1 - 4. Christine Disembarks 20th October 2010

Love Never Dies

REPORTER 1 How' d he lure the great Christine Daae over here anyways? REPORTER2 It's the money, right? All that American Moolah! REPORTER 1 Hey, that's what she should sing: "Yankee Doodle Moolah"!

The crowd guffaws. 86

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v

:

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I

RAOUL (heatedly) My wife is an artist. REPORTER2

!

i I,......_ i

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Yeah, and her art is payin' off your gambling debts, is what they're sayin in France.

92(\ .10 ~

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REPORTER 1 Is it true_ you left your entire fortune on a roulette table in Monte Carlo? 9~ .10 Jrj i j

-A- J. ~

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105 (', .10

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RAOUL Why~.,you insolent jackal! How dare you! GUS'11\.VE Father-

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PHOTOGRAPHER 1 This your first time in America? PHOTOGRAPHER 2 What you gonna do here in America?

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RAOUL (snappmg) Not no'YI Gustave! REPOR1ERZ Hey kid, how does it feel to have a famous mother?

>

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GUSTAVE (shyly) I.. .I want to go to Coney Island. (Amusement amongst the CROWD.) And learn bow to swim. (~ue to crossfade to bar 107)

The crowd hoots and laughs, and the boy shrinks back against CHRISTINE I

r r r r ~n -

I I ----....-

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Act 1 - 4. Christine Disembarks 20th October 2010

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love Never Dies

RAOUL 5. Arrival Of The Trio

I said, leave the child alone He looks around anxiously.

(cue for music) Suddenly animated, the boy steps forward.

Parlando (freely) "'I G""US""TA:"'""YE""I

-Moth-er look! Right

(wind effect) ~;:(. 17'?

ov - er there, a - cross the square.

17'? t11'C

All ryes turn as a strange carriage appears, fancifully designed. The horses appear to be mechanical and the driver's face seems to '6e completely obscured.

ONLOOKER 1: What on Earth could it be? ONLOOKER 2: That's the damnedest thing I ever saw. ONLOOKER 3: It's empty! ONLOOKER 4: How does it work? REPORTER 1: Is it made of glass? REPORTER 2: It's a machine!

Suddenly the doors of the carriage open, revealing ... a completely empty interior.

What is

tl;'.,.

And then, three figures extricate themselves from the empty space. They bow in unison at the crowd, then approach CHRISTINE and family with 6izarre yet oddly beautiful motions.

~~ f:. .,.. ~ ~ -tt .. fl.- ~~~.,..~~ -tt ..

I -

I -(1) (2)

~- ~--l'o. ~ ~- ~-- -o. ONLOOKER 1: Look, there's someone in it!

poco rall. 1':"1

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Act 1 -5, Arrival Of The Trio

it?

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Are you 1':"1

20th October 2010

15 (\

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Love Never Dies

"""""'

-read-y to begin? Are you read-y to get on? You're a - bout to start out on the jour-ney of your lives.

-ou~ou'--- _-''L.J~'L.J

,.,

With a flourish he reaches behind GUSTAVE's ear and pulls out a colored handkerchief, which he then lets go. RAOUL: (bewildered, outraged) Is this some kind of joke? REPORTER 1: No, it's a publicity stunt for Hammerstein's new opera-house.

(x2) .....

u ...... ,.. Last x Mis-ter

~ ~~~~~~ +1: .. .. ~ .. "

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21 ,..__ ,........

~0 -Ham- mer- stein aw-aits. Mis-ter Ham-mer-steinin- sists.And we'll see what you'll see, once your char-i- ot ar-

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Love Never Dies

RAOUL :Just one minute Sir!

With one fluid motion, he removes RAOUL's top hat ... and suddenly make it vanish into thin air. RAOUL: This is an outrage! ONLOOKER 1: It's amazing! REPORTER 2: It's a front page feature, is what it is! (to PHOTOGRAPHER 2) Did you get that, Smitty? GANGLE and SQUELCH flank the family, and walk them towards the carriage as the bird-like FLECK beckons them forward.

25 (x2) ('\ _,-

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27 !FLECK! ('\

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~ -61- -6- ., ......... .,. -6-Mis - ter 'If wei - comes you to Won-der-land! Take your seat!

('\ I I I I I I -

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33 t

-

~ v .e- -61- -6- .. ., ... .. .... Come and meet Mis - ter 'H', who ush - ers you to

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Love Never Dies

38 I)

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A-va-lon! Step in - side! Take a ride!

i I -

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:

~ ~ ~ ~ The group is now at the door of the carriage. CHRISTINE is led inside, then RAOUL, protesting. RAOUL : This is unacceptable, do you hear me? I will be taking this up with your employer, Mr Hammerstein!

43 (\

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po-.._ I po-.._ po-.._ I

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~ ~ n.o. .. -~ .. h -'\ ~ ~ n.o. I .. :

Only GUSTAVE, the BOY, remains outside the carriage.

47 !GUSTAVE (entranced)! !TRIO (helping him aboard) I (1 I

~ ........ ~ Here my dreams can wan-der free ... Tell me what we'regoingto see! Won-ders and as-ton-ish-ments

(\ I I I I I I I I I

~ -~

q~q. 4 4 : I I

52

for your del - ec - ta - tion Phan-toms and au - to - ma-tions for your fas - ci - na - tion!

Act I -5. Arrival Of The Trio 20th October 2010

Love Never Dies

55 Rail. (l

u Mar-vels un-dreamt since the

(l

u .,, .._.. ::--

:

57 !GUSTAVE! I) .10 I

!) Mys - te - ries n J\q[l I (l .10

u !::>"

:

61 (l .10 I

u Fai - ry - tale and

I) .10 I J\[l n u p-.

-

:

65 !TRIO (as the coach disappears)! I) .10 r---

!) Far be - yond the realm

(l .10 ~:----u pp

:

= C::

1":'\ .10

.,.

dawn of ere - a - tion!

1":'\ .10

( ..... -

1":'\

mel - o -dies play

[l J 1 - I -- -

P" vF

fan-ta-sy si

[l J 1 - I -- -

P" P"

of fear ... An -

The BOY climbs in. Silently, the carriage rolls off as ONLOOKERS watch, speechless.

I

inside my mind ...

J\ n n [l J 1 -- -

P"

I

- lent - ly un- wind ...

J\[l n [l J _J_ --- -!::>"

-

r---

y - thing can hap - pen here ... -------P.,-~2-~

~1'7-~.,-.~ -..... 2 ~.,...

= = = --------c:: ------

69

Love Never Dies

The CROWD gawps as it vanishes. Suddenly ... A flustered and bewildered top hatted GENTLEMAN rushes in: OSCAR 1/AMMERSTEIN. He stands for a moment, watching in amazement the departing coach. HAMMERSTEIN: What the devil's going on? Where is Christine Daae? ONLOOKER 3: Say, you're Oscar Hammerstein! HAMMERSTEIN: Damn right, I am. And I am here to meet Christine Daae. REPORTER 1:Well, you're too late, sir. HAMMERSTEIN: Late? Late? Of course I'm late! Ever since I announced Miss Daae's engagement, I've been plagued with the strangest and most devilish ill luck. REPORTER 2: What gives, Mister H? HAMMERSTEIN: First, the score for my Wagner season was mysteriously converted into ragtime on opening night! REPORTER 1: I heard it was an improvement. Amusement from the CROWD HAMMERSTEIN: And to top it all, as I left my office this morning I was very nearly crushed. REPORTER 2: What happened Mister H? Did the prima donna sit on you? HAMMERSTEIN: Don't be impertinent! A light fitting fell on my head. An ornate glass one. REPORTER 1: An accident with an ornate glass light fitting in an Opera House? Who ever heard of such a thing?

The CROWD breaks up in consternation.

STAGE BAND .~

Love Never Dies

6. Journey to Coney Island

150 Allegro ~=146ish

154

~

162 l1 I > > > > ri ~ .. ~- > I .~o~o>~ .lolo -H' '-.) ........ >--- ........

- U ~I Ul

:

.. .. ..

167 (\ .lolo it > I I .lolo > > I I .lolo ~

l '-.) - - - > > >'-' - - - -: .. I I I I

Act 1- 6. journey to Coney Island 19th October 2010

Love Never Dies

Menomosso 181

f'l " I ~ ~ 1fL t~ fL t~ 1fL ~ ~ - f' 1..---J

-3 3 -3 3 -3 3 f

I ~ I .~ : .. -,; r I r I

184 ('\ "~-~~~- #!: q{'L ~ ~ !: fL !: #~ fL !: fL ~ I"L ~. ~ 3 3 3 3 3 L..._____ 31----1

~. I :

I I ~ v attacca

Act 1- 6 journey to Coney Island 19th October 2010

A spacious hotel suite. Evening ..

Love Never Dies

Scene Four - The Hotel 7. What A Dreadful Town!

There is a huge window with ornate drapes, a chaise, some chairs and tables, a piano upon which rests some sheet music. As RAOUL, CHRISTINE and GUSTAVE enter, the BOY runs to the piano and snatches an object from it. He sits with his back to us, preoccupied with his find. RAOUL immediately goes to the table and pours himself a brandy.

Steady (} Of i

--

4!) ...

~

What a dreadful town! What a vul - gar place! What an aw-ful mis take to have (} Of i ~ ~ ~ ~

14!) ~~ l+~ ~~ l+~ ~~ l+~ ~~ l+~ q~ ~ ~ ~ f t '"' :

~ ~ ~ ~: ~ r ~ = ~ ~ ""il 6

(} Of +I I ,......., ,......., -

I

4!) come here! To be on dis- play in that shame~ less way For the crude, com-mon low-er class scum here.

(\ Of 1+ , .... , J""""\

14!) ~ ~~ ~ ~~~ l+~ ~~~ l+~ I I I I I

I u. : r r ~ ~ ~ ~ ~ r r

~ = ~ = ~ .... ....

(\ Of +I I GUSTAVE I 11

4!) --. Fa- ther dear, Come play with me, Come and see this

(\ Of +I ~

~ How does he dare to treat us so?

() Of i ~ I I

4!) ~-b~ ~ ~~ .p. :

Act 1- 7. What A Dreadful Town! 5th November 2010

Love Never Dies 07 What a Dreadful Town

16 RAOUL takes a slug of brandy, slams down his glass. (l

" tt

~ toy I've got.

1 I RAOUL I " tt

r--~~ r""'-'"1

0 .. ... What a snub, at most, from our so - called host, Did he think send - ingfreaks would be

(\ I J,l. -It - -

~ '*!''* II! '*!'* II! q~ "!' ~ ~ ~.p.

:

~ ~: ~ ~: ~ r ~ ~

20 (\ J,l. +t ~ r---3~ ~

~ ... .. -fun-ny? Could the fool have thought that our pride was bought by his filth-y A-mer-i-can mon-ey?

(\ J,l. !I r-""1 r-""1

l ~ "!' ~"!' ~ ~'*!' ... !ItT ~~ !ItT I I I I I : '( r ~ ~: ~ ~ ~ r r ~ ~ = ~ ....

25 J,l. -It I I I I I I I

~0 '11' What a farce! What an out - right slap in the face, It's an ut - ter dis- grace.

r " tt -----==------ ~

' ~ I I I ~ l+:J #.! I #~ f- ~ # ~ : r ~

Act 1- 7. What A Dreatiful Town! 5th November 2010

A spacious hotel suite. Evening ..

Love Never Dies

Scene Four - The Hotel 7. What A Dreadful Town!

There is a huge window with ornate drapes, a chaise, some chairs and tables, a piano upon which rests some sheet music. As RAOUL, CHRISTINE and GUS'4VE enter, the BOY runs to the piano and snatches an object from it. He sits with his back to us, preoccupied with his find. RAOUL immediately goes to the table and pours himself a brandy.

Steady r 11 -1

--

I!) ... ..

~

What a dreadful town! What a vu1 - gar place! What an aw-ful mis take to have () II -! -~ ~ ~ ~

lu -4!- -4!- +I~ -4!--4!- +I~ -4!--4!- +I~ -4!--4!- +I~ lq~ ~ ~ ~ f

I u. : .. .. ~ ~ ~ ~ ~ r

~ = = ~ ""ill ""ill 6

f'l11+! I ....., ....., ,...., I

f) come here! To be on dis- play in that shame~ less way For the crude, com-mon low-er class scum here.

tl !I +I ~ ~

lu ~ ~~ ~ ~-4!- -4!- +I~ ~-4!- -4!- +I~ I I I I I

t u.

:

r r ~ ~ ~ ~ ~ r r ~ ~. ~ ~. ~

() !I +t I GUSTAVE I 11

I!) -Fa- ther dear, Come play with me, Come and see this

!I +t ~

40 How does he dare to treat us so?

() II -! ~ I I

I!)

~ b ~~ "

b~ .p.. :



29 sjlrecht I) jO. +t h>< u. ~ r---3 ------, fix

' I X ~ r---3------,

~ I've got a mind to pack and go, Nev - er you mind the debts we owe

(') jO. l

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u. :

31 I GUSTAVE I 1 jO. l jO. I /":"\

'

@

Fa-ther please come play with me

l'L~< l jO. I RAOUL I

X ' I ~ /":"\ '

~ *" x ~ q;t q~

Who would be-lieve we've sunk this low? Please tell the boy the an-swer's no!

jO. +t jO. /":"\ "

' ~~ I :

35 r

~

(')

~

:

A

:: RAOUL: (Through gritted teeth) Must you make that racket? GUSTAVE: I think it's beautiful. RAOUL: What is it anyway? GUSTAVE: I don't know. I found it. RAOUL: It hurts my head. (cue for music)

In the moment of silence that follows, GUSTAVE idly plays a few notes from fhe sheet mustc on the piano

~! ~- . ~I ~ -,J_J-.

Act 1- 7. What A Dreadful Town!

/":"\

5th November 2010

I

I

I

39 r

~

Cahno (freely) I CHRISTINE I

r---3---,

u


,-----3 -----, 3 ,----- -----, r--3~ r--3~

Please let's not fight,dear. I'm sure Mis-ter Ham-mer-stein nev-er in-tended a slight, dear. How

r

~ p ..0.. ~_o_ _o_

:

Agitato ritmico Cahno (freely) 42

I CHRISTINE I () ' r--3~ ,---3--,

~ -

0

dare he pa-tro-nise us. You should nev-er have ac-cept-ed. We need the mon-ey, that's all.

r ~ '

u f~ ~ p

' _o_ _o_.

:

Agitato ritmico 46 I RAOUL I r 3-----, r--3~ ~ ' u

That's why things have-n't been right, dear Why does-n't it sur-prise me that I get the blame here?

() ~ '

u f~ ~ h ..o..: '

:


Cabno (freely) 49 I CHRISTINE I

(\ r--3~

~ Let's leave to - night, dear.

(I 1':'1

' ~ ~~--- y-< p 1':'1 ( : ~ ~- ~:6 "-"-,e.

53 (I

~ -& Leave the hurt be -

(I

I ~ ~~ .y $ .y

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58 r ~

~ look at what they gave to me.

-p.~f2. r- r-

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<

f .;._ .;._ ~n.

:

63 r

I~ < j: j:

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1':'1 I

... ... ... ...

If that would serve to ease your trou -bled mind.

L ..o..:

CHRISTINE: Whatever you ask of me, you know I will never refuse you.

u

hind.

;::::

-

~"U"

His anger subsides as she soothes him. Then:

!GUSTAVE! I

Fa-ther, dear, come o- verhere and

:f~f2.~ - -

.;._ .;._ .;._ .;._

- -

Wind it up, and Fa- ther, see... Look, it plays a mel- o- dy! __ The windup toy plays

.. ..

j: j:


I

I


Suddenly, RAOUL, unable to bear it, smashes it down.

Stop on visual cue 67 ~ (l ~ ~_,_ ~ -

~ I

j: li,-i- .10 h..O- )., : A BELLBOY knocks and brings in an envelope on a tray. RAOUL: What's this? (He opens it and reads) It's from Hammerstein. Can I meet him now? In the hotel bar. Alone. CHRISTINE: Alone? RAOUL: (dryly) Well, he may lack courtesy- but he does show a certain savoir-faire in choosing a business rendez-vous. (He heads for the door) CHRISTINE: Raoul, please .... RAOUL: (turning at the door) Please what? CHRISTINE: Nothing. Only Raoul- don't drink any more. (He hesitates a moment, then leaves slamming the door behind him)

71 fGUSTAVEf (l 1":'1 I

~ Fa- ther nev - er plays with

(\ 1":'1 1":'1

~

1":'1 :

me

Act 1- 7. What A Dreadful Town!

'

Does - n't he love me?

5th November 2010

I

Love Never Dies

08. Look With Your Heart

Colla voce, con moto

I) "' +t I I I CHRISTINE I

!) -61- .. ..

" -d_ Love is not as they show in pic - ture books and songs. __

(l "' +! I I

~ ~~;~ ~; .. #-tr= :;st. mp

I J J. I I ,.,.__.- ,,.,. I : I 'I

-----

9 r "' * I I

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Though the heart may not know, it goes where it be - longs ...

(\ "' +! I I I~ ~: .. #7 ..

I I J : ~ -&~-& r~~

17 rit Poco a tempo (\ "' l+ I I I

~ ... .. ... .. ... ....... So look with your heart, and not with your eyes. The heart un-der- stands. The heart ne -ver

I) "' +t I

~ :;st. ~ . ..... 'i>-:::::= :::il'- ~ .. 4 I I

:

'-" -&" ,-&" -&" ,. (;I

Act 1- 08 Look With Your Heart/09 Beneath a Moonless Sky 5th November 2010

Love Never Dies 08 Look With Your Heart/09 Beneath a Moonless Sky

25 (\ .10 +1: I I

~ ""

-,;- . -,;- . -,;- . -,;- . lies. Be - lieve what it feels, and trustwhat it shows. Look with your heart. The heart al-ways

(\ .10 +1: 3 3 I I I

l ~ r:--- ~: ~-,;- ...... -,;- I ~~ f r: 0- pocopiuf - 1---- ""' I/'"' ""' : -

-e- &- &-

33 (\ .10 +1: I I

~ knows. __ Love should ne-ver be ques - tion- ing--- that's

(\ .10 +1: I I r,, 0 -I I

t~ .... ~-- ---~: ruu o...,Jlr ~ qeru I ~ qeru

n!f f

u. I I r"1 b~L :

~ ~ q~ I

40 Rit. (\ .10 +I I I

~ I 0 ...... -,; ... -,; ... half the art ... So o-penyour anns, and close your eyes tight, look with your heart, and

(\ .10 +1: -

I I I ~ .

~ :.g c;; -,J -*-.1-* J: - J: ~ u. ......,~ JTI } I I

:

I I r~r r~r r Act 1- 08 Look With Your Heart/09 Beneath a Moonless Sky 5th November 2010

48 () "' +1:

v

() "' f. I~

I :

57 () "' +I

~

() "' +I I ~

I :

65 () "' +I

~

() "' +I

~

:


Poco pin mosso (Suddenly serious)

____. 4 .. .. .-d ..

when it finds love, your heart will be right. Learn from some-one who knows ... __ Who's

I

I I I u ~: =d. :3: :: ' :' :t:t :t :t:t ./ 'U 11!1 J. I I

r I ~- ~ ~

I I

-d 4 .. .. loved so hard it aches. Learn to sof-ten love's blows--__ a

... ... ... -i- -i- #$=$= #$= $= $= :: :: : :t:t :t:t:t I

.e.

I

heart

~ "W

.g

I

,4"

I

"W -d which bar - dens

?f. /

,4"

breaks ... __

She trails off .. lost, perhaps, in memory. After a long moment:

~

I GUSTAVE I (prompting her) Meno mosso- poco accel. rall

.. -,j .. !ct * "W * Look with your heart, not with your 3

#r:" .. .-:? _~ .. _ ~~ E:: ~- '-t;/, = --c7 --t-- p:. mp

~ .g ' -


Love Never Dies 08 Look With Your HearV09 Beneath a Moonless Sky

73 (A Tempo) I CHRISTINE I I GUSTAVE I () .. l+ I I I

u -d -,1 .. -,1 ..

eyes. The heart can't be fooled. The heart is too wise. For - get what you

(\ J,l. l+ 3 I I 1~1 I I I I u

-~ I I I "" .. .. .. ..

.; ~ ~ I _..,I ) mp

rJn :

-6 .e. r I I :;t

79 I CHRISTINE I () ,J.Io -tt I 'I I I

u -,1 .. -,1 .. think. .. I - gnore what you hear ... look with your heart, It al-ways sees clear.

() ,J.Io l+ 3 I~;? .. ~ .. ~~~ ~ u --+....J. . 11 - ... - I I I I I ~---- _;-~-

-

~~ rf:JJ I - .J ~ ~-1 I } r--,j'j :J :

r I :;t r I :;t r I I i I I

87 I GUSTAVE I (\ J,l. -It

u "" Love is not al - ways beau - ti - ful, Not at the start ...

I) J.l. +I r~ I I hn I !) I I r q-* .... lq~ ~:

-

..--~:

'"!! f:~. r-:-1bJ q.J. ~J qi).t'l p -~ """"

I I I :

I I I I I



95 I CHRISTINE I r .,. + I I

~ .... ... ..... .... ... ....... But op-enyour arms ... and close you eyes tight... look with your heart ... and when it finds

I') ... +t ~= n---n. ~l~J ~j-J ~~ ra I .I I I? f

~-:

GUSTA TP exits. 103

rail r .,. +

~ . cf .... ~ love ... your heart will be right.

r'l ... +t ......, J~.p.-

' ~ p .... I q~ ~~ q ) p I p I ~ : r~r

109 r I I J-J. I 1/ I --...,......_ ~ I~'"'

I ~ I 'q-&q"'---- J r G v~~ I I"' 1"--._ I"'" I I -u-r ... ... -i .. I ... ---

r--

I :-d J I I 101 :

c.,; ~ c.,; I r I . f: v


I

I

127~ (\ I"" u } h~~~! ~J:

:

I I

like a music box


rit.

"'----~~:::- ~:

As the music continues under, CHRISTINE hums the melody to herself as she _picks the toy up o/J the floor where the BOP has lejt it. She winils zt and1ets it play. Instead of the marching band music, the toy plays a different melody.

~ / -

~"~ / - ----._

I I I I I ""

140 Little by little, we see that the PHANTOM has materialised behind the window.

(l I I I q f f f ~~ I I= I=~~ 1= ~~ I I c: f f f ~~ I= I=~~~: u I I

11if niente :

~~~ ~ y


09. Beneath a Moonless Sky CHRISTINE freezes. Then whirls around. And CHRIStiNE and the PHANTOM gaze at one another for the first time in ten years.

1 44 (\

~

:

164 t

I ~

I :

173 t

~

(\

' ~ ~ :

Moderato intenso

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.---

c.- .. .. ~

ff

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A long lingering gaze. Then ...

I I '

I _;- ,-...

'

I C:

"'I CH"'RI""S""'TINETlrn"

178 (J

~ long.

(\

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183 (\

~ ...

count

I o> q~

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187

o> ...

know

I o> q~

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191 (} II 1

~

(\ II +t

I~

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Love Never Dies 08 Look With Your Heart/09 Beneath a Moonless Sky !PHANTOM!

(quietly at first, . . . t ity) growtng tn tn ens

Gl I should have sensed you in this dark, Ishouldhaveheard you in that song ... Ifyoucould

I I

''-' ~ tl~':j ;q#

I I ~ ~~ 'U"

.. .. .. ..

the years I lost when all I dreamed of was your voice, If you could

~ "~ 1~:::;: "4

c--r J I J j I 'U" -


196 (\ JO +r I I

~ .. .. this peer-less in - stru-ment plays for me, just fleet - ing - ly, lays the ghost, which

( JO +t I I I I

I ~ ~ .. q-w

' :J :J :J :J X~ ~ ~ ""* .. ::

I : " .. ..

-u- -,; ..

201 menomosso a tempo JO +r

~0 .. .. .. .. .. .. .. .. ..

tor-tures me, tor-tures me, Ah, Christ-ine. Help me through this sad- ness,do this kind-ness for your

(\ JO +r

I~ f~ X~~ .. .. ... ... ........ I I I I I :

" -,; -,J I ... -,J .....

207 (suddenly switching mood) ( JO +t I I

~ .. .. .. .. .. .. .. men-tor, or your pro-gen-y, that per-feet spe-ci-men stays with me e - ter - nal - ly,

(\ JO +r I I I I

~~ I I "*~ q-w ' q..- ' :J :J:JJ X~~~ <

' :

" .. .. ..

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213 menomosso (\ JO +r I ~ b.

~ .. .~ pays your debt e - ter - nal - ly, my Christ-ine Does he

(\ JO +t I I 11.

' ~ ""*~ < : X~ ( :

.. I



217 (}

-

~

-----

-6- 174- ~-.. stay? Does he go? Do you sing? Yes or

(}

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220 r II I

~ ~~-no?

r II I

' ~ l II ~ :


Love Never Dies

Piumosso 09. Beneath A Moonless Sky ( Cont' d) (Oct 10)

.J = 170 approx

r I I CHRISTINE I I I

~ Once, there was a night, be ileath a moon -less sky, too

~;~t; .i:~f: ~:::::::===::::::~: (\ I .~. ~=~~= . . . .

I~ mp

. /"' ~I I~""' r-J . /'1 ""':J. --I I / :

9 r I I I I I

4!) ~0 dark to see a thing, Too dark to ev - en try.

(\ I .~. L--====--J. ~~ I I I' I~ 'I ~v .. -,J ~ -,J I

q~ ... q~: ! J~ J I I ~ J I -: I I I

17 r I I I

~ Drawn still to your side, tor- men - ted by my choice. I

(\ I .. ~. .. ~ . ...~ . ~I I~ I I I I I I I

J. .J J ~ j.- J .J J ~ J _J_ I. I I :

25 Rall I I I

C) ~v could - n't see your face, but trem - bled at your voice.

( I ~I ,.......,

I 4!) ~~:--- ~:&7: I ~:&7:--- ~: ~ 7 7 / -~

----

-..__ 'r-1 I :

I I ..

Act 1-09. Beneath A Moonless Sky (Cont'd) 19th October 2010

Love Never Dies 09 Beneath a Moonless Sky (Cont'd) (Oct 10)

Piumosso 32 d = 110 approx rubato r I _._ I I

~ I PHANTOM I And I heard those rav-ish-ing re-

fl I n I I .. _l _l Jfl_ _l I

~ those rav-ish-ing re-And I touched you __ And I felt you And I heard

( I lf f2- ~-e- f2-0 . -~ I I I I

-"-----

-

v

~ p still tender

~ h I? I? I~ 0 0 0 :

.. .. ..

39 fl I

_l

~ frains! The mu - sic of your pulse

fl I I PHANTOM I

~ ~~ frains! The smg - ing

(I I ~~~ 1~1 _l I I ~

! ~ I I -I I I qJ j 1 j ~!'- q.,_ ~~- J I J I J I J ~ I ~ J ~ I j : -61-

46 I CHRISTINE I fl I 0 .l Jfl_ .l ..

~ And I held you and em braced you And with

(I I IPHANTOMI. I I

~ in your veins. And I touched you and I feltyouAndwith

~!'- ~ ~ sm---------------------------------------------------1 (I I ~ .:B:~-: h .:B::~~ c.-.. ~~ I I I I I

I ql ~ 1 1~11 n I? /(j J~ ~J J ~

: ~

I I -e- -e- -e- -e-



53 () I I I

@) ev - ery breathand ev-ery sigh! I felt no long - er scared.

() I I I

@) ev - ery breath and ev-ery sigh!

() I ~0 :!~ I I ,-..._,n ~ I "-.:.-/

-w I I I .~J ~.J ;J, (_;) q1~1 J J :

-e- -e- -e- -e- 7J. .e.

60 I CHRISTINE I () I I

@) ~0

At last, our ') I IPHANTOMI I

') ~c.; --qu I felt no long - er shy. At last, our

() I .fL~ I .. .,._ .. I ~ ~ I '11__!.}' -~ T 1 ['llf~ ~

J~ I :

-e- -e-

Piumosso 66 Rail. J = 180 approx

() I I

~ ~u ~ feel - ings bared, beneath the moon - less sky.

_t.,_ _L I

~ ~o ~ feel - ings bared, beneath the moon - less sky.

() I I I -----

I ~

@) ::tt T~ I I T ~~:err:::. F mp ~ 71 I I '-' ~I ~ I I I

:

I - -

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73 I CHRISTINE I I) I I I

!) And, blind in the dark, As soul gazed in - to soul, I

(I I ~- J~J. J~J. ~_d. - -'~ ("-- - I (" ("-- - I (" - - - I J~ J_. J~ :d. ! 1~ :d. ! J~ J_. I ! - - ! - -:

81 (I I I I I I

~ Y"" looked in - to your heart, And saw you pure and whole.

(I I .~. ~:~~: I I a. ...., .. !'-

t ~ I I I 11!1 ~ I ~ ~ J. ~ ~nn

f } J ~ J I I J I I I I I IJ -

:

I I

89 I PHANTOM I (I I I 1

~ Cloaked un-der the night, with noth - ing to sup - press, A

~-~~ ( I ~:~~: f:~f: r?-:~r?-: ~:~~: ~:~~: ~

submp

~~ ~: J~ ~: ~~ ~: ~~ ~: :

97 rall ten. (\ I I I ;,

~ ~"" wo - man and a man, no more, and yet no less. And I

(I I -~~~ .~I I I ~ I":\ I~ I I I I I I I I I IY"" . """" . If I 11 1q1 1 JJ ~ J ~ - - ~

""" I":\ I":\

- - - -

I : - - - -

-6" 7) 7) r~r Act 1- 09. Beneath A Moonless Sky ( Cont'd) 19th October 2010


Piumosso 105 d - 110 approx I CHRISTINE I (\ I - I I I I

~ And car-essed you __ And the world a- round us fell a - way!

') I I I I PHANTOM I I I !)

kissed you And the world a - round us fell a - way!

(l I J~ _d~ n -R- I I 0 ~: .,..,......, ~ 11!1 -~ I I __!...------'

1/(j ~J ~ bJq:J I I I ~ J J J I I ~ -e- J0 -:

-e- ~ -e- ~ -e- -e- -e-

ii II2

(l I I '-"

~ ~v dark

-We said things in the we nev - er dared to

') I I

'-"

!) ~c;; dark

-We said things in the we nev - er dared to

(l I ~ 0 .~

' ~ -e- i i i i rr


Love Never Dies 09 Beneath a Moonless Sky ( Cont' d) (Oct 10)

125 tl I I I

(!) need too ur-gent to de - ny. And noth - ing mat - tered then,

r 1 I I

(!) need too ur-gent to de - ny. And noth - ing mat - tered then,

i~-s- ~ r L ~ t q~ f: IL !: ~ ~~ (!)

11!f

~ .J f I J I .J Jq.J J ~ ~ I I -e--: -e- -e-

------

I .. ..

132 r I I I

(!) ~0 for A ~~ and

-ex - cept you and I - gam

r I I I

(!) ~c.; -

ex - cept for you and I A - gain and t'\ I -o g. I I I I

lu :::: I 4 -d I I I ~ ... ~ -- . ~ ~ r;.. ;. q,-- ~ I :

I .. ... I

138 rail. rail.

I ~ ~ 21 ~. 12 l 11 J r le--=- Z. :J lqJ :J IJ J 12:[_l) ~ II then a - gain, beneath the moon - less sky.

(L I I I I I .lolo

(!) ~ then a - gain, be-neath the moon - less sky.

ti I I I ..n..::::::======:::..n.. ~=~~= .lolo t(!) ~~ ... ~ .... .... I I I 11!f

I

====-

I I I I . ~ } 1fT\ I I I .J ~ : I I I

Act 1-09. BeneathAMoonlessSky (Cont'd) 19th October 2010

Love Never Dies More Intense 09 Beneath a Moonless Sky (Cont'd) (Oct 10)

145 IPHANTOMI J,l. I I

40 p And whenit was done, be- fore the sun could rise, a-shamed of what I

(q)~-----~-----~-----~ r .~o~o I= I= I= I= ~------~-----~-----~ I= = = = 1~1 I~

p ll+ ...... .If"' .

1,---:J. Jr; J_. 1/'j --:J. lrl 'd. mp I :

w- -&._-&-

155 Joi. I I I I I

.If'-' was, a - fraid to see your eyes, I stood while you slept_

(l Joi. I I 1~1 I . {"- t::~t:: .~. ~:~ ~ . .

I ~ -z:!- .._ ~-z:!-. ll+.. ., ., .If"' . _, I_.!/

1 J ~ J I J J ~ --I :

164 (l J,l. I I I

""'

~ .If"'

-and whisp - ered a good- bye. And slipped in - to the dark beneath the

(\ J,l.~: p..-----p.. ~ ::;:::::::=:::::~: ~=~~: 1~1 __........ -..... t ~ I I i.f+ ., ., ll+"' . _,..,.., #-~+:: ... :: #qt~~ f

J. I J. I J 111 i. I mp :

-r r--r t---r I I ~ I ~ Act 1-09. Beneath A Moonless Sky (Cont'd) 19th October 2010


Tempo 174

"'I C""'HRI""'S""'TINE~I r .. n I I ~ I I

~ And I loved you! __ Yes, I loved you! I'd have

r .,

~ moon -less sky.

r .. -

n

I ~ ~f~ ~:;t--- I I I' r: r ~r __.. vi r:!)r ~ i: r ~~ vi i:!Jr - . f

11!1 I I I I I I I I I I I : ?}. ... ............... ~ ~ -e- -e-~ ~ r r

181 r ., I I

~ foil - owed an - y-where you led. I woke to swear my

r ., I f2- ? ~ ~ I ~

---

~- / :J I __..--/1 flo~'- f.-'" -

- 11!1 i1JJJ.J _Jn J-J n J I I I I I I I :

187 () jj I

~ _flo"'"

love, and found you gone in - stead. [PHANTOM[ jj ft;; I':\ ~C)

And I tl .. _o_~_o_ I I I ~ I':\

'~ I*"' I #"' .,. I I I I J jj 1~. r f I':\ I':\ I :

-e- ?} ?} Act 1- 09. Beneath A Moonless Sky ( Cont'd) 19th October 2010

Love Never Dies I CHRISTINE I 09 Beneath a Moonless Sky (Cont'd) (Oct 10)

193 f (\ "' - I .. I

~ Oh, I loved you! How I loved you!

t\ .10 I .. I .. I I

~ loved you! And I left you! And I had to: Both of us knew

~~ .. ~~ .. ~~- -e-') .10 .. I~ 0 P- :n: ') I

~1 -I J .!OJ j ~J nJ~ -e-I -

-

-

:

199 'l .10 I I I

~ -It"""

We both knew why And yet I won't re - gret, from now un - til I

'l "' I

~ I fioO why. And yet I won't re - gret, from now un - til I soo--------------------1

~ p.~f: I I J J (\ "' ..a. -e- t. ~ I I I I I

l ~ r::: l ~: I I J J 11!f .. 0 --

~""-- 0 J ~ J I I :

207 Rail. 'l "' I I

~ -It""" p fio0"

die, The night I can't for - get beneath the moon - less

r "' I I

~ fio0" for - get p

-It"'" die, The night I can't beneath the moon - less

.,..a.~p. ~ ..a.~p.. ~ ..a.~p. ~ ..a.~ ..a.

t ~0 I ~4 4- ~ d d c mp :a::: I d -e- ft -e- '7T: AT

f :

'U' 'U'

-----Act 1- 09. Beneath A Moonless Sky ( Cont'd) 19th October 2010

215 1 " r... " +I

!)

----sky. (\ " r...

" +1:

u ----sky. And r...~

(\ -6' ~ " +I ,Mo- r-

I u p mpl I

r...~ ~ :::1: ";: ;: -I :


Half tempo J = 112 approx I CHRISTINE I

How can you talk of now? For

now?

" . n

I u I

~#~: ";: ;: ~= ......

Act 1-09. Beneath A Moonless Sky (Cont'd)

menomosso She breaks off e allarg.

I I

us there is no now.

OJ-._: I-' 'OJ

o_.- ~.,

19th October 2010

Love Never Dies

10. Once Upon Another Time (Oct 10) She sweeps out onto the balcony and he follows. Together, against the night sky, with the world at their foet ... and yet irreparably apart.

Appassionato >

~ f: f: qJ: :! > rall (l .!of 1t ~ ~ ..-: u.a i? I I r.\ I ~

f "'[:._j../ I ,.. I I ::; ~ .... ..s...L :3: ~ r'JqiJ.J)-

Love Never Dies 10 Once Upon (Oct 10)

19 rit. ten. ~()~if I I -

... ~ thought must be done. And now we have no choice, we do what we must do. We

( ~ tt .-"1 ~ t~ ~ ~~ ~ :: if: ~ ~ frrr ~~I ten. j_ J 1 ~ ;:1 j_ ~I1 f

-

:

_-e- u

25 ATempo "tl J,l. -1+ I

I .~

love, We live, We give what we can give, And

tl J,l. -1+ ~: ~ ~- J -~~

- t.J I r~ I I v f v r-i j nJ 11!1 ~n J

I ~ -e- ... :

29 -'( J,l. +I

I .~ .. ~ take what lit - tie we de - serve. tl J,l. +I

~ I I I mp -e- ~ I I I I I --

:

33 I PHANTOM I -'( ~ tt I I

1.~ ... Once up - on an - oth - er time, I knew how our sto - ry would end, And

( J,l. +I

~ ~~r ~~r ~v-ur r I r i ~~ U' I -I ~I -I -I I ~ J'i j

:

Act 1-10. Once UponAnother Time 19th October 2010

Love Never Dies 38 10 0 u (0 t 10) , A ~ +1: I nee pon c

I .~

may - be I was wrong, but

A ~ +1:

I~ r - -

~ql! n .[ J J J ~ JJ~D J J J J I :

42 A Tempo

, A ~ +1: I I

. ~ Were it still that oth - er time, I'd make

I) ~ +1: I I I I

I !) if'fU I I I I "lfltll

I " J ~ I I I I :

46 , A ~ +1:

~

') ~ +1: I

u bend! But now I'm not that strong,

(l jf 1 .fi. .~ .o

I ~ I Ill.._._

poco allarg I

u

now the mo-ment's gone.

I I ,,

_r--, J.

'-"

time it - self

J

'fUj r r-1 11 I

I

I :J ,._

~ -==== ====-

._J I JJ -

some- how

j

"tJ I I I I r-1.t"il

rit. I CHRISTINE I ten -

We

ten. ~

and time keeps mov-ing on. We

I 1 ten.

I I ,, r r r 1 r c --==== ====- m~~nnd j)~aHd '!! -- ten. 1""'1J I r T I ..Jq.JJ n r T I J -:

- I I '-" - -r Act 1-10. Once Upon Another Time 19th October 2010


A Tempo

51 tl'(l" !t I

~ love, We live, We give what we can give, And

('\ " +I' n. I

,4!) love, We live, We give what we can give, And

('\ J,l. +I' I

I ~ "1Y -e- -e- -e-

f u. I I I I I

I : -e- - I I

55 poco rail ten. f'( J,l. +I' ~

4!) take what lit - tle we de - serve. We

ten. ('\ J,l. +I' -

,4!) take what lit - tle we de - serve. We

ten.

(l " +I' n -

...

I 4!) ~ ... ~

mp

I u. : -e-

58 A little broader rail f' (l J,l. +t I"J I

v .

love, We live, We give what we can give, And take what lit - tle we de-('\ J,l. +I' I

,4!) love, We live, We give what we can give, And take what lit - tle we de-

('\ J,l. +I' ... ~= ! ~: .,.._ f2- ! f: 4!) I I I I I I I

f '"!I p -e- 1: --e- -:

Act 1- I 0. Once Upon Another Time 19th October 2010


64 A Tempo rail Colla voce

pp (in reverie) ,. r') "" +I I I fr ~

~ serve. Once upon an - oth - er time.

(} "" -1 pp I I !"':'.

.~ serve. Once upon an - oth - er time.

"" -1 0 J.-.1\ fl. ~ ~ t 01 ~~ I I r

mp pp p

'

..... fr'~ !"':'. i : :

OJ

Act 1-10. Once Upon Another Time 19th October 2010

1 ~()

,!)

I)

I !)

I :

8 ~(\

,!)

()

!)

:

14

Love Never Dies

11. Mother Please, I'm Scared! GUSTAfP runs in wildly, breaking the mood, and buries his face in his MOTHER'S dress.

Agitato

I GUSTAVE I I ~

_,, -,J ~ Moth-er, please I'm scared! What a dream, an aw ful dream! Some-one strange and mad, seiz-ing me, and

I

~: ltf! r 4 ;. v tf~

mp-=:::: f f > >

I -zf. I

GUSTAfP, sensing another presence in the room turns from his mother to see for the first time ihe PHANTOM.

CHRISTINE: Shh, Gustave, it's all right.

Colla voce I CHRISTINE I I PHANTOM (dark yet charming) I

1':'\ ... I ,....._

drown-ing me. Come and meet a friend of mine. Wel-cometo my world, young friend

1':'\ ..

1 I I r' :; v:;_ 1':'\ J j~~

"i 11~

GUSTAVE: (cautiou#y) Your world? Where are we? PHANTOM: The world of Phantasma, little Vicomte. A world of fantasy -- where illusion is emperor. The chill in the atmosphere is palpable, but GUSTAVE is oblivious to it. The PHANTOM leans aose, consptratorially

I PHANTOM I

Tell me

f

8'!.;,_- ~- __-~- ~- _ __ ~- ~--- ~- ~- __- ~- __- ~- ~- __-- ~- __- ~- __-~- ~- __- ~-- __- ~- ~- __- ~- __- ~- ~--- ~- ~- __- ~- ~- __- ~-- ~-(Phantom Bass) Act 1- 11. Mother Please, I'm Scared! 5th November 2010

19 .-r

I . u

t

~

:

22 (A ,u

'\

~ ", 26 .;('I

I ,u

('I

~u :

whereyou'dlike to go, Tell me

~ I

Love Never Dies 11 Mother Please I' rn Scared

CHRISTINE steps fr!rward to interrupt ana decline the offer.

(to CHRISTINE) l

what you want to see, Mad-arne please,

~ I J

~

I ins - ist.

n J

0 0 0

(8)------------------------------------------------------------------------------------------------------l GUSTAVE I (shyly)

I

Could you show me, if you please, All Phan - tas - rna's my - ste - ries? ~~~- ~~

n-1 n-1 I /l~ - /l~ -rrrrrrrr rrrrrrrr rrrrrrrr rrrrrrrr

0 0 0

(8)-------------------------------------------------------------------------------------------------------PHANTOM: Yes!

!(GUSTAVE)! rail. I I

..

All that's strange and wild and dark In the shad-ows of q..a: :.0..

r qr ~r- r " q!: ~ ~ f.. Jh.j

- -- ----- -

---

-;j qr r r r r r r r qr r r r r r r r qv 7 t . . . . . . . . (8) __________________________________________________________________________________ _1

PHANTOM: You shall see it all tomorrow, I myself will show you. (cuefor chord)

1':"1

the park?

q$

~-;j

I promise. (cue for melody] CHRISTINE: Back to sleep now1 Gustave GUSTAVE: Yes, Mother. (He extts to the bedroom.) 30 Freely ~ rail. ,-(', 1':"1 I

.u

I 1':"1 1':"1 1':"1 I

') .. .. .. p L~ ."::':::-- .:::-::::; ..o_

:

Act 1- 11. Mother Please, I'm Scared! 5th November 2010

32 ~ "} I

!.)

(\ I

I u

I :

36 ~r I

u

I

'4')

(l I

I u

I :

40 ~r I

u

r I

.u

(\ I

lu

I :

The PHANTOM turns to CHRISTINE PHANTOM: And so ...

1":'1

~ Does he

1":'1

1":'1

Love Never Dies II Mother Please I'm Scared

-

,-___. 4 ~''* -.J stay? __ Does he go? Do you sing? Yes or

PHANTOM: (simply) You sing: you leave with the boy~ Pockets full. Debts paid. You refuse: you leave alone. A man as ugly as tliis, believe me, is capable of anytliing. all

r I CHRISTINE I

And

~4 no?

bo ~ '-'bo :

~

E/AI> Al>m E/AI>

" , ~~? ,.

what am I to smg. And then we're free to

I ~

Just one a-mus-ing thing de-vised by me.

Em F#m Em Dm Em F# D E

" ,u.

q-6 +I'"' q-e-

Love Never Dies 11 Mother Please I'm Scared

45 Slower _, (\ I

~ ;!"* leave?

(\ I (nods)

-~ fee. ;=. And will, of course, re - ceive a prince - ly s tt

(\ I

~

F# D c F#m 01.

:

lfU c: 1:6 l+ 'U

48 ( ") I - 01 it ~----- -6- 17-* -,1 !) on with the show? Does he stay? Does he

") I 01 olf

~

tacet

:

51 Eventually, she nods PHANTOM: The Manhattan Opera House will receive a message explaining that you have been unavoidably delayed.

((\ 01 1t

.~ ~~ go?

r 01 1t

'~ ... ... '< ~ -.J -,jl -e-I u. :

U u~u...__ ......--''U~

In America you will sing for me, and only for me. Have no concern for your contractual obligations 55 to Mr Hammerstein. He will be paid off in full.

(\ .. olf

I ~ ... ... ""'..__

..J' -,1 -.1' -e-

'~ :

-'U u..__ ___ y....___

_........--'ou....._-

Act 1- 11. Mother Please, I'm Scared! 5th November 2010

Love Never Dies 11 Mother Please I'm Scared

59 rall r .. +t

u

:

63 ..

* r I I I r

u

He bows, steps out of the window and vanishes. Alone for a moment CHRISTINE begins to undress in front of the mirror. "She gazes at her own reflection, seeing herself as she was ten years ago.

..

u

-~

' 40 I

<

(

l

~ ~ r---..:::- h. :

(After a moment RAOUL re-enters) RAOUL: He's nowhere to be found. The insolence. CHRISTINE: (distracted) Who? RAOUL: Hammerstein. What the devil is going on? That's what I'd like to know.

67

CHRISTINE: (quietfy) I know what's going on, Raoul. 68 RAOUL: (unsettled) What?

CHRISTINE: (quieter still) Things have changed Raoul. (A beat. They look at ONE ANOTHER). ()

u

I :

rrrrrrrr rrrrrrrr rrrrrrrr tttrtttr Act I- II. Mother Please, I'm Scared! 5th November 2010

I

I

I

I

I

Love Never Dies

70 A Tempo "(\ ~ ~

u are to sing. MEG: ~n aback) To sinf But surely not here? Not on Coney?

CHRIS : Yes Meg. It's al been ~eed. Me~this is Gustave ... MEG: (ignoring the boy) Agreed? o with? o hired you to sing her e?

(\ ~

.u ... why are you here?

(\ ~ ~

u :J ~! -uq~ ~I ---~q~ ~I ---~q~ ~I ---~q~ mp p

I :

... I I

RAOUL enters and walks, stunned, towards MEG ... A Tempo .. . and right past her, astonished at another figure who has just appeared I GIRY I (stunned) 77

,; (\ .lol- I

u .. ... I RAOUL I It can't be you! (\ .. t'

. u ... You! Is this a

(\ .. - - -

I_

u f ~ I

:

I I r I

82 .-(\ I

u .. .. ... ., .. .. How can this be? At whose be- best? Andmay I

I) I I (producing an envelope)

I ~

~ ... .. .. jest? We're here to work The con-tract's here.

(\ I

u q~ ~ $": '-6'-": 11"#': :

I I

Act 1 - 12. Dear Old Friend 5th November 2010

Love Never Dies 87 (she takes the contract and reads) _, (\ I 1":'1

~ ... .. . . .. see. Dear God, the price! This is ab surd!

(\ I II (suavely)

1":'1 I

. ~ ~ .. .._, .. .. Why,bemy guest. It's on-ly fair. And may I ask, why you should II

.. ~ .. ~~ -~ I I I

0 q~ mp ~~~ ~~ II i== i== .~

I :

~ ~

93 Viennese _, (\ I

-I

~ and will she sing? My dear old friend, let's get one thing

(\ I

.~ .. .. ... friend,l~et one thing care? He has our word. My dear old I I ~ _l I ~ ~~ I ~ ~ .

;:~ It 11!/t......./ . I : ~

98 .-r

~ ~ clear, old friend. When you say "He" ... that "He" might be? My

I I

-~ ~ ..... .. I ~ clear, old friend.Am I to as sume ... we both know whom ... that "He" might be? My

(\ I I ~ I _l _l 2 ~~ I~ ! ~ i ~ ~ i ~ ~ f t....J r ~. u I - -

....-! :

I ~ . ..


Love Never Dies

104 (archly) ,;(I

I!') ... .. ...

sweet old friend, we must be dis - creet, old friend.Still Imustcon-fess (I

,(!) ... ..

sweet old friend, we must be dis - creet, old friend.

(I o--._

(!) ~ -........:.._ '"" ~ -1 I ~ ~ ,/ r-... '--I

:

-,j ......

110 Rall. ,;(I

(!) ~ ..

bought ... You did say yes?

(I (riled) I frowns I

.u Please un-der stand ... He ra-therforced

'\ I

~ ~: ~ ~~ .,: :

~ c: = ...

115

The focus turns back to MEG and CHRISTINE A Tempo I CHRISTINE I

"f't ol.f

(!) To-morr-ow

(I .It I MEG I _...., ~

.u - ---Sor - ry did I hear you right? Here to sing?

tl.~t :r= I (!)

11!1 ~ q~ ~

:

I I

Act 1 - 12. Dear Old Friend

I ne-ver thoughtyou could be

~ #~ ~

ol.f

ol.f

our hand ... ol.f

I

night.

- -

v

That seems odd--there

I

'" ~

~ ..

I

5th November 2010

Love Never Dies 118 ~ () If

_j_

u No,sure ly not.

() If .........--!

-

,......, .........,

,u ~ - --

II

must be some mis-take. That's thelead-ing la-dy's slot. I've been booked This was meantto

If q-e- ~-!-

I 0 ~

<

J~i ~ (q)q, i I :

I ! r

122 ~ (\ J.l, l

u ....... -Look,I hard-ly sing-- just one sil-ly thing:an ar-i-a. (smiling through her

(\ J.l, disappointment)

,u ~ be my luc-ky break ... Oh ...

I ~< I I .~ lu ..._ v ... I ..

11!1 > > ~ . ~ ~ I : v r I ~ ~

Back to GIRY and RAOUL 127 ~ ~r J.l, I u .. .. ..

He? Who doyoumean? (\ J.l, I I I RAOUL I

v -Chris- tine, it's a thrill justto share the bill with you ... Ithinkyou

If I I I :

I 0 if. v ~ I I f 11!1 ~

------

I : ~ I ~..,; ~..,;

> >


Love Never Dies

132 (urgently) (darkly) ""1'j I

~ .. .. .. .. , .. .. I think I do ... You both should go. Now you do

1 I I ___, I

') .. .. ...

know. Mywifein- sists. You work for h. ? un.

I :

I I ._, ~ ~ ~ > ~'-"-'! ~'-"-'! :::;-

:

~--,/ ~--,/ > r > > >

RAOUL sidles over to CHRISTINE.

137 rail. I CHRISTINE I ~ () I ~

.~ 4 too. Do they know? Or have they

~ ::L: ~: ~i ! () I ~~= ~. ~

p ~. j fr. ~~ ~ :

141 I CHRISTINE I ~() I I

~ guessed? And, if so, then why pro

rl I RAOUL {sottovoceJI I

,'-.) Dar-ling wife,justchann them. All the while, trust no- one. q~~: ~i 1'j ~~= ~= ! P,.. ~ "'!'" "'!'" "'!"' "!'I

11ff mp -~ _;t: h~ : ~ ~ ~ ~

Act I - 12. Dear Old Friend 5th November 2010

Love Never Dies

146 ~r

~ test?

r

~

()

~

!RAOUL! I

. ~0

As they confor, MEG and MADAME GIRY have their own whispered colloquy:

!MEG! (sotto voce)

~I lrif- ~ "* ~I This can'tberight. I GIRY I (sotto voce) What's

~~~--- ~ ... It can'tbetrue.

Dar- ling wife, smile nice - ly. Haveno fear-.J'llstall them.

r I b~ r-, .,_~

~ '!" !" ~---J ... ~I ~~--- ~ ... ~I \.._../ 11!1 ~ ~ . ~4=~ / 1"---. :

r' r' -

I I 6

All four catch each others' eyes and immediately regain their social graces. 150 rail. I CHRISTINE I ~r ..

~ -

!MEG! My dear old friend,would n't it ap-pear old

.. ~ ~

0 ~--- .~ ... go-ing on? !GIRY! My dear old friend,would n't it ap -pear old (\ ..

~ ~ ~--- ~ .... .. I wish I knew... My dear old friend,would n 't it ap-pear old

(\ !RAOUL! ..

~~ -My dear old friend,would n't it ap-pear old

(\ II

~ ~--- ~ ... ~I ~~---J .. f~ :: :: ~ :: :f :f ~ I

:

C:: ~ .e-


Love Never Dies

155 ICHRISTINEI ~ (l ~

u friend ... as it should be ... My

( IMEGI ) ~

u ...... friend.Some-thin

love never dies - full vocal score

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