louisville, kentucky incorporated 1989 may...

1 BLUES NEWS May 2010

THE NEWSLETTER OF THE KENTUCKIANA BLUES SOCIETY “...PRESERVING, PROMOTING AND PERPETUATING THE BLUES.”

Louisville, Kentucky Incorporated 1989

May 2010

IN THIS ISSUE

KBS News, Contacts & Classifieds ******************** 2

Letter From the Prez********************************************************** 3

EC Was Here ****************************************************************************** 4

2010 KBS/IBC Contest Info **************************************** 5

New Music Reviews ******************************************************************* 6-7

Homeward Bound ************************************************************************ 8

Featured Artists – Bryant-Stevens Band**************** 9

Kentuckiana Blues Calendar ******************************************** 10

KBS Blues House Party Saturday, May 8

with the Bella Blue Band and

The KingBees

Blue Mule 10301 Taylorsville Road

Jeffersontown, KY $5 Admission

Free for KBS members

On Saturday, May 8 the Kentuckiana Blues Society will host its second blues house party of the year at the Blue Mule. Music will be provided by the Bella Blue Band (pictured top left) and the KingBees. The Blue Mule is located in Jeffer-sontown near the intersection of Taylorsville Road and Watterson Trail. The Bella Blue Band will play from 8:30 pm to 10:00 pm and the KingBees will play from 10:30 pm to midnight. The house party is a fundraiser for the blues society with raffle items and KBS merchandise for sale. The Bella Blue Band are (front row, left to right) Herman Carpenter and Cole Kiser and (second row, left to right) Eric Collins, Tom Roller and Kevin Balmer. The KingBees are (left to right) Mike Taylor, Jim Haswell, Rick Cain, John Carby and Rob Brown. Not pictured - Marvin Maxwell.

Please Patronize Our Sponsors ********************************** 11


We appreciate your support and welcome your input. If you have any comments, suggestions, ideas, etc., contact us at this ad-dress:

Kentuckiana Blues Society P. O. Box 755

Louisville, KY 40201-0755

As usual, please check your mailing label to see if your member-ship will expire soon. Our single membership is a bargain at only $15.00 US per year. Double membership (two members at the same address, two membership cards, one newsletter) is only $20.00 US per year, and we now offer a special band rate of $25 per year, which includes one newsletter plus a membership card for each band member. If you see a notice on your mailing label, that means that it’s time to renew!

KBS LEADERSHIP FOR THE YEAR 2010: Gary Sampson – president

Debbie Wilson – vice-president Keith Clements – secretary

Chris Grube – treasurer

KBS MONTHLY MEETING

If you are interested in reviewing new blues releases, come on out to the KBS monthly meeting (held the first Wednesday of each month at 7:00 PM at Lisa’s Oak Street Lounge, 1004 E. Oak) and take your pick! We receive promo releases from the major blues labels as well as regional and local bands. If you re-view a CD, it’s yours to keep!

CALL FOR INFORMATION ABOUT:

GENERAL INFO Gary Sampson (502) 724-9971

KBS EVENTS Keith Clements (502) 451-6872

MEMBERSHIP/NEWSLETTER Natalie Carter (502) 893-8031

NEWSLETTER ADVERTISING Keith Clements (502) 451-6872

CLUB/BAND CALENDAR Gary Sampson (502) 724-9971

KBS Board of Directors

Rocky Adcock Emeritus

Roger Wolford Emeritus

Bob Brown Danny Henderson

Natalie Carter Cole Kiser

Keith Clements Jim Masterson

Pam Dean Les Reynolds

Nelson Grube Gary Sampson

Chris Grube Debbie Wilson

Official Printers of the

Kentuckiana Blues Society

www.voluforms.com

May 2010 Volume 23 Number 5

EDITOR Natalie Carter

CONTRIBUTORS

Bob Brown Keith S. Clements

Nelson Grube Wayne Harbin Gary Sampson

Address Change?

If you move, let us know your change of address. The Post Office does not forward bulk mail.

The views expressed by the authors and advertisers are their own. Contributions by anyone offering perti-nent and thoughtful discussion on blues issues are

welcomed.

www.kbsblues.org [email protected]

Blues News The monthly newsletter of the

Kentuckiana Blues Society

©2008 Kentuckiana Blues Society Louisville, Kentucky

www.blues.org

"Drummer Available" Local Drummer available for organized group or for "Fill-in". Any style music, especially Blues. References available. Contact Harry [email protected] (502-314-5194)

"Harp Player" Harmonica player looking for work band. 25 years experience, pro gear. Blues/rock. Danny Hord (502-935-5984) Blues Related Classifieds [email protected] PO Box 755, Louisville, KY 40201-0755


We have three festivals in our area during the month of May to help kick off the festival season. The International Bar-B-Que Festival takes place in Owensboro, KY on May 7 and 8. While not solely a blues festival, Owensboro features all kinds of music with a few blues band thrown in the mix. And let's not forget lots of delicious barbecue with several teams competing for the coveted Governor's Cup grand prize. More info is available on-line at http://www.bbqfest.com/. If you want authentic Owensboro style pork, mutton, chicken and burgoo without having to drive two hours due southwest then the 26th Annual Pitt Academy BBQ may be just the thing. On Saturday, May 15 the festival takes place on the school grounds located at 6010 Preston Highway. This is the third consecutive year that the festival will feature a blues tent. Louisville's own Muji Fuji gets the music started at 4:00 pm, followed by Lexington's Here for the Party band at 6:00 pm and The Beat Daddys from Nashville, TN will close out the night starting at 8:00 pm. The festival is free but there will be a

separate admission for the blues tent. All proceeds collected are for the academy, a private school that assists children with learning difficulties and disabilities. Last year Greg Thomerson, better known in the blues world as G. Busy, helped create the Red Mile Blues Festival in Lexington. This year the festival moves to Riptide on the River located at 9079 Old Richmond Road. On Sunday, May 30, Lexington's “Blues Between the Bridges” will feature local and national blues musicians including Big Bill Morgan-field, Mem Shannon, the Nick Stump All Star Blues Band, Tom Truly and the Knott Brothers Tribute Band, Tee Dee Young and more. The festival takes place from 1:00 to 11:00 pm and admission is $10 in advance or $15 the day of the show. Get all the details at http://www.gbusy.com/. Frankfort, KY will play host to not one but two piano-playing blues divas the first weekend in May. On Friday, May 7, Deanna Bogart brings her band to the recently restored Grand Theatre. This show is another in the “Paint the Grand Blue” series. Bogart is the consummate show stopper. She plays both piano and saxophone and has released eight al-bums since her first one in 1991. Bogart's style varies from blues and boogie-woogie to New Orleans rhythm and blues. The Grand is located at 308 St. Clair Street and show time is 7:30 pm. Tickets are $12, $15 and $20. You can get more information by calling the Grand box office at 502/352-7469. The next evening Ann Rabson will play at the Kentucky Cof-feetree Cafe located at 235 West Broadway Street. Rabson's a senior citizen but she doesn't play your grandma's kind of music. Not unless you have a really cool granny who likes to rock the house with traditional blues music. Rabson is currently a solo artist signed to Alligator records but until recently was part of Saffire the Uppity Blues Women band. She has been singing and playing the blues since 1962 and has been nominated for eight Blues Music Awards in the Tradi-tional Blues Female Artist of the Year category. Show time is 8:00 pm and tickets are $12. Call the Coffeetree at 502/875-3009 for more details.

Gary

Photo by Bob Brown

Letter From the Prez

Photo by Gary Sampson Hambone (L) and John Hayes, River Bend Winery, 4/14/10.

Photo by Keith Clements The 10th Street Blues Band will once again be busking on Bardstown Road across from

Carmichael’s Bookstore on Derby Eve., starting around 7 PM. Pictured: Pen Bogert and Fred Murphy, c.. 2002


E.C. Was Here — Memphis Review by Wayne Harbin, The Louisville Blues

Not long after the super bowl, I was doing what most bluesmen do in the winters of our discontent, i.e., torturing my acoustic guitar for ideas and wondering where and if or when the next gig will appear. So when my friend Andrew Hatfield president of “Drums Unlimited-Renegade of Rhythm” ex-drummer of the band “Cornbread Mafia” whom I recorded with in Memphis, called and asked if I’d come down for visit and check out the Roger Daltry “Use It or Lose It “ tour and Eric Clapton’s 2010 North American tour. It was if God and Eric Clapton were teaming up to have mercy on my poor soul.

Next thing I knew I was checking in at the Doubletree Hilton at 2nd & Union March 4th in time to settle in, experience the vibes and vitality for the music, people, and food that you can only experience in Memphis. Thursday night March 4th made me realize that you never know what surprises are in store for you any given night in Memphis. After a couple of cocktails at “Rum Boogies”, Andy and I crossed Beale St. and went down a block to BB King's Blues Club. That short walk was worth a fifth of Bushmills and dinner for two at Rendevous. How so? I’ll tell you, because I was lucky enough to not only catch the last set of the “BB King’s Blues All Stars” but also witnessed Eric Gales sitting in with them. Mr. Gales did an unfriggin’believable rendition of Johnny Guitar Watson’s “Real Mother For Ya”.

The next day, March 5th Friday, was the big day of the show. Little did I realize that my hotel room faced the back of the Peabody, where E.C.'s tour buses replaced George Strait’s from the night before. So much to tell… so little space to do it in! The Roger Daltry part of the show started precisely at 7:30p.m. at the four year old Fed Ex Arena located right on one end of Beale St. (18,000 seating). Daltry’s band was tight and well rehearsed and as he belted out “I Can See For Miles” on the opener he quelled any doubts about his weakening voice. Between songs he talked to the crowd and seemed to give insights about the songs and himself that one rarely experiences in such a large venue. In his remaining 40 minutes he performed 4 or 5 new originals that had a bit of an Irish folk song feel. Other songs Roger performed were “Goin’ Mobile”, “Behind Blue Eyes,” “Baba O’Reilly” and “Who Are You”. Mr. Daltry stopped promptly at 8:30 p.m.

For the next 15 minutes I visually took in the stage set-up of double rowed JBL PA speakers (20 cabinets per arc x 6) and lusted for E.C.'s Fender custom shop Fender Amps. At exactly 8:45 p.m. the “Journeyman” walked onto the darkened stage and in to the spotlight with the only electric guitar he used the entire night… a gleaming pewter E.C. Signature Strat. He began with the opening guitar riffs to “Goin’ Down Slow” written by St. Louis Jimmy which he originally recorded on the CD “Pilgrim”. After thanking the audience, E.C. immediately went into the second song, one of my all time favorites, “Key to the Highway”.

Before I continue with the rest of this concert, in order for you to visualize the players on stage i.e., yeah Wayne, “Who in the hell is he doing this gig with with?” Well, let me tell you.

Steve Gadd - Drums, percussion Willie Weeks - Bass 1 Keyboards - Chris Stainton 2 Keyboards – Walt Richmond Background Vocals - Sharon White & Michelle John Guitar - Eric Clapton

At 9 p.m. he started belting out a song I truly love off the “Layla” album, “Tell the Truth” - believe me every word I say is true! Next was “Old Love”. When Clapton says, in the song, “when will I ever learn?” trust me this bluesman can make that guitar make you cry a thousand different ways. “Cheatin’ Hand” and “I Shot The Sheriff" rounded out the first third of the concert. E.C. decided to shift into acoustic gear with his 000-28 EC Signature Martin for “Driftin’ Blues”, “Nobody Knows You When You’re Down and Out”, “Running On Faith” -what else can a poor boy do- “Layla” and the T-Mobile song, “I’ve Got A Rock & Roll Heart.”

The last third of the show kicked off with “Badge”, “Queen of Spades”, “Before You Accuse Me”, a hauntingly slow bluesy “Wonderful Tonight”, and ended the formal set list with, guess, “Cocaine”. Chris Stainton’s solo on Cocaine made Liberace look like a stepchild!

What? No anchor? Oh yeah, “Crossroads”, written by the man E.C. has studied all his life. Then, I’m sad to report, E.C. was gone even though his tour bus remained outside my window of room 532 at the Hilton and even that reality vanished as well within a few hours.

In conclusion I must say I’m in total awe of two men in music, B.B. King and Eric Clapton. Yes time and age has caught up with their appearance but thank God, not their ability to play, sing, and provide the world with the best blues I’ve ever heard. I will see them as much as possible till the day I die.

Love and Blues, Wayne Harbin

Photo by C. Michael Stewart Unfortunately, Wayne’s pictures were too dark to reproduce here. This picture of Eric Clapton is from the May 2008 show at the Verizon Music Center in Indianapolis.


New Music Reviews!

David Gerald Hell and Back David Gerald Enterprises

The debut CD by Detroit resident Gerald is a recording of some of his favorites and more im-portantly, some of his fans’ favorites. There are five studio originals and five live songs on the CD. There are a couple of songs on the CD that are ones that really gets his audiences going-those being “Cold Shot”, “She Caught the Katy”, and “Red House”. The two other covers are “I’ll Play the Blues for You”, and “The Thrill is Gone”. All five covers are recorded live. You might think that this CD is not for you since some of these songs are so over-played these

days. Gerald puts a new spin on these songs, while keeping true to their original artist, and really pulls it off quite well.

The title song, “Hell and Back” is about a family that has fallen on hard times, the husband is gone all day looking for work, and the wife secretly turns to working the streets to keep food on the table, and a son that is confused by the situation and feels to blame. The song is well written and performed (complete with sirens as a sound effect) and showcases Gerald’s skill and talent both as a musician and a writer.

Overall, this CD is a great first effort for Gerald. His choice of material is fair, but his creativity improves what other-wise would only be a fair CD. You can check him out on Myspace.com/davidgerald and www.davidgerald.com.

Bob Brown

TIME TO RENEW?

Check your MAILING LABEL for your renewal date, and please be sure to keep your member-ship current. “TIME TO RENEW” will appear at the top of the label when your membership is expiring. PLEASE NOTE: THIS LABEL MESSAGE IS THE ONLY REMINDER YOU WILL RECEIVE! And remember, it could take up to a couple of weeks to get your new card. If you need it sooner, leave a voice message for Natalie at 893-8031 or send an email to [email protected].


USED AND COLLECTIBLESTRINGED INSTRUMENTS

NEW, USED AND VINTAGE GUITARS ATREASONABLE PRICES

1610 Bardstown RoadLouisville, KY 40205

STORE HOURS:MONDAY-FRIDAY 10:00 TO 7:00 SATURDAY 10:00 TO 5:00

Jimmy BrownOwner

(502) 459-4153(502) 454-3661

www.guitar-emporium.com

Cash Box Kings I-94 Blues Blue Bella Records 1016 www.bluebellarecords.com www.cashboxkings.com c@2010 Recorded June 24, 2009 Smart Studios, Madison, Wisconsin

I never got farther into the Chicago music scene than what I got to visit on the south side as a teenager. I don’t remember no names of places of players or places. What I remember is some real good music that I’d never heard the likes of before and an atmosphere that had to have more than something to do with the feel-ings I was feeling.

When I first heard this CD by the Cash Box Kings – I was from the first track back in that bright afternooned dimly lit smoke filled magic musiced room with all them different color filled bottles sitting on the wall. Later I would remem-ber the ladies that were swooning around the stage and wonder what a new Fender amp cost anyway.

This CD is what you wish you could take home with you from hearing the best music you ever heard live, but captured on a Studio disc. If these cats don’t dig each other – they sure as all got a love for the music. The main crew is: Mark Haines on drums, Jimmy Sutton on up-right bass and vocals, Joel Paterson on guitar, Billy Flynn on guitar, mandolin (doing Yank Ra-chel proud!), and Banjo ( yes I know what Steve Martin said, but trust me, it works ) and Barrel-house Chuck on ivory. With Kenny “Beedy Eyes” smith, Oscar Wilson, Chris Boeger, Jimmy Sutton and Steve Freund dropping in to add to the sound.

The sound is DRIVING! Driving guitar, driving drums, driving harmonica, driving vocals – all pushing in the same direction. (OK, so maybe the banjo don’t get to drive a lot.) But from the 1st notes of Default Boogie and St. Paul Win-tertime Blues ( which is getting some air time on radio and FB ), thru Mellow Chick Swing, Ain’t No Fun When the Rabbit Got the Gun, Tried so Hard, Quesadilla Boogie, (whoever got to name that Mexican food Quesadilla ought to get to name some other things too ) {thanks to Diedre for that line }, and Warm it up To Me and the eight other songs here – your heads gonna swoon, your feets gonna run off without you, and your heart will move your mouth to say something to somebody that you never had the nerve to look at too long much less talk tooooooooooooooooooooooooo. This will be spinnin’ in my drawer for some time to come.

Nelson Grube


The idea of Kentucky Homefront Performances was birthed by Louisville musician, John Gage, with a half a dozen friends dreaming about showcasing regional music other than in a bar. With borrowed sound equipment and a commitment from WFPL to broadcast the show live from the Stuart Robinson Auditorium, Homefront began in March, 1984. The first show was hosted by Ken Pyle, the heart and soul of the Rudyard Kipling. One hundred fifty people filled the pews. John would become the master of ceremonies and raconteur giving the show a down home feel, mixing the music with storytelling.

John recalled the memorable Homefront concert with Eddie “Cleanhead” Vinson in January, 1986, which was co-sponsored by the Louis-ville Jazz Society. Many of the skeptical board members were not familiar with this sixty eight year old honker and shouter. John’s persua-sion prevailed with some financial assistance from a Louisville Fund for the Arts grant. A standing room only audience (dozens had to be turned away) saw this legend blow his alto sax and sing in his personal broken style. Vinson was backed by local musicians Steve Crews on piano, bassist Tyrone Wheeler and Luis Taylor drumming. The jazz guitar duo of Jimmy Raney and Jack Brengle shared the bill. John could do no wrong after that show.

The Kentuckiana Blues Society had its first five meetings at the Rud, starting in October, 1988, when the Bluesday Tuesday jams were going on in the back room and the first Garvin Gate Blues Festival came together for a rainy one-day event. At those early meetings, the Board of Directors was elected, a newsletter was developed, bylaws for the Society were prepared and the Society became incorporated. Homefront had its first double billed blues concert with Henry & The Noisemakers and headliner Catfish Keith on March 11, 1989.

The KBS celebrated its first anniversary Blues Bash in conjunction with Homefront on Bellarmine’s campus on February 10, 1990. This blowout concert rocked Wyatt Hall when da Mudcats opened followed by H-Bomb Ferguson & The Bluesmen and Byther Smith & The Nightriders headlined.

The blues prevailed again at another Homefront performance in December, 1990 with Yank Rachell and Spencer Bohren. Rachell, the blues mandolin man, entertained with his original and raw style of prewar blues. Bohren came in his Airstream trailer from Louisiana to fin-ger pick and slide on his wide selection of guitars. Catfish Keith returned to Homefront in January, 1993, with KBS director, historian and musician, Pen Bogert who opened with the Jones Family. During the 2002 Homefront season Pen returned with Fred Murphy as a down home duo. They had just collaborated on a CD release, “I Heard A Little Rumblin’” where Fred sang and harped his Memphis style of blues with Pen’s sensitive guitar backing. The Walnut Street Blues Band followed with their uptempo sophisticated tight band led by Arti Well’s soulful voice, filling the intimate space of the old Kentucky Theater. There have been many blues acts since then including Harry Lewman, Tyrone Cotton, Nick Stump, The Revelators, Sue O’Neil, Joe DeBow, John Burgard & Reid Davis, Sparky Rucker, da Mudcats, Another Mule, Mark Stampley, Hambone, Hellfish, The King Bees and The Stray Cats Band with Greg Martin.

This win-win connection between Kentucky Homefront and the Kentuckiana Blues Society has been a long relationship and it has just got-ten stronger. When John Gage attended the KBS February board meeting the two organizations agreed to have a blues concert during Homefront’s spring and fall seasons. The KBS suggested several acts, promoted the event and had a table at the first concert on April 10 at the Clifton Center. The attendance was good and the KBS signed up some new members so it was a win-win evening with some excel-lent blues.

Kentucky Homefront tapes two one-hour shows during each performance for future broadcasts on Wednesday evenings at 8:00PM on WFPK 91.9 FM. The April show included Jon Boy Slim and The Beat Daddys for the first broadcast. After Jon Boy won last year’s KBS solo/duo contest I did a follow up interview with him which appeared in the August 2009 issue of LMN. Jon Boy’s original music was less bluesy than usual and more upbeat with songs like “Feelin’ Alright” and “Got To Get Away.” He played his guitar with a strong strumming rhythm that contrasted with his delicate ragtime chording. He closed his brief set with his sister, Katy Renee, who accompanied him on rhythm guitar and sang, “I’ll Be Your Woman.” Between the acts was the spoken word segment which featured John Gage and Col. Bob Thompson discussing the benefits of our old interurban transportation system. Poet and storyteller, Paul McDonald, commented about the state of our bridges and read his poem, “Five Little Marbles.” You had to have been there to know what those marbles were.

The Beat Daddys have been road warriors since 1986 led by founding member, Larry Grisham. The band has recently reorganized. That night Pat Worley was featured on guitar. He is the lead guitarist with Velveeta Jones. Pat’s intense solos meshed nicely into Larry’s husky vocals, harp and guitar as if they had been playing together for years. Larry was a commanding front man with a personable stage pres-ence due to his size, long curly hair and showmanship. The opening song “Common Ground” conveyed the trials and tribulations of life when Larry sang, “It’s poetry in motion, my life circle isn’t round, music is my devotion and the blues is a common ground.” This Nashville based band will return to Louisville for the Pitt Bar-B-Q Festival at 6010 Preston Highway on May 15.

The second show opened with Cheryl Renee playing keyboards and singing. Her solo performance was reminiscent of being at a house rent party with a barrelhouse piano player entertaining in the corner. She reached way back for songs like “Person To Person,” “Drownin’ In My Own Tears” and “Ball In The Jack.” This was a side of Cheryl I had not seen before when she competed and won the 2008 KBS band competition with her backup band, Them Bones, and also performed at the 2008 Garvin Gate Blues Festival with Keith Little. Her voice wailed and yodeled as her keys came tumbling down. Cheryl’s star is quickly rising for she won third place in the 2010 International Blues Competition for bands last January.

Following John Gage’s original song, “Grassroots Expose,” One Shot Johnny closed the evening with a set of contemporary blues. This trio from Magnolia, KY was formed in 1997, and have maintained the same musicians including Jeremiah Kelly on drums, Joe Shirley play-ing bass and Randy Colvin leading the band on guitar and vocals. Their balanced repertoire included “Your Eyes Don’t Lie,” a slow sad song, and “The Kind of Fool I Am,” which had an infectious rambling beat. One Shot Johnny has released four CDs with their most recent recording, Times Like These, selected by the Blues Foundation as one of the twelve best self-produced CDs during the past year. Stay tuned for the next all blues Kentucky Homefront concert on October 9.

Homeward Bound By Keith S. Clements for the Louisville Music News

Reprinted with permission


Featured Artists

Bryant-Stevens Band Band Name:

Contact:

Address:

Contact Phone Numbers:

Email Address:

Website:

Member Names & Instruments:

What type of blues do you play?

CD Available?

Additional Information:

Bryant-Stevens Band

Cole Stevens

5516 Arid Lane Louisville, KY 40258

502-774-5376

[email protected]

www.reverbnation.com/bryantstevensband

Cole Stevens – Guitar & Vocals

Dana Bryant – Vocals

Low Hale – Keyboards & Vocals

Phil Longo – Drums & Vocals

Benjamin Davis – Bass & Vocals

Originals and obscure covers

Yes! “Dig a Little Deeper “

Louisville Blues & Barbecue Festival July 10 4:30 PM

www.myspace.com/colepriorstevens

www.myspace.com/bryantstevensband

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