looney tunes boards
TRANSCRIPT
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adam garbuttOUGD505 looney tunes: world war II era
wartime looney tunes
During the war looney tunes turned
to create two types of cartoons:
ones to escape from realitity and
ones that played on the topicality of
it. working in a defence plant, being
drafted, etc.
Bugs bunny captured the american
spirit, bug’s can-do attitute gaveamericans relateble cartoon charac-
ter. As bugs had just been created in
the recent years, his development
during this period shaped what we
know as bugs today and is what
made him rise to success.
Typical trademarks of these car-
toons that are usually spoofed: pro-
paganda elements, racist carica-tures, outdated references to the
war effort (i.e., Shout Outs to save
scrap iron, buy war bonds, or grow a
Victory Garden). Adolf Hitler, Benito
Mussolini, and/or Emperor Hirohito
often make a cameo.
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looney tunes: censorship/ poltical correctness adam garbuttOUG505
the censored eleven
cartoons are often edited to take out
parts that are unseenly for some
viewers and cut to make them more
appriopriate for their audiences .
sometimes, in the case of the Cen-
sored Eleven, racial themes are so
essential and so completely pervade
the cartoons that the copyright
holders believe that no amount ofselective editing could ever make
them acceptable for distribution.
‘All of the faces you see in Tin Pan
Alley Cats and Coal Black and de
Sebben Dwarfs are caricatures of
real musicians he hung out with at
the Central Avenue jazz and blues
clubs of the '40s. ’ The people shown
in some of the cartoons are simplycaricatures and innocent as that.
However with their recent release
they‘ve recently come to the atten-
tion to a lot of people due to the cul-
tural signfigance they hold.
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looney tunes: mel blanc adam garbuttOUGD505
hanna barbera looney tunes
the man of a thousand voices
Having earned the nickname “The
Man Of 1,000 Voices,” Mel is regard-
ed as one of the most influential
people in the voice-acting industry.
Over the span of his career, he was
in over 5,000 cartoons and did over
400 different voices for each.
He didn’t only feature his voices inLooney tunes feature films and
Merry Melodies but also he worked
for Hanna Barbera voicing Barney
Grumble and other classic charac-
ters. (He is also the voice of Woody
the Woodpecker.
He rarely watched the cartoons bec-
uase he only really cared for the
characters he voiced and entertain-ing children.
Although now he’s dead (1989) he’s
still one of the most influencial and
achieved voice actors in the indus-
try.
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looney tunes: lobby cards adam garbuttOUGD505
lobby cards
‘lobby cards are similar to posters
but smaller, usually 11 in × 14 in (28
cm × 36 cm), also 8 in × 10 in (20 cm
× 25 cm) before 1930. Lobby cards
are collected and their value de-
pends on their age, quality, and pop-
ularity. Typically issued in sets of
eight, each featuring a different
scene from the film.’
Looney tunes had their own lobby
cards back when they used to be
shown as feature films and they
have a HUGE array of beautiful work
that shows the development of the
series as a whole from character
design to the wonderful type work
on each card. Although now a col-
lecters Item I find them really inter-esting as both a concept and simply
wanting them on my wall.
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looney tunes: bugs bunny adam garbuttOUGD505
eeeeeh, whats up doc?
Bugs Bunny (originally voiced by
Mel Blanc) is an animated car-
toon character, best known for
his starring roles in the Looney
Tunes and Merrie Melodies series
of theatrical short films pro-
duced by Warner Bros. during
the Golden Age of American Ani-mation. His popularity during
this era led to his becoming an
American cultural icon, as well as
a corporate mascot of the
Warner Bros. company.
Bug’s final debut was in 1940 in
‘the wild hare’, here was shown
the final incarnation for bugsbunny, Although he was created
as Happy hare in 1938 the next 2
years showed quick develop-
ment of the character who then
became popular through the
wartime.