limb dyspraxia and interactive metronome

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+ Mary Jones, OTR/L of Sensational Kids, LLC in Bradenton, FL Rehabilitating Limb Dyspraxia with the Interactive Metronome ®

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NOTE: This webinar is a free version of copyrighted material from Interactive Metronome®. This webinar is not intended as CEU credits and cannot be used for licensing purposes. Please visit www.interactivemetronome.com to learn more about free CEU courses, specialized training, research, case studies and our extensive online course catalog of 100 webinars. This webinar is designed to address the effectiveness of Interactive Metronome as a tool to facilitate recovery from limb dyspraxia. As clinicians, we are keenly aware of how debilitating it can be to have the ability to sequentially motor plan and control what should be automatic movements knocked out from underneath the clients presenting with this condition. We know also of the tremendous challenge that face clients in their recovery process – often long, drawn out and failing to reach the maximum functional potential sought after. This presentation will outline the various types and causation of limb dyspraxia, and then review activities based on modifications to the Interactive Metronome, that may be applied to a rehabilitation program. Practitioners will increase flexibility in their approach to IM training and, ultimately, further support the successes of their clients.

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Page 1: Limb Dyspraxia and Interactive Metronome

+

Mary Jones, OTR/L of Sensational Kids, LLC in Bradenton, FL

Rehabilitating Limb Dyspraxia with the Interactive Metronome®

Page 2: Limb Dyspraxia and Interactive Metronome

+What is Limb dyspraxia?

Also known as postural praxis - difficulty imitating different body/limb positions, and motor control.

Dyspraxia entails the partial loss of the ability to coordinate and perform certain purposeful movements and gestures in the absence of motor or sensory impairments.

Page 3: Limb Dyspraxia and Interactive Metronome

+What is Limb dyspraxia?

Considered a syndrome reflecting motor system dysfunction at the cortical level, exclusive of the primary motor cortex

Can be considered a form of a motor agnosia. Patients are not paretic but have lost access to information about how to perform skilled movements

Page 4: Limb Dyspraxia and Interactive Metronome

+Other forms (sub-types) of dyspraxia

Dyspraxia is also referred to as the following: Buccofacial dyspraxia Orofacial dyspraxia Ideational dyspraxia Ideomotor dyspraxia Limb-kinetic dyspraxia Verbal dyspraxia

Dyspraxia may be accompanied by a language disorder called Aphasia (difficulty expressing or understanding written or spoken language).

Page 5: Limb Dyspraxia and Interactive Metronome

+Things to look out for…

Client takes your hand to

perform an action (as if your

hand will work better than

theirs)

Delays in responding to

requests

Often the client appears

unusual in their movements –

can appear stiff, clumsy, or

delayed in their motor skills

Page 6: Limb Dyspraxia and Interactive Metronome

+More things to look out for…

Inconsistency in motor responses.

Difficulty learning a series or sequence of movements

Difficulty imitating

An action takes a long time to learn.

Page 7: Limb Dyspraxia and Interactive Metronome

+Even more things to look out for…

Most dyspraxic clients are considered to be either cognitively impaired, or willfully uncooperative due to their difficulties responding.

Often, when writing or typing, the same scribble or key combinations appear over and over again

Page 8: Limb Dyspraxia and Interactive Metronome

+Yep, more things to look out for…

A client might leave the table repeatedly because they have a motor pattern for getting up and going. Often, these clients will welcome your breaking of the pattern, rather than appearing angry if you obstruct

You may have a strong sense that the client understands much more than they are demonstrating.

Often, there is poor bilateral coordination.

Also, there is usually no clearly dominant hand.

Page 9: Limb Dyspraxia and Interactive Metronome

+And finally…

There may be poorer performance of tasks that involve alternating contraction and extension of opposing muscle sets.

Sometimes, when a dyspraxic client does respond, the movement is quick and impulsive. Slow and controlled movement may be rarely seen.

Page 10: Limb Dyspraxia and Interactive Metronome

+Limb dyspraxia: special considerations

Require more trials to create or re-establish motor patterns

Require more time to practice using motor patterns when appropriate, and not using the pattern when not appropriate

Over time, and with practice, the client can become more and more adept at controlling their extremities.

With progress builds cognition – cognitive ability that they always had, but could not demonstrate.

With increased cognition, the client becomes more functional – this may translate to a more GENERALIZED response to their environment, or to a development of functional ROUTINES to master specific situations.

Page 11: Limb Dyspraxia and Interactive Metronome

+

IM : a valuable

tool to access the

neuro-networks

responsible for

motor processing

speed and

delivery.

Page 12: Limb Dyspraxia and Interactive Metronome

+Customizing IM to facilitate rehabilitation of the client with dyspraxia

Step 1• Set up the client with IM station at the Phase

One level (learning to associate with the beat).

• Use low repetitions, a tempo that facilitates success (often higher than the 54 bpm default setting), and a volume setting that is comfortable to the individual.

• Practice initially with reference tone only, and using upper extremity access to the triggers (both hands, right hand, left hand)

Page 13: Limb Dyspraxia and Interactive Metronome

+

Step 2 • Once a client has reached a level where they

have an automated response to an IM task (no longer challenging executive functions) they can progress to higher levels of difficulty

• This may include: a change in tempo (often a little slower), introduction of guide sounds (Phase Two level) and difficulty settings graded from easiest (300) to gradually harder (auto) levels.

• Access to triggers may be modified, but should aim to progress to more fluency over excessive resistance.

Customizing IM to facilitate rehabilitation of the client with dyspraxia

Page 14: Limb Dyspraxia and Interactive Metronome

+Session by session, client by client, be sure to consider…

Environment

Positioning – just right level of support

Access to triggers

Component steps to tasks

Most efficient feedback for client

Page 15: Limb Dyspraxia and Interactive Metronome

+Refine your baseline data

discipline specific standardized testing

functional observations and assessments

social and tool-use pantomiming

video-recording and use of media to log subtle changes (with appropriate consent forms completed)

Page 16: Limb Dyspraxia and Interactive Metronome

+Cueing strategies

Physical

Verbal

Imitation

Pictoral

Numeric

Media

Definition

Memory

Pantomiming/social stories

Page 17: Limb Dyspraxia and Interactive Metronome

+ Grounded activities allow for increased focus on limb movement over concurrent whole body balance

Page 18: Limb Dyspraxia and Interactive Metronome

+Contain environment

contain and master isolated limb movements

Page 19: Limb Dyspraxia and Interactive Metronome

+And so much more…

If you are looking for CEUs, look no further than Interactive Metronome®.

We have an extensive catalog of over 100 webinars with topics on everything from autism to motor deficits to ensuring clinical profitability

and success with IM.

And our new badging system makes it easy to identify the information that is tailored to your

practice. No more wasting time looking for CEUs! It is time to take your clients’ training to the next

level!

Page 20: Limb Dyspraxia and Interactive Metronome

+The End

For more information:

visit www.interactivemetronome.com

or call (877) 994-6776 (*US Only)

Know your party’s extension?

call (954) 385-4660