lifelines - concept presentation oct 15 2010

Museum as PlatformSISTEMA MUSEO BERROCAL

LIFELINES

Domus Academy MID2010Final project . Judit Pinzón Navarro

Sunday, October 17, 2010

· Need for contextualization of works of art in museum experiences.

· People like/dislike artwork but lack background info to understand it.

· Timelines: practical, but boring & static. One time, stand-alone pieces.

· Audioguides: long & boring, uncomfortable, isolate people, disable hands.

Berrocal+time+space+people

PROBLEM SETTING - WHY?

LIFELINES:


OBJECTIVE - WHAT?

· Contextualize Berrocal’s artwork.· Focalize on the artist’s social dimension.· Provide a thematic rationale for organizing the visit.· Show the relations between Berrocal, people, places & things through tangible & visual interfaces.

Berrocal+time+space+peopleLIFELINES:

Berrocal (art+legacy+technique+exhibits)

People (mentors+art dealers+artists+friends)

Places

World (historic events)

Culture (music+trends+ideas)

FEATURED CONTENT


Connected museum platform:SOLUTION - HOW?

Berrocal+time+space+peopleLIFELINES:

TimeTuner. (wearable device)Communicates with touchpoints allowing contextualization during visit.

Overview Map. Quick exhibit browsing. Bookmark highlights, ‘don’t miss…’

Intros & Recaps. Entrance points: general context / Exit points: visual room summary.

Installation. Space where the experience is expanded, deepened & re-contextualized.

Souvenir.The ‘big picture’ of the visitor’s interactions: sum of recaps.

Website.Supports before and after stages of the experience.


SYSTEM + TOUCHPOINTS


LIFELINES: TIMETUNERWEARABLE DEVICE- RFID perimeter proximity recognition- Contextual visualizations & audio output- Storage of visit interactions

FEEDBACK- Notifications for bookmarked items (vibration+audio)- Accelerometer detects position to activate audio- Shake gesture: cancel - Touch & turn: visuals

SOCIAL MODALITY- Share audio when held together among visitors

CONTEXTUAL OUTPUT- AUDIO: Short, ‘watch this’ msg to switch modality- VISUAL: Content timeline


LIFELINES: OVERVIEW MAP

MULTI-TOUCHSCREEN- Quick exhibit browsing- Plan visit through floorplan- Synopsis of exhibited material- Locate artwork in space

BOOKMARK CONTENT- RFID recognition of ‘TimeTuner’- Bookmark highlights to view later (notification: vibration + audio)- ‘Memo’ alert (time based)

MEMOALERT

ARTWORK SCIENCE PERSON TECHNIQUEBOOKMARK

ACTIONS FEATURED THEMES


LIFELINES: INTROS & RECAPSINTRODUCTIONS (default: automatic)- Prepare visitors and set them in timeline context while entering a new room.- RFID recognition of ‘TimeTuner’ on access.- Synthesized info about particular exhibit.- Emphasis on the artist’s social dimension.- Output is given through ‘TimeTuner’- Audio + visuals

RECAPS (optional)- Provide a visual summary of interactions based on tracking of visitor’s movements and time spent with artwork.- RFID pairing of ‘TimeTuner’ with display.- Output is given through display- Visuals: time / spatial representation

Room 5GROUND FLOOR


LIFELINES: INSTALLATION

EXPANDED TIMELINE EXPERIENCE- Dynamic & recurrent timeline experience- Strings represent categories or periods- When pulled expand the visual span of period- Audio + visual + light output

· Categories string handles· TimeTuner string handles (RFID recognition)- Map yourself in Berrocal’s lifeline- ‘Big picture’ of recaps (visit interactions)


TIMELINE: GENERAL VIEWWORLD

CULTURE

PEOPLEPLACES

ARTWORK

1930 1940 1950 1960 1970 1980 1990 2000 2010 2020

TIMELINE: EXPANDED VIEW

1930 1940 1950 1960 1970 1990 2000 2010 20201982


PULL MODALITY TO EXPAND



ARTWORKCATEGORIES

- miniatures- torsos- medals- plates- women- hommages- jewels- objets quotidiens- big format- studies & sketches

FEATUREDARTWORK

- Almogávares- Desperta Ferro- Cofanetto- Mini David- Manymorehorses- Femme inclinée- Manolete- Hoplita- Alfa e Romeo- Alexandre- Puzzle


LIFELINES: SOUVENIR & WEBSITE

SOUVENIR: THE ‘BIG PICTURE’- The sum of visit ‘recaps’ - Specific ‘piece’ of the timeline is printed as a postcard.

WEBSITE:- Supports before & after stages of the experience.- Remote visit structuring. - Pre-loading planned visit on TimeTuner- Content can be re-lived through the website.

1930 1940 1950 1960 1970 1980 1990 2000 2010 2020

Andreas

Andreas


Warhol Gradientlabs

TIMELINEREFERENCES

Life Stream, Experientia for Vodafone


http://warhol.gradientlabs.com/

http://warhol.gradientlabs.com/

http://experientia.com/projectsandclients/lifestream/

http://experientia.com/projectsandclients/lifestream/

NYTimes 365/360reMAPOpen Calais content mapsKatie LewisFlight patterns, Aaron Koblin

VISUALIZATIONREFERENCES


http://www.flickr.com/photos/blprnt/sets/72157614008027965/

http://www.flickr.com/photos/blprnt/sets/72157614008027965/

http://3bits.net/synclost/


http://www.bestiario.org/research/remap/

http://www.bestiario.org/research/remap/

http://specials.washingtonpost.com/timespace/world/


http://www.flickr.com/photos/blprnt/4845037358/


http://katiehollandlewis.com/index.html

http://katiehollandlewis.com/index.html

http://www.aaronkoblin.com/work/flightpatterns/index.html

http://www.aaronkoblin.com/work/flightpatterns/index.html

TimeSpace Washington PostG1 Phone + Flickr mashup

MASHUPS & OTHERREFERENCES




http://www.gamepolitics.com/2008/08/22/leipzig-con-artist039s-mashup-911-and-space-invaders-creates-controversy


http://www.flickr.com/photos/36973783@N04/map?&fLat=33.4581&fLon=-112.0686&zl=1&order_by=recent

http://www.flickr.com/photos/36973783@N04/map?&fLat=33.4581&fLon=-112.0686&zl=1&order_by=recent

SyncLost9/11 + space invaders mashupreactables

Tate Modern, art historyThe Globe, Shakespeare’s work

OTHERREFERENCES








http://www.youtube.com/watch?v=0h-RhyopUmc








LIFELINES

Domus Academy MID2010 . Final project . Judit Pinzón Navarro


lifelines - concept presentation oct 15 2010

Design