laubenthal portfolio

julia laubenthal [email protected]

2013

2

education:work experience:2013 spring; 2012 summer FRCH Design Worldwide Cincinnati, OH Internship: Hospitality Studio Responsibilities: Design Visualization: Renderings and Digital Models; Interior Design Work

julia laubenthal INTERIOR DESIGN STUDENT: UC CLASS OF 2014

skills: contact:

2011 autumn; 2011 spring EDG Interior Architecture and Design San Rafael, CA Internship Responsibilities:WritingSpecifications; Selecting Finishes and Furnishings; Materials Library; Presentation Aids

2009- present: University of Cincinnati, Cincinnati, Ohio College of Design Architecture Art and Planning Major: Interior Design Class: 2014 Dean’s List: 7/9 academic terms GPA: 3.59/4.0

2010 summer: Lakeland Community College, Kirtland, Ohio Transient Student: Transferred Credits to UC Completed two business courses

2005-2009: Chardon High School, Chardon, Ohio GPA: 3.96/4.0 Honor Roll: 4 years National Honors Society: 2 years Secretary of French Club: 1 year

frequent use: photoshop; sketch-up; v-ray for sketch-up; in-design; illustrator past experience: spexx; revit; autocad; hand rendering; hand drafting; rhino

e-mail: [email protected] phone: 440-655-0635 current address: 2365 Madison Rd. #504 Cincinnati OH, 45208 permanent address: 9177 Cambridge Rd. Chardon OH, 44024

SKETCHING

FRCH

DAAP

PERSONAL

4-7 RENDERING 8-9 DESIGN WORK

10-13 DIVERSITY: EUROPE STUDIO 14-17 VISUAL IMPAIRMENT: AGING IN PLACE 18-19 NAKED JUICE: OFFICE DESIGN20-23 ROKA: HOSPITALITY STUDIO 24-25 LITERARY CENTER: IMMERSION STUDIO

26-27 SKETCHING

28-29 PERSONAL ART PROJECTS

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FRCH: RENDERING

2012-2013

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MEDIA: PHOTOSHOP; COLORED PENCILS; SKETCH-UP

RENDERING WORK: PROJECT TYPES: PUBLIC HOTEL SPACES; HOTEL GUEST ROOMS; SMALL SCALE RETAIL CONCERNS: ACCURACY; CLARITY; COMPOSITION; EVOCATION OF ATMOSPHERE AND/OR USE; CONSISTENCY; LIGHTING; ETC. TIME FRAME: THE TIME NEEDED TO PRODUCE RENDERINGS IS OFTEN GREATLY INFLUENCED BY WORKFLOW, COORDINATION AND PROJECT-SPECIFIC NEEDS. THE FOLLOWING ARE ESTIMATES ASSUMING NEEDED MODELS, MATERIAL FILES AND AUTOCAD-WORK ARE WELL-DEVELOPED. FLOOR PLANS AND ELEVATIONS: 1-5 HOURS EACH APPROX. REQUIRES FINISHED AUTO-CAD WORK. “SKETCHY”-PERSPECTIVES: 8-20 HOURS EACH APPROX. REQUIRES A FINISHED 3-D MODEL. TIMES VARY DEPENDENT UPON ENTOURAGE NEEDS; SPACE COMPLEXITY; AND OTHER PROJECT NEEDS. V-RAY: V-RAY RENDERINGS ARE HEAVILY INFLUENCED BY AVAILABLE TECHNOLOGY. WITH ACCESS TO AN IN OFFICE “RENDERING FARM” THE RENDERING PROCESS MAY TAKE 4-6 HOURS. WITH A LESS ADEPT COMPUTER AND FREQUENT TECHNICAL DIFFICULTIES, THE RENDERING PROCESS MAY TAKE ANYWHERE FROM 4-16 HOURS. PROCESS REQUIRES A WELL-DEVELOPED MODEL (NOT YET PUT THROUGH V-RAY).

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FRCH: RENDERING

2012-2013

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MEDIA: PHOTOSHOP; SKETCH-UP; V-RAY FOR SKETCH-UP

V-RAY AND PHOTOSHOP

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FRCH: DESIGN WORK

2012-2013

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3B3A

1 2

MEDIA: SKETCH-UP; PEN AND PAPER; PHOTOSHOP

DESIGN WORK: PROJECT TYPE: HOTEL GUEST ROOMS. DESIGN CONCERNS: ACCOMMODATING FLEXIBLE WORKSPACE SOLUTIONS. DESCRIPTION: THE DESIGN SHOWN ON THIS PAGE FEATURES A DESK WHICH MOVES ALONG A CENTER PIVOT. THE PAGE TO THE LEFT SHOWS THE DEVELOPMENT OF A “LAP DESK” HOLDING CASEGOOD; AS WELL AS A DESK WHICH ACCOMMODATES CHARGING ELECTRONICS WITHOUT UTILIZING WORKSPACE. PROCESS: JOURNALING; SKETCHING; SKETCH-UP MODELING; REFINEMENT THROUGH MODELING AND MEETINGS

VIEW B: DESK AT LOVESEATVIEW A: DESK AT WALL

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ROUGH CONCEPT AND DIMENSION EXPLORATION: VIA

SKETCH-UP MODEL

DIVERSITY: EUROPE STUDIO

UC: DAAP: 2012 WINTER SEMESTER

SECTION THROUGH LIGHTWELLS: NON-LINEAR: SEE RED-LINE ON PLAN SHOWN ABOVE

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PROJECT BRIEF: PROJECT TYPE: APARTMENT HOUSING AND GROUND FLOOR RETAIL PASSAGE. LOCATION: CHICAGO, ILLINOIS: SURROUNDING THE TRIBUNE TOWER. SPACE TYPES: 8 LIGHT WELLS- 2 PRIVATE AND 6 PUBLIC; RETAIL AND RESTAURANT SPACES W/ VARYING FOOTPRINT SIZES; ROOF-TOP WALKWAYS; 7+ APARTMENT TYPES; 2 MAIL ROOMS; 1 OFFICE; ETC DESIGN CONCEPT: CREATE A UNIQUE “SURFACE TEXTURE” DEPENDENT UPON INTERIOR FUNCTION. DIFFERENT APARTMENT TYPES EACH PRODUCE A UNIQUE ELEVATION DEPENDENT UPON INTERIOR LAYOUT. THE APARTMENT MODULES ARE ASSEMBLED WITHIN A SERIES OF PENTAGON FOOTPRINTS MADE TO SURROUND LIGHTWELLS. A LAYER OF COLOR THEN ADDS TO THIS DIVERSITY. ADDITIONAL CONCERNS: BRINGING LIGHT INTO INTERIOR SPACES; PROVIDING RESIDENTS WITH A SENSE OF IDENTITY; EXTERIOR MASS CRESCENDOS TO TRIBUNE; MODULARITY; RESPECTING INTERIOR NEEDS.

MEDIA: PHOTOSHOP; ILLUSTRATOR; SKETCH-UP

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LIGHTWELL: LOOKING UP

LIGHTWELL PATH

DIVERSITY: EUROPE STUDIO

UC: DAAP: 2012 WINTER SEMESTER

DOUBLE 2CND FLOOR (2/2) DOUBLE 1ST FLOOR (1/2)

STUDIO A 1/1 LEVEL 5’ 10’ 20’

STUDIO A - ELEVATION A STUDIO A - ELEVATION A: BY INNER FACES

STUDIO B - ELEVATION: BY INNER FACES

STUDIO A - ELEVATION B STUDIO A - ELEVATION B: BY INNER FACES

AFFLUENT 1ST LEVEL (1/2)

AFFLUENT 2CND LEVEL (2/2)

STUDIO B 1/1 LEVEL 5’ 10’ 20’

STUDIO C 1/1 LEVEL 5’ 10’ 20’

STUDIO C - ELEVATION

SINGLE BED A - ELEVATION : BY INNER FACES

SINGLE BED A - ELEVATION

ELEVATION A: BY INNER FACES

ELEVATION

DOUBLE ELEVATION: BY INNER FACES

DOUBLE ELEVATION

ADA - ELEVATION

ADA - ELEVATION: BY INNER FACES

SINGLE 1ST FLOOR (1/2) 5’ 10’ 20’

SINGLE 2CND FLOOR (2/2) 5’ 10’ 20’

STUDIO B - ELEVATION

ADA

FURTHER DETAIL: INTERIOR TO EXTERIOR: THE MODEL TO THE UPPER RIGHT SHOWS A VERY DIRECT CORRELATION BETWEEN INTERIOR SPACE AND EXTERIOR EXPRESSION. I.E. THE KITCHEN EQUIPMENT DEFINES THE WINDOW SIZES AND SHAPE. AS DESCRIBED PREVIOUSLY: EACH APARTMENT MODULE HAS A UNIQUE CONFIGURATION WHICH RESULTS IN A UNIQUE ELEVATION. THESE MICRO-ELEVATIONS ARE THEN EXPLOITED TO CREATE A DIVERSE MACRO-ELEVATION.

12DIAGRAM: PLAN














ELEVATION


DOUBLE ELEVATION

ADA - ELEVATION


SINGLE 1ST FLOOR (1/2) 5’ 10’ 20’



ADA














ELEVATION


DOUBLE ELEVATION

ADA - ELEVATION


SINGLE 1ST FLOOR (1/2) 5’ 10’ 20’



ADA















ELEVATION


DOUBLE ELEVATION

ADA - ELEVATION


SINGLE 1ST FLOOR (1/2) 5’ 10’ 20’



ADA

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ELEVATION


DOUBLE ELEVATION

ADA - ELEVATION


SINGLE 1ST FLOOR (1/2) 5’ 10’ 20’



ADA














ELEVATION


DOUBLE ELEVATION

ADA - ELEVATION


SINGLE 1ST FLOOR (1/2) 5’ 10’ 20’



ADA














ELEVATION


DOUBLE ELEVATION

ADA - ELEVATION


SINGLE 1ST FLOOR (1/2) 5’ 10’ 20’



ADA

MODULAR MANIPULATION DIAGRAMS: “PLAN”

INTERIOR LIGHTWELL ELEVATION “UNFOLDED” SHOWING POSSIBLE APARTMENT SCHEME

VISUAL IMPAIRMENT: AGING IN PLACE

UC: DAAP: SUMMER 2012

PROJECT BRIEF: PROJECT TYPE: RESIDENTIAL KITCHEN: DESIGNED TO ACCOMMODATE VISUAL IMPAIRMENTS ASSOCIATED WITH AGING; AS WELL AS GENERAL AGING CONCERNS. DESIGN STRATEGIES: 1. USE OF YELLOW AS A CAUTIONARY COLOR: THE EYE IS MOST SENSITIVE TO GREENS AND YELLOWS. MOVABLE COMPONENTS HAVE BEEN MARKED IN YELLOW. 2. USE OF MATERIALS WITH HIGH CONTRAST TO VISUALLY DEFINE INTERIOR “PARTS”: BLACK HANDLES AGAINST LIGHT-TONED CABINET DOORS; BLACK APPLIANCES AGAINST A LIGHTER SPACE; ETC. 3. USE PRIMARILY LIGHTLY-COLORED MATERIALS WHICH WILL REFLECT LIGHT THROUGHOUT THE SPACE AND ONTO SURROUNDING OBJECTS. 4. ELEVATE APPLIANCES TO HEIGHTS WHICH ARE EASIER TO VIEW AND EASIER TO ACCESS IN ELDERLY ERGONOMICS. 5. PROVIDE MULTIPLE DAYLIGHT SOURCES; PROVIDE AMPLE ELECTRIC LIGHT SOURCES FOCUSED OVER TASK AREAS. 6. USE MATTE-MATERIALS WHENEVER POSSIBLE TO ELIMINATE GLARE. 7. AVOID TEXTURED MATERIALS (DIRT COLLECTION). 8. WHEEL-CHAIR CLEARANCES.

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ZONE 1 ZONE 2

ZONE 3

ISLAND’S “INLAY-MAP” DIAGRAM

PROJECT BRIEF:

DESIGN FEATURES: 1. THE FLOOR-TILE CHANGES IN COLOR, SIZE, AND THERMAL PROPERTIES BETWEEN THE MAIN WORK SPACE AND THE “HOT-APPLIANCE” SPACE. LINING UP DIRECTLY WITH THE STOVETOP. 2. COUNTER-TOPS FEATURE METAL IN-LAYS WHICH CAN BE USED AS A TACTILE MAP WHEN WORKING OR COMPOSING A PLACE-SETTING: THE IN-LAYS ARE THIN SINGLE AND DOUBLE STRIPS OF STAINLESS STEEL WHICH “BREAK” TO FORM NOTCHES AT STRATEGIC POINTS. 3. A BUILT IN MAGNIFYING GLASS AND BOOKSHELF CAN BE USED TO HELP READ COOKBOOKS WHILE ONE IS WORKING. THE LOCATION IS AT EYE LEVEL ABOVE THE MAIN WORKSPACE. 4. MOVABLE LIGHT FIXTURES CAN BE FOUND BENEATH UPPER-CABINETRY AND ABOVE THE ISLAND. THESE ARE THE TWO MAIN WORK SPACES. 5. MODIFIED UTILITIES INCLUDE LARGER NUMERALS AND TEXT IN CONTRASTING COLORS. SLIDES ARE USED RATHER THAN AMBIGUOUS ROUND DIALS. BUTTONS ARE ENLARGED AND GIVEN CONTRASTING COLOR. AT THE STOVE, CONTROLS CORRESPOND TO LOCATION OF BURNERS AND BURNERS CHANGE TO TWO DIFFERENT COLORS WHEN HEATED.


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VISUAL IMPAIRMENT: AGING IN PLACE


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MOVABLE LIGHT FIXTURES


~36”

~67”

image property of julia laubenthal

64.5”- 70” avg 67.25

~36”

~67”


64.5”- 70” avg 67.25

120°

60°

30°

2-5° sharp detail

good detail

primary field 40°-60°

vertical limit

120-130°

60°

30-40°

2-5°

180-220°

blind spot

blind spot

color and non-distorted cone of vision 60°

text 5-10°

shapes and “intense focus area” 30-40°

both eyes peripheral2D distorted 120-130°

one eye peripheral 180-220°

STERADIAN (conical view) AT LENGTH “a” STERADIAN (conical view) AT LENGTH “a”

45°

120°

.268 x a = radius

.017 x a = radius

[shown at a 30° intense focus area]

15°

30°

0°

15°

30°

0°

zone 1: out of reachrequires bending at the hip and bending at the knees

zone 2: mild discomfortvisual needs require bending

taller individuals bend at the hip

zone 3: work rangeno bending of the hipor the knees

*functions involving lifting heavierobjects should occur at a lower height within this range; and may even venture into “zone 2”

zone 4: mild discomfortmay require strain or strengthmay be too high for shorter individuals

zone 5: out of reachrequires strain and strengthpossibly stools and ladders

RADIAL REACH RADIAL REACH w/ TYPICAL SITE ANGLE

TYPICAL ANGLE OF SITE: 15° towards the ground

~36”

~67”


64.5”- 70” avg 67.25

15°

30°

0°

RADIAL REACH w/ TYPICAL SITE ANGLE

FREEZERREFRIGERATOR

DISHWASHER

MICRO WAVE

OVEN COUNTER

CABINETS

~67”

UTILITY PLACEMENT: THE OVEN UTILITY PLACEMENT: THE OVEN UTILITY PLACEMENT: THE OVEN

~36”

~67”


64.5”- 70” avg 67.25

~36”

~67”


64.5”- 70” avg 67.25

120°

60°

30°

2-5° sharp detail

good detail


vertical limit

120-130°

60°

30-40°

2-5°

180-220°

blind spot

blind spot


text 5-10°





45°

120°

.268 x a = radius

.017 x a = radius


15°

30°

0°

15°

30°

0°










~36”

~67”


64.5”- 70” avg 67.25

15°

30°

0°


FREEZERREFRIGERATOR

DISHWASHER

MICRO WAVE

OVEN COUNTER

CABINETS

~67”


~36”

~67”


64.5”- 70” avg 67.25

~36”

~67”


64.5”- 70” avg 67.25

120°

60°

30°

2-5° sharp detail

good detail


vertical limit

120-130°

60°

30-40°

2-5°

180-220°

blind spot

blind spot


text 5-10°





45°

120°

.268 x a = radius

.017 x a = radius


15°

30°

0°

15°

30°

0°










~36”

~67”


64.5”- 70” avg 67.25

15°

30°

0°


FREEZERREFRIGERATOR

DISHWASHER

MICRO WAVE

OVEN COUNTER

CABINETS

~67”


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MOVABLE MAGNIFYING GLASS AND BOOKSHELF

NAKED JUICE: OFFICE DESIGN


PROJECT BRIEF: PROJECT TYPE: OFFICE SPACE: FOR THE COMPANY NAKED JUICE. NAKED JUICE PRODUCES FRUIT JUICE WITH NO ADDED PRESERVATIVES OR SUGAR. LOCATION: 102 BULL ST. SAVANNAH, GEORGIA. 2 FLOORS IN A PRE-EXISTING BUILDING SHELL. LOGISTICS: 80 EMPLOYEES IN TEAMS OF 8 AND 4; 9 PRIVATE OFFICES; 7 MEETING ROOMS IN 3 DIFFERENT SIZES; RECEPTION AREA; AND DINING/EVENT SPACE.

DESIGN CONCEPT: CELEBRATING THE BASIC UNIT AND SIMPLE ELEMENTS THAT CREATE A WHOLE (METAPHOR TO PURE FRUIT OR THE SINGLE EMPLOYEE). EACH BASIC DESK, ROOM, WALL PANEL, ETC. HAS BEEN ACCENTED. I.E. A MEETING ROOM IS SHOWN IN GREEN; WHILE EACH PANEL IS SHOWN IN A DIFFERENT SHADE OF GREEN. DESIGN CONCERNS: ENCOURAGE COLLABORATION; INTEGRATE COLOR WITHOUT OVERWHELMING USERS; OPEN GUEST CIRCULATION; “NAKEDNESS” OR OPENNESS; “POD” LAYOUT; SUSTAINABILITY: USING WALL PANEL SYSTEMS AS OPPOSED TO DRYWALL (PRODUCT USED: D.I.R.T.).

FIRST FLOOR MEETING ROOM

S SECTION CLOSE

FIRST FLOOR MEETING ROOM

S SECTION FAR

FIRST FLOOR OFFICE SECTION

PROG

RAM: O

ffice space. Pre-existing, tw

o-level building shell and structure. 80 em

ployees in teams

of 8 and 4. 9 private offices. 7 m

eeting rooms of varying sizes.

Reception area and Dining Space.

Naked Juice Logo Courtesy: w

ww.nakedjuice.com

Reception Area

North Facing Section Cut: First Floor’s Main W

ork Space

CLIENT: Naked Juice:

manufactures juice w

ithout preservatives or added sugar.

Color Palette

COLOR PALATE

SOUTH-WEST VIEW: SECOND LEVEL’S MAIN WORK SPACE

SOUTH FACING INTERIOR ELEVATION: FIRST FLOOR’S MAIN WORKSPACE

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NAKED JUICE LOGO IMAGE COURTESY: WWW.NAKEDJUICE.COM

MEDIA: REVIT; ILLUSTRATOR; PHOTOSHOP

NORTH VIEW: FIRST LEVEL:RECEPTION AREA

NORTH FACING INTERIOR ELEVATION: FIRST FLOOR’S MAIN WORKSPACE

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NAKED JUICE LOGO IMAGE COURTESY: WWW.NAKEDJUICE.COM

ROKA: HOSPITALITY STUDIO

UC: DAAP: WINTER 2012

GUEST ROOM MODULE: 1-2 PEOPLE: SOUTH WEST CORNER

GUEST ROOM MODULE: 1-2 PEOPLE

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RECEPTION BUILDING: NORTHERN CORNER

RECEPTION BUILDING


RECEPTION BUILDING

1/16” = 1’

25’

PROJECT BRIEF: PROJECT TYPE: HIKER’S LODGE MADE UP OF MULTIPLE SERVICE BUILDINGS. LOCATION: LEH, INDIA: A CITY NESTLED WITHIN THE HIMALAYAN MOUNTAINS. REQUIRED SPACES: 8 SMALL GUEST ROOMS (1-2 GUESTS); 4 LARGE GUEST ROOMS (2-4 GUESTS); RECEPTION BUILDING W/ BAR, LOUNGE AND ROOF DINING; 6 SHOWERS AND 2 REST ROOMS; MOUNTAIN PATH W/ LOOKOUTS.

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SECTION LINE

SECTION LINE

SITE MAP: DEVELOPED FOR A PREZI-PRESENTATION INVOLVING “ZOOMING” IN AND OUT.

ROKA: HOSPITALITY STUDIO

UC: DAAP: WINTER 2012

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PROJECT BRIEF: CONCEPT: EVOKING A FEELING OF “IMMERSION” THROUGH FORM, TEXTURE AND SPACIAL PROGRESSION. IMMERSION: THE CONNECTIVITY ONE FEELS WITH THEIR ENVIRONMENT: ENVIRONMENT IS NOT LIMITED TO THAT WHICH IS DIRECTLY SEEN AND PERCEIVED. DESIGN CONCERNS: QUESTIONING ROUTINE TO ENRICH EXPERIENCE OF PLACE; USING PRIMARILY LOCAL MATERIALS- GRANITE, MUD, FABRIC, LIMITED WOOD; PRIMARY USE OF DAYLIGHT AND CANDLELIGHT. ACCOMMODATING BACKPACKS. CLIENT: YOUNG BACKPACKERS (25-40 YEARS OF AGE) WITH THE DESIRE TO EXPERIENCE ALL OF THE WORLD THAT THEY CAN. THE DEDICATED WANDERERS, DRAWN TO A PLACE SO THAT THEY MAY “TAKE IT ALL IN”. HIKING IS NOT ABOUT CONQUERING THE MOUNTAIN: IT IS ABOUT BEING IN THE MOUNTAINS.

RECEPTION BUILDING: UPON ENTRY

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MEDIA: PHOTOSHOP; ILLUSTRATOR; SKETCH-UP; PEN

SINGLE SHOWER: SECTION CUTSECTION DIAGRAM: WATER HEATING; FILTRATION; COLLECTION; CIRCULATION

SINGLE SHOWER UNIT: PLAN

Balance... color of bottom right=weight... size upper left = weight... verticallity upper right and lower left.v



CLIFTON LITERARY CENTER


These images are all associated with a quarter long project in which we were asked to design a building that would be used as a literary center. These images depict the final design as well as a few iterations and diagrams. An idea of overlapping volumes and “ offsetting” drove the design. A great deal of focus was given to the circulation through the spaces and how they influenced the idea of discovery and acceptance.

storage

meeting

cafe

storage

meeting

cafe

storage

meeting

cafe

Reading books and study

rest rooms

kitchen

Administrative space

storagem

eetingcafe

Reading books and study

rest rooms

kitchen

Administrative space

Illustrator, Revit, chip board, photoshop

MEDIA

LITERARY CENTER: IMMERSION STUDIO

UC: DAAP: IMMERSION STUDIO 2010

SECOND FLOOR: PLAN DIAGRAMS: MASSINGFIRST FLOOR: PLAN

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PROJECT BRIEF: PROJECT TYPE: LITERARY CENTER: A LIBRARY FOCUSED ON PROMOTING LOCAL AUTHORS AND COMMUNITY ENGAGEMENT. LOCATION: CINCINNATI, OHIO: NEAR UC CAMPUS. REQUIRED SPACES: 1 LECTURE HALL; 1 CAFÉ; 1 PEDESTRIAN PATH THROUGH SITE; 1 DISPLAY SPACE; 1 BEDROOM W/ STUDIO (FOR VISITING AUTHOR); STACKS; 1 OFFICE; STORAGE; ETC. DESIGN CONCERNS: COMPLEMENTING THE SURROUNDING SITE; CREATING A SPACIAL SEQUENCE THAT COMPLEMENTS DISCOVERY; RELATIONSHIPS BETWEEN ZONES AND MASSES.

MEDIA: REVIT; PHOTOSHOP; ILLUSTRATOR; CHIPBOARD

DIAGRAMS: BALANCE AND MOVEMENT SOUTH FACADE

SITE MODEL: SOUTH FACADE

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SKETCHING

FRANCE; LONDON; AMSTERDAM: UC CAMPUS: 2009-2012

FIELD SKETCHING

RENDERINGFIELD SKETCHINGMICRON, PENTEL, AND PENCIL

DOCUMENTATION LAB

26

MEDIA: PRISMACOLOR; GRAPHITE; MARKER

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PERSONAL

2006-2008; 2013

28

MEDIA: ACRYLIC PAINT; GRAPHITE; CHARCOAL; PHOTOSHOP

DESCRIPTION: STILL LIFE: ACRYLIC PAINT WATCH STUDY: GRAPHITE SELF-PORTRAIT 2007: CHARCOAL

AMSTERDAM: PHOTOSHOP UTILIZING A PHOTOGRAPH AS BASE.

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[email protected] julia laubenthal

440-655-0635

thank you

laubenthal portfolio

Documents

design concerns

design visualization

design illustrator

design work10

interior design class

rendering process

design san rafael

vray renderings