ContentsJOE GRANDAPublisher

FRANK CERAOLOEditor

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ON THE COVERGloria Estefan

For expanded interview content, please refer to our website, www.latinmusicclubreport.com, which features full interviews as well as Spanish language content.

Latin Music Club Report Magazine is published bimonthly and distributed at no charge to “elite vip members” of entertainment community. Printed in the USA.

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© 2011 Latin Music Club Report, LLC. All rights reserved.

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From The EditorMy life experiences with a Latin Legend...

My first recollection of Miami Sound Machine was while I was in college in Cleveland, Ohio back in 1984. I was heading back to my apartment to study for a test with a friend, but I stopped by the record store on my way home from class, where I first heard “Conga”. I immediately purchased the 12” vinyl and sped home to tell my friend and roommates. As I burst through my apartment door, I announced, “I just found the record that’s going to change the face of pop music as we know it!!” Little did I realize how impactful that statement I made was going to be with respect to my life, career and to the music industry in general.

The reason why I remember this story so well is that my girlfriend in college (who is now a teacher) STILL tells the story all these years later! I knew that this song was going to be a hit, based on how different it sounded and by that unmistakable voice of a then unknown Gloria Estefan. Sure enough, “Conga” reached #10 on the Billboard Hot 100 in the summer of ’84.

Fast forward to Los Angeles, 1987, where I was still trying to find my place in the world working four different part-time jobs—while at one of them, I hear on Power106 that there is an “open casting call” for the “Rhythm is Gonna Get You” video at a location not too far from my apartment. Something in my gut tells me to go, and I make it as an extra. After a grueling day as an extra in the crowd, we all get an opportunity to meet Gloria and receive a autographed 45RPM single of “Rhythm”. I was so happy.

A few days later, I couldn’t get that experience (or the fact that I wanted to be a part of the music industry) out of my head or my heart. While at one of my four jobs, I opened up a yellow pages to Record Labels and began calling them, asking if they were hiring for interns, starting with A&M. When I got to Epic, they said that they were looking for interns and that I should go in for an interview. I went in and was hired that day on a trial basis. I soon was officially hired and eventually moved to NYC, to head up the Dance/Crossover department.

Not too long after Gloria’s miraculous recovery from the bus accident, I had the good fortune of running into Emilio Estefan, in the hallways at Epic, and invited him into my office for a hearty exchange about Gloria, her career moving forward and an idea that I had for revitalized club interest in his wife. He listened attentively, and he knew that everything I was saying, however truthful, came from an honest, caring place. Together, we outlayed a strategy, in which both he and Gloria took active roles in as we began to rebuild her image and perception to the club djs, both Anglo and Latino.

Next stop, WMC 1993, and I had asked Gloria to be a “surprise” guest at a huge Billboard DJ function in the heart of South Beach, in which several record label promoters had assembled, including myself. She showed up, shocking everyone, looking quite casual, in jeans, as I introduced her to all the djs in the room, taking photos, and personally signing her new single, “Go Away”, from her “Greatest Hits” CD. The room was abuzz with Gloria’s appearance, and djs were truly reconnecting with her again. That strategy led to her first Top5 club record in years on the Billboard Club Chart. Later in the year, she capitalized on that initial club return two more successful tracks, “Mi Tierra” (#5), followed by the #1, “Tradicion” (which historically became the first Spanish-language #1 Club record on the Billboard Club Chart).

One day in early 1994, Epic President, Richard Griffiths (who was my “Simon Cowell”), came to me with a concept and asked me to spearhead it. Originally, it was to be Epic’s followup to Columbia’s successful, “Red, Hot & Dance”—and my idea was to follow that with “Red, Hot & Disco”. Within minutes, my first idea at the top of my page was ….Gloria Estefan- “Turn the Beat Around”. After presenting the idea, I received a call from Emilio, who was ecstatic about the idea, informing me that they were demoing the track later that evening. The rest, as they say, is history.

The next two years were followed by a slew of chart toppers: “Turn the Beat Around”(#1), “Everlasting Love”(#1), “Abriendo Puertas”(#3), “Tres Deseos”(#1), “Reach”(#2), “You’ll be Mine (Party Time)”(#2), “I’m not giving you up”(#5). In 1996, Gloria was acknowledged as the first Latina to ever achieve the distinction of becoming #1 Dance Artist of the Year by Billboard magazine.

In 1998, the very exciting album project entitled, “gloria!”, was released, entirely comprised of dance tracks—an album which connects, according to Gloria, to her newest Anglo (and dance-oriented) album in over seven years, “Miss Little Havana”. I am very proud to be working with the Estefan team again on various aspects of this project, hoping to bring her back to the pinnacle of the Billboard Club Chart once again with “Wepa”- which just reached #1- her first since “Oye” in 1998.

Even though I left Epic in 2000, worked select projects of Gloria’s independently over the last ten years, fate continues to reconnect me with this legendary Latina. I guess the “rhythm is always gonna get me”.

Editor

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Club/Mixshow Dj/ProducerNORTY COTTOWhat made you decide you wanted to be a DJ/Producer? I just wanted to be that guy that played all the right songs and made people dance. Thanks to my father I grew up with an influence of salsa and back then I listened to crossover rock and disco on the radio. I then got curious and wanted to know how the music I came to love was made and that lead me to become a recording engineer and eventually start producing songs as well.

Was there a particular person who helped you get started? Briefly explain.A friend from the neighborhood, DJ Mike Brown, took the time out to teach me the ropes of being a DJ and taught me to really like and feel the music that I wanted to play.

What was your first official remix? I believe it was on a freestyle record that Todd Terry produced and I was the engineer on by an artist called Fascination. I did what I called a transformer remix for one of the versions of the song.

When did you start the Naughty Boy Music record label?I started the label about 5 years ago after I grew tired of chasing labels for monies that were do to me and dealing with the bullshit of the industry. Now I only have my bullshit to deal with and that I can handle.

What does it feel like being considered one of the pioneers of Latin House Music?Great. I love the fact that my productions were able to stand out from what was going on at the time. I was just trying to do something different where I was able to use my Latin influences. At the time I was also working on a mix show with my partner Johnny Famolari and that was a great outlet for my music. The only downside was that I was stereotyped as a Latin DJ and couldn’t get booked to play at venues that were all house but I slowly broke out of that and went on to play gigs overseas.

In your opinion, which song has been the highlight of your remixing career?That’s a hard one to narrow down but the remix I did on Nina Sky “Move Your Body”, which was a crossover urban-reggae track, was special only because I did the remix on my own a presented it to the label and they loved it but the

management of the artist said that ”House music is for gay people” and turned it down. The remix became as popular as the original track after being played on several stations and the label accepted the mix despite the ignorance of management.

What country have you enjoyed playing in the most overseas and why?I think Italy was great. The energy of the people in the clubs was incredible. The country itself is breathtaking and I love Italian food.

What are some of the clubs you have played at?One of the biggest venues I did with my partner Johnny was Madison Square Garden, NY. I also did a 10-city tour in Germany that rocked. Roxy, Latin Quarter, Bliss, Bar 13 and Hyde Park in Orlando, FL are a few others off the top of my head.

Is there a particular artist that you hope to remix or collaborate with in the future?I think I would enjoy either a remix or production with Sade. She has always been a favorite and I think she has a timeless quality about her.

[Get the full story at www.latinmusicclubreport.com]

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JOHNNY FAMOLARI

Johnny Famolari never thought he would be a DJ and little did he know that he would also become an industry pioneer paving the way for DJs in the Latin market and catapulting artist careers to super stardom. Johnny was born and raised in Queens, NY and is the proud father of two children. He started in the music industry in 1989 and worked with some of the best recording engineers in the Hispanic market such as Jon Fausty, Kurt Upper, David Lescoe, and July Ruiz to name a few; top producers such as Sergio George and Isidro Infante and the top artists in the business such as Tito Puente, Celia Cruz, Ray Barrreto, Fernandito Villalona, El Torito, Ramon Orlando and the list goes on.

What was it like being able to work with so many talented engineers, producers and even the top recording artists at the beginning of your career? It was phenomenal. I was so blessed. If I only would have known the magnitude of the engineers, producers and artists that I was working with at the time. I would have picked their brains and learned as much as I could from them in order to prepare me for what was next to come, but who knew?

You’ve created several different mix shows, which one is your favorite and why?Wow, that’s a good question. They were all special to me in so many different ways. They all had so many different emotions involved. From proving to the radio industry at the very beginning that I belonged and that mixing Spanish music wasn’t corny and could be done in a way that the second generation Hispanic like myself, could enjoy it. To wanting revenge on the MF’s that made me either leave or fired me or my biggest emotion, the desire to be the best and number one. My favorite would have to be La

Club/Mixshow DjMegamescla on 97.9 in NY. When we changed from Club KQ to La Megamescla that’s when the personalities of Johnny Famolari and Norty Cotto were able to be the frame around the picture (which was the music). Not only did I pick it up a notch, Norty and I got to talk on air and put live calls and talk to the audience on a real level. Remember live calls were taboo in those days but we didn’t care, we were having fun and that transmitted to the audience. We also broke so many records and help launch many a career because we did it for the love of the art, not like today that it’s a disgrace.Of all the records you’ve produced and/or remixed, which one would you say has been the highlight of your career thus far?It’s not a song it’s a cd. Tortilla Party which I put together for Luis Jimenez. That was the second production I had done for Luis, the first being Calliste. This was an idea for a stocking stuffer for Christmas and ended up getting nominated for a Billboard award (which we should have won, we were robbed).

You have had a very successful career in a notoriously tough industry; can you offer any advice to young aspiring DJ/Producers?My first piece of advice is stay in school and become a doctor or lawyer. This business is tough enough as it is, I don’t need any more competition, but if you won’t listen to my first piece of advice, here goes the second. The music is the picture and we are the frames. Make yourself the best frame you can be. I feel that you must have patience, but you must be aggressive. You have to have thick skin and learn to deal with whatever is thrown your way. Become a sponge and learn every aspect of the business, because you never know what door can open up. You must be confident, not acietoso and like everything else in life if you want to be the best you have to work at it. The benefits that come from being successful in this business are beautiful, but think of this, there are more professional baseball players in NY than Spanish radio DJ’s, that means you may have a better chance playing for the Yankees or Mets than working on air. I had the opportunity to be part of a team that made it to number one in NY, The original Dream Team. Respeten ninitos.

[Get the full story at www.latinmusicclubreport.com]

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Club DjHENRY KNOWLESAdmired as the DJ’s DJ, Henry Knowles, known as the world’s top Latin music DJ, spins a tension-building beat, filling dancers with ánimo. With la clave in his heart and the music in his veins, his passion for Latin culture and music translate in his work, making this very special disc jockey’s mixing abilities unmatched and respected worldwide. His breadth of knowledge about all music and its history combined with his versatile music library and ability to read his audience, creates un ambiente caliente and has made Henry the Salsa community’s most beloved disc jockey. Why did you become a DJ?It happened unexpectedly. I was born in NYC, but raised in both NYC and Puerto Rico. Latin music has been in my life since early childhood and began my music collection at about the age of nine. When I was in high school, a classmate organized a Christmas party, which was held at a popular NYC midtown nightclub called Le Martinique. He realized that many Latinos would be attending and didn’t have any Latin music. He then asked, if I could bring some of my music. When I arrived to the nightclub with my records, they asked me to play the music. It was the very first time to ever see DJ equipment. They gave me a quick summary on how to use the gear and it was like magic. That night I received so many compliments, and my interest in doing it again, began that night. I then contacted all the local DJ’s I knew in my neighbourhood (Lower East Side NYC) and wherever there was a party I would show up with my Latin music to play a bit.

After high school, I moved with my family to The Bronx, and there is where I started working many nightclubs, parties, etc… I then landed work at many popular nightclubs, such as the legendary Copacabana, which opened up many doors for me. Because of my work as a DJ, I was then offered to work with recording labels: WEA Latina, RMM & BMG Latino. Also worked with David Maldonado Entertainment, traveling with artist such as Marc Anthony, Grupo Mania, Ruben Blades, Domingo Quiñones, Michael Stuart, etc..

In your opinion, what makes Latin music different from every other genre?Well, even though I have an extensive collection and can program any type of music, my specialty has always

been Latin music, but more specifically Salsa, Cha-Cha & Merengue. This music is very popular for dancing. I have always loved to dance and believe what makes this music different is the interaction on the dance floor.

I have traveled extensively around the world with my DJ appearances, and see how it brings people of all nationalities together. It is fun, and when people get a taste of the hot Latin Rhythms, they are completely hooked!

Of all of the cities you’ve visited, which one was your favorite and why?Wow! This is a question that I am asked so often, and find very difficult to answer. The reason being, that I have so many favourites and love all the places for the differences. Almost every place I have visited, I have felt like I could live there.

Of course, after living part of my life in Puerto Rico, I tend to lean more towards the hot climate places. But since you asked me which city, I can say that I truly love Hong Kong. It is a city that is multi-cultural, amazing restaurants, vibrant nightlife, great shopping and so easy to move around. I have been there many times and it has always been a great experience.

[Get the full story at www.latinmusicclubreport.com]

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Club DjEDDIE CRUZEddie Cruz was born and raised in Bronx, NY by Puerto Rican Parents. In 1981 he started assisting his friend Luis with carrying his DJ equipment to local clubs, that’s when he became interested in becoming a DJ. During breaks Luis would let Eddie DJ, with some of his friend’s mentoring and guidance he became extremely good at it.

In 1986, Eddie was asked by club owner Pedro (Lucero Club) to work for one night, he did so good that he was asked to be the resident DJ. This is when it all started for Eddie, he was was hired eventually as a full time DJ, and lasted at club Lucero for 8 years.

In 1994, Eddie was hired at Las Vegas nightclub in Washington Heights; his DJ career took off when he started playing live from Las Vegas nightclub on Monday nights for LaMega 97.9 FM with Polito Vega and Alipio (Coco) Cabrera.

Eddie decided to move on a few years later and was hired to DJ at a Gay Club called Luchos. Eddie was also requested to be a guest DJ on some of the hottest gay clubs in the tri-state area such as Splash, Krash, Escos just to name a few.

He has won numerous DJ awards as well as the Get Out 2011 Best DJ Award. A few DJs have inspired him throughout his professional career, including Junior Vazquez, Mike Cruz and Offer Nissim.

What made you want to become a DJ while assisting your friend at local clubs? I loved the energy of the people, its priceless!

Of all the clubs you’ve played at, which one was your favorite and why? They have all been great,I just cant say one was better.

Do you find any differences between playing to a straight and a gay crowd? Briefly elaborate.In the straight clubs you cant put gay anthem music, they will look at you weird, in gay parties you can put anything and if its good they will dance!

What makes the New York crowd different from all the other cities you’ve played at? The NY crowd will dance,jump and sing ,I guess cause its my people. In other cities they will look at you first, like studying you lol then they will head to the dance floor.

What was it like receiving the Get Out 2011 Best DJ Award?That award meant a lot,especially after so many yrs being in this business. I share it with all the great djs out there.

You’ve now been a DJ for approximately 25 years, are there any “lessons learned” about the biz that you might be able to share with us? A great DJ will play classics too, not only the hits!

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What do you see in the future for yourself?I’m so happy that after three decades of making music, my fans keep asking for more. It’s an honor and a privilege to be able to do what you love. I will continue making music for as long as you keep asking for it. I also have several other projects for film and TV that I’m currently working on, by the way!

How does it feel for your music to still be making an impact to people around the world?It’s been so great to hear from fans that WEPA is being played in the clubs around the world - I’ve received tweets from places in Greece, Italy, Holland, UK , Spain, Argentina... everywhere. Iit’s such an amazing feeling.

The clubs is where it all started for us back in the early 80’s when we released Dr. Beat - so to have WEPA reach #1 on the Billboard Dance chart 28 years later is amazing to me. Life is all about coming full circle. And with this new record I’ve come full circle.

What are your thoughts about the music industry right now?Well there is no more “business”’ in the music business! Technology has forever changed the scope of the music industry. While it has made music so much more accessible to the masses, it has also made it much more difficult to control and regulate it. Nevertheless, we will continue making music because we do it for the passion and not the money!

If you had the opportunity to do any of “this” over….would you?No regrets whatsoever! Well... maybe a few of my “hair” choices in the 80’s! (Laughs)

Keep in touch with Gloria Estefan:www.gloriaestefan.com

www.twitter.com/gloriaestefanwww.facebook.com/gloriaestefan

What was the inspiration for your latest album, “Miss Little Havana”? My fans have been asking for another dance album since we released the “Gloria” album in 1998. I always loved the idea of returning to “my roots” and then Pharrell Williams contacted me with a very clear concept and idea for the record... which eventually became “Miss Little Havana”.

After hearing the title track, “Miss Little Havana”, one might detect a bit of a throwback to the “Freestyle” sound—was that intentional? It all started for me in the clubs back in the early 80’s with Dr. Beat... so the retro sound has always played a big part in my career. When Pharrell came to me with the concept of Miss Little Havana, what I loved about it was the fact that it is based on a retro 80’s sound. Recording this album took me back to the early Miami Sound Machine days!

How did it feel for you to work with someone other than Emilio as the producer? It was an incredible collaboration. It felt natural and so easy. Writing for me is a very personal process, but Pharrell made it so comfortable. It flowed very organically... we clicked from the first day we stepped in the studio together.

Tell us about the current single, “Wepa”—how did the idea for it come about ? The first single, “WEPA”, is an all-out, fun, party record - it probably sounds least like anything else on the record, but the message of the song is to get on the dance floor and party til the sun comes up!

You are often referred to as the “Queen of Latin Music”—how does that make you feel?Celia is the Queen of Latin Music, no one comes even close!

Do you think you might tour for this album? Ah... the touring question - I decided to stop the world tours back in 2004 so I could spend time with Emily as she is still in school. I still do one-off concerts for my fans... and there are still regions of the world that I wasn’t able to tour during the Live & Rewrapped Tour in 2004... so I’m still looking to perform in those places.

ChartsNational Top 201234567891011121314151617181920

Gloria Estefan

Chino Y Nacho

Henry Santos

Reik

Jencarlos

Adassa

Enrique Iglesias

Jose Alberto “El Canario”

Gilberto Santa Rosa

Andres Cuervo

Domenic Marte

Choco Orta

Rakim Y Ken-Y

Joe Veras

Wason ft. Gocho

Alejandra Guzman

Daddy Yankee ft. Prince Royce

Victor Manuelle

Michael Stuart

Eddy Herrera

Wepa

El Poeta

Poquito A Poquito

Peligro

Baila Baila

Brindemos Por El Amor

Ayer

Que Me Lo Cuente Otro

Aunque Llueva

Love, Love, Love

Horoscopo

Choco Swing

Mi Corazon Esta Muerto

Vencido

Pa Que Me Mires

Dia De Suerte

Ven Conmigo

Si Tu Me Besas

Estar Enamorado

Vida Loca

Crescent Moon Records

Universal/Machete

Siente Music

Sony Music

Bullseye Music

DCP Records

Universal Music Latin

Los Canarios, Inc

Sony Music

Animal Productions

J&N

Chocolochon Bolsillo

Pina Records

J&N

Premium Latin

Capitol Latin

El Cartel

Sony Music

Independiente

Premium Latin

#1GLORIA ESTEFAN presents “Wepa,” the premiere single from her new album, “Miss Little Havana.”Remixes by DJ R3hab (featuring Pitbull), DJ Chuckie, Ralphi Rosario, Pablo Flores, Rosabel, Gustavo Scorpio, DJ Africa, Cesar Vilo and more!

Original Version Produced by Pharrell Williams & Emilio Estefan.

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pick hit of the monthWith the undeniable look and stance of a fashion model, cutting edge style, and overflowing with charisma, Andrés Cuervo is the latest export from Colombia’s cradle of artistic talents. All of this is reflected on his new album, “Este Soy Yo.” The songs in the album, including the first single Love Love Love, are filled with deep optimism and a subtle touch of spirituality removed from external doctrines; positivism and energy that overflow into every note and every word, a celebration from beginning to end. Undoubtedly, Andrés Cuervo discovered his own secret to spice up the Plan A that started with a dream that he would not let go of and now he lets out the animal within.

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TW LW Artist Song Label

Top 10 Pop Remixes #1Gloria Estefan - Wepa(Remixes by DJ R3hab [featuring Pitbull], Pablo Flores, Rosabel, Cesar Vilo and more)(Crescent Moon Records)

#2Reik - Peligro(Remixes by Masterfrenc and Muchobeat)(Sony Music)

#3Jencarlos - Baila Baila(Remix featuring Pitbull & El Cata)(Bullseye Music)

#4Enrique Iglesias - Ayer(Remixes featuring Voz de Mando, 24 Horas and JKing & Maximan)(Universal Music Latin)

#5Andres Cuervo - Love, Love, Love(Remixes by Manny Lehman, Klubjumpers, Cesar Vilo and Ocelot)(Animal Productions)

#6Alejandra Guzman - Dia De Suerte(Remixes by Manny Lehman and Giuseppe D.)(Capitol Latin)

#7Shakira ft. Pitbull- Rabiosa(Remixes by C Berg, 7th Heaven, The Crew and Club Junkies)(Sony Music)

#8Norka - Como Lo Haces Tu(Pop, Dance, Salsa, Regional Mexican and Pop to Salsa Remixes)(Crescent Moon Records)

#9FM5 - Sin Decir Una Palabra/Eh Ah Na Na Eh Ah(Warner Music Latina)

#10Reik - Tu Mirada(Remixes by Krafters, Cesar Vilo, Boombox Hustlers, Daniel Adame G and DJ Erax)(Sony Music)

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Jose Alberto “El Canario”Gilberto Santa RosaChoco OrtaVictor ManuelleMichael Stuart

Que Me Lo Cuente OtroAunque LluevaChoco SwingSi Tu Me BesasEstar Enamorado

Los Canarios, IncSony MusicChocolochon BolsilloSony MusicIndependiente

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Chino Y NachoRakim Y Ken-YWason ft. GochoEddy HerreraOmega

El PoetaMi Corazon Esta MuertoPa Que Me MiresVida LocaEstoy Enamorado/ A Cualta

Universal/MachetePina RecordsPremium LatinPremium LatinPlanet Records

12345

Daddy Yankee ft. Prince Royce

J King Y Maximan ft. Plan BArcangelRakim Y Ken Y ft. Zion Y Lennox

Tito El Bambino ft. Farruko

Ven ConmigoElla Me Pide SomethingAntes SoliasNo VuelvasLlama Al Sol (Remix)

El CartelLanaFlow FactoryPina RecordsSiente Music

12345

Henry SantosAdassaDomenic MarteJoe VerasRomeo Santos ft. Usher

Poquito A PoquitoBrindemos Por El AmorHoroscopoVencidoYou / Promise

Siente MusicDCP RecordsJ&NJ&NSony Music

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Julion Alvarez Y Su Norteño Banda

Gerardo OrtizEspinosa PazJenny RiveraBanda Carnaval

OlvidameAquiles AfirmoPara No PerderteYa Lo Se / Basta YaPagando Una Condena

EMI LatinFonovisaDisa/UMGDEMI LatinGlobal Entertainment Music

salsa

merengue

urban

bachata

cumbia

Top 5 Genres

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Record Pool Charts12345678910

Gloria EstefanRomeo Santos ft. UsherKalimete ft. GochoAlejandra GuzmanWason Brazoban ft. GochoJoe VerasEddy HerreraAdassaJoey MontanaShakira ft. Pitbull

Wepa RemixesPromiseElla No Ta En EsoDia De Suerte RemixesPa Que Me MiresVencidoVida LocaBrindemos Por El AmorNi Una LagrimaRabiosa (3Ball Mty Remix)

Crescent Moon RecordsSony Music LatinSuenos RecordsCapitol EMI LatinPremium Latin MusicJ&N RecordsPremium Latin MusicDCP RecordsCapitol EMI LatinSony Music Latin

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Chino Y NachoAdassaHenry SantosReikGloria EstefanAndres CuervoJoe VerasWisin Y YandelJencarlosHector Acosta El Torito

El PoetaBrindemos Por El AmorPoquito A PoquitoPeligroWepaLove, Love, LoveVencidoTu OlorBaila BailaAprendere

Universal/MacheteDCP RecordsSiente MusicSony MusicCrescent Moon RecordsAnimal ProductionsJ&NUniversal/MacheteBullseye MusicVenemusic

Gloria EstefanAdassa Domenic MarteJencarlosPedro CongaMichael StuartDom PerignonShakira F/PitbullSiglo XXIFrancisco Tascano

Wepa RemixesBrindemos Por El AmorHoroscopoBaila BailaEl Rumbero Del BarrioEstar EnamoradoCascara Con AfinqueRabiosaReconozcoAmame Por Lo Que Soy

Crescent Moon RecordsDCP RecordsJ&N Bullseye MusicFuentesRLM ProductionsChampagneSony MusicEmporiumUnison Productions

Jimmie MoralesHenry SantosChino Y NachoPedro JesusMayaguez Big BandTito RojasJose Alberto El CanarioGloria EstefanAnthonyOrquesta Inmensidad

Pintame Los LabiosPoquito A PoquitoEl PoetaMe Persiguen Tus BesosHace RatoNo Me Digas NoQue Me Lo Cuente OtroWepa RemixesBillete FalsoTu Y Yo

Independiente/P.R.Siente MusicUniversal/MachetePJ Productions / Indip.Independiente/P.R.TR Records Corp.Los Canarios Inc.Crescent Moon RecordsIndependiente/P.R.Independiente/U.S.A.

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Edgardo Y D’nielE’RealEnrique IglesiasHenry SantosJencarlos ft. Pitbull Y El CataKazzabeMigzJiggy DramaGloria EstefanJoe Veras

CuarentonaBailandoAyerPoquito A PoquitoBaila BailaQuiero, QuieroAll My LifeQue Es Lo Que QuieresWepaVencido

D’Fame MusikCutting RecordsUniversal MusicSiente MusicBullseye MusicCatracha MusicRed Eye EntertainmentIndieCrescent Moon RecordsJ&N Records

Record Pool Latino - West Palm Beach, FL - Director: Tony Torres

Urban Tropics Record Pool - East Northport, NY - Director: Manny Soba

Ritmo Internacional Record Pool - Antioch, CA - Director: Tony Orellana

Latinos Unidos Record Pool - North Arlington, NJ - Director: William Otero

DJ’s Latinos Record Pool - Medford, MA - Director: Antonio Ortiz Jr.

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From The PublisherLatin Radio turns to more dance music…

Being a Cuban-American that grew up in Miami (except for two months of each year spent in Los Angeles during summer) and having been a part of the music community from an early age allowed me to enrich myself with so many different genres of music including Salsa (El Gran Combo, Ruben Blades, Willie Colon, Celia Cruz, Grupo Niche), Merengue (Johnny Ventura, Wilfrido Vargas, Los Hermanos Rosario), Rock-Pop (The Beatles, The Rolling Stones, Santana, Malo), R&B (James Brown, Tower of Power, The Jackson 5, Curtis Mayfield, Betty Wright), Latin Jazz (Herb Alpert & The Tijuana Brass, Cachao) and Afro-Cuban (Mongo Santamaria, Machito, Benny More, Gina Martin y La Orquesta de Obdulio Morales), just to name a few. In my teens, I mostly enjoyed listening to the Anglo radio, and during the disco era I became a “disco head”… that was the music richness of growing up in Miami.

In 1979 Super Q emerged as the first bilingual radio station in the USA, which would forever change and help influence what was to become the “Sound of Miami”. The station was a melting pot of the best music in both the Anglo and Latin markets that catered specifically to the bilingual Cuban youth of Miami – the largest Latino Community at the time.

Then the interest of the major Record Labels wanting to cash in on the Latin market began to grow and radio stations started going back to playing “only Latin music” or “only this and/or that genre”… never again has there been anything close to Super Q, even though some tried and failed due to corporate/research/bullshit.

Recently with the decline of immigration, the “Americanizing” of young Latinos and the ever-evolving digital technology, Latin radio has once again seen the need to reach that bilingual demographic and so it had to reinvent itself by adding a lot of the uptempo dance oriented songs that work in the Anglo market to its programming, discovering and breaking their own songs, and ultimately driving the Latin artists and labels to produce more dance oriented music – something that Latin Club DJs have been doing for years.

Heavy players like Pitbull, Jennifer Lopez and the Black Eyed Peas, which made a name for themselves in the Anglo market before crossing over to Latin radio, have influenced this new “electro-house,” “electro-pop” and “electro-urban” type sound that is now being programmed in Latin radio all over the USA – a fact that we welcome with open arms. As more remixes are being played, the Latin radio Mix show and Club DJs have become more important at helping break new talent, so it’s looking like a bright future for those who “Live, Love & Breathe” Dance music… now I just wish that some of these Latin DJs would play a bit more of the great Latin Dance music out there and less of the proven Anglo hits that you can hear at every street corner.

Due to these changes, in the upcoming issues of the magazine we will be working on a new chart that will include the hottest Anglo Dance tracks being played at the Latin clubs nationwide.

Lets keep dancing forever!

Joe GrandaPublisher

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