lama, patron, artist - the great situ panchen

7/31/2019 Lama, Patron, Artist - The Great Situ Panchen

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Lamal Patronl Artist:

The Great Situ Panchen

KARL DEBRCZENY

Nte e e end e e

Sit c th Grt rmt o i igKm provc, b 8 cy cc 760t o clt 38 V x 23 978 x 597 mRub Mum o Artcd o e coco o v m w oC2003292 AR 65279

MA, PATRON ARTIST: e Great Situ Panchen beas

ew go b peseg as ts ma sbect te woa egac of a ow pe20t ce Tibea atstte geat scoapaite St Pace (1700177) (Exbitos o Tibeta at ae sa ogase aoeigos emes a seo focs o ste a vaatss Ts Lama Paton, rtist seves as a mpoacotepot te e of Tibea a soica vestigatios As Sit Pace's aistc caee is we ocmee we ave c isgt to a atist a patositeios tog s ow wos as we as tose of scotempoaes Tis ses vew of a atstc taos a tota ew appoac fo a exbio o Tibea atecoagig s to expoe e at o te tes fiseb its aste Lama Patron Artit wi tave to e AM Sace Gae Smitsoa stitto WasgtoC (Ma 13t 2010J 18 2010 wee e wsfom te Fe coecto w be copoae, aowigfo eve fte expoatio of TibetaCiese csscta atistc aoge a was possbe a te Rbsem of At (RMA) Tis itoctio w expoeoe aspect of e exibito patca patgs scibe wt atbtios to Sts ow a

Introduction

Begiig te 1t cet te Kamapas eas ofte Kama Kag oe of Tbeta Bsm tavee age moa c tet ecampmets cosistig of poabe tepes a com of os a sle atistsa atisas Tis mobie cot ow as te Geat Ecampmet" poce ts ow istctve patg steow as te Kama Ga o e ste of te KamapaEcampmet" Foe e ae 6t ce ceta Tbet, te Eampmet ste is caactise b sope, a ascapes ispe i pat b Ciese cotpatig Howeve, e o te peava of cvi wa mostof wa svives of ts paitig tato stems fo ts

18t cet eviva fosee b S Pace easeTbet Eve oe ipota to te isto of Tibea atta St Pae's oe as a paie is s oe as a paoa esge of paitigs ma of wic coe o bcope to ts a


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rat Ajahina 5th century

Mneal pgens and gold on sk 30 x 19 in (78 x 50 cm)olection o Robe Rosenranz and Aexanda Munroe

oudig of the EcaDpet Stye

ccodg o Tbe do, he Ecmpme ses esbshedo moe e coded cel Te b he pe Nmh Tsh he co o he Nhmp 15551603). Nmh Tsh d hs scessos

ced ges bsed o d modes wh Chsesped dscpes, exedg he Chesesped esec evolo beg b Tbe pes he md

5h ce.Nmh Tsh ppes seve mes he Nh Kps bogph s mpo s he s wo

ecdes o he 16h ce 58599. A sho bogh o he pe eds:

Regdg he exod s Nmh Tsh, hews bo Yod. Fom he me he ws lechd he dmed h he ws emo o he

[Eghh od Kmp He ws pophesed she doe o [he Kmps] elgos cves hesphe egos mges d sced b he FhShm, he esblshed h [pg do o heEcmpme sle (Gardr).!

-p

Two o he m egos mses o he Km Kg, he h Shm 561583) d he Foh Gshb 15501617), pled sgc sc ole, oeg gdce o he ceo o ew vsl dom o heKmps co The sced Nmh Tsh o es modes ce mos e Chese pgs Tbe,pml he podcs o he le Y 71368) del Mg 136816) cos. The ged hm o ollowId Bddhs o he shpe o he sced ges

d Chese o he colog d shdg. The do Chese co pg se b he el Mg empeos o Tbe phs s epeseed he Scevee b pg o he Ah A ()

e c see hese sme vs coveos o depcglege ges h wee smed hogh sch elMg co pg olowed po o he NhKmp, Wgchg oe 15551603) (. The composo o hs ge, med decove begeeldscpe s cle sped b he sme Chese hgee poed om he Mg co o he 15h ceA scpo god p og he o be edge

Nint Karapa, Wangcug Dorje (155-603)ibe 6 1h centryGround inera pgen 49 x 3 Y n (14.5 x 86 cm)Seey and Donad Rubn Coecon (HAR 163


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4 Nih arapa, Wachu Dore (1555-1603)Cetral ibet, 6th ceury (crca 1590)

mens o o, 59 x 42 n 505 x 1073 mRbi use of Artrcased fro he colectio of Navi ar New YokC2005.202 (HAR 90005)

ieies e ma ge o s wo as lo Wagg

Doje", e Ni Kamapa Te momea size o ispaig s a s el aig bewee e 1590s a60s, e las al e o avis oial paoage oe Kama Kag oe b e gs o Tsag a oepowel los, beoe bo e paos' a o'sesio 1642 a 1645 Ts is pag is alel mease o e i o paig poe eKamapa's o a is eg, ao e me o eog o e Eampme se. Wle s paigas bee eavel iee as eal Ga bease ois blegee lasape, oes o e spa e opeomposos o w e Eampme sle wo be

ome amosTo m owlege o exa paig b e a oNama Tas as e bee ieie e loses we aome a s me is aoe paig o e N Ka-mapa o e Rbi Msem olleo (). A pal

eae sipio iaes a s paig was exee ig e Kamapa's lieime. eas:

Ts pag o agg? Doje, w wasaeve olowg eos om e Kamapamse, was eegeall aeve b e epew,e mo o Kogpo e eas. B s mei maall lvig begs be esablse e leve o B-aoo.

Uoael e s sllabes o s ame ae illeg-ble, mag is ieao eaiv. Tis isipiomeos e pao o s wo as e Kamapa's o-ae ispe om Kogpo e eas wo alls mselepew" Te N Kamapa a wo mpoa s-pepaos w s le, e aes o wm pae epaig o s wo o e 1590. Espeal sggesve se a a oe o ese epews", Gs KamaCogal (ie 1602), s eoe o ave bee a sposoo wos b e pae Nama Tas, e o e E-ampme sle

Aoe iea le o e ag o i paig abe o i e bago lasape wee a mo-meal aga s le o a moase ajae oe Kamapa's sea, Tsp Moase. Ts s a amosappliq o Ba Saami wi was mae aTsp o e N Kamapa 1585, a s ilsiopovies a eaes possbl ae o s paig Slsi-al s pag mas a si epae om ealieKama Kag eage epos w e moe opeomposio a aaeises lae Eampme pai-gs. e amage spio iee eas WaggDoe, e s mpoa paig wol epese easioal peo i e o o e N Kamapa a

e b o e Eampme se

Te Reviva: Situ Pancen

Howeve, ol o eas ae bie seaia waaeame o a ea eal Tbe a 645 e KamapaEampme was obleae b Mogol oops, wosesppo o e Dalai Lama's se o powe plae eKamapa's egios a asi aios i age oexo. Ts, aog e Eampme sle wasoe e ae 6 e, mos o wa we owabo i is om s 18 e evval Ts evval was

egieee b S Pae ( a o ease TbeS Pae was bo i 1700 i Dege, a sma b l-all siga gom a e ea o e povie oKm Ts was a palal voaile peio Tbesso Seveal geeaos o vil waae a leS's Kama Kag oe i ambles, a i ealTbe e ama Kag moaseies wee beig sp-pesse a aasse b e oal les Foael, asDege was less embee i e se, a ompaaivepeael pbgg allowe Si Pae o os Asa og bo e was eogse as e eig emaaiotrulku) o e Si iaao lieage oe o e ges

aig lamas/ieas o e Kama Kag o. SiPae pove a billia polma a asmaileae eial i ma aeas o la a s-oal e 18 e Tibe No ol e maegea ses evivg s ow egos oe, b also

;(


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Mahasddha GhaapaFrom Situ set of the Eight Great Tantic Adept

ham prvce easter Tet 8th ceturyud mral pgmet ctt9 x 3 (48.3 x 33 cmllec Jh ad Behe rd (AR 738

ae mao cotibutios to the es of paiig, te it-a ats a mecieWe ow a geat ea about Situ's ivovemet the

ts as Sius atistc actvites ae we ocumete his

w autobogaph a ia. Situ Pache too i-es i a fom a ea age, a bega to pa eveefoe eevig foma taig. A the age of fteetu st eae coometic popotos a fom waom a pofesioa atis fom Kogpo ug hs s vs-to cea Tbe 174 Soo heeafte at the Shaas moastic seat of agpae Situ was show o a casmea gues b a tempe stewa, whotouce hm to the taitioa ststic casscatios ofuhist boze scuptue. The stewa poite out f-et tpes of meta a chaacteistc shapes as he efe

ce oe of the cassic mauas o he evuati of ob

ts. Situ was thus itiate at a ve oug age ito aibeta tatio of cooisseuship. Stu cou pai ieast two eet stesMe a the pmet

esa was a ee obsve of ea masepeces aeet stes of paitg

p

St ache as Patr te Avadaa Setom Situ' et of the Wih-Ganting Vine eieof One Hunded and Eight Moality aleKham pvce easer Tet 19th ceuryPmets clth 31 x % (787 x 57.8 cmRu Mseum ArtPurchased rm the cllect av Kumar New YC0075 (AR 6536

ets itu's Greatest Legacy

Some of Situ Paches most impotat a pomietatistic egacies ae the mutipatig sets that he esige, ma of whch ae sti cope to this a Amogthese o six wee metioe i Situ Paches autobiog-aph as hs ow commissios I 1726 Stu paite oeof hs most stg a hgh appecae ses of pags , the Eight Geat Tatic Aepts ahasiddhas Its the st set tha Stu s ecoe to have pate a ima was mas the begiig of his pubic ife as aaistic a eigious eae Accoig to Situs autobogaph he paite ths set i a mae ie the Ecampmet ste (sgar brs tar) a i the setchig coouig

a shag hmse He oee this set of paitigs to theege ue Tepa Tsheig 16781738) as he fomaequeste pemisso to bu a ew moase ege.This was a waeshe hs egous atsc a poticacaee a his ew moasc seat, Papug Moaste


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became he asc hub o he evval o he Ecamp-me se.

e o he mos wel acclame pag ses esge a commssoe b Su Pache s Ksheme-as e Hue a Egh oa Taes avadaa weoe aave pags 6 Su Pache begaesgg hs ow se o hs cce 733, soo aeheag he sasous ews o he sue a uexpecepassg awa o hs eaches, he Tweh Kamapa (703

732 a Eghh Shama 695732 amas, whchhus Su at he age o hhee o he oe o eaco eget o hs oe. Su se up a woshop o execug hese pags, o whch he hmsel seche hecompsos accog to hs ow oga eas. He pe-soa ece he ee pocess o he pag, omhe al cooug o the shg eals. oe toease hs vso, Su ae a umbe o mase paeso Kasho (ea hs pevous sea, Kama oase oo mos o the pag wo. Ths woul have bee heas pag a sees, epcg Su as pao, wheehe s show sucg hs team o ass the boom

e coe o he pag. 1736 Su compose hsog scpo, whch woul have appeae hs pag he age bla scoll he up b goesse, outlg hs eos

have ollowe he Chese mases coou moo expesse, a om, a I have epcelas, ess, paaces, a so oh as [ have] actualsee Ia Eve hough a he scmag so ethag[boh] ew a a heKhe [s] ato oowes, Chugagpa yeJusgag pa a the Ecampme mastes ae pesehee, have mae hese patgs] eet ahue housa pacuas o se

Hs meo o hgs he ha acua see a"ees o hs sha expeeces wh he culue o heIa subcote whe o hs s pgmage o Nepal 1723. Ths s eece ot o he ess o hs guesbu also he scve ees hs compostos, as see ().

Sx aoal ses o pags have bee ee hs exhbto as elate o Su o hs moasc seaPapug, usg othe wte souces o o the bass oslsc smlaes wh those sets ete Sus bog

aphes These sma eas clue the uusuall muve epcto o gues lascapes a mausteamets o tees, bulgs, paaces a coutaso sace hs las patg a eevepag seo he eghou aeps ca be abue to Papug.Ths patg s a exele exampe o pgme applca-to he lae Ecampme se osee b Su, especa the chaacesc use o gae laes o bue agee apple os wh he p o a bush ) Thsechque buls up he ascape om he bla cavaso eep ese coous, gvg the pag a bgh, csalle qualt o whch he sle wou become amous.

Iee Su emsce tha hough the patgs hat heesge a commssoe he astc aos o hsave Kha wee begg o she aga, a hecea mae eos o evve a maa he aoso hs home povce

7 Egt MahasiddhasFm a Palpng e f e gyf Grea an Adep

Kam ovce ease ibe 9th centuyMnea gmens on cot, 4 x 7 13 x 69. cm)Rubin Museum of ArtPurchased fom the collection of avin Kumar e YokC005. (HAR 6559)

8 Deai of 7 Putaia gang a an icon of Samvara


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ase Vajavaaiy Situ Pance oky angwa (-774)a povice easter e 8t centuryigets o clo 9 x 7 (25 x 9 cedWolfgag sse colecon ld 373

Muse de ulte ase Swizerand

y the Hand o Stu

ut wht of pnins ht do not fll into hese cteoresmposiions tht cnno e trced in Stus writns ore hsories of hs monstery? Of prticulr nerest toe whle worn on ths ehiiion ws rinin toetherintns th er inscriptions ttriuin hem to he

nd of Choy Nnw Chos y snn Stu Pnens personl nme While here is re del of in-rmtion in Tetn sources out sets desned ndmmssoned y Situ the therin of hese inscriedintns provide us wth n opportunity o consider fore rst tme the issue of pntins y Sus own hndhle wors y h hnd of the mster re the essentl

or of mny rt hstorins the eld of Tetn rt hs-ry is only enin to e le to pproch these sicues These issues re not wthout ther chllenes; forstnc more thn one person in ths trdton hs theme Choyi Nnw nscriptons themselves cn e

dded lter pintns cn e rettruted nd so onThs ptin of he oddess Vjrvrhi (, dentle y the dsincve sow hed pein out of the rh

de of er hed ers n inscription on te c nminChoyi Nnw Situ Pnchens personl nme s rtst:

h-pl

I ow with devotion to the lessed ldy who emodiescompssion comined wh ret liss he llperv-sve Perfectly Pure One nd pry ht she pcfy llmy emotonl delements thouhts nd oscur-tions nd non me with the tinment of (e spr-tul level of Glorious Heru! Ths pintin wspinted y the hnd of Choyi Nnw

It is cler ht the pnter hd ood rsp of propor-

tions s the ure is well modelled; however its eecutonelis slihtly nive qulity ht one miht epect fromthe hnd of someone who is nowledele n the elds ofrt nd icnorphy thuh not profesionl pinterhmself The conditon of the ojct with dly rdedsurf nd deeply drened round me dult tevlute he rushwor of he pinter However n en-erl we cn oserve some unusul qulits of ths pint-in. Especlly dsinctve s the t use of old in Vjr-vrhs round fullody nmus whch shines lie hesun The rounded mes mrror the shpe of he oldnimus suestin sophsticted esthetc

Another chrcterisc feture of this roup of pntinsis found ove he Tien inscrpion where lnes of ornmenl Lncn Snsrit re written Whle hs is notin tself unusul for ny one pntin we will see ths is pttern on the cs of ll four pnins n suesinthe hnd of Situ who ws lso ret scholr of Snsrin fct Situ ws que concerned with consulin orinlSnsrt sources for the proper depiction of deites ndeven nmes those sources he used in desnin some of hissets. Thus this pintin emodes mny of the elemens wemih epect from Situ.

The of smll pintn of Chrsmvr ( feures n nscription in Tien cursive scrp th lso

seems to identify Su Pnchenn referred o sChoyi Nnws the rist of his wor:

y the uru ret lorous Heru in lssful unionwith Vrvrh protect me in ll lifeimes nd my rctice Vjryn Buddhism] This pntn ofthem] ws pnted in the midst of dsrcion y Cho-yi Nnw

Verso inscriptio detail of


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Csby Su che Choky gw (170014)Khm poice, este bet 18h ceurygmets o cloth 12 8 (1.4 x 222 cm)Rub Museum of ArtC20095 (AR 65846)

Verso iscrptio detil o

This angage pained i he midst f distrati"(nam eng ba geng la bs) is qite sefdepreatig evendismissive and ne ese wd dare t wrie ab thewrk f a high inarate lama sh as Si in his wayad ths this isriptin ad paiig are almst ertainyby Sit himsel Like the Bae Varavarahi this wrk isharaerised by a smal simpe elegaly prprtinedgre aking he esse f a prfessinal paiter In par-tilar the se f at gld in the sarf framing Chakra

savara is an sa feare remiiset f the Baselpaiing A sphisiaed aeshei is als sggested indetais sh as he sbded palette f th iger skin andgarad f severed heads.

As mentied abve Chkyi Nagwa is n a nameie Si ad fa he shared i wih ne f hismst prminet sdets the Eighh Drghe KigChkyi Nagwa (176882. This shared amig by afllwer als ierested in paintig als i qesi hespei idetiati f Chkyi agwa in hese insrip-is as eihe Si Panhe r his sdet. Fr insaehis Chakrasamvara as bears a resembae t antherrghly ntempraes painig f Chakrasamvara( bearing a isripin the bak writen by theighh Drghe (:

bw wih devtin t the great pair in sexal nithe wrahf mediaina deity (Herka lrisChakrasamvara tgether with his nsr teaherf the Great Seret Vajrayaa Bddhism hiefdeiy f a adaas May a beigs ahieve grHerka" [This paining was painted as a sppr fthe faih fr the venerable ygini Dehe Wangmby Kagy Tepa'i Gyalse. ay everythig beaspiis!


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Chakasavaaby Kunzig Chokyi Nagwa 17688)ha provice easer Tibe late 8thealy 9th ceturyges o co 13 x 8 33 x mRubin useum of Art

1$ -."t1 .:i. -.ti


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Vogii

Iscrbed b itu che 700774Khm provice, ester bet, 8th cetrgmets o coh, 3 % 9 (337 9 cm)Rubi Msem o Art199733 (AR 1

angwa wro ; owvr h nscron sos sor ofarbung s anng o m I rads:

May your acons b forvr vruous roug yourblssngs of r scrs Vcorous Iumnaor

Goddss wo bsows lasur of gsblss gnossmbodyng goddss of mmacula wsdo who s xald as msrss of ur wlf

lvl of gs Buddaood! So say I Chokyangwa. May b auscous

As a scal blssng afr comosd s vrsdras Su Pancn lacd s own andrns ono hback of h anng usg a sron was. s anng shus somhng of a ouch rlc srvng as Su's rsncn h gallry. callgray of hs nscron s quclos o h andwrng n h nscron on h afor-

mnond Basl Varavra and aars a swo xs wr wrn by sam and. o only hanng yl bu vn h allgrac syl o h n-scrons mslvs can b usd o rla hs objcs oach ohr

Anohr lvl of vdnc s anngs arbud by nscron wrn ofn lar by soon ls. For n-sanc a anng of Black Cloak Maakala (Gono Brnag chn on black slk s nscrbd w hrasWhou rror s anng of v Dy Mahakala]was and by h hand of Co ky ung n] " andons o som of h arsc modls a nsrd so ofSu's works Is unusual aaranc and sccally hsns andlng of h anals suc as ralsc

dcon of lan a boom cnr bars som r-smblanc o anngs arbud o h nh Karmaaand so s anng as vn bn rarbud o Wl a slk ground s unusual o ban anng andsomng ha n Karaa was known o avour andlng of nk clouds hr suggss a anr nofamlar w ow slk absorbs nk or cnqus ofcrang layrd nk wassa caracrsc chnqua whc n Karmaa was a asr. hrfor unambguous nscron cobnd wh unxrssvqualy of bruswork suggss a Su and hswork followng comosons by h n Karaa o

was a las nsrd by a Karmaa's dsncv syl.Coyng anngs by gra masrs as long bn abasc asc of ranng and arcaon across many ra-dons and xual vdnc conrms ha Su Pancnwas arcularly nrsd n n Karmaas ars-c carr

Veso o

f


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Black Coak aaalaAbed o Si anchen (700177 8 igh aasddhasKa povnce easer ibe 18 cenyPgmens n sk 22 x 13% n (572 349 cm)Rub Mse o AC2002.8 (HAR 65083)

Chinese Painting at Situs Court andTibetan Art at Qianongs Court

Anhe hest f Sts t Plpng feednly he Ske vene s wde nvesne n Chnese pnng Ths s expessed n wks sh s hs ghMhsddhs whh s exeted entely n mnhme nk nd emplys Chnese bsh tehnqes fbdng p lndspes. Ths ndes the nptnf stndd Chnese lndspe tpes sh s shlsssng bdge n the btm ef ne. Sh pntngse extemey e whn Tben s tdns b

n be fnd t Plpng Mnstey nd s steles.Whn he nmpment dtn t ts fndng n thee 16th enty hee ws nt js n nsttn nte

es n hnese pnng whh ws nensed nd mdets wn b he nmpment syle evvl s ened

r

a povce ease be 819h cenynk n clh, 9x 8 n (24 x 216 cm)Rub Mse o AC200243.2 (HAR 670)

en Chnese mdels nde St's edeshp e nthe 18th enty.

t the sme tme h S Pnhen ws neested nChese pntng nd engng hs t k tChnese mdes the Qnlng mpe egned 751796 f the ng dynsty 164491 ws hvng hsChnese t tsts n ejng k t Tben pntngesltng n fsntng hybd wks sh s ths pttf Qnng s he dhstv Mnjsh whh sely bsed n Tbetn ptype n bh syle ndsbjet mte. These pnted pts f St Pnhennd the nlng mpe e nt nly nempnes

nd dng t ppxmely the 17501 760s btwe knw fm S's des tht hese tw hs ges (nd the ts wee s n dt espndenesggesng dge th de he h eny fsntng ped f t nd tst exhng.


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Oaog Epor as as,h Bodhsava o Wsdopra worshoppor's ac pand GusppCasglon Lang Shnng 688-766

Og dnas Oanlong rgn d18h curhangka nound nk and colo on slkIag % 5/ n 6 6 cFrr Galr Ar Shsonan son, Washgo DCurchasAnonous dono and Musu unds F000

Concuson

Lama Patron rtit is te ingr eiitin witin grnrking series f eiitins t te Rin -sem Art entite Materwork of Tibetan Paintin gest

rte y te eing slr in te el, Dr DviJksn Bse n is metlgy ring int-ing s istril ments te eiitin n lgeis n mrn e wr ringing te eene er in ntetlising ent wrks f rt S mr

rektrg srsi is me ssile nly re-eny y te rmi inrese in mteris t etln vs me vie y s rets s e Rinntin's Tietn Bist Resre Cener BRCn Himlyn Art Resres (AR Frter te ri resenttin f Lama Patron rtit t te Artr kerGllery nersres e vle f rssinstittin ertin t ring tgeter eiits like tis

O rse ess t te lings Png nstery,

Sits set n rtisti r e revivl f te nm-ment style, will eme ritil r frter sty Sitswrks n te mentie e rtnity re t snw t ese inings ve een rt geer inis eiitin fr te rst time, is n imrnt rst stein nerstning Sit te rtist seminl ge in teistry f ietn rt

Acknowdglns

Te tr wl ie t tnk rtr Dr DviJksn n ligrer Pe Bm Ltse irry

r l er e n vce e s Arn ki rer mny sel sggestins. Te riginl tile e e-iiin RA Patron & Painter is e sme RA eiitin trvelling t e Artr Sker Gllery, n tetile f e lge ers te Patron & Painter nme

Nos

I spul sku ba nam mkha' bka shis ni I YaT stong du khungs I byis pa hug du'idus nas "e nyi i spul pa zhal is bzhes I sku gugs i phi las bed pO lugbta cig hwa dma lga pa ags I bkod mdzd de sga bi i ol btpa'o Si u Pan chen ad 'Be , folio 65.

2 [eaced] . do jei sku thag di aL ba yid is ags bkod pars?] gub

pai dbon sha phyogs kog btsu is skaL ba bang phyi u btsug [eacedge dis o kun sangs as sa dgod shog// Transaed by Jackon (2009),p. !OJ

3 tshon dang i mo'i n)ams am u II a ag mkhas pai "es 'bags nas II yuldang ha lugs khang bang sog II hags yul mngo sum mthong bzhin byasIIsma thang gsa ying mke lugs pa byeu sgang pa sga bis pai namdpyod de kun 'di ldan yang yams u bum i khyad pa byas II Trans-aed by Jacson (2009 12

4hi i an aect o te exion no eeeed in e caaoge

bde hen thugs e'i bdag 7id bcom lda ma ku kab ku tu bzag mo gudud te yo mongs tog sgib thams ad ye hi as her ka dpal thob paidbag bsku stsol sku thag di hos i snang pas Lag bis su bis pao

6 bla ma dpal hen he u ka Iphag mo mnyam sbyo bde ba hes II tshe abs tag tu

skyog ba dang I do "e theg la spyod u ig Ies pa'i bis thang 'di hos isnang bas nam geng ba gseg La bis I

7gsang hen ston pa dkyil 'kho kun i gtso I he u ka dpaL bde mhog btsun mobcas I myam sbyo ung Jug he po gus dud do I se kun bla ma he u kaub shog es pa yang "e btS al byo ma bde hen dbang mo'i dad te du Ibka bud bsta pa'i al mtshan is bis pa I

8 bi can mean eiher "o write o o dra Ipan

9 bu gnyis dag pa i sa yi dbag phyug tu I mgo hags dul baL shes ab ye shesma I bde mhog bde ste bcom ldan sang mdzad mas I gsang gsum byin is tag tudge ba mdod I es hos kyi snang bas bjod pa I mangalam I

10 Te caigraphic sye o bo ese inscripions is a e more or-ma in eecuion han ha o e oher o more csive inscipionsdscusse and hus makes a goo comparison. Whie i ye is a bimore si an unepresive one can singe o severa chaacerisic

eers suc as tu here e o s oen onger and i, hee e opo e voe (i gu is rncaed ic sugges ha hee o esee rien by he same hand

mkho lgai zha thag cho 'byug phyag b khl med lag [kho lga'ihal thang hos byug phyag bs khul med lags /.

lama, patron, artist - the great situ panchen

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