l3 magazine may, 2015 ft duane stephenson

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L3M A G A Z I N E

DuaneStephenson

Shuga Word. Sound. Power. The Expendables Reggae. Punk. Rock. Topics that are HOTTT & Trending

Beauty Tips for Spring

Maxi Priest in 3 Songs

+Charts

The Shoes That Grow

[email protected]

Press Releases | Music Distribution Marketing Campaigns

L3 Magazine | May, 2015 ft. Duane Stephenson | Page 03

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Editors Heart...

And then April 4th, and April 19th, 2015 happened. Those were the days when Walter Scott and Freddie Grays’ lives came to an end; because of a broken tail light and a legal pocket knife (respectively); one in fear that he would go to jail because of back child support, the other because he was in the wrong place at the wrong time. One Police Officer over-zealous with the trigger of his gun, the other group of officers callus with their treatment of a non-of-fending suspect. This is the unacceptable which has been accepted.

For years, civilians have screamed the injustices expe-rienced at the hands of those paid to serve and protect, and for years those screams were met by the blue wall of silence. That wall is now coming down. Every act of injus-tice is a chip at that wall of cover up’s, a chip at the armor that protects those who mercilessly and ruthlessly harm the lives of others.

I remember the day the Berlin wall came down. Many said it was impossible, and would never happen, but now you can buy a piece of it, a timed piece of rock, on EBay for nostalgia. That blue wall I referred to earlier is coming down; every Walter Scott, Freddie Gray, Eric Garner and Mike Brown is on that wall, and just as they are not here, that wall and what it represents won’t be here much longer.

The axe that is bringing down the wall is a funny one. It rests in the purse and pocket of billions of people around the world, is perfectly legal to carry anywhere, and comes out when you least expect it. While the blue wall is looking for a literal axe, the literal axe is using pixels; unobtrusive, filming, documenting, and counting down to the day when it doesn’t have to ‘pix’ at the wall, but instead focus on its days highlights of taking photos and video of families and friends enjoying each others’ company.

The blue wall will soon come down, and we will be there to watch it.

Thoughts? Please share >>> @NatashaVonC

Natasha Von Castle with Lawrence Hill, Author - Book of Negroes

http://www.twitter.com/NatashaVonC

Content Highlights...108: Duane Stephenson is one of the most prolific song writers and singers. His musical truths about life reaches every soul and resonates so deeply, one fan called him ‘the most essential voice in Reggae.’ We agree. Talking to Duane performing in the US turned out to be a con-versation about the remarkable man he is, as well as his music.

118: A spoonful of sugar will help the medicine go down, and Reggae songstress Shuga gives us a heap of both! Blessed with a deep understanding of how to communi-cate via music, Shuga connects the dots between word, sound and power. After this interview, you will love Shuga even more!

128: Combining Reggae, Punk and Rock, California’s The Expendables are enjoying unlimited success. With their sound being widely accepted, several world tours under their belt, and album sales surpassing expectations, what does a band do when they reach their pinnacle? We get the answers.

32: Our Art in Focus feature takes us to the retail streets of Toronto, Hong Kong, Los Angeles, France and New Mexico as we look at window dressing installation themes. Who’s HOTTT and who’s not?!

82: We have new music releases from Ikaya, Luciano, Cham and Michael Des Barres that will put your musical ear in gear.

60: Our centrefold is burning hot and shot through the lens of Jerome Dupont who makes sure to remind us that Summer will be here soon, and all sized bodies are beach bodies!

All of this and more in the May, 2015 issue of www.L3Magazine.com. Enjoy!


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Purification from The Inside Out

By: Zakada Milton

The crescendo is building, and America is burning from the inside out. That sentence may scare some people in the US, but really, it should and it shouldn’t. Burning leads to purification.

Millions of people around the world watched as rioters set buildings on fire in Baltimore in protest to the death of Freddie Gray, a young black male killed in Police custody. This is so much more than Freddie Gray.

This is very much about denying citizens access to education, employment and recreation of life, and ignoring the fact of that denial. This is about Freddie, and it’s about the 400 plus men who have been murdered in Police custody, not to mention, the thousands assaulted, not to mention the even more thou-sands who have been denied justice (that illusive woman who seems to favor everyone else but the black population), not to mention being taken from one continent, brought to another continent, and not given a choice in the matter.

The team at L3 has had several conversations about recent events in the US where death and the black population are concerned. We extended the conversation to those outside of our office, and here are some of the comments we received.

“For far too long society has given the power of ‘to serve and protect’ to men and women who don’t know or care to understand the right to life. It’s not just a racial issue even though those incidents are more prevalent in society today. It is an issue of humanity. Until these officers of the law are made to pay the price for their wrongful actions, we will live in a society ruled by corruption.” – Junior Taylor of Soul in the Sun Music Festival Jamaica.

L3 Magazine | May, 2015 ft. Duane Stephenson |

Two men shake hands in Baltimore symbol-izing peace

Deceased victim Freddie Gray

Junior’s comments make us re-examine what it to serve and protect, and WHO is doing the serving and protecting. There are several men and women in uniform who do an outstanding job day to day, but those few who do not make it difficult for the ones who are to shine.

Tony Carr, Radio Personality says “none of these killings have to happen. I know being a Police Officer is very stressful, I personally think that a lot of people in law enforcement should not be there their way of law enforce-ment is hazardous to Black people. On the other hand, we as Black people have to be calm as much as we can when in contact with them; speak calmly even though you don’t want to; believe me I’ve been through the same thing.”

Mr. Carr has a point that the way we react to a Police officer can mean the difference between staring down the barrel of a gun and getting a ticket and moving on, the fact that Officers who act outside of their training and de-partment guidelines will not face discipline for misconduct means many would rather run.

From the female perspective, GM McDade from Albany, NY says “there are multiple complexities. Participating in criminal behavior does not eliminate the inalienable American right to a fair trial. Officers are not magicians – they are not trained to know the difference between a violent criminal, a mentally ill citizen and a misguided soul. Improved criminal justice policy is gaining traction in cities where communities are actively working with their local administration to grow and change their complex relationship.

We should be uncomfortable with the common denominators. Acceptance of bad behavior and resistance to change are more preventable in society as a whole. This applies to the community and the officers sworn to up-hold our freedoms – neither are above the law.

Yet there are well trained officers out there working thanklessly. I am conflicted because these instances have all been lumped together – black Officers and black suspects. We call ourselves civilized – it is very complex and must be handled carefully and with precision.”

Reading DM’s quote, I couldn’t help but ask myself how much of community interaction goes in to a Police Officers training. How much time do they spend in the neighborhood before they begin patrolling. What kind of introduc-tion do they receive? Do they have talks with councilors who can advise as to individuals with a mental disease, or are they dropped off on a block and told to patrol?

Finally, we hear from our Senior Writer Joah who says “It seems like there is a deep disconnect about the place of Blacks in American society. They’ll have to go to the bottom of things, investigate the problem and fix it otherwise the unifying actions of Dr. Martin Luther King and many other Black and White Americans works have been done in vain. It is sad that slogans like ‘Black Lives Matter’ are being touted. Why should a sign be held for people to remember that? I believe that something positive will emerge from this; conversation piece (about the riots) will lead to conversation peace.”

Comments? [email protected]


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Food for Thought...

Are Vaccines Safe?By: David PetersImage: Huffington Post

The CDC (Center for Disease Control) and the media speak on this issue daily, and both outlets say that vaccines are safe and good for the diseases they are designed to treat and cure. While the public takes comfort in this statement, there are others who question why the US government has paid billions of dol-lars to vaccine injured Americans since 1989.

Despite the good intentions of healthcare providers and parents seeking to protect their children from disease, adverse life-changing and deadly effects of vaccines are more common than ever. Increasingly we hear of research studies and whistleblowers who dispute claims of the effectiveness of vaccines.

Here’s a look at some of the ingredients found in vaccines, and their side effects:

Sodium Chloride - raises blood pressure and inhibits muscle contraction and growth.

Human albumin - the protein portion of blood from pooled human venous plasma; when injected causes fever, chills, hives, rash, headache, nausea, breathing difficulty, and rapid heart rate.

Phenoxyethanol - a glycol ether / chemical highly toxic to the nervous system, kidneys, and liver.

Sorbitol: Synthetic sweetener which metabolizes very slowly and aggravates IBS and gastrointestinal is-sues.

Gelatin: Derived from the collagen inside animals’ skin and bones. Injecting gelatin poses the risk of infec-tion from synthetic growth hormones and BSE infectivity (mad cow disease).

And these are just 5 examples from a very long list of ingredients found in vaccines meant to cure and prevent disease. If that is not enough to make you question the damage a vaccine can cause, here are some examples of families that have been compensated for damages and in one case, unfortunately, death from vaccines.

Richelle Oxley: DPT shot reaction: post-pertussis vaccine encephalopathy“…no evidence to overcome the strong probability that the DPT was the most likely cause. Richelle’s disabilities include autistic-like behavior, hyperactivity, and partially controlled seizures. The court finds further that all other statutory requirements have been met, and concludes that petitioners are entitled to compensation for injuries sustained as a result of the DPT vaccine administered on July 30, 1979.”


Hannah Poling: MMR vaccine “Court ruled in favor of compensation due to the significant aggravation of child’s pre-existing mitochondrial disorder based on an MMR vaccine Table presumptive injury of encepha-lopathy, which eventually manifested as chronic encephalopathy with features of autism spectrum disor-der and a complex partial seizure disorder as a sequelae.”

Elias Tembenis: Death after DTaP vaccination. This little boy had seizures after receiving a DTaP shot…but was still given boosters and other vaccines. In 2002, doctors noted that Elias had features of Pervasive Developmental Disorder (“PDD”), which is an autism spectrum disorder. He died in 2007, at age 7. The immediate cause of death was multisystem organ failure, which was a consequence of cardiac arrest…which was a consequence of Elias’s seizure disorder. “Petitioners have satisfied the legal requirements for proving that Elias’s December 26, 2000 DTaP vaccination was a legal cause of his epilepsy and death. Respondent has not overcome Petitioners’ evidence by proving an alternative cause. Therefore, I find that Petitioners have established entitlement to compensation under the Vaccine Act.”

Ryan Mojabi: MMR vaccine Saeid and Parivash Mojabi of San Jose, California had their infant son vaccinat-ed with the measles-mumps-rubella (MMR), among other vaccinations, between 2003 and 2005. Shortly after the MMR vaccinations, their son developed Autism Spectrum Disorder, asthma, and an encephalopa-thy, which refers to a syndrome of brain dysfunction. The case is ‘unpublished,’ meaning there is little information available to the public.

The U.S. Department of Health and Human Services conceded that the MMR vaccination caused the boy’s encephalopathy. There is no documentation stating the government recognized that the encephalopathy directly led to his autism. The Mojabi’s were awarded a lump sum of more than $980,0000, and another lump sum, several million dollars more, will be invested in annuities on his behalf to cover annual costs for the rest of his life.

These examples of adverse reactions to vaccines are but a few and begs to question safety and effective-ness. Wouldn’t it be easier to prevent and or treat disease through plants that cure specific ailments?

Have questions for David? Email [email protected]

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UN Sustainability Goals Begins in ParisFrom: Education International (IE)Photography: Education International (IE)

As the UN Secretary General’s Global Education First Initiative nears completion of its mandate, the final push toward the post-2015 goals begins and all eyes turn toward the next steps of the global agenda.

When UN Secretary General Ban Ki-moon convened his Global Education First Initiative (GEFI) High Level Steering Committee at UNESCO headquarters in Paris, it marked the beginning of the final stretch of its mandate. On schedule to run its course by September 2016, the five year advocacy project was launched by Mr. Ban Ki-moon to help put education high on the global development and political agenda and set the course toward the post 2015 education sustainability goal.

“Had it not been for education, I wouldn’t have become Secretary General of the United Nations” Mr. Ban Ki-moon said, reaffirming the key role of education in achieving sustainable development, fighting ex-tremism and creating opportunities for all.

In the French capitol, the GEFI committee laid out possible next steps to see that the post 2015 education goal targets and indicators have both the financing and organization needed to see that objectives are met by the goals completion in 2030.

“As evidence from the 2015 Education for All Global Monitoring Report clearly shows, none of the edu-cational goals will be achieved by the end of the year as promised 15 years ago,” said Susan Hopgood, President of Education International. “GEFI has an important role to play to achieve this ambition and to ensure that the new education goal and its targets are implemented after their adoption.”

With the World Education Forum (WEF) set to take place in the month of May in Incheon, Republic of Ko-rea, GEFI acknowledged the opportunity it still has to include input into the WEF declaration and contrib-ute to the finalizations of the new sustainability goals to be decided at the United Nations General Assem-bly in New York this September.

The Shoe That GrowsBy: Song River

The Shoe That Grows began in 2007 as founder, Kenton Lee, was busy living and working in Nairobi, Africa.

The story goes that Kenton, while on the way to worship, had noticed a young girl in a white dress with shoes on that were far too small for her feet, this led him to think about why, and what could be done. As he pondered, the idea came to him - what if a pair of shoes could be designed to grow with a child, and be practical, as well as durable? It was then and there the idea was born for The Shoe That Grows!

SR: Your shoes have been blasted out via the media globally, did you expect such a strong support system for this project?

KL: It is hard to believe, we never thought we would have this kind of publicity. There was a local news story that ran out of Portland, and somehow it was picked up. We had an idea, it made sense and essentially we wanted to be a resource, now it seems to have gotten much bigger; its great!

SR: Kenton takes us back to your college days. Where were you and what were you doing?

KL: Back during my college days, well my friends and I, we cared about others, and wanted to get involved and to be honest I wanted to travel too. Yes, I wanted to help people, and to some degree push back at the attitude thought of about American’s abroad, the term “Americanslacktivist” imagery. I wanted to listen to others needs, and live with them to learn. I had heard so much about AIDS in Africa, and I wanted to see it all and learn. That was the crux of the trips I wanted to take; to listen and learn. I wish everyone could experience this type of thing.

Reflecting even a little further back, I think it was my junior year of college, I visited my friend in Costa Rica. While visiting I sat in on a couple of college classes. I remember seeing the words “Apartheid,” written on the board, and I have to admit (paused) I had no idea what it meant. I felt so dumb, not knowing - nothing about it and if I claimed to want to make a difference I need to get out my own little world and live it.

SR: Was compassion something you learned at home?

KL: Yes, it was taught as my parents were very much compassionate individuals. They lived it. They focused on local compassion, and set a great example.

... cont’d

SR: You saw a need, you’re meeting the need by asking the world to reach in their pockets and pull out ten bucks. Ten dollars can buy a meal, even possibly feed a whole family for a day or two. Where did the inspiration for The Shoes That Grow come from?

KL: I had traveled to Ecuador and Kenya, Nairobi to work in various orphanages. Seeing a variety of problems, I decided to work to find solutions.

Honestly, for me personally, I used to think shoes were no big deal. When I saw it though first hand; children with shoes far too small for their feet, or without shoes at all ... well, I thought about the lack of sanitation around them. The kids would get cuts or scrapes on their feet, leaving the foot open to infec-tion. What happens then when a child gets ill? They can’t go to school, they can’t help the family by working to assist supporting the group. I realized proper shoes could make such a huge difference in so many aspects to their daily living. Being healthy has many components, and having their feet covered properly is just one of those factors to help the individual, family and community.

SR: The term “Practical Compassion” is a phrase one hears on your video promo and branding. De-scribe the term ‘practical compassion.’

KL: “Why do we do, what we do?” A question put to us at our board meeting by a marketing coach we had brought in. “What is your why?” he asked. Practical everyday reasoning kept coming back to us. We listened to what was needed, it was practical and we applied compassion so ‘practical compassion’ makes sense. It doesn’t do any good to give others what you think they need, does it?

SR: What materials did you decided to utilize to make these shoes, comfortable, durable, and manage-able?

KL: First we took the idea to some former Adidas shoe creators who work on ideas like this and asked them to create a prototype. The shoes were constructed of leathers, and the bottoms of the shoe com-pressed rubber. There are snaps that are set at points to grow with the child’s foot. We wanted practical, and durable. In the autumn of 2014 the first shipment went out, and in July we have the next shipment going out. By connecting with worship organizations, and other humanitarian organizations we are getting shoes out to the children of Haiti, Guatemala, Rwanda, Uganda, Kenya, South Africa and more and more places.

SR: Why two sizes, and why up to five sizes of growth?

KL: Well first we wanted the shoes to be created to last 100 years and up to 20 sizes (laughs), but we think the two sizes we have created costs little and will expand the most with the period time of a child’s


... cont’d

growth, and long lasting was reached.

The sizes most needed, after listening to people in need, were the ages of around Kindergarten through about third grade time in growth (small), and then the size of growth from around fourth grade to ninth grade (large). In the smaller size, that is when most children are running and walking everywhere. The large size fits up to the period where studies show most children’s feet have finished growing.

SR: You formed a company called, Because International with a variety of projects being developed under it (The Shoe That Grows). What is your next step, no bad pun intended!

KL: We filed under a 501c3 for Because International and our main focus right now is The Shoe That Grows, but we are currently developing our second project. We saw a need, listened to the children, and are developing something we are terming, ‘A Better Bed-net.’ In high mosquito infested areas people will sleep with a mosquito netting draped from their ceilings over their beds to help protect themselves. We all know mosquito bites itch like crazy, but more serious than that is the deadly diseases they carry. In the countries we have been working with and orphanages many times children do not have the typical bed. They may have a mat on the floor, or sleep on the ground or wherever they can find a spot. So, we are working on an idea for a bed net that would be free standing.

SR: What are some other ways people might get involved, aside from donating ten dollars?

KL: We are looking into setting up a volunteer program; maybe calling the volunteers ‘The Shoe Crew!’

Connect with The show That Grows >>> https://theshoethatgrows.org/

https://theshoethatgrows.org/

CongratulationsGully Bop on your successfulCanadian Tour!

Congratulations


Art in Focus By: Zakada Milton

Last month we took a look at Graffiti showcased on the sides of buildings around the world. With that piece, we became connected to see that things really are not too different from city to city and country to country.

Looking at art through a different lens, this month we share window dress-ings. This all important factor of the display window can determine if a shopper is going in to your store or not. Holt Renfrew on Toronto’s famed Bloor St. West caught our attention because of the pretty pink awning out front, and the eye catching display screaming bold Africa as a part of their annual cultural celebration.

Online, we discovered that Gallery Lafayette in Dubai is rocking pastels with the catch phrase ‘Tomorrow is Bright,’ Martino Gamper uses browns and beiges for Prada, Hugo Boss in Mexico City features hard lines, and Coach in Hong Kong is bright and animalistic.

In London, the Here I Am installation for Fenwick ‘dots’ Bond Street, and Harrods has collaborated with Disney for a Cinderella magical window. Last but not least, France’s own Louis Vuitton commissioned Frank Gehry to dress their displays. Frank opted for a feeling of movement, hence the curved metal structures inspired by sailing and fishing boats.

Worldwide, we are having fun with window displays!

P.S. If you’re an artist who would like to be profiled, email us [email protected]

Toronto’s famed Holt Renfrew on trendy

Bloor St. West

Holt Renfrew’s tribute called Ode to Africa is a part of the retailers annual Cultural Celebration


Gallery Lafayette - DubaiPhoto: VM & Window Display

Martino Gamper for PradaPhoto: thebwd.com

Coach - Hong KongPhoto By: The Little Black Suitcase . com

Art in Focus By: Zakada Milton

Hugo Boss Mexico CityPhoto by: The Little Black Suitcase .com

Coach - Hong KongPhoto By: The Little Black Suitcase . com


Fenwick on Bond Street - UKPhoto: Type and Talk.me

Harrods teams with Walt DisneyPhoto: my fashion connect global

Frank Gehry for Louis VuittonPhoto: pursuitist.com


Tech TalkSnoop Dogg Has an App for That!By: James Covert

Snoop Dogg has just invested in a San Francisco pot-delivery service that’s looking to expand nationwide (across the United States).

The Doggfather’s venture firm, Casa Verde Capital, participated in a $10 million funding round for Eaze, a fast growing mobile app that’s looking to become the “Uber for pot” according to a source briefed on the deal.

The size of the investment for Snoop Dogg, now called Snoop Lion, couldn’t be verified, and Casa Verde didn’t respond to requests for comment. The funding round was led by DCM Ventures, and also included Fresh VC and 500 Startups.

Eaze founder and CEO Keith McCarty declined to confirm whether the famous rapper was backing his com-pany, saying only that his “biggest reward is when prestigious investors complete their due diligence and choose to invest in our vision. It’s quite humbling, actually.”

Having launched in the Bay area last July, Eaze said it has since made 30,000 deliveries of medical mari-juana.

Eaze raised $1.5 million last November. With the latest round, it aims to hire 50 people in 50 days as it mounts a push into new markets where marijuana has been legalized. Despite its money making poten-tial, the marijuana industry has been shunned by mainstream investors who are wary of regulatory risks.

But “the regulatory environment and public sentiment a couple of years ago was quite different than what it is today,” said DCM principal Kyle Lui, whose firm believes the pot market could grow to $100 billion. “We think the market for legal cannabis will continue to grow very rapidly.”

The article first appeared in the NYPost

http://nypost.com/2015/04/14/snoop-dogg-drops-money-on-hot-pot-delivery-app/

North America’s #1www.L3Magazine.com

DJ on The World Map Mixmaster J - UK

Wherever there is a microphone, and turntables (whether vinyl or CD Js), there will be entertainment pro-vided by the master of ceremonies, Mixmaster J!

Being surrounded by various genres from a young age, Mixmaster J developed an aspiration to entertain people through music. His lifelong pursuit has been a duty and a mission as opposed to a fleeting flight of fancy due to a passing fad. This passion has fueled Mixmaster Jay to forge his way forward and become one of Europe’s premier exponents of popular music.

Born to Jamaican parents, Mixmaster J’s first love is unapologetically Reggae, but that does not prevent the experienced veteran from dropping Soul, R&B and Hip Hop when the occasion calls. Because of the range in his music box, Mixmaster J is known to entertain his global listening audience via his radio show, and when he performs live in various countries. There is no continent or city that has not been touched by the Master’s experience.

Having been in the industry for years, there are several artists that J has supported including Bushman, Sizzla, Shinehead, Jah Cure, Taurus Riley , Macka Diamond, Sean Paul and Shaggy- to name but a few. Support includes breaking new music the moment it’s released from the studio, as well as backing artists when performing live.

In 2011 Mixmaster J earned the coveted title of European Sound Clash Champion which recognizes his skills as a selector as well as his mics-manship as the best. With the backing of the fans and a coveted title, J has performed in Canada, the US, France and the Caribbean.

Recently, Mixmaster J interviewed Hollywood legend Eddie Murphy on Mystic Radio, asking several pointed questions regarding a possible Reggae album, as well as the actors love for the genre.

Wherever there is a microphone and turntables, you will find Mixmaster J and an enthusiastic audience!

Connect with J on Twitter >>> @MixmasterJ29

http://www.twitter.com/MixmasterJ29

Spiegelworld Presents EmpireContributedPhotography By: Danielle Covin

After unanimous rave reviews, sold out performances and standing ovations in New York and across Australia, Spiegelworld is proud to bring its all-new show EMPIRE to Toronto starting September 1, 2015. Ticket prices range from $69 - $129 and can be purchased at http://spiegelworld.ca/tickets/ .

Produced by Spiegelworld and presented by evenko, EMPIRE smashes the boundaries of circus, cabaret, variety and burlesque, reinventing the genres for a 21st century audience. Making its debut in New York City as the first tented show in Times Square in 2012, the 700-seat antique Spiegeltent, complete with beveled mirrors, plus velvet-upholstered seating booths, speak-easy style bar and the most intimate stage in town will host the most jaw-dropping and outrageous night out of the year!

EMPIRE will be making its first Canadian stop in Montreal, and from there will be heading across Canada with shows in Quebec City, Ottawa, and Toronto before wrapping up in Vancouver.

A 90-minute adventure performed by the greatest international talent ever assembled in one tent in-cludes characters MC, Oscar and Fanny who steer the show while an eccentric cast of characters help Oscar rebuild his empire; the seductive Gorilla Girls from Ukraine form perfectly balanced pyramids on top of each other; the Ethiopian foot juggler Black Flintstone throws and impossibly catches his brother Big Mac Boy on his feet. Other performers include the duo, Lime Green Lady and Carrot Man who beautifully and sensuously bal-ance each other, the Half Naked Asian Dude Wearing Pigtails from Japan is the world champion wheel master, rolling dangerously past the audience; Miss A in a Bubble contorts gracefully inside an aerial sphere and the 3D Graffiti Guy from Canada creates amazing structures, anchored entirely on a feather. Miss Purple is the resident vocalist, backed by the music of the Viking of 6th Avenue, Moondog.

For more information visit http://spiegelworld.ca

http://spiegelworld.ca/tickets/

http://spiegelworld.ca

The Gorilla Girls

The Spiegeltent


Celebrate with NegroniBy: Andre Gomez

So, the weather is getting warmer (slowly), and you’re planning your first Spring get to-gether with friends and family. You want to make a great impression with your beverage selection, and this is perfect. Negroni!

1 oz Campari1 oz Gin1 oz Sweet Vermouth

Directions:

Build in a Boston glass with ice. Stir Cam-pari, Gin and Sweet Vermouth in glass, then strain in to a rocks glass with or without ice. Garnish with an orange peel.

Designs of Giberky SS/15 CollectionBy: Kay Cunningham

Our fashion inspiration for spring is from Giberky Designs. Hav-ing watched her mastering and dazzling us with some bold pieces across social media, and at events during last year and earlier this year, we are pleased to feature this young designers’ designs!

Giberky also known as Gifty Berkoh hails from the Republic of Ghana and graduated from the Kumasi Polytechnic with an ad-vance fashion design certificate as an alumnus. She is also a certified graduate with a Foundation Degree in Fashion Design, Pattern cutting and Construction from the University of Sussex in United Kingdom.

She has showcased her exquisite collections on fashion platforms such as Ghana UK Fashion Show and the major one at the Africa Fashion Week London. Her personal vision is to propel Giberky as a brand, unique without equal as far as the fashion industry is at stake. She is also an award winning designer at Beffta for Best female fashion designer 2014.

Giberky’s S/S 2015 Collection is from Organza and has showcased at Africa Fashion Week London and Children with Cancer Charity Fashion show so far this year. Fabrics used were Georgette, Silk Organza, Silk and Taffeta. You can view more of Giberky’s beauti-ful designs at www.giberky.com

http://www.giberky.com

Designs of Giberky SS/15 CollectionBy: Kay Cunningham

Beauty in the Name of Spring By: Kay Cunningham

Spring is finally here, and with the temperatures climbing, we need to look at the best ways to express your-self which is through rich and romantic colours as seen on the runway this season! It’s time to welcome a dash of bright and deep purples, reds and yes for our neautralites, nudes!

Before I get into the top pics for spring makeup, I have to ask: how do you apply your makeup in the morn-ing? Is it different from applying in the evening? If so what do you focus on first and last?

I usually apply my foundation then eye makeup if it’s normal day makeup; for evening makeup I apply my eye makeup first as it takes the longest. Try it and see how you save time, you can top up if going for a din-ner date or just hanging out after work without removing your makeup.

Recommended products:

Nip+Fab Break Out Kit: you will be obsessed after trying this range of quick fix serums over the warmer months which is also recommended for winter too. They created this range for people that suffer from breakouts caused by acne. It will keep your skin blemish free by following the steps and routine on a daily / weekly basis. The range comes in 4 pieces.

The Nip + Fab Break Out Kit includes the Deep Cleansing Fix: This is Ideal for blemish skin and other prob-lem skin, it contains tea tree oil which has natural anti-bacterial properties, it penetrates the skin to unblock pores. It’s also good on the first step to treating spots. Glycolic Fix Pads: These pads are heaven sent! Made pre-soaked in glycolic acid this is a big help for oily skin which absorbs oils and cleanses the pores. It also reduces the appearance of acne scarring with Blue daisy that calms, and soothes stressful problem skin. Hyaluronic acid then maintains hydration levels. Thumbs up for this product!

Dragons Blood Fix Mask: sometimes we forget our skin needs renewal and hydration and most times forget the purpose of a mask which can rehydrate the skin to prevent dryness. This product is also calming and soothing on the skin and reduces redness especially on the cheeks. Hyaluronic acid hydrates and is good for combination skin issues.

Glycolic Fix Serum: this overnight serum works to resurface and exfoliate the skin, it contains 4% of Glycolic acid which helps to prevent pores congestion that can lead to breakouts. It also works to refine the skins texture, improves the appearance of acne scarring and pigmentation; prevents blemishes and reduces the appearance of open pores. The Aloe Vera plant helps to soothe sensitive skin types. You can pick up a set or any of the products online at http://www.nipandfab.com

http://www.nipandfab.com

Far left Rouge VolupteBlush Volupte from YSL

Bottom left Signature Fragrances

Kingdom of Color Cheek and Lip Glow

The Spring / Summer makeup Trend “Must-Haves”

Rouge Volupte - YSL. These lip colours from YSL Spring collection are totally must haves this season, it’s rich colours in Coral In touch, Coral Incandescent, Fuchsia In Excess and Pink In Paris (almost Nude) are my favourites from the entire range, it’s all in one cocktail to care and plump the lips with hyaluronic acid that seals moisture and prevent lips from drying out on a long warm day, for longer lasting try a lip primer and lip pencil to define the lip line and also prevent bleeding.

Blush Volupte –YSL. A perfect Collection of blushers for the warmer that have finally arrived! Baby Doll and Passionnee, you can also try out Rebelle from the range are warm and cool tones. It’s packaged in a unique gold case with a Mondrian inspired graphic compress tone on tone palette.

Kingdom of Color Palette – Dior is a 3 in 1 combination of Face, Eyes and Lips Palette beautifully designed almost like a piece of fine jewellery. Convenient for women on the go, or just easy to carry for a fun day to night out this Palette is a statement piece. Very soft and delicate colors, the kingdom of Color Collection is very rich and inspiring for makeup lovers throughout the world.

Kingdom Of Color Cheek and Lip Glow- DIOR has created their first cheek and lip blush that gives a flush of pink tint to the skin this lovely 2-in-1 Glow formula, reacts instantly to the moisture in your skin and lips that put out a luminous pink glow that adopt to your skin tone. It’s a fresh in a gel type fluid weight-less veil which is purely made to give you a healthy glow.

In November Signature Fragrance London was launched in London and I was able to try two of them. After trying them I can say I don’t want to be without Lola, the presentation in the sampling package was just adoring and I could smell the rush of notes bursting through the package before I opened it. I was in shock as I never thought another winner would replace my previous, but it’s good to have more than one winner. The notes that gave me an alluring melt down are top notes are African Orange and Flower. From the heart are Jasmine and Patchouli. The base notes that keep it lasting are Cedar, Rose and White Honey. The mood is sexy and exotic!

Signature Fragrances London has quickly gained credit for rekindling the true nature of their perfumes and offering uncontested value by providing perfume oils that contains little or no alcohol. Apart from Lola in the Sweet Category there are 6 more to choose from: Women, Men, Floral, Fresh, Oriental Wood and Oud. To find your own unique fragrance they ship samples worldwide visit www.signaturefragrances.co.uk and explore their fine luxurious range in perfectly designed bottles.

For any questions or feedback send us a note to [email protected] | www.makeupbykayce.com Twitter & Instagram @makeupbykayce


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What We’re Watching on the Big Screen

Global Box Office: ‘Furious 7’ Hits $1.15BBy: Pamela McClintock

Furious 7 knows no bounds.

The global blockbuster grossed another $167.9 million from 67 territories at the international box office this weekend, pushing its 19-day foreign total to $858.3 million and global came to $1.153 billion. It’s now the No. 7 title of all time, not accounting for inflation.

That includes an eight-day total of $250.5 million in China, where it is breaking numerous records and is destined to become the top-grossing film in history, surpassing the $320 million earned by Paramount’s Transformers: Age of Extinction last year.

For the weekend alone, it took in $93.3 million at the Chinese box office and is already the second-highest grossing American film behind Age of Extinction.

In North America, the action film topped the chart for the third consecutive weekend with $29.1 mil-lion for a domestic total of $294.4 million. And on Friday, it became the first title in Universal’s 103-year history to cross $1 billion in its original run.

Among other headlines, Furious 7 opened in Japan to $6 million, the best showing of the franchise (Japan is the last country to open).

In holdover markets, Furious 7 has now earned $46.9 million in the U.K., $45.6 million in Mexico, $32.4 million in Brazil, $32.1 million in Germany, $28.6 million in Australia, $27 million in Russia, $25.3 million in France, $24.2 million in India, $23.1 million in Taiwan, $21.3 million in Korea, $20.9 million in Argentina and $19.6 million in Venezuela.

Furious 7 is Universal’s top-grossing title in 29 markets, including Argentina, China and Mexico.

Global Box Office: ‘Furious 7’ Hits $1.15BBy: Pamela McClintock

The Massy Foundation unveils Souls of SteelContributed

The philanthropic arm of the Massy Group, the Massy Foundation, delighted steel pan enthusiasts and Carnival culture aficionados with the premiere of the film “Souls of Steel: A Documentary about Massy Trinidad All Stars Steel Orchestra.”

The launch event and screening took place at the iconic Little Carib Theatre in Woodbrook, Port-Of-Spain and attracted a unique mix of past and present Massy Trinidad All Stars players, supporters of the band, T&T cultural stakeholders and members of the local film, entertainment and media frater-nity.

In attendance was Beresford Hunte, Manager, Trinidad All Stars Steel Orchestra who thanked all at-tendees for their presence on the momentous occasion and expressed his gratitude to the Massy Foundation for its steadfast support of the band throughout the years. Echoing Hunte’s excitement about the film was Gaston Aguilera, Chairman, Massy Foundation who shared his and the Founda-tion’s enthusiasm to be associated with ‘Souls of Steel.’

Souls of Steel which was directed by regional film director and producer, Dave Cropper of Cropper Media Limited, was commissioned in 2013 by the Massy Group (then Neal & Massy) in honour of its 25th anniversary as the Corporate Sponsor of the Massy Trinidad All Stars. Cropper artfully wove together a mix of perspectives about Trinidad All Stars, its history, its achievements, its culture and values and its journey in the 2014 Panorama competition, offering a multi-faceted look at the famed steel band.

During the screening the appreciative audience at Little Carib Theatre enjoyed many interesting on-screen anecdotes from players who reminisced on the bands evolution over the last 3 decades, inspiring interviews with past and current members such as Leon ‘Smooth’ Edwards, Arranger, Dane Gulston, long-standing member, Jason ‘Stumps’ Lewis, Operations Manager, Neville Jules, Founder, as well as classic clips of the Massy Trinidad All Stars’ past performances.

The film’s content also includes footage from the band’s Panorama performance in 2014 - a conten-tious year for the band in which they placed second to Phase II Pan Groove in the Panorama Finals, missing the championship by only one point. This production was timely as 2015 also marks the 80th Anniversary of Massy Trinidad All Stars.

Souls of Steel Staci-Ann Patrick (left) enjoys the launch of ‘Souls of Steel’


HOOKED - HATCHED - HOTTT!What has us hooked, what ideas got hatched, and who do we think is HOTTT?! | What has us hooked, what ideas got hatched, and who do we think is HOTTT?! | What has us hooked, what ideas got hatched, and who do we think is HOTTT?!

Left to Right...

1. The President of the United States of America, Barack Obama visiting the Bob Marley Museum in Kingston

2. Exco making sure everything is right during rehearsals with his newly formed High Priest Band

3. Usain Bolt joins kids on the track, encouraging them to reach for their goals and have fun!

4. Demarco says “Bun Up” to his crowd of attentive fans in Guyana!

HOOKED - HATCHED - HOTTT!What has us hooked, what ideas got hatched, and who do we think is HOTTT?! | What has us hooked, what ideas got hatched, and who do we think is HOTTT?! | What has us hooked, what ideas got hatched, and who do we think is HOTTT?!

Left to Right...

1. Konshens welcomes his son in to the world at the hospital.

2. DJ Norie from Power 105.5 FM in New York takes a minute to salute fans while on the job!

3. Another day at the office for Cham!

4. Etana reflects whie on the set for her music video for “I Rise,” the title track from her album of the same name

The Look You WantThe Glamour You Need

Neisha Stylist

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Rico Vibes Top 10Watched Video’s 1. Vybz Kartel – Dancehall 2. Demarco – Puppy Tail 3. Spice – Conjugal Visit 4. Etana Richest Girl 5. Busy Signal – What If 6. Jah Cure – Life We Live 7. Tifa ft. Dexta Daps – Jealous Ova 8. Alkaline – Live Life 9. J. Nation – Vertigo 10. Jus Now ft. Bunji Garlin & Stylo G – Tun Up

*Based on YouTube views


https://www.youtube.com/watch?v=sMJD7N-f1x8

DIG

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L3’s Top Digital Downloads 1. Demarco – Puppy Tail2. Vybz Kartel – Mih Nuh Trust People3. Spice ft. Vybz Kartel – Conjugal Visit4. Inner Circle ft. Chronixx & Jacob Miller – Tenement Yard (News Carryin’ Dread)5. Exco Levi – Country Man6. Dexta Daps – 7 Eleven7. Spice – Ah So Mih Like It8. Busy Signal – What If9. Chelsea Stewart – Over You10. Jah Cure – Life We Live11. Demarco – Levels to This12. Gyptian – All On Me13. Vicky Sola – Inside Out14. Agent Sasco aka Assassin – Country Bus15. Ikaya – Picture 16. Kranium – History17. Face-T – True Love18. Ammoye – Cool and Deadly19. Vybz Kartel – Dancehall20. Tarrus Riley – Cool Me Down

Bringing Real R&B Back to the UK is NatrellContributed

Bringing back real R&B to the UK music industry is 24 year old former grime MC Nathan Treleven whom the world now knows as Natrell.

The soulful singer has teamed up with international Jamaican Reggae artist (based in the UK), Fya Skeptic on a track called “Tears” produced by 18 year old Jordan (SplashOutBaby) Ojo. It’s because of this track that many are calling Natrell the one who brought R&B back to the UK.

‘Tears” shows off a warm soulful R&B tone with fiery dancehall lyrics flowing perfectly within the crafted recipe to grab the attention of music lovers.

The single comes with 2 remixes featuring the incredible Inkra Debelle and Hakeem Workxx. Super rapper Hakeem Workxx, who has previously opened up shows for Missy Elliot, Fugees, Onyx and Busta Rhymes, lends his unique style of rhymes and flow to the track breaking the mould of UK rap and renovating originality.

While Inkra Debelle (who was born into a family heavily engaged in music) showcases her song-writing and singing abilities, her style is as mixed as her blood, injecting true flavour into her music. With mixed heritage, Inkra, a jukebox of music is often referred to as a chameleon by those who have worked with her as she delivers a variety of tones, styles and characters in her delivery. Sweet and pretty on the surface, but a playful tomboy underneath, this angelic rebel is ready to kick up the scene with her versatility that you might not be able to pin her down to one genre.

The Trap RnB Mix was produced by Osiki (Triple O Productions) Ojo, well known for his works with Tuface Idibia, Nyanda, Chingy, Beenie Man, Vicky Sola, Dasha and many others. The EDM Mix was produced by the electronic dance music producer Jay Jay Musika.

“Tears” is described as a modern day 90’s chill track with a slow mellow RnB trancy vibe, and hard hitting lyrics by all the features. “Tears” is Natrell’s debut single. Their video will leave listeners a visual appetite for more.

All artists are currently working on individual projects as well as collective projects which will be to be released throughout 2015.

Connect with Natrell on Twitter >>> @NatrellMusic

http://twitter.com/NatrellMusic

http://twitter.com/AdahzehMusic

When the Beat Drops Their Bodies MoveKiki & SakinahContributed

When the beat drops, their bodies move, and we’re talking about the bodies of Kiki (Kiara Nicole Ely) and Sakinah LeSage from Atlanta, Georgia.

Having worked on the world stage with artists such as Christina Aguillera, and performed on shows such as Oprah and the Grammy’s, these two dynamic women have forged a path so significant, they have inspired others to follow in their footsteps.

Both classically trained at Spelman College and Dekalb School of the Arts (as well as the University of South Florida) respectively, these two have shared their art in film, television and on Broadway with appearances in Drumline (with Nick Cannon and Zoe Saldana), the BET Awards and Wicked.

If that is not enough, projects for Wal-Mart, W Hotels, the Georgia Lottery and the NBA Playoffs are all a part of the portfolio and a testament as to how good these ladies are. Currently, both ladies have teamed with Sean Bankhead and Codie Wiggins (also from At-lanta) for form AtLA Takeova. Their aim is to capture their collective experiences of travel-ing the world and working with some of the best talents and prepare the brightest up and coming talents for the journey that awaits them.

Together, they are making the impossible possible for students in the Southeast Region. In the past they would have to fly to Los Angeles to audition and be seen by decision makers, and now, they are bringing Los Angeles to Atlanta to see the talent the region has to offer.


Loving Voz a VozContributed

Selling over 100,000 copies of the album “En Presencia del Futuro,” 2 time Latin Billboard and Grammy nominee group Voz a Voz is a combination of Pop-Bachata mixed with a tropical element of R&B Harmo-nies.

Made up by Gio D’oleo and Ronny Mercedes, Voz a Voz is based in New York City and have reached the world with hit singles “I swear,” “Cuando en el Silencio,” “Un Dia Mas (Loca)” and “El Mejor Perfume” (ft. La Original Banda Limon), which have all reached the top of the charts in Europe. Voz a Voz brings a fresh sound to the Latin Music Industry as well as world music!

Beginning their career in the Dominican Republic in 2005, they had the hunger to succeed in the music industry. That drive led to their discovery by the label UBO through whom they released their first album “En Presencia del Futuro” which eventually brought them to New York City.

After doing a nationwide American tour in 2007, they were nominated for the Latin Billboard awards for best Pop Album and Group / Duo of the year. In the same year, they were also nominated for the Latin Grammy Awards. By this point, their album more than 120,000 copies worldwide. “En presecia Del Futuro” included their hit singles “4 Dias Sin Ti”, and “Un Pedacito de Navidad” featuring Jose Feliciano. “Unreachables,” under Universal Music Group, was their second album. Their hit single “Perdoname” was the theme song of the Latin American Soap Opera “Pobre Millonaria.” In the year 2009, Voz a Voz welcomed a new member into the family, Ronny Mercedes (Bronx, NY native) who was a finalist in the hit Univision / Telefutura TV show Objetivo Fama (Latin American Idol) as well as being a film, television and theatre actor.

In this same year, Voz a Voz signed a major deal under George Zamora “ZMG (Zamora Music Group) / SONY Music. Being their third album, “El Mundo Gira,” they released yet another hit single, “Cuando en el Silen-cio” which gained the group major popularity in Europe, followed by the single “Como Duele” in collabo-ration with Ricardo Arjona. This phase took Voz a Voz overseas granting them their first tour in Europe selling out concert halls in France, Italy, Spain, Switzerland and Germany.

In 2011, Voz a Voz launched their latest single, “I Swear” made popular by the R&B group ALL 4 One. Recorded with a Spanglish–Bachata twist, “I Swear” reached the top charts in iTunes sales in Europe and stealing the hearts of fans from all ages in Latin America, Asia and the USA. The music video is regularly seen on HTV, MTV tr3s and Mund2.

Voz a Voz recently Launched their latest album, “Destiny” under Sony Music / Luz Record-Golden Pen, which includes “I Swear” “Un Dia Mas (Loca)” and “El Mejor Perfume.”

Their most recent tour included performances with artists Ricky Martin, Pit Bull, Daddy Yankee, Prince Royce, La Original Banda Limon and among others at the 1st Latin Iheart

Radio Concert at the Staples Center in Los Angeles California.


It All Comes Together with Melvis SantaContributed

An accomplished singer, composer and actress, Melvis Santa has dedicated her young life to the pursuit of her musical dreams. At the age of 14, while enrolled in Havana’s Amadeo Rolden Music Conservatory, Melvis and three classmates formed an all-girl Acapella group called Sexto Sentido, a project that Cuban Jazz great, Chucho Valdas would dub “the best Cuban vocal quar-tet of the past 30 years.”

The group also earned a prestigious Jo Jazz award in 2001 as winner of the annual Cuban Youth Jazz Competition. After 12 years of performing with Sexto Sentido, Melvis Santa spreads her wings with the formation of Santa Habana, a solo project which sees her younger sister, Brenda Navarrete ushered in to the fold, along with future Haban Ache pianist Leonardo Gil. In 2012, Santa Habana released its forst self-titled CD and continues to perform in and around Havana.

Melvis is also a frequent performer with Interactivo, a Cuban seminal fusion group that she has toured with, on and off the island for several years. She has also managed to find time to pursue her secondary artistic dream of be-coming an actress, securing roles in the Italian film Maria, and in the Spanish / Cuban collaboration 7 Dias en La Habana.

Michael Des Barres The Key to the Universe By: Song River

Musician and actor, Michael Des Barres is back, and not only is he back, he is rock’n the house with his new album, The Key to the Universe.

From the very onset Michael shows he means business with his new album. Pleasurable to the ears is the intercourse of guitar, bass, drums and raw vocals. Bluesy rock all bring this indulgence of rock n roll to the forefront of, Can’t Get You Off My Mind, written by legendary singer / songwriter Linda Perry (4 Non Blondes, and created hits with Gwen Stefani, Christina Aguilera, Adam Lambert , Alicia Keys, P!nk). Michael’s performance states without ambiguity that he owns this song about obsession, and it is his tale to tell.

Michael continues his truth throughout each track, blending in perfection of notes in a, Room Full of Angels, ah those wings of comfort! The bludgeoning silver dollar of, I Want Love To Punch Me in the Face is a sock in the puss - countenance shaker and rocker. Maybe Means Nothing, a tune that speaks the truth, as we know a maybe isn’t a determinate. The spit fire of Burning in Water, combus-tive and is a great burn track. Our rotation lends itself to, It’s Just a Dream, and then lands itself on, Yesterday’s Casanova, a song possibly of reflection and the ease of sex / love / and rock n roll. Telling a story of where you are and how you might be perceived is, Black Sheep, a revealing of perception. The album cogitates in blissful, gutsy, raw form knowing no shame, only rocking out with Liberty Train, and the spiritual embodiment of chords, rhythm and beat is, Supernatural Lovers.

The Key to the Universe is a pure rock album, to be enjoyed. The passionate vocals of Des Barres lends to the tastes of sweet bliss. Forged in the depths of a rock n roll heart, and the wickedness of pleasurable sounds, Michael Des Barres knows what rock n roll is and auditorily he delivers what the soul needs.

Social Media:https://www.facebook.com/MDesBarres

Webpage:http://www.michaeldesbarres.com/


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http://www.michaeldesbarres.com/

Rated RMC - Cham – I’m Too Hot!By: Jennifer Menster

Cham is on the heels of releasing his 3rd studio album, and with that release pending, he’s teas-ing the streets via his lead single, “I’m Too Hot!”

This super sexy Dancehall banger has strong elements of Hip Hop which compliments the artists hardcore ‘yaad’ flow. Produced by Dave Kelly for Madhouse Records, this production meets all the criteria to be certified a HIT!

How have Cham and Dave Kelly done it?

Cham’s lyrical delivery begins with “shorty tell me seh she waan sump’n fih climb pon / seh she drunk so she waan sump’n fih wine pon / nuh teeny weeny man she nah waste nuh time pon / so you know ah me she spending every dime pon / tell ah guy certain tings we decline pon / certain meat nah fih eat we nah dine pon / she have her boyfriend weh she draw dih line pon / cause dem bwoy she get 69 from….”

Cham blazes up the recording booth with lyrics that every man will put their hand in the air to salute, and every woman will search the club looking for a male that matches Cham’s descrip-tion (where Swag is concerned). Dave Kelly’s 20 plus year production experience ensures that every note is placed in the right places to make every-body moves. Enough talk!

P.S. What does RMC mean?! Radio. Mixtape. Club.

Check out the video: http://youtu.be/sX1Q59-cvxY

http://youtu.be/sX1Q59-cvxY

Looking at Ikaya’s “Picture”Contributed

Every now and again an artist pens a song that is so real, so on point, so applicable to every person that regardless of the genre of music you play / specialize in, you have to spin the chune. This song is one such song … it hits home on every level.

If you’ve ever looked back on your life and wished you could re-take a photo and crop some people out, then you know exactly what Ikaya is singing about in her HIT new chune “Picture.”

Produced by DJ Krush for Krushprook Music, Ikaya paints a very real picture about hurt and betrayal that comes with the territory in music. She sings: “If yuh presence nuh add no value to my life your absence will make no difference / so now I’m editing my life / go through and delete bad image / developing all of my negatives and turn them in to positives / now I’m seeing life from new angle / brand new focus I got some new lens ….”

Using a driving bass line, and a stringed symphony for effect, Krush gives Ikaya the perfect can-vass to tell the world a story which is very similar to experiences they have had. Together, they make a song for the people which is sure to burn up radio airwaves around the world because of its authenticity!

This is a must play chune as soon for every listening device including your smartphone!

iTunes Link: https://itunes.apple.com/us/album/picture-single/id974769297


https://itunes.apple.com/us/album/picture-single/id974769297

Luciano Makes The ‘Change Dem Ways’Contributed

Jah’s Messenger, Luciano has a message for the masses, and the message is in the music of the new chune “Change Dem Ways” produced by Nicko Rebel Music based in Florida!

Taking Roots Reggae to the Radio and Mixtape airwaves, Luciano makes social commentary about those who say they are ‘bad’ and have plans to do this and that without consequence. Instead of criticizing, Luciano asks them to change their ways (the thinking in my opinion is 2 clenched fists cannot shake hands).

The Messanjah sings: “billions of dollars just going to waste / shuttling themselves into outer space / looking for somewhere they think that is safe / doing them wrongs then try to escape / ah the Almight them ah try underrate / but fih dem judgment Jah-Jah constantly date ….”

In speaking to Nicko about the making of the song, Nicko says “the moment Luciano walked in the studio, we were in a reasoning kind of vibe, and the news of building communities on Mars was on the news, so we began talking about that, and naturally, the song took on that tone. Everyone who’s heard the song nods their head and says ‘yes’ to its’ message.”

iTunes Link: https://itunes.apple.com/us/album/change-dem-ways-single/id976819714

https://itunes.apple.com/us/album/change-dem-ways-single/id976819714

Still Easy to Love : Maxi Priest in 3 SongsBy : Joah Baston

British Reggae vocalist extraordinaire Maxi Priest is one of my favorite Reggae singers, which I know is a feeling shared by millions of people around the world … like duh!

With his smooth vocals, and his crowd-pleasing, high-energy stage performances, Maxi has captured the heart of fans through his career which spans more than 30 years with top hits “Close To You” (reached number-one on the American Billboard Hot 100), “Wild World,” “Housecall” (with Shabba Ranks), “Set The Night To Music” (duet with Roberta Flack), “That Girl” (duet with Shaggy), and the list goes on. We won’t even get in to the albums!

I had the honor to meet Maxi Priest and have a first interview with him during 2014 Montreal International Reggae Festival. I was uselessly a bit nervous. Maxi Priest is the epitome of cool exuding good mood and positivity.

To bring out memories of stage performances, collaborations, studio work, and songwriting, I suggested we look at 3 songs from the Easy to Love album. Here’s how Easy To Love: Maxi Priest in 3 songs came out:

Track 1 - EASY TO LOVE:

MP: It’s the main reason for making Easy to Love, this new album. I was working on a dubplate with a friend (Timothy Boyce) who brought the track. I liked it and wanted to do a song on it. It belonged to Bulby (Collin “Bulby” York), who came out to be the producer of the album. After we finished the song, Bulby listened to it, and he was excited! The song also got excellent responses from crowds. Bulby now had the people from VP listen to the song because he produces songs for VP. There came the idea of making an album, my first album with VP.

Track 6 - WITHOUT A WOMAN feat. Beres Hammond:

MP: “The song was written by myself, and Beres (Hammond)... and the rest of the people you see mentioned on it (Carlos Battey/ Rupert Gayle/ Rob Wells). It’s the VP team who picked Beres Hammond for me to sing the song with.

JB: Have you had the chance to perform this beautiful song live with Beres Hammond?

MP: No, not yet. But I’m looking forward to it.

JB: It’s a matter of getting you two together, I suppose. Coordinating the agendas...

MP: Yes, the time, you know.

Track 8 - BUBBLE MY WAY feat. Assasin / Agent Sasco:

MP: I did this song with Shaggy and his crew. The song was done, and it’s only after that, that Shaggy decided that Assassin (aka Agent Sasco) should be on the song. I do the song on tour with other DJs, but I have not sung it live with Assassin, yet!

... cont’d

Not on the Easy to Love album - WORK IT feat. Marvin Priest:

MP: I’ve done that song many, many times on stage with my son Marvin. Marvin, myself and some guys from Australia wrote it. Every time we do it, it gets great response from the crowd.

JB: It’s a crowd-pleaser...

MP: As much as all of my songs, I hope!

JB: No doubt! So, Work It, featuring your son Marvin…

MP: A great response, every time. Not bad for a song that’s not even been recorded!

JB: Not bad, indeed. Thank you, Maxi Priest!

Easy To Love (VP, 2014) – Quick album review

With the know-how that we know of him, backed by a fabulous talent, Maxi Priest seems to always gather the best people around him (producers, musicians, songwriters) in order to create moments in time. His new album Easy to Love is one of them. The top-quality Lover’s Rock studio effort is beautiful, fun and easy to listen to!

His voice is just as smooth, phrasing is perfect. The topic of the 11 songs is LOVE, enduring affection that can be interpreted in several ways (between two lovers, motherly, brotherly, universal love) - is everlast-ing. Listening will make you want to dance, or even want to fall in love (again). It’s uplifting, it’s sexy, it’s groovy.

Connect with Maxi on Facebook www.Facebook.com/MaxiPriest or Twitter >>> @MaxiPriest.

The interview Maxi Priest in 3 songs was conducted by Joah Baston, on April 13, 2015.


http://www.Facebook.com/MaxiPriest

http://twitter.com/MaxiPriest

Shabba RanksBeres HammondLady SawCocoa Teaand more

Coming August 14, 15, 16 to The Old Port in Montreal...

www.MontrealReggaeFest.com

http://montrealreggaefest.com

HOTTT New Releases for Your Listening Device!

HOTTT New Releases for Your Listening Device!L3 Magazine | May, 2015 ft. Duane Stephenson |

HOTTT New Releases for Your Listening Device!

www.theRASCollection.com

http://www.theRASCollection.com

TRENDING

WORLDWIDE

WORLDWIDE

L3

1. JayZ is a trending topic in the music community because of his purchase of Tidal - the newest subscription based music streaming service on the block. It also includes audio and high definition music video’s with curated editorial. JayZ will also host a live concert where he per forms music from his previous albums exclusively for Tidal subscribers.

2. History was made on May 2nd, 2015 when Floyd Mayweather and Manny Pacquiao squared off in the ring at the MGM Grand in Las Vegas. Dubbed the fight of the century, revenue for the event reached $400 million which saw Mayweather, the winner of the fight, take home $250 million. Fans favored Mayweather to win!

3. President Barack Obama paid a visit to Jamaica, and what a trip it was! Meet ing with Prime Minister Portia Miller, and students at the University of the West Indies – Mona Campus, the Presi dent spoke about bettering relations between the two countries. He also made time to visit the Bob Marley mu seum to learn about the legend!


Lyrics.

The Man From August Town

DSDuane Stephenson

By: Natasha Von Castle

Quiet and gracious, Duane Stephenson is not like any other Reggae Superstar you will meet. He’s soft spoken and has a cool attitude; he knows what he wants and will deconstruct whatever stands in his way of getting to where he wants to go. I’m talking

movements!

With his 3rd studio album in hand, a wealth of experience and a movement of fans surrounding him, Duane’s thought process rests

on making sure that the world experiences good music, because good music (as he knows all too well), will lead to enlightenment for so

many people. Without apology, he’s willing to feed the masses Dangerous Roots….

NVC: Music is not just music to you. I get the impression that it’s education, expression, healing; help – a mix of everything needed to live a successful life. True?!

DS: Music is more important now than ever. Art reflects life.

NVC: The care you take in putting lyrics together is similar to poetry, but a lot more like a letter or note for your fans. Tell us about the song “Jah Reign!”

DS: That song was written especially for what is going on in the world today. The truth is that people are having difficulties; some are going through financial problems, emotional problems, spiritual problems and they need to have music for those times. Some people just make bad decisions and they need music to get beyond those times. The song teaches that there is still time, there is redemption, and eventually they will be able to move on.

NVC: We’ve noticed that you have the same friends today as you had 10 years ago and longer. Is loy alty a pre-requisite for getting involved with you, as in, you are going to be loyal to your friends and fans therefore they have to be loyal to you?

DS: I wouldn’t say that, and I haven’t looked in to it that deeply, but I will say that I associate myself with people who are headed in the same direction as I am. I also have people around me who are passionate about things that really matters. I have a bredrin who likes chicken, and me like fish. Just because we like two different things means we cannot be friends. No.

You must surround yourself with people who are going in the same direction as you or it definitely will not work. Fortunately for me, my friends and my fans – we’re all going in the same direction!

NVC: Not only are you a figure in Jamaica, you are a figure and a presence to the masses around the world. How do you handle that level of responsibility?

DS: I think this is all me being me. When we think too much about things it becomes overwhelming and almost like a burden. This is what I love doing. I love motivating people through music. I like inspiring people, and I love mashing up a stage show. I want my music to entertain (of course) and to inspire and to educate. All of that is who I am, so this is not really a responsibility as much as it is a reflection of who I am. This is natural.

NVC: Your album Dangerously Roots debuted at #4 on the Billboard Reggae chart, and singles from the album (Rasta For I, Cool Runnings and Good Good Love) were the most added songs to playlists in recent times. How do you feel about the finished product – the album Dangerously Roots and how do you feel about your journey with those roots?!

DS: First thing, I’m very grateful that people are tuned in and they are with me on this journey. The L3 Magazine | May, 2015 ft. Duane Stephenson |

... cont’d

The process of putting together this album has been a good one. It’s been 4 years since the release of my last album and that was deliberate.

I took myself away from the music business to learn and look around and to observe what brings people to Reggae and to reconnect to the roots. There was a lot of hard work put in to this album, and we worked with very good producers and they all, we all came together to produce this great album. I am very happy. It was a learning experience, and it made me bigger and better musically.

NVC: You worked with some of the best producers in the business. Did you learn anything new from those producers this time around with your 3rd studio album?

DS: Yes. That is always what you have to be doing. I look forward to the days when I can do the same for younger artists, but while I’m here, I did learn. Everyone has their own recipe on how to come up with the finished product, but in this case, I learned how to put together my recipe. I picked up a few things along the way which helped (he smiles brightly).

NVC: Sometimes, one song will connect in one market, and another song will connect in another market. In your case, all songs are connecting in all markets at the same time! Was that by design?!

DS: You never know where music will catch first, and that should not be any artists concern. I was focused on making good music for the people. You create the song that you think that people can relate to, and you make a good melody that they can sing to. It should inspire them. This is how I record songs, and this is how I view the creation of songs; it must be good music for the people.

Also if we make music from a marketing perspective, we are purposely leaving some people out of our process and that is not good. Music is for all people in all places at all times. To make music any other way is the wrong way to go. Make the best song you possibly can.

NVC: The song that introduced you to fans on a large scale is “August Town.” Not only were you singing about that community, you are from that community. How is life in August Town today?

DS: Yes! As you know I grew up in August Town so I know a lot of the people there and they know me. It’s a rough place, but for the most part, people are hard working, and they are focused on making a better life for their family. It has always been that way.

NVC: With all the success you’ve achieved, and for all we see coming in the future, it is important to note that you are there and you have not left. That is another symbol of your loyalty.

DS: Yes because if we all leave who become successful, who will be left? This is how we have to think about this. Also, there is violence and roughness everywhere. I could leave and go to any other part of the world, and I would still see violence and struggle.

People look up to me and I look up to them in August Town. The youths know what I am about and what I am working towards and when they see me, they know that they can be successful too, and when I see them, I know that they can be successful. It cuts both ways. I had people I looked up to, so we all have a part to play in creating the change we want to see.

NVC: Your song “Nah Play” explores the violence that the youth are practicing today, but instead of just singing about Jamaica, you’re singing about all youths from all parts of the world. If we could make you the Minister of Youth for the world, what are policies you would implement to curb their violence?

DS: First you have to listen. A lot of times, the youths feel that there is no one to listen to them, and they have nowhere to turn. That is where most of the violence comes from; the frustration of feel ing that no one is listening. Also, all youths would be in an environment to get an education. Educated youths will always make educated decisions. Also, establish a place where their talents can be nurtured – there is a star in every youth.

Of course (he smiles), we must have a football field where they can play ball and have fun and smile and joke with each other. There is no need to have Police, there is no need for anything else but those things. The world would be amazed at how quickly youths in all countries turn around with just those simple things.

NVC: On the other side of violence is love! Your song “Good Good Love” is very romantic! Were the lyrics a reflection of your feelings towards someone, or was it a story about a couple you know who in spired you to write it?

DS: That song was actually written by a great Jamaican writer named Nicky Simpson. He is one of those diamonds that got lost in the sand. He could have been one of those great Jamaican trea sures but his life was cut short many, many years ago in Ocho Rios. Many Jamaicans know about him, but I want the world to know about him because he was just so great. One of the best; Nicky Simpson.

Good Good Love reflects what I want to get back to. You know?! Relationships are like a war right now. Before you think about walking down the isle you’re thinking about divorce … that is foolish ness.

I want us to get back to the Friday evening love; the kind where it’s Friday night and you can’t wait to get home from work and go and pick up your girl to take her out for a nice evening, maybe dance and drink a juice at the Stone Love dance and you have your good grades music and you


...cont’d

have a good time. Sunday, wake up, go to church, and ready up for the next week. Yeah!

NVC: This year you are touring to promote your album. What are you most looking forward to while you’re on tour?

DS: I look forward to connecting with the fans one on one and giving them back the energy and love they’ve given me over the years. I’ve performed for thousands at a time, and now I would like to perform in smaller venues where fans can see me and experience the Dangerous Roots!

NVC: The name of our magazine is L3 and each L has a meaning. The first L is for Life, the second L is for Love the third L is for Lyrics. What general advice can you give our readers on Life, Love and Lyrics?

DS: Well, all three will happen when you inspire. Life is inspiration, Love will come because inspiration is like a magnet for love and the Lyrics will flow naturally!

Connect with Duane on Twitter >>> @duanereggae

http://www.twitter.com/duanereggae


https://itunes.apple.com/us/album/dangerously-roots-journey/id910241892

The Word. Sound. Power. of

SShuga

By: Natasha Von Castle

In the old days, when parents wanted to give children a remedy that is good for them, the expression was ‘just a spoon full of sugar helps the medicine

go down.’ Today, adults who calibrate their system with music and messages of consciousness take doses of Shuga, the Reggae recording artist from Jamaica.

Built on a solid foundation of faith and music, Shuga’s rise from humble beginnings is one we have seen many times before, and with many an artist. Unlike others,

Shuga, without hesitation gives us the raw truth in song format. The lyrics she scripts and the music that goes with it sets her apart from the rest.

If you’re looking to meet your consciousness, look no further, your Shuga is here!

NVC: How is life in the ‘Penthouse’ and is your view as beautiful as our view looking at you?!

S: My view … my view is grateful! My Penthouse family is my first gear, that’s how it all started. You know, a seed takes root in the soil before it grows so I’m grateful to Penthouse, things are very good; the seeds are growing and things are good!

NVC: You have a lot of experience with music! Tell us when your relationship began, and what is your earliest memory of music?

S: My earliest musical memory starts at home. My Father owns a sound system in Montego Bay in the Bogue community on which I was raised. My Dad sings and my Mom sings with the church choir. My brothers and sisters have beautiful voices so we were always singing at home. At school I was singing as well, so I would say the relationship first began at home.

I grew up working on the North Coast, Montego Bay on the hip strip, coral cliff, Margaritaville; I worked at Sandals and various hotels where I would sing. I’m thankful for where I am, but I’m not where I want to be, so I’m working towards that goal.

I also did some time with Tanya Stephens as her backing vocalist so I have a lot of good memories, a great start and good foundation.

NVC: Some of the notable people you have worked with so far include Donovan Germain, Computer Paul Henton, and Sly & Robbie. All of these producers have worked with the best, of which you are one! Instead of asking how you feel / felt working with them, how would you say they feel / felt about working with you?!

S: Oh Lord! That would be a question to ask them, but the chemistry we had working together was awesome, so how about I say, if the vibes are an indication, then they enjoyed working with me, as I enjoyed working with them.

They are still encouraging me to continue on my journey.

NVC: When thinking about the music making process, sometimes the melody appears which completes the song, and sometimes the song is made and then the melody appears. When you make music, do you have the melody which you then place to the song?

S: The process comes in many different ways, believe me. When there’s music inside of you, it comes out in many different ways. There are times I go to bed, and I’m singing a melody. I wake up with the melody and record it on my phone. Then, I might have a conversation, and the words from the conversation match the melody, and then I have a song.

There are other times when I see a text that cuts a chord inside of me and forms a song. There is

...cont’d

no one way that melody or word comes to me, it just does and I put the pieces together. As long as there is life, there will be conversations; people facing things, life happening and all of that influences me in doing what I do.

NVC: Of all the people in the world, why do you think music chose you?

S: Maybe because I am one who will get on the stage and sing. I’ll fight to find the right words to sing, and I will express what needs to be expressed. Everything just comes out (for me) with music.

I remember sometimes in school, there would be topics that I found hard to learn, so I would put the information in the form of a song so I can remember. My sister is a biology teacher, and I men tioned to her to put the lesson in the form of a song, and she did, and the kids learned easier and faster.

Thinking about it, I put words together to learn, and now I do it to reach people.

NVC: Your lyrics tell us you’re not afraid to tell it like it is and touch topics others may try to avoid. Is your thinking ‘the pen is mightier than the sword?’

S: Word. Sound. Power. That is my belief. You can teach someone some things, you can reason with a person instead of reacting and set yourself on war. A lot of times, even with me, I might be in a room and my confidence level is low; I feel this way and I feel that way, but I’m sure there are other people who feel the very same way.

The topics I touch might touch other people because what I’m singing about is the same thing other people are thinking, but not everybody has the way to express it. Everyone has talents, and I can express mine through music. The pen is mightier than the sword, and I have a chance to add sound so other people can relate, and can appreciate.

NVC: To date, which song is the most significant to you personally and why?

S: “Give My Soul to Jah” really stands out for me. It’s hard (Shuga gets emotional). I did that song when I was going through some changes. The music industry can be a tug-of-war. There are some people in the industry who have been there for years and they know how things are done. As a new person, you sometimes don’t have a say in how things are done, and can’t give input.

At that point I was confused. I was trying to figure out what was going on around me. If you visit a Spanish speaking country, but you don’t speak Spanish and don’t understand the language, you will try to figure out what is going on. I could have lost my soul, but something said to me, I have


...cont’d

I have to keep fighting for my soul.

Life really changed for me in 2009 when I won the singing competition. All of a sudden everyone knew me, then, I didn’t have a song out, so people would say ‘we voted for you and don’t hear any music. What’s going on?’ which added to the struggle and the stress. In all of that mess, it’s easy for a person to lose their way, but that voice came to me and said ‘don’t lose your way.’

I’m not speaking to you as an artist now, I’m speaking to you as a person. I decided I wanted to do music and with that decision came so many responsibilities. People don’t know. People are not always saying nice things. My Aunt called and needed help with something, and I couldn’t help her. Here I am, very popular, lots of people know me and I can’t help my Aunt. That didn’t sit right with me.

My Aunt told me that she knows I am a family girl and if I could help I would. She also said ‘what does it profit a man to gain the whole world and lose his soul?’ When she said that, it struck a chord with me, and that’s where the song “Give My Soul to Jah” came from. I was crying, but those words touched a note, which touched the words which touched the melody.

NVC: We’ve talked about music, now let’s talk about what feeds the music! What feeds you? Going for walks? Movies? Cooking good food? What feeds your music?

S: Meditation. I’m not good in a crowd unless I’m going to be performing on a stage. I go to the river in the early morning and find peace. I also like to have a good conversation with someone who knows how to reason and have a good time. I avoid complications, and people who create compli cations out of nothing. I like to be at peace and make people happy. That’s my food!

NVC: Is there a vast difference between the Shuga we see on stage, and the Shuga we meet in the mar ket and the Shuga we see at home?

S: I’m that same person! I might be a little different on stage because someone put on some makeup on me and some nice clothes! That’s the only difference!

NVC: The name of our magazine is L3 and each L has a meaning. The first L is for Life, the second L is for Love and the third is for Lyrics. What general advice would you give readers on Life, Love and Lyrics?

S: Life is for living. We all have a purpose in life and our duty is to find that purpose. There is no blueprint to our purpose. We should not allow others to direct our lives because they too are try ing to find their purpose. Direct your own life.

... cont’d

Love; the Almighty is the true definition of love. If you don’t know the Almighty, you don’t know love.

Lyrics! This is the hardest one to answer, and I’m a writer! Lyrics don’t only come in songs, they come in the way we treat each other, and in our daily conversations. Remember, word, sound and power!

Connect with Shuga on Instagram >>> @shuga_turf | https://www.facebook.com/shugamusic


http://instagram.com/shuga_turf

https://www.facebook.com/shugamusic

Reggae. Punk. Rock.

TEThe Expendables

By: Song River

There must be something in the air, or is it the water out in Santa Cruz, California? The easiness of the music, good vibes, and then of course, The Expendables!

Having shared the stage with NOFX, Less Than Jake, Slightly Stoopid, Pennywise, Pepper, 311, and many others, our musical bowl is full and the Reggae-Rock-Punk

sound invites us in to listen to their sound and appreciate its’ fusion.

On a quiet warm California afternoon, the freeways were wide-open, and as the car tires road over the gravel driveway, the vehicle pulled up and parked outside an industrial sized building. The doors opened, and the studios couches called

for a sit and a chat with drummer Adam Patterson of The Expendables.

SR: Since 1997 The Expendables have been creating music; blending Reggae-Rock and Punk. Without second guessing, The Expendables have fueled the rock-n-roll tank over and over again across the states. How many miles have you all tallied up as a band since then?

AP: (laughs) We started in high school; sophomores and juniors. Wow, we have toured so much across the country, so many times. First a van, then another, now a bus... at least a million miles!

SR: What were some of the early influences, and how did your hometown of Santa Cruz, Ca. impact your style?

AP: Early on we played in the style we play now. Sublime was a heavy influence on us, a lot of bands got into the sound / music. Santa Cruz was a heavy Reggae / Punk mix; it just kind of fit. It was already in motion, Santa Cruz wasn’t heavily influenced by Rap / Rock. The mix of people, culture, lifestyle- surfers, hippies, skaters- those in between- it’s a mesh, a little of everything.

As we progressed the style was loved everywhere we went. When we toured Germany at first they didn’t really understand the style, but now they love it, it is accepted. That was a great experience, Germany. We really enjoyed it and would certainly love to go back.

SR: Talk about how you infuse Reggae and Punk? Do they seem to be at odds?

AP: As for style, I think Reggae may sound different - but politically they aren’t too far off. I see them as the ying / yang of each other. Bob Marley was adding a lot of rock in his later music. Tosh had a very aggressive Reggae; listen to his lyrics. However, The Expendables; we are looking more to blend, so it is fun. It took us a while, we mimicked Sublime at the start, but we now even have a weird Iron Maiden vibe of influence, a heavy ‘80’s rock. Our guitar player is very rock oriented. People call what we do- California Reggae.

SR: If you were to choose a ‘mantra’ for the band, or what The Expendables stand for, it would be?

AP: We aren’t crazy political, we are a party vibe band, here to have a good time! We don’t get too serious, when you come to our shows after two to three hours you forget your worries. That is what our music is about, forgetting your worries, relaxing and good times with your friends.

SR: How many albums did you produce independently, prior to going under the Stoopid Records label (Slightly Stoopid)?

AP: Our first three full-length albums were completely independent: No Time to Worry (2001), Open Container (2003), and Gettin’ Filthy (2004). [*According to The Expendables bio these three al bums brought in a total of over 40,000 units sold with no physical distribution and no record label.] Then our last ones are under the Stoopid label: The Expendables (2007), Prove It (2010), Sand in the Sky (2015).

SR: Has being under a label changed things?

AP: Not really, we are still 100% in control of own production. It is hard to give someone else the con trol- they have worked with us. They help us with distribution, and that makes a huge difference.

SR: Your relationship with Slightly Stoopid has been a long one.

AP: At 17 we started bugging them, (laughs) Slightly Stoopid, we would follow them around, we all were huge fans. We kept putting our music in front of their faces, not being pests, but they gave us shows here and there, and then as we got better, they even brought us on our first nationwide tour in 2002. Working with them is great. We ‘share’ fans and I think that adds to the package of the shows now.

SR: What is the band more drawn to festivals or smaller intimate clubs?

AP: I think we play in more club settings, and do big festivals as well. Personally, I prefer being able to connect, it’s more of my personal feeling. I’ll go hang out with fans after a show. Some of our good friends were our fans. I like to hang out with them as much as possible.

SR: Band life I am sure life has changed from when you all first began- touring, recording. Now, there is family, etc…

AP: I think now we can focus on songwriting, and recording albums more now. We have a studio spot, we used to do it in garages. Now though we are in a studio, with couches, in a spot where it makes it all so much easier. Plus, life is changing too. I recently became engaged, and our bass player has a child. So, making those steps to focus more on creating music, and doing tours maybe more like 3 weeks on, 2 weeks off, 3 weeks on.

SR: How do The Expendables keep from burnout, you’ve been together a long time.

AP: None of us have a backup plan (laughs)! By default we are going to do the music together thing, we are friends, and we love what we do. We are taking steps, as I mentioned before. I still want to be touring when I am 80, but not doing 200 or more shows a year.

SR: In January you released your third album under Stoopid Records, Sand in the Sky, during your annual “Winter Blackout Tour.” Sand in the Sky was mixed by Butthole Surfer guitarist and legend ary producer, Paul Leary (Sublime, Slightly Stoopid, U2, Weezer) and co-produced by The Expend ables and Gordon Brislawn. The album has been well received and continues to be The Expend ables full force. How was it working with Gordon Brislawn and what’s next?

AP: Yes, on this last album we worked with Gordon Brislawn, and it was great. As a producer he kept us moving. Spending more time working on having everything set, ready, go- so when we hit the


...cont’d

studio, the hard-work had been done and boom in three days we had it. He is great and helping you on what to do, not telling you what to do.

As for what’s next. We already have 4 or 5 songs finished, and have written a few more. We took five years to do this one, and we don’t want to do that again ... (pauses) maybe 18 months for a new one? Meanwhile, follow us on social media, and our website - it is there so you can keep track of our tour dates, and places we will be.

Busy; life is busy... but when you’re doing what you love it is a part of your day to day living, and according to drummer Adam Patterson of The Expendables, add to this list a wedding in August!

Connect with The Expendables on Twitter >>> @TheExpendables www.facebook.com/theexpendables

http://twitter.com/TheExpendables

http://www.facebook.com/theexpendables

Click to Here to Stream This Mix

http://www.mediafire.com/listen/ihe0gy76118efr6/Collin_Hines_-_Mash_Potatoes_Mix.mp3

http://www.mediafire.com/listen/ihe0gy76118efr6/Collin_Hines_-_Mash_Potatoes_Mix.mp3

l3 magazine may, 2015 ft duane stephenson

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