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Kike Gómez Tel. (+34) 660 351 154 [email protected]
Kike Gómez Tel. (+34) 660 351 154 [email protected]
ANABEL ALONSO
IN
REGLAS, USOS Y COSTUMBRES
EN LA SOCIEDAD MODERNA
(Rules for Living in Modern Society)
BY JEAN-LUC LAGARCE
FICHA TÉCNICA
Sound Arrangements Arsenio Fernández
Props & Costume Design Heidi Steinhardt
Photography Ángel Málaga/Gustavo Maggi
Gráfic Design Ernesto Rowe
Press & Media DYP
Director Assistant & Stage Manager Kike Gómez
Executive Production Padam Teatro
General Production Proyectos Labaska 64
In coproduction with Espacio Labruc
Playwright Jean-Luc Lagarce
Translation Fernando Gómez Grande
Direction Heidi Steinhardt
Kike Gómez Tel. (+34) 660 351 154 [email protected]
We must preserve the places of creation, places of luxury of the
thinking, places of the superficial, places where invents what it
doesn’t exist, places of question about the past, places of questioning.
They are our most beautiful property, our homes, of each and
every one.
The impressive buildings in the definitive certainty, these ones
aren't wanted, cease to build them then.
Jean Luc Lagarce / Of The Luxury and The Impotence
Kike Gómez Tel. (+34) 660 351 154 [email protected]
SYNOPSIS
In an auditorium in some kind of educational institution, a lady
discourses on urbanity manual that explains how to behave at
the important life events. This manual is the guarantee that
assures to the people an happy and harmonious transit at all
stages of life.
ARTISTIC PROPOSAL
The scenic proposal places us at a public conference. The
speaker carries forward, with a extreme pedagogy, a
presentation on some rules to behave socially at the most
important events of life.
At the beginning, the conference seems to respond to the kind
of rigid, obsolete and theoretical structure. But immediately
the spectators will begin to glimpse to this peculiar lady who
not much things has happened in her life and who will take this
opportunity to play being who “she should be”.
The play, in the key of subtle humor, is developed in a double
discourse: the first one is that the author exposes in text, as a
perfect manual of urbanity full of rules, regulations and
duties. A second discursive level, proposed from the direction,
hides under the main plot, the story of a lonely woman who
through their exposure will bring us to her present, her desires
and frustrations. The tension between what is said and what
underlies, will leave the spectators with multiple reflections
about the power exercised by the culture, religion and
mandates.
Kike Gómez Tel. (+34) 660 351 154 [email protected]
Jean Luc Lagarce is an author of enormous relevance to
contemporary drama. He has written twenty-four works and
some theoretical essays on modern theater in his very brief life.
Its elegant and implicit thesis about language that carries out in
all his plays and the hierarchical place that gives to the word, it
becomes him a disquieting and challenging playwright.
The story is presented in a small space, with a minimal
perspective, to generate an intimacy that works as a contrast to
a type of discourse that, in grammatical level, tends to create
distance. This spatial characteristic, brings spectators closer
to an unusual scenic possibility where the detail, deployed
throughout the theatrical device and especially on acting, is
the main character. Gradually the audience actively participates
in the show and has the opportunity to go through a fourth
wall which will never have existed.
Kike Gómez Tel. (+34) 660 351 154 [email protected]
SET DESIGN
The show poses on a black masking. It represents a small
conference room. The concept is condensed in a very concise
furniture of modern style that generates a high contrast with
the old style props. An off-field work that is off stage but that
is constituted as an adjacent space of the conference room,
but not visible.
El volumen total de escenografía (más cajas de materiales de
utilería) es de 1,5 m3 y 30kg. en peso.
Kike Gómez Tel. (+34) 660 351 154 [email protected]
COSTUME DESIGN & PROPS
We work a modern-classic concept that places the character in
the contemporary world. In turn, details of finished, visible
according to the movement of the body, leaving us a glimpse of
some old ornamentation style which again contrasts with most
costumes proposal, that refers to the modern world.
All the props are made or decorated handcrafted with antique
style to generate the idea of a world of objects inherited
through generations.
LIGHTIN DESIGN
The lighting concept is developed in austerity to preserve the
realism of conference. Stalls and stage are illuminated to
generate a real feedback from spectators and speaker
(character "The Lady")
Certain spaces relevant for speech are zoned and colored, that
dynamizes and builds certain characteristics of temporality, one
of the main axes of discourse.
12 P.C. 1Kw
To illuminate we need
7 amber filters – rosco 9
7 diffuser filter
1 pink filter– rosco 331
Kike Gómez Tel. (+34) 660 351 154 [email protected]
SOUND
1Professional CD Player
P.A. System
1 sound console
Kike Gómez Tel. (+34) 660 351 154 [email protected]
JEAN-LUC LAGARCE
The Playwright.
Jean-Luc Lagarce was born in France in 1957. His
literary work is essentially composed by twenty-
four plays, three short stories, an opera libretto,
a screenplay for film, some editorials and articles,
and a diary composed by twenty three notebooks.
His procedures about language makes him owner of a huge poetic
singularity. Lagarce achieves, besides many other merits, to highlight
the value of the word, that what "must be said". It is one of the
contemporary authors most represented in France. He died in
September 1995 during rehearsals for Lulu.
ANABEL ALONSO
Is The Lady
Movies
2010 - "9 MESES" Dir. Miguel Perelló
2007 - "ANGELES SA" Dir. Eduard Bosch
2007 - "ATASCO EN LA NACIONAL" Dir. Josetxo San
Mateo.
2002 - "CARNE DE GALLINA" Dir. Javier Maqua.
1999 - "LA MUJER MÁS FEA DEL MUNDO" Dir. Miguel
Bardem.
1997 - "ESPOSADOS", (short film) dir. Juan Carlos Fresnadillo.
nominated for an Oscar Academy Award for Best Short Film in 1997
1996 - "TU NOMBRE ENVENENA MIS SUEÑOS" Dir. Pilar Miró.
1996 - "CORAZON LOCO" Dir. Antonio del Real
1996 - "EL CRIMEN DEL CINE ORIENTE" Dir. Pedro Costa.
Award for Best Film Actress of the Year, awarded by El Mundo News.
Best Actress Award at the Festival de Cine de Badajoz.
1996 - "LA MOÑOS" Dir. Mireia Ros.
1996 - "PON UN HOMBRE EN TU VIDA" Dir. Eva Lesmes.
1995 - "LAS COSAS DEL QUERER II" Dir. Jaime Chávarri.
1995 - "HOTEL Y DOMICILIO" Dir. Ernesto del Río.
1994- "LOS HOMBRES SIEMPRE MIENTEN" Dir. Antonio del Real.
1994 - "LA LEYENDA DE LA DONCELLA" Dir. Juan Pinzas.
1994 - "AMOR PROPIO" Dir. Mario Camus.
1993 - "KIKA" Dir. Pedro Almodóvar.
1993 - "TRETAS DE MUJER" Dir. Rafael Moleón.
THEATRE
Kike Gómez Tel. (+34) 660 351 154 [email protected]
2014 - "REGLAS, USOS Y COSTUMBRES EN LA SOCIEDAD MODERNA"
Dir. Heidi Steinhardt. Espacio labruc
2013/14 "LASTRES" Dir. Heidi Steinhardt. Teatro Bellas Artes y gira
2009/11 - "SEXOS" Dir. Pep Antón Gómez. Teatro La Latina y gira
2008/09 - "NUNCA ESTUVISTE TAN ADORABLE". Dir. Javier Daulte.
Centro Dramático Nacional y gira
Fotogramas de Plata 2008, a la Mejor Actriz de Teatro
2002/03 - "CONFESIONES DE MUJERES DE 30". Dir. Lía Jelín.
Teatro Lara y gira
Fotogramas de Plata 2002 , a la Mejor Actriz de Teatro.
1998 - "ANDROCLES Y EL LEON". Dir. José Pascual. Teatro Romano de Mérida.
1998 - "UN DIA CUALQUIERA". Dir. Fernando Colomo y Rosa Mª Sardá
1997 "FRANKIE Y JOHNNY". Dir. Mario Gas. Teatro Lara.
1992 - "EL LUNATICO" de Ramón Gómez de la Serna. Dir. Emilio Hernández.
Centro Nacional de Nuevas Tendencias Escénicas.
1992 - "LOS GATOS" de Agustín Gómez Arcos. Dir. Carmen Portaceli.
Centro Dramático Nacional.
1989 - "MARIBEL Y LA EXTRAÑA FAMILIA". Dir. Emilio Hernández.
Centro Cultural de la Villa
TV
SERIES
2014 - "LA QUE SE AVECINA" Personaje capitular. Serie para Telecinco
2012 - "STAMOS OKUPA2" Dir. Juan Luis Iborra. Serie para TVE
2007/09 -"LA FAMILIA MATA" Dir. Ricardo Asolla, María Pulido, Mario
Montero y Luigi Santamaría. Serie para Antena3
2000/06 - "7 VIDAS" Dir. Víctor García. Serie para Telecinco
1999 - "EL CAMINO DE SANTIAGO". Dir. Robert Young. Serie para tve.
1998 - "HERMANAS" Serie para Telecinco.
1997 - "CONTIGO PAN Y CEBOLLA" Dir. por Javier Elorrieta.serie para TVE.
1993/96 - "LOS LADRONES VAN A LA OFICINA". Dir. Tito Fernández. Serie
para A3 Televisión
Fotogramas de Plata 1993, a la Mejor Actriz de Televisión.
TV SHOWS
2013/14 - "ME RESBALA" (Colaboradora) Antena 3
2011 - "MUCHO QUE PERDER, POCO QUE GANAR" (Presentadora) La Sexta
2010 - "EL CLUB DEL CHISTE" (Presentadora) Antena 3
2005 - "ESTOY POR TI" (Presentadora) Antena 3
2006 - "TAL PARA CUAL" (Presentadora) Antena 3
2006 - "EL SHOW DE PELOPICOPATA" (Presentadora) Antena 3
2007 - "DISTRACTION FATAL" (Presentadora) Antena 3
1997/98 - "EL FLECHAZO" (Presentadora) TVE
1995 - "EN CASA CON RAFAELLA", junto con Rafaella Carrá. Telecinco.
1993 "EL PEOR PROGRAMA DE LA SEMANA". Dir. David Trueba. TVE
1992/93 - "OBJETIVO INDISCRETO" (Presentadora) Dir. Rafa Galán. TVE.
Kike Gómez Tel. (+34) 660 351 154 [email protected]
DUBBER
2003 - "BUSCANDO A NEMO" (Dory)
2005 - "LA INCREÍBLE PERO CIERTA HISTORIA DE CAPERUCITA ROJA" (Ardilla
Balita)
2006 - "ANT BULLY" (Kreela)
2008 - "EL REINO DE LOS CHIFLADOS" (Lissi)
2009 - "HOLLY NIGHT" (Oveja Rita)
2012 - "POS ESO" (La Trini y la gitana)
ADVERTISING, EVENTS & PRESENTATIONS
She has participated in advertising campaigns for Pepsi, Movistar, Cera Álex,
Krissia and Campofrío.
She has presented several events, closing festivals galas, television galas
and award ceremonies.
HEIDI STEINHARDT
The Director.
Heidi Steinhardt is an actress, playwright,
director and teacher. She trained at the School
of Julio Chavez and her Bachelor of Arts at the
University of Buenos Aires.
Professional experience / DIRECTOR
Aún no consigo besar / Teatro El Ópalo / Buenos Aires
Lastres de Jorge Roelas / Teatro Bellas Artes / Madrid
Calladito más bonito / Compañía Nacional de Teatro / Costa Rica
El Sepelio Teatro La Carbonera / Buenos Aires
Después del borde T. Anfitrión / T. Patio de actores / Buenos Aires
El trompo metálico C. C. Ricardo Rojas / T. del Pueblo / Buenos Aires
El juego de la silla de Ana Katz/T. del Pueblo/Coach actoral /Bs.As.
Reborn Cortometraje / Dir. Rodrigo Prado /Dir. de actores /Casting
Cortometraje / Dir. Adriano Salgado/ Dir. de actores / Buenos Aires
Professional experience / PLAYWRIGHT
El inestimable hermano / Premiere 2015
Retrato de una mujer que espera / Not Premiered
Calladito más bonito / Premiered
El Sepelio / Premiered
Después del borde / Premiered
El trompo metálico / Premiered / Published
Kike Gómez Tel. (+34) 660 351 154 [email protected]
Professional experience / TEACHER
2001-2014 Regular seminars for actors and spectators /Private
Studio / Argentina
2014 Espacio Labruc / Inward Kafka / seminars for actors / Madrid
2013 Sala Acting / Towards the poetics of Jean Luc Lagarce / Madrid
2012 Fest. Internacional de cine / Directing Actors / Costa Rica
2012 Teatro de la Aduana / Towards the poetics of Jean Luc Lagarce
/Costa Rica
2012 Ministry of Culture / Laboratory of scenic writing/ Colegio de
escritores / Costa Rica
2011 Festival Internacional de Arte Escénico/The theater collective
(Speaker) / Cuba
2011 La íntegra Teatro/ Seminar for actors and spectators / Madrid
2011 Universidad de Cádiz / Seminar for actors / Cádiz / España
2010 Fiesta Nacional del Teatro / Roundtable: The theatrical
direction (Speaker) / Argentina
2010 Festival Internacional de Teatro de Cádiz / Training for
Actresses/ Cádiz / España
2009 Gestation and staging of one-person show / INT / Casa de la
cultura / Argentina
Bahía Blanca Seminar ¨Light of the actor¨/ Teatro Municipal de Bahía
Blanca / Argentina
XVII Congreso Internacional de Teatro Iberoamericano/ The emerging
Theater (Speaker ) / Argentina
Kike Gómez Tel. (+34) 660 351 154 [email protected]
TRÁILER
https://vimeo.com/102646658
CONTACT
www.padamteatro.com
Kike Gómez de la Rosa
Tel. (+34) 660 351 154
Portfolio click here.
/reglasusosycostumbresenlasociedadmoderna
Kike Gómez Tel. (+34) 660 351 154 [email protected]
PRESS DOSSIER
REGLAS, USOS Y COSTUMBRES
EN LA SOCIEDAD MODERNA
(Rules for Living in Modern Society)
Kike Gómez Tel. (+34) 660 351 154 [email protected]
RULES FOR LIVING IN MODERN SOCIETY
La Sala de Radio 3 13/04/14
The good habits of de Anabel Alonso Anabel Alonso talks about “Rules for living in modern society” with con Daniel Galindo in the
last part of the program “La sala de Radio 3”.
Listen complete here.
Hoy por hoy Madrid
18/04/14
Anabel Alonso has the supposed formula for happiness
Elena Jiménez interviews Anabel Alonso about “Rules for living in modern society”
Listen complete here.
Es Cine
10/04/14
Anabel Alonso presents her new one-person show in Es Cine
A Jean Luc Lagarce’s text
The actress Anabel Alonso and the director Heidi Steinhardt hace visited the esRadio Studios to
talk with Andrés Arconada about the play Rules for living in modern society. A text in which
Jean Luc Lagarce, tries to create a manual of urbanity that assures us happiness and a carefree
life before love or death.
Watch it complete here.
Kike Gómez Tel. (+34) 660 351 154 [email protected]
Digital Meeting 16/04/14
The actress Anabel Alonso responded to the readers in a digital meeting. She spoke about the show she plays in Espacio Labruc, as well as other subjects of interest to the Internet users.
Read the entire meeting here.
La 2 de TVE 03/05/14
Anabel Alonso presents her new play “Rules for living in modern society” in the Rtve program dedicated to the arts. Interview by Cayetana Guillén Cuervo.
You can see parts of the interview here.
Luis Andrés 06/04/14
Anabel Alonso and the casual existentialism
… The actress has again put into the hands of the director Heidi Steinhart, meticulous goldsmith that has achieved to improve each moment of a brilliant text, the comedic talent of Anabel, seasoned with the composition of a character between enthusiastic and extravagant , takes the spectator by the hand for the Lagarce's maze to make it simple and understandable…
Read complete here.
Miguel Gabaldón
24/04/14
The director Heidi Steinhardt gets dissect the text and guiding Alonso through the convoluted
text without getting lost. The simple staging leaves into the actress' hands all the weight of the
show, and it gets truly funny moments…
… ... The fact is that this Alonso, in a freak version, doesn't get frightened and looks constantly
into the spectators' eyes. And she doesn't play herself, if anyone feared it, but she has a
strong characterization (rather caricaturation) that works perfectly and in which she gets on
without problem and with a important command of the text.
Read complete here:
Kike Gómez Tel. (+34) 660 351 154 [email protected]
Carlos Gil Zamora 28/04/14
The official constraint
…the proposal that the Argentine director Heidi Steinhardt does with the complicity of the only actress, Anabel Alonso, is going to loading with meanings thank to the humorous treatment that is used to go through all the process by the hand of that character that deserves us from the first moment, as the actress achieves with the composition of itself, send us many clues to what is going to happen, although it's the textuality, in this case with a magnificent translation by Fernando Gómez Grande, the large handle that lead us through this real and absurd world…
Read complete here.
Alfonso Espinosa
05/14
… Alonso discovers and developes perfectly, thank through working together with Steinhardt, all the underlying humor that contains the text of Lagarce ...…
Once the spectator is able to adapt himself to the code, the language through which runs the monologue, it's easy to let go and enjoy the signs, the disappointments and desires of the speaker and imbibe, within the intimate atmosphere offering by Espacio Labruc, of the perfect existence that marks us Anabel, Heidi and Jean Luc.
Notice by Diego Morales in Revista Plácet, read it here.
Sergio Díaz 03/14
Safe Bet
And when it comes to irony and humor, certainly, the choice of Anabel Alonso is the most successful. She, with all her comedic talent, with her vitality, with her wealthy talent we have seen in other times on stage, will take place this tragicomic monologue that hides a fierce criticism to a society that, with its rules and its hypocrisy, makes impossible the sincerity between people because it leaves nothing for own individual freedom, everything has to be planned and governed, devoid of spontaneity and therefore of feelings.
Read the entire notice here.
Kike Gómez Tel. (+34) 660 351 154 [email protected]
La teatrera 26/05/14
.. All the focus is on the wonderful performance of Anabel Alonso that catches you from coming out on stage and looks into your eyes, while she pinpoints the severe rules that must be taken into consideration to move in society.
Anabel is fantastic, funny, tender and endearing.
A splendid way to enjoy great theater in a small format, like the actress says: "logical, probably ... not disposable"
Read complete here.
Manuel de la Fuente 27/04/14
Anabel Alonso in Gente con Duende
We talk with the actress and comedian Anabel Alonso, that presents us “Rules for iving in modern society”, at Sala Labruc.
Listen complete here.