july-august 2013 issue

July/August 2013 - Vol. 11

JULY/AUGUST 2013 Issue

eva varroSANTA MONICA * PALOS VERDES* NEWPORT BEACH

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www.evavarro.com

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Unique complimentary treatments available:

Editor in ChiefCsaba Fikker

Managing EditorDana Elizabeth Johnson

Beauty Editor Clarissa Burt

Creative Director Kai He

PhotographersKai He

Scott NaideRodney Ray

Nicole Corbett

Cover shot by Rodney Ray

WritersBeth Barrett

Julianna MaranonStacey Blanchet

Yasmine Santana

Operations ManagerMitch Melassanos

Legal ConsultantJulian Chan

www.julianchanlegal.com

1200 Santee St..Los Angeles, Ca, 90015

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Questions and feedback:

10| The LA Fashion magazine


Contents

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“The Flower Duett” ByGerolamo Marchetti

“The Virgins” ByRodney Ray

Giorgio Armani’s “Nude” Collection

Jordi Pelegri“So Fresh”

On the set of SOAwith Kelli Jones

Look LA

Nicole Corbett“Hotel California”

Stephanie Matthews“Sun Lovers”

Bai Ling Interview/Editorial

Didit Hediprasetyo Autumn-Winter 13/14

Summertime byRainer Suck

BCBG Resort 2014

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The Flower DuetBy Gerolamo Marchetti

Grey Dress: H&MNecklace: Accessorize


The Flower DuetBy Gerolamo Marchetti

Photography by: Gerolamo Marchetti fotografiaimmagine.itMAKE UP: Elena Panzeri - elenapanzeri.itSTYLIST: Diana AquilaMODEL: Cynthia Baremans @Flash Milan

Grey Dress: H&MNecklace: Accessorize


Blue dress: H&MNecklace: Accessorize

Colored Braceletes: Angeli Foulard: American Vintage


Blue dress: H&MNecklace: AccessorizeColored Braceletes: Angeli Foulard: American Vintage

Coral dress: Patrizia Pepe Foulard: American Vintage

Earring: Vintage

The VIRGINSphotography by Rodney Ray

From left to rightTop: TopshopSkirt: The HellersBracelet: Daniel EspinozaTop: ASTRSkirt: Line & DotClutch: Me Char


Hat: The Millinery GuildDress: Mia Chere Merritt

Photography: Rodney Ray www.rodneyrayphotography.com

Producer: Lu Zhang

Makeup: Jen Kolhagen

Models: Kelsey Veronica Pinkerton Model & Talent

Ying Liu

M Model Management

Stylist: Loren Robles


Top: McGinnPants: Vince CamutoBracelet: Daniel Espinosa

Asian HatClutch: Me CharTop: Line & DotPants Aryn K


Vest: Alexis AntunaPants: Alexis Antuna

Top: DarlingJacket: Line & DotSkirt: Line & Dot

Hat: The Millinery GuildTop: Line & DotSkirt: TIG


Dress: Proenza Schouler


Phot

ogra

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by M

ark

Pete

rson


Georgio Armani’s

‘Nude’ Collection 2014 In what some are calling “his most elegant show to date,” Georgio Armani’s 2014 Collection, entitled ‘Nude’ featured much more than flesh-colored hues, with sightings of pale pinks, beige, light grays, black, and of course, ample amounts of sparkle whether in rhinestones, intricate embroidered pieces, gold, or in beautiful accessories. I was particularly fond of the feather and lace that was shown in the collection whether it was a little piece, or in one instance, an entire suit made of lace. Silhou-ettes were different as well. We were introduced to mermaid-style gowns, figure-flattering styles, and wide-leg pants and jackets. One of my favorite dresses was a black lace number with a super low neckline. It was one of the sexiest gowns I have ever laid eyes on.

In addition to his highly coveted dresses, women wore pantsuits that were perfectly unstructured, yet the fit was nothing short of enviable. Suits were absolutely stunning shown in lace, silk, and other luxe materials. I envisioned the top and bot-tom worn together, but also imagined the blazers worn with mixed materials as a bottom and the pants with loose sweaters or translucent tanks implying the fact that they were totally wearable. These were much more than something one would wear to work. They were so stunning that in my opinion, they were meant to be shown off.

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On another note, it was apparent that Armani was keen on going beyond the expected. Models wore lace mini dresses over flowy silk pants. They wore short-sleeved turtleneck dresses with feathers around their necks. He mixed femi-nine classic looks with edgy accessories like buck-led bracelets. He took the things he was known for and made them something else entirely. Mr. Armani made these looks a combination of the things he was known for and mixed them with right-now trends making them something that his die-hard fans would recognize and something that would strike a style chord with potential new clients.

Speaking of accessories, everything models wore was polished, striking, and reminiscent of what we would call “Old Hollywood Glamour” in the sense that they were extra-large and even somewhat over-the-top (in a good way). I particularly fell in love with a pearl necklace that featured an extra-large charm on the end. It was the perfect length and worked surprisingly well with an otherwise femi-nine look. Ankle straps (this season’s hottest trend) were shown with nearly every look, making the haute couture vibe seem “right-now chic,” and ultra-wearable nonetheless. Earrings were shoulder skimming and looked flawless as they grazed models’ necks while they confidently walked down the runway. Some carried clutches that were structured and accented with beading, crystals, or gold details. When worn at all, bracelets were layered and textures were mixed.

Overall, the show was absolutely one to write home about. Celebrities, the style set, and more came out to support a designer who has been hailed as one of the best in the industry. The music, charm, and overall mood in the room was exciting, fascinating, and enjoyable for everyone in the room. Armani has done it again. He is truly a fashion genius.

by Staci Adams


Phot

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phy

by M

ark

Pete

rson

So FreshPhotography by Jordi Pelegrí

Model: Rebecca Evers (Francina models)

MUA: Yocasta Aquino / Judith Imbernon


So Fresh


On The Set Of

Sons Of Anarchywith K e l l i J o n e s

For the last five seasons the popular FX series, Sons Of Anarchy has elated the American audience with it’s racy and often controversial subject matter. Although the series might be pushing the envelope, and had the series been a feature film instead, the Motion Picture Association Of America might rate the ‘film’ as NC17. Or in other words, “most parents would consider patently too adult for their children 17 and under.” However the graphic nature of the series hasn’t swayed the shows’ numbers. In fact the show has developed a sort of cult following, with more fans tuning in each season. The audience base has grown immensely and so too has the shows cast of talented actors. But it isn’t just the actors who’ve developed a fan base-it’s as if the characters themselves have garnered their own followings, taking along with them the clothing worn on the show. The series has become so popular—with each character’s unique sense of style so well depicted, planned out and executed it prompted FX to introduce a complete online store inspired by the characters and what they wear each season. Cultivating looks and bringing together each character’s persona through wardrobe is no easy task. It requires research, patience, and on this show—a tough skin. So who is the woman behind the seams of the hit series, Sons Of Anarchy? The costume designer who makes it all happen, including designing the looks available for purchase in the FX store and seen on the show is none other than Ms. Kelli Jones.

We had the fortunate opportunity to visit the town of ‘Charming’ and sit down and talk with Kelli. What we encountered was more than we had bargained for. We covered everything from unruly ‘extras’ to our coincidental allergy and repugnance for bees, to what it takes to dress an entire cast season after season.

I arrived early, only to be met by an all encompassing black wrought iron gate and a lethargic looking security guard unenthusiastically leaning back in his chair. I addressed the guard in an all black uniform clad in matching boots and reluctantly introduced myself, Dana Elizabeth here to see Kelli Jones. Leaning from outside his ‘shack’ –who? After a few

more awkward moments and far too much verbiage passed between both of us –I was let in.

Making my way to the entrance where I was met by a group of gentleman standing in a doorway who appeared to be ‘producer-looking’ types on their way out—one of them stopped, held the door open and nonchalantly stated; Right this way kid. Gesturing for me to enter, having not been called, ‘Kid’ since I was in my youth—this struck me as odd, not only because I was female, but because rarely do I get compared to pre-pubescent teenagers—but in I went.

I was carted around from sound stage to sound stage, weaving in and out of half-torn down sets while other’s were still being erected. Then suddenly we stopped and a white door opened, slicing through the hot and humid Southern California air—there standing taller then expected, was blonde-hair blue-eyed Kelli Jones, looking extremely calm in distressed jeans and tan boots. She smiled, greeting me with a firm but friendly handshake. Would you like some water? Sorry for the mess, we’ve been in this room for five years so I’m sure you can imagine…it’s a little crowded.

Choosing to conduct the interview on set, we set up two chairs in front of the popular, ‘Teller’s Automotive’ Garage, under a canopy of metal and cars to talk all things Sons Of Anarchy. This was our conversation:

Dana Elizabeth: Kelli, talk with us, what’s it like to work with Kurt, and how much is your creative vision versus his direction? Do you work together to conceptualize each look, how does it go each season?

Kelli Jones: Kurt is one of my favorite show runners to work for because he has a very specific vision for the show.


He has creative control to where he doesn’t want anything too ostentatious or too crazy. After six years he trusts me now, I’ll send him a quick email and say, ‘this is the direction I’m looking to go in’ and he’ll either say, ‘Yeah it looks good’ or he’ll say, ‘let’s tweak it a little.’ He doesn’t micro-manage and I’m hoping it’s because he trusts that I have his vision down for what he wants the show to be. It’s great because it’s a real collaboration, not just with Kurt but with the actors as well.

D: Do you think that the over all characters’ styles have evolved since season one to season five and what can we expect to see differently in season six?

K: I think they have changed and I believe for some of the guys they’ve gotten a bit more ‘Hip-Hop’ and ‘Urban’ for some of the guys, because we’ve been trying to maintain that balance on what would make a guy look hot, sexy and wanted Vs. what the ‘real’ bikers in the middle of America would wear. I happen to talk to a very popular and well-known motorcycle club based down here and in Oakland, and I really took my notes from them. These guys are not your typical bikers; they actually care about how they look. It’s kind of like a uniform ‘look’. They keep it very specific, because it embodies who they are. So the style has evolved. But I’d say Gemma and Maggie’s looks have definitely changed the most.

D: Can you talk with us about your experience in the industry, some of your beginning projects and for the readers who want to break into Costume design, how did you go about getting your big-break on Sons Of Anarchy?

K: Well, really it started gradually. I worked around the Fashion Industry from 18-22 lived in Milan for a little while and then when I was about twenty-three I decided I wanted to design jewelry. I had a small jewelry line. At twenty-four I decided I was done with wholesale and decided I was more fascinated with costumes. I really liked gritty, realistic looks—you know I’m from Oregon and so I wasn’t really keen on period piece for my taste.


I just literally went at it; I met some people and worked for free for a long time. So I started, as a set costumer for one year on The Shield and Kurt Sutter was a writer on the series. So from The Shield, I met and worked with so many incredible people who all ‘came-up’ together. So then when I got a call from Kurt who said he was doing a series for FX, and he was like, ‘So there’s this little show, it’s for FX it’s a smaller budget, it’s for cable and it’s not one that you are really gonna be noticed for the clothing…but it’s really fun and you’ll get to be creative.’

D: …But little did you know.

K: Yes! Little did we know it would turn into something and I texted him when I got nominated for a Costume Designer’s award last year and I said, “You see, I swear wife-beaters are art! I knew it.” But the show just kept growing. This is the thing, I told people I want my work to be something I enjoy. I don’t want my work to feel like ‘work’ I want to enjoy my time, especially if I’m doing it sixteen hours a day. I just love everybody on this show, I got very fortunate and I think maybe because I have a younger-eye than other costume designers that would have taken a more traditional route, Sons Of Anarchy isn’t traditional. I really listened to ‘the boys’ and if one of my guys from Oakland says, ‘these {Mother-Expletive’s} don’t wear {expletive} like this.’ And say someone from the audience doesn’t agree, I honestly don’t care. I’m listening to what my guys have told me, because I know that way it’s more authentic.

D: We were going to go into this but then I stopped you to talk about your career – going back to this, can you talk us through some of the style for Katie’s character. Do you find you are more creative with her character vs. Maggie?

K: Yeah, from the very beginning she is described as The Matriarch. In the biker community there is a fine line between someone who looks authoritative yet sexy and someone who looks like an old lady but trashy. She needed to look authoritative because she’s being told things of club business that some old ladies would have never been told. She needed to look strong, and still sexy without looking trashy. So it has been tricky with the leathers that I use on her, none of them can be too shiny, because then it would look cheap. Some of the items she wears are $5 dollars and I get them downtown and then have a tailor cut them up. Some of the items she wears are $500 dollars and I get them at Barney’s. So it’s a complete 100% mixture of that, so in that regard she’s been the most fun to dress. We were in a fitting just the other day and she looks in the mirror and she goes, ‘No, because this is what biker chicks think they are supposed to dress like.’ And I said, ‘exactly!’ it’s like every time we do a fitting, a lot of it has been custom made or altered in a way. I have some things sketched out and then I send it out in L.A. and made.

D: Do you enjoy dressing and designing more for the ladies vs. the men on the show?

K: Because it’s not a ‘suit-show’ you know, I don’t dress guys in suits and send ladies off in Chanel. I like dressing them equally.

This is the exact sort of show I love working on. So whether it’s Maggie’s belts that I get custom made or it’s getting Kim Coats cuffs or jewelry made, and I’m just now custom making Charlie’s shirts and Boon’s shirts…it’s equally enjoyable. This is why I love working with Kurt because I get to be creative and funky. It’s perfect. I love it equally.

D: You have a diverse background; you’ve worked on several series and pilots, with that being said how are you able to differentiate between the series stylistically and incorporate your own touches while staying true to each show?

K: So when I did ‘Parks and Rec’ I did the pilot and the first two seasons, there wasn’t a lot to incorporate with that. Comedy is not really my forte and honestly I think it’s great, but just the costumes become so much of the content that it just doesn’t


matter if it’s realistic or not. It’s like if the script reads, he needs to be walking around in a birthday cake, he needs to be walking around in a birthday cake. I can’t really see myself getting into designing that. I just like designing more realistically. I let go of shows that I can’t get creative with, like I did a pilot called, ‘The Following’ that just got picked up for a second season. It was dark, edgy and I like shows that are gritty, like I always tell everybody if I had the chance, I’d love to work on a Ben Affleck film because, did you see The Town? It was perfect. That’s just my bag; I mean god speed to those people that do those period pieces. I have no idea how they do that!

D: Yeah, it’s a lot of research and time…

K: Jesus, and then my friend designs Once Upon A Time---I mean I’d die, he’s freaking making Cinderella costumes every other week…(laughing) I’m like Eduardo, he’s a genius but he can do that. He did Ugly Betty too! He’s won like four Emmy’s but I mean we were working on this series we co-designed he was sketching out ‘hookers’ I was like you don’t need to sketch out hookers come on. But that’s the difference between us. He’s great, and can do all these amazing costumes and period pieces and that’s his thing but I just like to do shows that are literal.

D: (laughing) hookers aside, can you walk us through a typical day on set. What are some of the struggles you might face and are any of the actors hard to deal with?

K: They’re all awesome I love them all. They are like anti-hard to deal with. Um, a typical day on set… I come in they each have one look per episode. I make sure all the boys are happy wearing what they’re going to be in. Then throughout the day I’m back and forth from set and fittings. But all of the guys are absolutely amazing, they are absolutely cool and listen to anything I say and we work together to make sure everyone’s happy.

D: So there’s never a refusal to wear something?

K: You know if there’s a refusal, they have a back up. Like sometimes they are feeling a certain way one day or another, like Kim Coates might say something like, you know I kind of want the long sleeve today and not the short sleeve. And I’m like fine, because at this point they all have character closets. So as long as it doesn’t clash with another actor’s wardrobe I run with it. Oh! There’s a bee. A bee is on you!

D: (Jumping) Are you serious? Where is it, because I’m allergic…

K: Yeah me too! Okay, it was literally on you. Did you see it? It was like this big. (Gestures with her hands)

D: No way! Is it gone?

K: Yeah, we’re good. D: (Laughing) Okay, so what is it like working with mostly an all male cast?

K: Well I am…um. I’m oddly—like a dude. I’m very—well first let me say, ninety-five percent of my closest friends are girls, I’m not very sensitive I can take a joke, and I can definitely give it back. I’m sort of crass, I’m extremely sarcastic—and to be honest, I’ve really held it down for this interview. (Laughing) I fit in pretty well with these guys, because these aren’t just like normal guys, these are testosterone driven guys. They respect me and I respect them. They take care of me if some of the extras get there and give me trouble.

D: Really?

K: Oh, yeah I’ve gotten into it a few times with some extras…



D: Extras are one thing, but who were some of your favorite Guest Stars to work with?

K: I loved working with Ray McKinnon he played ‘Link’ he played someone that was weird, so we made him this leather jacket that was similar to a Belstaff jacket, buttoned up all the way to the neck. With jeans and these boots, it was so funky but that’s who his character was and he wore it every single episode. But the look was perfect. He was great, also Jimmy Smits. No one sees Jimmy in anything other than a suit, but the Cardigan was Kurt’s idea. I wanted him to look cool, but not like a hipster. So we dressed him in these big knit cardigans and these wife beaters, paired with a cross. Those two guest stars were my favorites. It was great.

D: In 2011, FX approached you with the option to design a collection inspired by the show. Can you shed some light on how that came to fruition?

K: Originally I was approached by a couple of stores to do a Sons Of Anarchy collection. But after some thought, they pulled out and FX then came to me and said, ‘Hey why don’t we have a separate section, a As Seen—and whatever you design for the show will go up on the website.’ So that’s what we developed last year and so now you can buy for instance; Gemma’s belt, or the things that Charlie actually wore or jewelry that the cast has worn. So that’s where we are at right now and actually since then there has been more discussion with newer larger stores that we are hoping to finalize a deal with.

D: Will it be character specific?

K: Yup. Right now for Charlie and Katie, and then next season we will have pieces for Charlie, Boone, Maggie, Katie and Kim and some jewelry pieces for Tommy. So that’s where I’m at right now with it..

D: Do you know the price points or price range?

K: Um, yeah it’s more depending upon the amount we get manufactured. The shirts are around $100 dollars, the jackets for Katie will range between $250 and $400 and the Jewelry will range between $50 and $100. It’s all good quality stuff, because it’s all items that I’ve made for the show.

D: Do you have any plans to do a Kelli Jones label?


K: Yes, we are working on that right now actually. We are starting with Sons of Anarchy and then kind of rolling into a more high fashion women’s line. My goal is to design a women’s line that’s sort of biker-chic, rocker-chic women’s line in the next couple of years. So we are hoping that will go into development soon.

D: That’s exciting; I hope you will keep us posted. Lastly just wanted to quickly ask you one last question about the show. Who is your favorite Character to dress?

K: Honestly, it’s really kind of between Charlie and then Kim and then Tommy. Charlie is straight hip-hop. It’s oversized, he dresses like a dude, and he really rocks every element of his character on set. Kim and Tommy are both really funky and Tommy wears these Buddah beads, and all these crinkled leathers. Then Kim wears these, Theo calls them his Wonder Woman cuffs. He always gives Kim a ton of {explitive} on set.

D: Is there a ton of joking back and forth on set?

K: It’s unbelievable. The cast is ridiculously in love with each other. It’s constant, it’s not so much like pranking but it’s more along the lines of constant ripping on one another. These guys have razor sharp whit. There couldn’t really be a more loving vibe on set. It’s really great…

D: So can you tell us what’s happening in season six? How much time do you have to develop character looks?

K: I normally have about five to six days to develop and I’ve just read the first two episodes for season six. But I would probably literally be killed if I said anything about the season that is not already out in the press. But it’s going to be awesome. There’s a lot of crazy stuff that I was even surprised about.

D: Can you talk about the style--are there dramatic changes?

K: There’s a couple of new characters, there’s like a sassy vixen that comes in. She’ll be pretty sexy—last season Katie’s character was really messed up. So this season I’ve made her a bit more put together. I’m not so sure what’s going to happen with Maggie’s character. So we will have to see. It’s really on a per-script basis.

by Dana Elizabeth


Kate Moss, Rosie Huntington-Whitely and Miranda Kerr are all prime examples of how to look like an Off-Duty Model. Check out our top picks to achieve this effortlessly chic, understated look.


Get inspired with our top stylish picks to help you stand out for date night.

Photographer: Nicole Corbett @ www.nicolecorbett.com

Photographic Assistant: Kiri Wawatai

Model: Lucy McIntosh @ Photogenics LA

Makeup Artist: Sue Marshall @ www.suemarshall.com

Fashion Stylist: Carlos Mangubat @ Unsigned Management

Fashion Stylist Assistant: Lucy Cooke

Location:The John Olsen Penthouse at The Olsen Hotel


HOTEL CALIFORNIAby Nicole Corbett

Pants KeeganCuff Fun Accessories


Jacket Isabelle MarantCuff Fun Accessories

Shorts Lisa TarantoEarrings Marianna Giordana

Tank Pierre BalmainHeels YSLLeggings Stylist’s Own

Jacket Isabelle MarantCuff Fun AccessoriesSkirt Keegan

Dress Social StudioBangle Louis Vuitton


Sun LoversCreative Director/Photographer: Stephanie Matthews

A Luxury Global Production

Producer: Suraj Maraboyina

Creative Director/Photographer: Stephanie Matthews

Fashion Stylist: Sunii Hendrix

Makeup: Sian Richards

Hair: Guy Romeo

Lighting Assistant: Naoe

Amanda Siobhan

Models: Amanda Siobhan and Marina Vorobeva, courtesy of Pinkerton Models LA

Model: Alexander Parra, courtesy of NEXT Models LA

Special thanks: Art Brooks, Art Brooks Sea Co (luxury yacht)


Sun LoversCreative Director/Photographer: Stephanie Matthews

Sheer Stretch Chiffon Encrusted Orange Gown: Lloyd Klein Freeform Circle Earring: Trina Turk

Fully Embroidered “Cascading Sunset dress w/capped sleeve: Lloyd Klein Black Onyx Square Studs: Michael Kors

Sheer Stretch Chiffon Encrusted Orange Gown: Lloyd Klein Freeform Circle Earring: Trina Turk


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Organza Layered Bodice Wrapped in Chantilly Lace - multi layered organza skirt: Goldsmith & Klein Gold Fish Grain Crystallized Cuff - (price upon request): Moonisa


One Shoulder Black & White Abstract Gown: Goldsmith & Klein Black Resin Bangles: Trina Turk


Tuxedo Gown with Matte Bodice: Lloyd Klein


Silk floral print gown with puff sleeves: Malena Ruth

Seersucker Tailored Vest & Slacks: Gianni White Button down shirt: Giorgio Armani


on her: Ribbon Halter Gown w/Bow Belt: Kevan Hall, Bracelet & Bauble Ring: Ice

on him: Gianni Seersucker 3pc suit Giorgio Armani White Button down shirt

Breeze Me Collection: Jean Fares Pierced Bangle,White & Gold Link Bracelet: Trina Turk Gold Leaf Earrings: Natasha


Seersucker Tailored Vest & Slacks: Gianni White Button down shirt: Giorgio Armani

Breeze Me Collection: Jean Fares Pierced Bangle,White & Gold Link Bracelet: Trina Turk Gold Leaf Earrings: Natasha


Jacket: Brian Lichtenberg

Cuff: Etoile Jewelry

Ring: H&M


Bai LINGInterview with Bai Ling - By Dana Elizabeth

1)Bai, recently your latest film was shown at Cannes film festival. Can you tell us about the film, and what was your role?

It’s funny when I think of Cannes, I think of all the great directors and films that I love to sup-port and to watch, because they are the best ones from all over the world. I told myself once; I will never go to Cannes unless I have a film there in competition. Then, soon after, my dream came true. I was there the very first time for my movie “Southland Tales” For the competition. This year I was very lucky that I went to the opening night of the film “The great Gatsby”. I just love the period portrayed by the film, and wished I was in it because it has so much romance, and poetry, and that’s what France means to me. I remember my Mother told me when I was a child: “Angel, when you grow up, you must go to Paris, and then you will understand what romance means. Where all the French novelist, painters, film makers are talking, singing, and painting love. I have been romantically in love and dated a few French men; they are actually very romantic...” I also went to the Steven Soderbergh film premiere since I have always loved his films. He is modern and edgy. One time I met him and told him how much I admire his films, and he said: “Thank you, Bai Ling you are a very good actress too!” I am not sure if he remembers it, but I would love to have our paths cross and to work together on a beautiful film. And Michael Douglas and Matt Damon were incredible in his films; I enjoyed it so much and was moved by its tragedy. I was also there to support Ang Lee as well, funny thing is I have worked for him in one of his early films. I did the English voice for his female lead in the film “The Wedding Banquet”, he told me: “Bai Ling, if you do this for me, I will promise to work with you one day….” I would love to, but weather we are going to work together or not, I am a big fan of his work, and I will always support him, and be so excited to watch his new work as he is simply brilliant!!! I had such a great time in Cannes, and will talk about my film when it comes out.

2) Talk to us about your role as Michelle in “Killer’s Creed”, is that coming out this year?

Haha, I love my character “Michelle” in this film, I had so much fun; she is an action hero and an assassin, she kicks ass the whole time in the movie, and I did my own stunts haha!!! It’s so hard to find a good role as an actress to kick Ass on screen and also show our femininity and vulnerability. I always give my character heart and soul, no matter how good the action is, but if the character is without a soul and heart, then there will be no life, so you can’t touch peo-ple’s heart by just kicking ass, we must give her sensitive emotions and tender love as a woman.


I think the most beautiful quality as a human being is to do everything start to finish from the heart, and reaction through the soul. I gave a soul and heart performance to Mi-chelle, which is why I think the audience, will care for her, enjoy her, and be moved by her very much. She is real, and alive. I Hope you enjoy watching her.

3) Out of all the character’s you’ve played, which character or sense of style is closest to your personal style?

Haha, this is a tough question, because I have many styles as Bai Ling, I have 8 little spirits, they all have their own unique styles, and they are all a part of me. Also my style changes all the time depending on my mood. Let’s see, maybe you can tell me better than me, because sometimes we don’t really see ourselves precisely or as clearly from the inside. But I know lately I am showing the elegant, classy, sophisticated side of me and my style because it gets lost sometimes when I am having too much fun and getting too crazy, yes sometimes I am just a child. That is the part and style I enjoy the most, the freedom and careless joy and colors, the loud vivid laughter, yes it can very well show in one’s style!!! Children are beautiful and innocent so let’s remember and live like that, because if you do, then all styles become possible, because we are free and open. That is how all the different styles entered in to all my different characters.

4) Describe your style?

My style is as free as the speed of the wind, as colorful as the sun, lights changing colors, as moody as the 4 seasons take their turns, as joyfully as I like, to dare to put all the bright colors and styles and happiness as clothes on my body depending on my mood, yes my style is free, bright, unlimited and always unpredictable and unique, and comfortable yet surprises you… No matter what you are wearing you have to feel comfortable, you have to own it, it’s like owning your move-ment, speech, action, your body, you have to make the clothes become part of you, part of your mood, your feelings and your love…… yes, I might take this question a little further, when your heart desires, when your body longs for its touch, then the clothes you are wearing will speak to you, to others, because


Ring: H&M


Earring: Autumnlin Atelier

Shoes: Wild Rose



Ring: H&M



Shoes: Wild Rose

Fur: Zalez Studio

Necklace: Etoile Jewelry



Ring: H&M




you own it, then it will become a natural part of you. So I actually can make any style work, because my body and my spirit is unlimited, I love to seduce and dance with the style and the clothes that touch my body. It’s sexy, and it has to be! A Women’s confidence is her most attractive element; it will make her style work, and be successful at what she does.

5) How do you feel Los Angeles style has evolved since you started in the industry?

Haha, Los Angeles, is like a floating dream to me, I am always gone, then suddenly back and lost in its heat and wind and the most stunning clean blue sky and blue sea, yes Los Angeles has no style yet accepts every style, because the nature of the land is set at ease, because of the beach and the endless summer. I think people care more about their body than what they are wearing; I like this part of Los Angeles, cause its free. We are not limited to any styles here in LA, yet we can celebrate any style. I think the changes are coming from the younger generations, because Holly-wood became the dominant culture of Los Angeles, this is the changing, less couture but more on the surface of the style itself. Somehow I see more and more people everywhere look the same, same hair, same lips, same muscles and same smiles……too much plastic surgery. Sadly that is the change where people have lost their own beautiful uniqueness and authenticity. But personally I love those old Hollywood movies, the style at that time, so classy and sexy; It also shows the individuality of the beautiful characters. So be you and wear the culture of who you are and what you like.

6) What fashion trend do you hate the most in Los Angeles?

Haha, it’s a funny question for me, because I took all the negative words out of my life, so when I hear this question, I start to see, as I mentioned, all the same blonde hair styles, Length, and the same bags and shoes everyone is wearing, again I wonder; why all the same??? That’s the part of Los Angeles that bores me!!! Cause some peo-ple have lost individuality and character, everyone follows, follow the stars. People are so afraid of what other people will like or not like or accept them? But this will kill the beautiful individuality and creativity


Ring: H&M



Top: Haus of Love Boutique

Skirt: La Maison de Fashion, Inc.

Ring: H&M

Shoes: Wild Rose


that people were born with. As I always say, be you, be the brilliance of who you are, regardless what anyone says.

7) Which fashion trend do you love the most, in respect to Los Angele’s style?

The freedom of the mind, when you are free as an individual, then I know you will chose to wear something or anything beautifully regardless of the style. Fashion styles are made by people and society, but we have the power and the vision to not be limited by the style we learned and followed, but instead be the ones to change and challenge and set up the new trend for the feature! I support any unpredictable daring styles just as I support the human beautiful free individual spirit.

8) If you could assume the role of any one of the characters you’ve played over the last ten years, which character would you want to be and why?

Top: Haus of Love Boutique

Skirt: La Maison de Fashion, Inc.

Ring: H&M

Shoes: Wild Rose



Haha good question, But I want to be all of them, and I am all of them! Because I created all of them, so it is me, each one is a part of me. But to answer your question: I want to be Bai Ling! She made all the characters and styles possible. She made the real magic, life, and fun creations in her. And this is huge and needs to be noticed and celebrated, you know why? Because in order for the world to be fun, brilliant and colorful, and a beautiful place for us to live in, we have to encourage and protect and celebrate the individuality that each of us is born with. I think I was lucky I was not born in this country, so the limitation of the culture does not apply to me, so I am free. So I am saying this just to encourage you, my dear friends, because you are brilliantly unique! Please be proud of you, be proud of who you really are, this is the Bai Ling I know my fans like, and I enjoy being.

9) How do you feel the world, and specifically America views you as an actress?

I feel I am just getting started. I feel that I am very lucky! I am so excited about the future, in fact I just got a wonderful film offer, yes through my audition, I got


Dress: Rocky Gathercole Atelier

a beautiful film that is based on a Nobel Prize winning novel, and the leading female role I got was originally written for a white actress. I am so thrilled and excited, and so much looking forward to playing the stylish yet complicated sexy young woman! I feel loved by my fans from all over the world and I feel so lucky to have worked with so many top talented people in Hollywood and I see and feel the endless opportu-nities. These gifts have all landed on the road I am walking on right now, so this is a very exciting time for me! I know when people really get to know me; they will appreciate me, especially as an actress. I am here in Hollywood only because I have a gift to give as an actress and this is my mission in life. So I have to be here to give that gift, because our gift is not for us to keep, but to give. I know people feel my soul and my heart and my sincerity as an artist. I know in the Hollywood industry, lots of talented people value my talent as an actress, and my mysteriousness. We are all trying to find that role for me to perfectly give my talent to. I am glad I have a voice both as an actress and human being to express love, courage and faith. Hollywood recognized me from the very beginning, and gave me my first acting award for my very first leading role in “Red Corner” with the handsome Richard Gere, I won the breakthrough performer from my role and many have said my role both in “Red Corner” and “Anna and the king” are Oscar quality performances. I am happy about them, because I worked hard to make sure my heart was in any roles that I play and I give my passion and honest truth to each of the characters I played. I also won 4 very important acting awards in Asia, for the film “Dumplings”, including the Asian Oscar. In time, I know people will understand and recognize more of me as a talented actress. Many talented directors and producers will want me to be in their movies. I am proud and grateful, positive and hopeful, and I always trust the land of America that we call in Chinese: A beautiful country.

10) If you could tell your fans something unique about your-self, perhaps a secret that no one knows, what would it be?

haha… I want to have someone I love, to be together with forever and ever and to have a family. I am such a traditional girl inside, no matter how wild and crazy I might seem to be, but inside I want to show the world how I love as a wom-an, I want a wedding:) Wow I cannot believe I said it!!! But YES!!!!!!!

11) Name another Hollywood actor/actress that you’d love to work with next?

Wow so many….. I’ve had the chance to work with some wonderful talented actors over the years, like Will Smith, Richard Gere, Jude law, and Jason Statham. There are so many talented actors in both Television and film that I’d really enjoy working with someday like, Russell Crowe. I was hanging out with Hugh Jackman one time at the golden globes and he is extremely funny and super super nice. I would also love to work with Tom Hanks, George Clooney, Matt Damon & Ben Affleck(I actually worked with him in a film called: “Man about town”, our scenes are so hilarious

and I was so happy for him while I was in China watching the Oscars, I jumped out of my bed when he won! And I always love to work with Brad Pitt and the talented likes of: Kevin spacey, Christoph Waltz(Django), Ryan Gosling, Jean Dujardin(The artist), Robert Downey Jr.(Iron Man), and Viggo Mortensen,(Lord of the Rings) and of course my other 3 favorites: Lenoardo DiCaprio, Tom Cruise and the fantastic Johnny Depp. I would also like to work with Channing Tatum, because he has worked with 2 brilliant directors that I have met and wanted to work with so much. One is Steven Soderbergh, and the other is Roland Emmerich. I always call Roland my ex-president, cause we were together at the Berlin film festival where he was our jury head and I was his jury member. I so want to be in his next “Independent day 2”, maybe they got a Chinese secret agent in the white house or an alien:) and the new super man Henry Cavill:) There are also so many terrific actresses whose work I admire: Jessica Chastain(Zero Dark Thirty), Kate Winslet(Titanic), Bryce dallas Howard (The help) and of cause Meryl Streep. I would be so crazy happy if I could work with her and Tina Fey and Amy Poehler are so funny and smart. To name more: Angelina Jolie, Jessica Alba, Anne Hathaway, Keira Knightley, Jessica Biel, Scarlett Johansson, Mila Kunis, Kate Beckinsale, Jennifer Aniston, Wow SO many:)

12) Is there any celebrity in Hollywood, whose style you simply can’t stand? who would that be?

No I don’t really have one, because I don’t really pay much attention to anyone’s style, I care more and am attracted to the internal characteristics of a person. I might tell you this: maybe there is someone’s style you don’t like, but I might find it charming. I would like the world to have as many styles as possible, even the ones you don’t like. Because then our world becomes much more alive and colorful.

13) Are you excited about the photo shoot today at The LA Fashion Magazine and do you think it reflects your own style?

I am very excited about the shoot, because I have not worked with this photographer and that’s exciting because of the new energy and the unknowing results excite me. I love all those fun unique styles of the clothing, like a kid goes to a candy store, they are so fun. This style I think is not the usual Bai Ling, but one of my many wild mischie-vous artistic sides. Only one thing, I just hope there will be more elegant dresses for me to show the sophisticated me, well hopefully in the final result that will be achieved.

14) What are some places you love to visit when you are in Los Angeles?

The spa where I live near the blue sea, I go almost each day, I love to be heated in the sauna room and my body in touch with the heated water, so relaxing. Also the


Starbucks near where I live, and then Beverly Hills to shop and eat good food, because it is such a high end place that has everything the top designers are working so hard to accomplish. The Getty museum is a fascinating place that I love to visit. I even took my mom there, on the top of the mountains where you can forget about yesterday and tomorrow and just be there for the breathtaking moments of the great art and the fresh stunning view. And sometimes I go to Mortuary Park for the traditional spicy Chinese hot-pot, so delicious. I love spa and massage, just so relaxing as if you are in a tender dream…

15) Are there certain places you love to shop, when in Los Angeles?

Besides Beverly Hills, I go to Melrose, because they have many funky things that are like a candy store for me. I like to be free and individual, so sometimes I find unique things that others don’t. But I really shop everywhere because often when you want to buy something you never find it, just like love:) but when you just walk around then something just catches your eyes and I will just buy it. I also shop a lot in Europe and Asia, because I am petite, so they have unique petite dresses that fit me. I never like to do alterations, it has to fit me perfectly, which is almost impossible!

16) Who are your favorite designers and why do you love them?

Wow, there are many designers that I love, I love all the prestige classy designers like: Chanel, Gucci, Dolce Gabbana, Prada, Louis Vuitton, Versace, Dior, Giorgio Armani, and I wore the talented Indian de-signers Rohit Gandhi+Rahul Khanna for “The Great Gatsby” premiere at Cannes:)

I love them because they are classy and they have character. The designers design the clothes not just for money but for the art of it, for the joy and beau-ty - that is the tradition and that is why I like them, because there is a history, culture and a story in it. And you can see characters in them with a history and passion, that’s very beautiful, because then the clothes become an art form, like a beautiful art piece that is displayed on our body.

白白

Bai Ling

Photography: Rodney Ray www.rodneyrayphotography.com

Produce: Lu Zhang

Makeup & Hair: Crystal Boyce Exclusive Artists Management

Stylist: Lulu & Loro


Didit Hediprasetyo Autumn-Winter 2013/2014

Couture Collect ion

106 The LA Fashion magazine The LA Fashion magazine|107

The skyline of Hong Kong rises up in the foreground. The haunting music of In the Mood for Love arouses the senses. The heels of a woman in “cheong-sam” are heard clicking on the tarmac. In these instant snapshots of today and yesterday, Didit Hediprasetyo seeks the answer to a certain question: how to define the essence of contemporary couture.

For Autumn-Winter 2013-2014, the Indonesian born couturier rolls out an imaginative world based on the Chi-nese qipao, nourished by a mixed energy of Parisian sensuality and the spirit of American East Coast. There is a never-ending procession of suits. An interminable cobalt jersey dress sports a leather mandarin collar and sleeves made entirely of silk lace. Another in wool sends modesty into a panic by revealing a corset-style.

The line remains pure when an asymmetrical leather jacket is superimposed onto a strapless knitweardress. Urban life, too, is present in trousers with an unstoppable tracksuit spirit, worn casually under astructured shoulder cape with calf hair lapel. On the head, soft suede leather baseball cap, and on the feet, crocodile Oxford platforms with the Didit Hediprasetyo label are poised to stroll down fromthe streets of Rive Droite, Lan Kwai Fong, to Williamsburg.

Couture well-rooted in its times, of course, like the navy blue cotton knit strapless long gown, withsublime embroideries delineating the scalloped petals of a carnation on the hip, or a shirtfront madeby the Atelier Lesage


SUMMERTIMEb y R a i n e r S u c kPhotographer: Rainer Suck www.rainersuck.com

Styling by Saray Mena

Make-up by Jenna Nader

Hairstyling by Gregory Mastrostefano gregory-mastrostefano.book.fr Models: Katherina, Julia & Axel @ aqua-models.com

yacht from charteranddreams.com


Swimwear : Mi&co Men shorts : Designer Sergi Ferrer Sunglasses : H&M


Swimwear : Mi&co Blouse : H&M Shoes: Zara

Swimwear : Mi&co Blouse : H&M

Men shorts : Designer Sergi Ferrer

Swimwear : Mi&co Sunglasses : H&M

Swimwear : Mi&co

Bikini : Mi&co Blouse : H&M

Swimwear : Mi&coBlouse : H&M Men shorts : Designer Sergi Ferrer

Swimwear : Mi&co Sunglases : H&M Shoes : Eram

Swimwear : Mi&co

Swimwear : Mi&co Sunglases : H&M Shoes : Eram

BCBG Max Azria Resort Collection 2014Photo: Phil Fernandez www.philfashionphotography.com

Hair : Fred Segal Salon (using Phyto Hair Care)

Makeup: Temptu Air Brush Makeup Team

Wardrobe:BCBG Max Azria Resort Collection 2014


Photography by Phil Fernandez (www.philfashionphotography.com)

Hair : Fred Segal Salon (using Phyto Hair Care)

Makeup: Temptu Air Brush Makeup Team

Wardrobe: BCBG Max Azria Resort Collection 2014

Venue: Max Azria’s Estate Beverly Hills, CA


july-august 2013 issue

Documents

blue dress

ultimate beauty

look tanning bar

american vintage coral

latest beauty

flash milangrey dress

shaped eyebrow lash

accessorizecolored braceletes