july 18 6:30pm sommer center summer music festival 2018 filesuzuki strings camp program july 18...

Concordia Conservatory presents

Summer Music Festival 2018 featuring Suzuki Strings Chamber Music Songwriting & Composition Vocal Arts Rock Band July 18 6:30 & 7:30 pm July 19 6:00, 7:00 & 8:00 pm Sommer Center & Schoenfeld Campus Center Concordia College New York

Suzuki Strings Camp Program

July 18 6:30pm Sommer Center

Brandon Chen, violin Ryan Childs, cello

Catherine Dorr, violin Heath Dorr, guitar

Evelyn Goddard, violin Emily LaMons, violin

Alexander Makarov, violin Anna Makarov, violin

Caroline O’Hagan, violin Dahlen Peters, violin Struan Peters, guitar

Kai Rios-Chanse, guitar Mika Sakamaki, guitar Sara Yoshida, piano

Faculty: John Chang & Hubert Chen Counselors: Alexis Pinto & Andrew Swensen

SummerFest_ProgrmContent_finl.indd 1 7/16/18 5:07 PM










Chamber Music Camp Program

July 18 7:30 pm Sommer Center

Tafelmusik G.P. Telemann

I. Quartet in G Major, TWV 43:G2 Largo–Allegro–Largo

Alex Chitu, flute Momo Kobayashi, Emma Keegan, violins

Benjamin Araujo, harpsichord If Momma Was Married J. Styne

from Gypsy Coco Smith and Julia Ognibene, voice

London Trio No. 1 F.J. Haydn

I. Allegro Yoav Meron, Yair Meron, violins

Helena Taseva, cello Minuet from Alcina, HWV 34 G.F. Handel

Yui Sakamaki, violin Charlotte Dorr, harp

My Favorite Things R. Rodgers from The Sound of Music

Katie Miller and Reagan Bajus, voice Sonatina G. Ligeti

I. Allegro II. Andante III. Vivace

Ben Wien and Benjamin Araujo, piano











Chamber Music Camp Program


Tafelmusik G.P. Telemann

I. Quartet in G Major, TWV 43:G2 Largo–Allegro–Largo

Alex Chitu, flute Momo Kobayashi, Emma Keegan, violins

Benjamin Araujo, harpsichord If Momma Was Married J. Styne

from Gypsy Coco Smith and Julia Ognibene, voice

London Trio No. 1 F.J. Haydn

I. Allegro Yoav Meron, Yair Meron, violins

Helena Taseva, cello Minuet from Alcina, HWV 34 G.F. Handel

Yui Sakamaki, violin Charlotte Dorr, harp

My Favorite Things R. Rodgers from The Sound of Music

Katie Miller and Reagan Bajus, voice Sonatina G. Ligeti

I. Allegro II. Andante III. Vivace

Ben Wien and Benjamin Araujo, piano


Venetian Song P. Tosti

Coco Smith, Katie Miller, Reagan Bajus and Julia Ognibene, voice Ode à Cassandre P. Ronsard, A. Jacques

Benjamin Araujo, voice Emma Keegan, violin Sofia Bolaños, guitar

Heiterkeit und leichtes Blut W.A. Mozart

Coco Smith, Katie Miller, Noelle Butler, Reagan Bajus, Julia Ognibene, Olivia Damasco, voice

Trio in C Major, RV 82 A. Vivaldi

I. Allegro Emma Keegan, violin Sofia Bolaños, guitar

Benjamin Araujo, harpsichord Self Portrait in Three Colors C. Mingus

Benjamin Murabito, clarinet Olivia Damasco, alto saxophone

Nicolas Massimi, tenor saxophone Lauren Brewster, guitar Helena Taseva, cello Julio Berdote, trumpet

William Giegerich, Ben Wien, piano Alexander Hart, bass

Medley from Kiki’s Delivery Service J. Hisaishi, arr. K. Kreindler

Camp Chamber Orchestra

Faculty: Keith Kreindler, Sheri Hammerstrom, Jon Klibonoff, Emanouil Manolov & Caroline Park

Counselors: Olivia Damasco, Nicolas Massimi, Noelle Butler, Andrew Swensen & Lauren Mickley

Songwriting & Composition Camp Program


Flip Flops Sofia Bolaños

Sofia Bolaños, guitar Aaliyah Hartenstein, guitar

Jazzy Alexandra Chitu

Ben Wien, piano Skippy Alexandra Chitu

Keith Kreindler, bassoon Jon Klibonoff, piano

Sunair Fluet Aaliyah Hartenstein

Alexandra Chitu, flute Noelle Butler, guitar

The Stages of Sleep William Giegerich

Stage 2 Stage 3 Stage 4

Hubert Chen, violin Annette Espada, cello Jon Klibonoff, piano

Bunny Blues Julia Ognibene

Alexandra Chitu, flute Aiden Hartenstein, bass

Spaventoso Julia Ognibene

Jon Klibonoff, piano


Driano Fluitar Aaliyah Hartenstein Alexandra Chitu, flute

Aaliyah Hartenstein, drums Ben Wien, piano

Sofia Bolaños, guitar The Determined Traveler Andrew Swensen

Jon Klibonoff, piano Erratic Sofia Bolaños

Alexandra Chitu, flute Keith Kreindler, clarinet

Sofia Bolaños, guitar Dark Streelights Andrew Swensen

Keith Kreindler, alto saxophone Matt Van Brink, piano

Faculty: Julie Schmidt & Matt Van Brink

Vocal Arts Camp Program


Music of Lerner & Loewe Cabaret

Brigadoon A.J. Lerner, F. Loewe from Brigadoon

Company

The Heather on the Hill A.J. Lerner, F. Loewe from Brigadoon

Coco Smith

Almost Like Being in Love from Brigadoon

Sebastian Mord

Waiting for My Dearie A.J. Lerner, F. Loewe from Brigadoon

Why Can’t the English A. J. Lerner, F. Loewe from My Fair Lady

Ben Wein

Wouldn’t It Be Loverly from My Fair Lady Katie Miller, Fiona Barr, Wylie Coleman, Lauren Mickley

With a Little Bit of Luck A. J. Lerner, F. Loewe from My Fair Lady

Zack Garipoli, Sebastian Mord, Ben Wein

Just You Wait A. J. Lerner, F. Loewe from My Fair Lady

Fiona Barr


Quit, Professor Higgins A. J. Lerner, F. Loewe from My Fair Lady

Company

The Rain in Spain A. J. Lerner, F. Loewe from My Fair Lady Coco Smith, Ben Wein, Zack Garipoli, Sebastian Mord

I Could Have Danced All Night A. J. Lerner, F. Loewe from My Fair Lady

Maya Madhavan, Margo, Elizabeth Cioffi Ascot Gavotte A. J. Lerner, F. Loewe

from My Fair Lady Company

On the Street Where You Live A. J. Lerner, F. Loewe from My Fair Lady

Zack Garipoli Without You A. J. Lerner, F. Loewe

from My Fair Lady Elizabeth Cioffi

The Simple Joys of Maidenhood A. J. Lerner, F. Loewe

from Camelot Lauren Mickley

Camelot A. J. Lerner, F. Loewe

from Camelot Company

Faculty: Sheri Hammerstrom & Jon Klibonoff

Counselors: Olivia Damasco, Lily Slaughter & Noelle Butler

Program Notes Alan Jay Lerner and Frederick “Fritz” Loewe together wrote some of Broadway’s most enduring and endearing musicals beginning in 1942. Their first hit collaboration was in 1947 with “Brigadoon,” (Brigadoon, Heather on the Hill, Almost Like Being in Love, Waiting for My Dearie) a fantasy set in Scotland, where a mysterious village appears once every hundred years. A visiting hunter falls in love with a beautiful woman from Brigadoon and steps into its magic circle forever. With its lively score and choreography by Agnes de Mille, Brigadoon was made into a successful motion picture and is frequently revived on Broadway and around the world. It is generally acknowledged that the duo hit their creative peak in 1956 with “My Fair Lady,” based on “Pygmalion” by George Bernard Shaw (currently on Broadway in a sumptuous revival). Their sparking score, including soaring ballads, English musical hall production numbers, and unforgettable character songs, led to its winning seven Tony Awards, including Best Musical. It also made its leading lady, a young Julie Andrews, an international star. A broad array of numbers from the show are being sung tonight (Why Can’t the English, Wouldn’t It Be Loverly, With A Little Bit of Luck, Just You Wait, The Rain in Spain, I Could Have Danced All Night, Ascot Gavotte, On the Street Where You Live, Without You). In 1960, Lerner & Loewe collaborated on “Camelot,” a musicalized version of the King Arthur legend based on T.H. White’s “The Once and Future King.” With a cast led by Richard Burton, Julie Andrews and Robert Goulet, the production, which won six Tony Awards, featured some of Broadway’s greatest hits and remains a staple in high school theatre programs and touring productions. The idealism of the story inspired President John F. Kennedy, and his presidential administration and elusive family was forever dubbed “Camelot.” Tonight, we present two songs from this show - The Simple Joys of Maidenhood and Camelot. Lerner and & Loewe received many awards including the Kennedy Center Honors in 1985. The rank among the great musical theatre songwriting duos of the 20th century along with Rodgers and Hammerstein, Rodgers and Hart, and George and Ira Gershwin.


Program Notes

Alan Jay Lerner and Frederick “Fritz” Loewe together wrote some of Broadway’s most enduring and endearing musicals beginning in 1942. Their first hit collaboration was in 1947 with “Brigadoon,” (Brigadoon, Heather on the Hill, Almost Like Being in Love, Waiting for My Dearie) a fantasy set in Scotland, where a mysterious village appears once every hundred years. A visiting hunter falls in love with a beautiful woman from Brigadoon and steps into its magic circle forever. With its lively score and choreography by Agnes de Mille, Brigadoon was made into a successful motion picture and is frequently revived on Broadway and around the world. It is generally acknowledged that the duo hit their creative peak in 1956 with “My Fair Lady,” based on “Pygmalion” by George Bernard Shaw (currently on Broadway in a sumptuous revival). Their sparking score, including soaring ballads, English musical hall production numbers, and unforgettable character songs, led to its winning seven Tony Awards, including Best Musical. It also made its leading lady, a young Julie Andrews, an international star. A broad array of numbers from the show are being sung tonight (Why Can’t the English, Wouldn’t It Be Loverly, With A Little Bit of Luck, Just You Wait, The Rain in Spain, I Could Have Danced All Night, Ascot Gavotte, On the Street Where You Live, Without You). In 1960, Lerner & Loewe collaborated on “Camelot,” a musicalized version of the King Arthur legend based on T.H. White’s “The Once and Future King.” With a cast led by Richard Burton, Julie Andrews and Robert Goulet, the production, which won six Tony Awards, featured some of Broadway’s greatest hits and remains a staple in high school theatre programs and touring productions. The idealism of the story inspired President John F. Kennedy, and his presidential administration and elusive family was forever dubbed “Camelot.” Tonight, we present two songs from this show - The Simple Joys of Maidenhood and Camelot. Lerner and & Loewe received many awards including the Kennedy Center Honors in 1985. The rank among the great musical theatre songwriting duos of the 20th century along with Rodgers and Hammerstein, Rodgers and Hart, and George and Ira Gershwin.


Camp Band Bash Program

July 19 8:00 pm Schoenfeld Campus Center

Beyond Gravity Ryan Childs, keyboard

Kai Rios-Chanse, keyboard Aaliyah Hartenstein, drums & vocals

Nic Massimi, guitar

You Really Got Me The Kinks Wild Thing The Troggs Twist and Shout The Beatles

The Swamp Coleman Breining, guitar & vocals

Max Palazzo, guitar Aidan Hartenstein, bass & keyboard

Ethan Sanna, keyboard Jacob Martin, drums

Day Tripper The Beatles Little Black Submarines The Black Keys Breaking the Girl Red Hot Chili Peppers Jump Van Halen Burnin' For You Blue Oyster Cult

Faculty: Bob Gingery

Counselor: Nicolas Massimi


Concordia Conservatory presents The 19th Annual Holiday Community Musical

A CHRISTMAS CAROL by John Higgins Stage Director: Greg Suss Music Director: Jon Klibonoff Choreographer: Ana Dimas Audition dates: September 28 (3 – 6 PM) September 29 (9 AM – 12 PM) Audition Location: Stein Hall Performance dates: November 30, December 1 & 2 Auditions are open to individuals from ages 8 – 22. Since 1999, Concordia Conservatory has produced an annual holiday musical as a tuition-free community outreach program featuring performers from ages 8 – 22. Audition requirements include singing a song of choice which best demonstrates one’s vocal ability, and those auditioning are required to bring sheet music to the audition. An accompanist will be provided. All auditioners will be asked to dance and should be prepared to read a selection from the provided script if asked. Interviews will be held for all backstage production staff (ages 8-22) - stage managers, props, lighting, set construction, make-up and hair will be held during the audition times listed above. Concordia Conservatory’s vision is to inspire, instruct and enrich lives through music offering excellence in education and performance.


For years, you vowed that you would learn but never felt that you had the time. When you retired at age 68, you found a teacher you loved, and all the pieces fell into place. Now 75, you play every week with a chamber ensemble at Concordia Conservatory.

There are two reasons we hear over and over again:

“�I�finally�have�time�and�have�always�wanted� to�learn�an�instrument�or�sing.”� AND “I�didn’t�realize�how�much�I�would�miss�it.”

Conservatory adult students are a very diverse group, Ranging in age from 18 to 90+, they include musicians and singers at all skill levels, from absolute beginners to adults who studied an instrument seriously as children or teens, took a break, and then returned to music.

Whether you are learning an instrument for the first time, returning to play after a long hiatus, or wanting to polish your musical skills, the Conservatory has a flexible, friendly and fun, for students get started. 20% off weekday adult private lessons completed by 3:30pm.

WHAT INSPIRES ADULT STUDENTS TO RETURN TO AN INSTRUMENT, OR TAKE UP A NEW ONE?

FLEXIBLE REGISTRATION PACKAGES & DISCOUNTS FOR BUSY ADULTS

For�more�information�call� Executive�Director,�Kathleen�Suss�� 914-395-4507

WHAT’S THE IDEAL AGE TO TAKE UP AN INSTRUMENT?AGE 18, 40 OR 80+


july 18 6:30pm sommer center summer music festival 2018 filesuzuki strings camp program july 18...

Documents