jpeople magazine №13

1JPEOPLE13 B R A N D F I L E

SEX • VIOLENCE • GHOSTS • REINDEER • ASTRONAUTS

4

Jp e o p l e13 Co v e r

PhotographyKat ja Hentsche l - www.kat jahentsche l . com

Ass istantMar len S tah lhuth

Sty l ingMar i jana Cond ic - www.mar i janacond ic . com

ModelGeorg ina - P lace Mode ls Hamburg - www.p lacemode ls. com

Sty lesDress: Moga e MagoNecklace: Sabr ina Dehof fHai r lace: B less

13 De s i g n e r s i n Be r l i n

PhotographyKat ja Hentsche l

Ass is tantMar len S tah lhuth

Sty l ingMar i jana Cond ic

Hai r & Make UpChr i s t ina Moiss l - www.chr i s t inamoiss l . com

ModelGeorg ina - P lace Mode ls Hamburg

Locat ionSa lon-Zur wi lden Renate - www.renate.cc

Fl o o r Th i r T e e n

PhotographyTob ias Schu l t - www.tob iasshu l t . com

Ass istantMichae l Schütze

Sty l ing Jenn i fe r Hahn - www. jenn i fe r-hahn.de

Ass i tantAgnes Fr iedr i ch - www.zoraka isa .de

Hai r & Make UpBen jamin Becher

ModelJe lena, Mode l Management Hamburg - www.mode l -management .de

Fe l i x , Body & Sou l Mode ls Hamburg - www.bodyandsou l -mode ls.de

Locat ionHote l Bogota Ber l in - www.bogota-ber l in .de

Co l D sT e e l

PhotographyBen Wol f

Creat ive Di rectorChe Andre Bergendah l

Sty l ingJenn i fe r Hahn

Ass istantAgnes Fr iedr i ch , Theresa Zerck

Hair & Make UpSarah Marx

ModelDenn is L i sk aka Denyo

Stunt CrewCan, Ess i , N ico, Raphae l

sT i l l l i F e

PhotographyMichae l Schütze - www.michae l - schuetze.com

Ass istantNico las Oswald

Sty l ingJenn i fe r Hahn

Al l Fashion Shoot ings in this Magazine are produced by Dropmobi le Creat ive Agency

exc lus ive ly for JPEOPLE Brandf i le :

c o n t r i b u to r s

Co n T r i B u T o r s

EditorsJus t in Dav ies - www.hashatas te r i skpercent . com

Mies Nob is - www.mies inber l in . tumbl r. com

S imon Lockwood

FeaturedKate Be l lmAnna L inders tamBrad DowneyConstant in Har tens te inMich ie l SchuurmanNetworkosaka

5

Letter from the Editor __06

Some Music __09

Rooms for Rent __12

What’s in a Number? __20 Esto Va Para Los malos! __22

The Homestead __30

Stitch and Bitch __36

Kate Bellm __60

Having Your Picture Taken Can Be Torture __68

Beavis and Butthead Go Camping __76

The Ghost Whisperer __86

A Man Of Many Letters __94

Big In Japan __104

Floor Thirteen __112

Cold Steel __120

Still Life __132

Imprint __140

G o o d s e n s e

A r t i s t f e A t u r e s

f A s h i o n

i n d e x

7

C o m i n g u p w i t h a t h e m e f o r t h i s

e d i t i o n o f J p e o p l e w a s a l o t e a s i e r

t h a n w e m a d e i t o u t t o b e . W e h a d

p l e n t y o f i d e a s r a n g i n g f r o m ‘ r e -

d i s c o v e r y ’ a n d ‘ u p s i d e d o w n ’ t o

‘ b r o k e n s o c i e t y ’ a n d ‘ d a r k n e s s ’ .

A n d w e d i d a w h o l e t o n n e o f

b r a i n s t o r m i n g a n d r a i n d a n c i n g

a n d h e a d s c r at c h i n g . B u t i n t h e

e n d i t a l l c a m e d o w n t o a n u m b e r .

1 3 . F o r s o m e p e o p l e i t ’ s l u c k y, b u t

f o r m o s t i t ’ s a f i g u r e w e ’ d r at h e r

n o t h a v e t o d e a l w i t h . A n d y e s d i d

w e e v e r d e a l w i t h i t . W e s e l e c t e d a

g r o u p o f a r t i s t s , s t o r i e s a n d p h o t o

s h o o t s t h at s o m e h o w f i t t o o u r

i d e a o f w h at 1 3 r e p r e s e n t e d . W e

t e m p t e d f at e , w e f l i r t e d w i t h d a n -

g e r a n d w e e v e n s e t u p a p h o t o -

s h o o t, i n a g r a v e y a r d n o l e s s , o n

F r i d a y t h e 1 3 t h . I t g o t d r o p p e d . N o

s h i t .

I n t h e e n d I d o n ’ t k n o w i f w e e x -

c e r c i s e d o u r d e m o n s . A s s o o n a s

w e w e n t t o p r e s s t h e r e w a s a c a r-

n i v a l o f a c t i v i t y t o p u l l d o w n a l l

t h e 1 3 p a r a p h e n a l i a f r o m t h e o f f i c e

w a l l s , a n d I w a s o n ly t o o h a p p y

t o r e m o v e t h e g i a n t 1 3 f o l d e r f r o m

m y d e s k t o p a n d d u m p i t o n a n o l d

h a r d d r i v e o u t o f s i g h t. I h o p e t h e

p r i n t e r s m a d e i t t h r o u g h O K , b u t i f

y o u ’ r e r e a d i n g t h i s o n a n i c e , h e a v y

s t o c k s h e e t o f a l m o s t- w h i t e A 4 ,

C o n o r C r e i g h t o n

t h e n I g u e s s t h i n g s w e n t o f f w i t h -

o u t a h i t c h .

W e h o p e y o u e n j o y J p e o p l e 1 3 . W e

g o t t o s p e a k t o y o u n g m o d e l s , o l d

g a n g s t e r s a n d a s t r o n a u t s . I f e v e n

h a l f o f t h e p e o p l e w e f e at u r e d c a m e

t o t h e w r a p p a r t y, i t ’ d b e t h e m o s t

m e m o r a b l e e n s e m b l e o f a l i f e t i m e .

W e d o n ’ t l i k e t o g i v e a d v i c e h e r e

a n d w e a r e n ’ t k n o w n f o r b e i n g

p r e a c h y, b u t w e t r i e d o u r b e s t t o

u n d e r s ta n d t h e n u m b e r 1 3 a n d

a f t e r t w o l o n g m o n t h s o f w o r k-

i n g c l o s e ly b e s i d e h e r , w e c a n ’ t

s a y t h at w e c a m e a w a y a n y m o r e

e n l i g h t e n e d . W h at y o u ’ r e h o l d -

i n g i n y o u r h a n d s i s a b a g o f s h a r p

k n i v e s , s o b e c a r e f u l . R e a d i t i n a

s a f e p l a c e s u r r o u n d e d b y p i l l o w s

a n d a w a y f r o m o p e n w i n d o w s . A n d

i f y o u ’ r e w a l k i n g a l o n g t h e s t r e e t

a f t e r w a r d s , D o l o o k r i g h t a n d l e f t

at j u n c t i o n s a n d i f s o m e l a z y b l a c k

c at c r o s s e s y o u r p at h , w at c h o u t

f o r a n y f a l l i n g p i a n o s .

Roomsfor

rent

Simon Lock-wood is a Ca-nadian born creative con-sultant for design, media and contem-

porary art.

G O O D S E N S E

Esto va para los malos!

26

“ONE DAY... THE MARA SALVATRUCHA WILL TAKE OVER THE UNITED STATES.”

G O O D S E N S E

Esto va para los malos!

27

“ONE DAY... THE MARA SALVATRUCHA WILL TAKE OVER THE UNITED STATES.”

32 G O O D S E N S E

Homestead

33G O O D S E N S E

Homestead

33

F o r e v e r y n e w s e a s o n i n t h e f a s h i o n i n d u s t r y, a n d e v e r y n e w r a n g e c r e a t e d b y t h e d e s i g n e r s t h a t d r i v e i t , t h e r e i s a n e w p r e s s r e l e a s e , f u l l o f b e a u t i f u l p h o t o s o f e t h e r e a l b o y s a n d g i r l s p o u t i n g a n d p r e e n i n g i n

t h e m i d d l e o f s o m e f l o w e r y p r o s e c a r e f u l l y s t a t i n g t h e i n s p i r a t i o n f o r t h e i r n e w c o l l e c t i o n .

B u t s o m e t i m e s y o u w a n t m o r e . S o m e t i m e s y o u w a n t t o s e e p a s t t h e c a r e f u l l y a i r b r u s h e d i m a g e s o f p e r f e c t i o n a n d g e t a g l i m p s e o f t h e r a w c r e a t i v i t y t h a t i t a l l s t e m s f r o m .

W e w a n t e d t o g e t a g l i m p s e i n t o t h e m i n d o f t h e c r e a t i v e t y p e s t h a t m a k e t h e f a s h i o n i n d u s t r y i n B e r l i n ; a n i n t e r e s t i n g p l a c e f o r F a s h i o n d e s i g n a t t h e m o m e n t - s t r u g g l i n g a l o n g s i d e a b o o m i n g i n d i e a r t w o r l d a n d

a G e r m a n p r e f e r e n c e f o r a l l t h a t i s p r a c t i c a l ( t h i n k B i r k e n s t o c k s i n t h e f r o n t r o w ) . T h e m i x h a s p r o d u c e d s o m e t r u l y i n d i v i d u a l d e s i g n e r s w h o h a v e a s t r o n g e m p h a s i s e o n q u a l i t y a n d w o r k m a n s h i p b u t a d e f i n i t e

e d g e c r e a t i v e l y.

S o f o r y o u r v o y e u r i s t i c p l e a s u r e w e c o l l e c t e d 1 3 o f B e r l i n ’s m o s t i n t e r e s t i n g F a s h i o n D e s i g n e r s , f r o m e s t a b l i s h e d l a b e l s t o n e w c o m e r s . W e i n v i t e d o u r s e l v e s i n t o t h e i r s t u d i o s – t h e i r e l e m e n t – t o v i s u a l l y a n d l i t e r -

a l l y c a p t u r e a p e e k i n t o t h e i r m i n d s : t h e i r l i k e s a n d d i s l i k e s , w h a t m a k e s t h e m t i c k , w h a t t u r n s t h e m o n , o r g i v e s t h e m a ‘ c r e a t i v e b o n e r ’ a s a b o y f r i e n d o f m i n e u s e d t o s a y. W e w a n t e d t o k n o w w h a t m a k e s a r t i s -

t i c p e o p l e w a n t t o c o n t i n u e o n i n t h e s h a l l o w, g l i t t e r y w o r l d o f f a s h i o n , w h e r e e v e r y o n e i s o n l y a s g o o d a s t h e i r l a s t c o l l e c t i o n a n d w h o y o u k n o w w i l l a l w a y s h o l d m o r e i m p o r t a n c e t h a n w h a t y o u k n o w.

I f y o u e n j o y g e t t i n g i n t o s o m e o n e e l s e ’s h e a d a s m u c h a s w e d o , r e a d o n .

1 3 d e s i g n e r s S T I T C H& B I T C HBless ● Devaki ● Firma ● Franzius ● Julian Zigerli ● Butterfly-soulfire ● Moga E Mago ● Penkov ● Perret Schaad ● Sa-brina Dehoff ● Vlad-imir Karaleev ● Da-wid Tomaszewski ● Kaviar Gauche ●

I N B E R L I N

1 3 d e s i g n e r s S T I T C H& B I T C H

M i e s N o b i s

F o r e v e r y n e w s e a s o n i n t h e f a s h i o n i n d u s t r y, a n d e v e r y n e w r a n g e c r e a t e d b y t h e d e s i g n e r s t h a t d r i v e i t , t h e r e i s a n e w p r e s s r e l e a s e , f u l l o f b e a u t i f u l p h o t o s o f e t h e r e a l b o y s a n d g i r l s p o u t i n g a n d p r e e n i n g i n

t h e m i d d l e o f s o m e f l o w e r y p r o s e c a r e f u l l y s t a t i n g t h e i n s p i r a t i o n f o r t h e i r n e w c o l l e c t i o n .

B u t s o m e t i m e s y o u w a n t m o r e . S o m e t i m e s y o u w a n t t o s e e p a s t t h e c a r e f u l l y a i r b r u s h e d i m a g e s o f p e r f e c t i o n a n d g e t a g l i m p s e o f t h e r a w c r e a t i v i t y t h a t i t a l l s t e m s f r o m .

W e w a n t e d t o g e t a g l i m p s e i n t o t h e m i n d o f t h e c r e a t i v e t y p e s t h a t m a k e t h e f a s h i o n i n d u s t r y i n B e r l i n ; a n i n t e r e s t i n g p l a c e f o r F a s h i o n d e s i g n a t t h e m o m e n t - s t r u g g l i n g a l o n g s i d e a b o o m i n g i n d i e a r t w o r l d a n d

a G e r m a n p r e f e r e n c e f o r a l l t h a t i s p r a c t i c a l ( t h i n k B i r k e n s t o c k s i n t h e f r o n t r o w ) . T h e m i x h a s p r o d u c e d s o m e t r u l y i n d i v i d u a l d e s i g n e r s w h o h a v e a s t r o n g e m p h a s i s e o n q u a l i t y a n d w o r k m a n s h i p b u t a d e f i n i t e

e d g e c r e a t i v e l y.

S o f o r y o u r v o y e u r i s t i c p l e a s u r e w e c o l l e c t e d 1 3 o f B e r l i n ’s m o s t i n t e r e s t i n g F a s h i o n D e s i g n e r s , f r o m e s t a b l i s h e d l a b e l s t o n e w c o m e r s . W e i n v i t e d o u r s e l v e s i n t o t h e i r s t u d i o s – t h e i r e l e m e n t – t o v i s u a l l y a n d l i t e r -

a l l y c a p t u r e a p e e k i n t o t h e i r m i n d s : t h e i r l i k e s a n d d i s l i k e s , w h a t m a k e s t h e m t i c k , w h a t t u r n s t h e m o n , o r g i v e s t h e m a ‘ c r e a t i v e b o n e r ’ a s a b o y f r i e n d o f m i n e u s e d t o s a y. W e w a n t e d t o k n o w w h a t m a k e s a r t i s -

t i c p e o p l e w a n t t o c o n t i n u e o n i n t h e s h a l l o w, g l i t t e r y w o r l d o f f a s h i o n , w h e r e e v e r y o n e i s o n l y a s g o o d a s t h e i r l a s t c o l l e c t i o n a n d w h o y o u k n o w w i l l a l w a y s h o l d m o r e i m p o r t a n c e t h a n w h a t y o u k n o w.

I f y o u e n j o y g e t t i n g i n t o s o m e o n e e l s e ’s h e a d a s m u c h a s w e d o , r e a d o n .


13 Designersin Berl in

stitch & bitch

44

Dress → Dawid TomaszewskiBoots → Kaviar Gauche

Photography: Katja Hentschel Assistant: Marlen Stahlhuth Styl ing: Mari jana Condic Hair & Make Up: Christ ina Moissl Model: Georgina - Place Models Hamburg

45G O O D S E N S E

Bless

45

Bless have not had their photograph taken in 15 years.

w e b . m e . c o m / b l e s s b e r l i n


Butterflysoulfire

50

It is for every one who can

see it, feel it, wear it.

Our design is for individuals.

You should not feel dis-

guised by wearing BUTTERFLY-

SOULFIRE.

The most important thing

is to feel, act, appear , behave

authentic.

It is our idea of an WHOLISTIC

CREATION, to include a per-

sonal note

into every part of our lifes,

even it is a room or a shoot-

ing or cooking for our

daughter .. .

We are kind of independent.

It is freedom and stress, love

and hate. God and devil.

And we love this game called

life.

It is radical charming!

w w w . b t f s f . c o m

51

MOGA E MAGO are Elisa Lin-

denberg and Tobias Noventa.

Moga is the modern girl,

Mago is Moga’s counter

part, the magician.

The two designers, enriched

by their working experiences

in Rome, New York City and

Mexico, returned to Berlin in

2009 to work on the launch

of their new line creating

high-end-fashion adapting

various opposite elements to

a fresh, delicate and mod-

ern way of seeing through a

factory-style lens.

What MOGA E MAGO do is

minimalist, absolute glam-

our.

They have always been in-

spired by their dreams and by

little things of their amaz-

ing lives, art, music, club-

bing, people and especially by

each other .

MOGA E MAGO are translat-

ing BDSM elements, over-the-

top luxury goods and mini-

malist, refined materials to a

collection of must-have ac-

cessories, such as shoulder-

pieces, head-pieces, braces and

bags in order to pimp up any

every-day look.

This first RTW collection

is just a taste of things to

come.m o g a e m a g o . c o m

G O O D S E N S E

Moga E Mago

51

Kate Bellm __60

Having Your Picture Taken Can Be Torture __68

Beavis and Butthead Go Camping __76

The Ghost Whisperer __86

A Man Of Many Letters __94

Big In Japan __104

A r t i s t f e A t u r e s

ww

w.k

ate

be

llm

.co

m

Kate Bellm follows on in that long and

well-trod tradition of shooting sexy

kids looking wasted for the camera.

The difference between Kate and the

thousands of other photographers

who spend all their time and film on

nights out and adventures, is that

Kate is making a living. Which means,

she must be good. Kate lives in Berlin,

London and New York. Her phone bill

probably reads like our budget.

Kate Bellm

G I R L S W H O W O U L D B E W E L L A D V I S E D T O E AT A N D S L E E P

A L I T T L E M O R E

G I R L S W H O W O U L D B E W E L L A D V I S E D T O E AT A N D S L E E P

A L I T T L E M O R E

68

A n n aL i n d e r s t a m

In a world where everybody’s a photographer, Anna Linderstam is very

far from everybody. In order to achieve a result, she often hypnotises or

temporarily blinds her subjects. It makes for uncomfortable watching but

ultimately it’s about as far away as you can get from social snaps. Anna

works with a large format 10x8” camera and only prints analogue to

make highly detailed and precise photographs. She says that when mak-

ing the images she “wants the different types of textures to be visible and

to give the illusion that it would almost be possible to touch the charac-

ters.” And if you could touch them you’d probably want to give them a

pat on the back and a cup of tea.

H A V I N G Y O U R P I C T U R E T A K E N C A N B E T O R T U R E .

A R T I S T F E A T U R E

Anna Linderstam

69

WOULD YOU EVER BE CON-VINCED TO SHOOT RAINBOWS AND KIT-TENS PULL-ING FUNNY FACES?No.

A R T I S T F E A T U R E

Anna Linderstam

69

Erik Tidemann Brad DowneyYou’d enjoy spending time with Erik and Brad. Two young men who met at art college and found a shared redneck background to bind them together. They would have more than enough time to shoot the breeze and regale you with fun stories over a couple of slow beers and a cosy table. Recently they took off to Trondheim in Norway to spend some time in the woods as part of an ongo-ing project they call ‘Decadent Rednecks’.

B E A V I S A N D B U T T H E A D G O C A M P I N G

b r a d d o w n e y. c o mm y s p a c e . c o m / e r i k t i d e m a n n

C o n s t a n t i n H a r t e n s t e i n i s a b r a v e m a n . H e c o l l e c t s g h o s t v i d e o s a n d t h e n t r a n s -f o r m s t h e m i n t o h i s o w n v i d e o a r t . C o n s t a n t i n i s a p l e a s a n t s o u l , a n d i f y o u w e r e a g h o s t o r a h u m a n y o u ’ d h a v e n o p r o b l e m p u l l i n g u p a c h a i r , m a k i n g y o u r s e l f c o s y a n d o p e n i n g u p a n e a r t o h i s d e l i g h t f u l a n d e n g a g i n g s t o r i e s .

L i k e w e d i d .

The Ghost Whisperer

Constantin Hartenstein

w w w. m i s t e r i c h . d e

HI CON-STANTIN, DO YOU ACTUALLY BELIVE IN GHOSTS?No.

There’s something about typographers that puts them in a different

place to other applied artists. Sure they’re creative but their creativity

doesn’t extend past sexing up the same 26 letters every time around.

Now in China, where they’ve close on 7000 to play with, a typogra-

pher is something different but amongst us Roman alphabet users,

prospects are slightly different. So when we found one we held him

down until he answered some questions.








Michiel Schuurman















Michiel Schuurman

A M A N O F M A N Y L E T T E R S .

m i c h i e l s c h u u r m a n . n l

Network Osaka is a graphic designer of award winning calibre. He’s

done work with everyone from Esquire Magazine to data flow charts

for German companies. Ordinarily he already spends too much time at

his computer screen, but we encouraged him to spend just a little more

time in front of it to explain what it is that makes Network Osaka work.

Big in Japan

Network Osaka

w w w . n e t w o r k o s a k a . c o m

F L O O R T H I R T E E N

2 0 : 0 5 , B E R L I N , H O T E L B O G O T A . . . I ’ V E B E E N S O B L U E W I T H O U T M Y P A N T S

2 0 : 0 5 , B E R L I N , H O T E L B O G O T A . . . I ’ V E B E E N S O B L U E W I T H O U T M Y P A N T S Overkneeboots → By Malene Birger Pants → Wolford Jacket → Minimarket

120

AW77 Hoody NikeKing KrashAddressAir Maxim Nike

JacketShirt

TrouserSneaker

F A S H I O N

Cold Steel

120

121F A S H I O N

Cold Steel

121

Calligraphy and lake fishing inspire autumn winter’s Onitsuka collection. Sumi again brings beauty through simplicity in shape and colour. For Tsuri, lake fishing in the Japanese mountains renders a collection with lively colour combinations and details such as pockets and clear-cut lines.

In 1949, Kihachiro Onitsuka established Onitsuka Tiger, the forerunner of ASICS. It began with a commitment to promoting youth health, and has gone on to play a part in most major Olympic games. The famous Tiger stripes are synonymous with sporting triumph.

The legend lives on today in the fusion of Japanese heritage and contem-porary design. The spirit of Onitsuka Tiger is reflected in each collection of unique shoes, apparel and accessories.

Enter the tiger

Sporty Short Seck Quartz Lux

JacketShoes

F A S H I O N

133F A S H I O N

Onitsuka Tiger

133

141

Art Di rector & Cover Edi tor ia l

S te fan Lucut

Ass is tant Art Di rector

Bogdan S te tco

Editor

Conor Cre ighton

Ass istant Edi tor

Amy B ind ing

Fashion Edi tor

Mar i jana Cond ic

Fashion Product ion

Agnes Fr iedr i ch

Advert is ing Director

Mar t in Groeger

Dist r ibut ion

W.E. Saarbach

Pr int ing

Media l i s Ber l in

Off ice

JPEOPLE Brand F i le

Dropmobi le GmbH

Hagenauer S t raße 10

10435 Ber l in

Germany

Publ isher

Mar t in Groeger

Specia l thanks to

Monika

IMPRINT�JPEOPLE 13 BRANDFILE

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