josh weber | architecture portfolio

JOSHArchitecture portfolio WEBER

[email protected]

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Contact

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WJOSHWE B E RIOWA STATE UNIVERS IT YARCHITECTURE 2009-20013

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Hello My name is Josh Weber and I am a recent graduate from

Iowa State University with a Professional Bachelors of Architecture Degree accompanied by a Minor in Digital Media.

The work presented to you in this portfolio was completed during my undergraduate years from 2009-2013.

BIO

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EMBRACEAUDITORIUM COMMUNITY

BINDMUSEUM

JOURNEYHOUSING

FRAME

1 2 3 4

INDEX

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EMBRACESAN FRANCISCO

AUDITORIUM

1 2 3 4

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SF JAZZ

0 Main Performance

1Main Lobby + Commercial

2Additional Performance Venue

3Main Educational Level

4Education + Recording

5Education + Admin

6Artist Residences

- 3 units at 550 sf- 2 units at 1000 sf

- shared outdoor patio

- 1 private offices1 at 230 sf-1 shared office at 720 sf

- 1 recording studio at 230 sf- 1 practice room at 720 sf

- 2 meeting rooms at 220 sf- waiting room with view into atrium

- 4 classrooms at 600 sf- special collections at 230 sf

-5 listening booths at 30 sf

- 2 specialized classrooms at 1000 sf-2 meeting rooms at200 sf

- atrium space open to floors 3-5

- additional performance space at 5500 sf- 2 outdoor spaces at 1000 sf

-2 storage spaces at 300 sf-view into the main lobby

- main lobby 2700 sf-2 commercial spaces at 1000 sf

-education lobby at 400 sf-residential lobby at 400 sf

- 2 storage spaces at 300 sf

- main performacne 3400 sf- 2 large restrooms at 400 sf

-2 stage prep rooms at 800 sf- recording booth 175 sf

-AV both at 175 sf- 3500 sf mechanical space

The importance of jazz to Hayes Valley in San Francisco is historical but needed a new presence in the neighborhood. Our design opens the building out to the adjacent park and connects all aspects of the program directly to the community’s activity. We incorporated a residency living space into our top floor and created a public venue in the space left behind by the building inverting itself up. As you move up through the building, it becomes increasingly more private as you transition through the community room and three education floors connected by an atrium overlooking downtown San Francisco.

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SF JAZZ

Plans Auditorium Performance

Completed By: Isabelle Leysens & Josh Weber

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SF JAZZ

Passive Air

Building Section Atrium View

Sun Study Radiant Floor Distribution Structural Diagram

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SF JAZZ

Longitudinal SectionSite Analysis

Entry Lobby

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MACKEY TABLEBIND

3 4 52

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M. TABLE

Table

Table SupportFoundation Footing

Table/ Grill Connection

Underside of Table

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M. TABLE

Community Dinner Elevation

Plan

During the summer of 2013, the design-build studio at ISU, called ghostlands, continued its mission of establishing a cultural connection with the dying town of Mackey located 17mi NW of Ames. Our goal was to create a space that brought people together and collected them through a shared object, grounded to the history of the site. Our end result was a community table where impromptu BBQ’s and family gatherings could take place, adding to the history of the site.

Completed By:Ghostlands Studio ‘13

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COLUMBUS MUSEUMJOURNEY

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MUSEUM

Exhibition I

cafe

Outdoor Gathering

Giftshop

CommunityDowntown

Attraction

Permanent Collection

Industrial ObjectsPhotographsCummins

Photographs

Models

Drawings

Restrooms

Archival StorageTemporary Storage

Kids Zone

EducationClassroomsAuditorium

Security Room

Kitchen

Entry

Archival Exhibit

Archival DocumentsO�ces

Cafe

Exhibit Storage

Mechanical

Storage

Service Entry

landscape

Communal Space

Exhibition

Reception

Coatroom

Cummins & SponsorsLocal Artwork

Interactive Exhibit

Temporary Collection

Gathering/Circulation

The town of Columbus, Indiana needed a museum to showcase both the historical architectural drawings of the area but also the innovations that these buildings implemented. Our design connected the residential neighborhood to the commercial district through view points located throughout our building. These openings alternated the importance of both areas to the guest while informing them of the significance of innovative design from the area.

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MUSEUM

1st Floor

Programmatic Spatial Diagram

Completed By:Yuyang Lu & Josh Weber

2nd Floor

3rd Floor

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MUSEUM

Transverse Section

Longitudinal Section

Structural FloorSite Plan

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MUSEUM

Exhibit Area

Aerial of site Lobby View

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NYC HOUSINGFRAME

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1-2 Retail/ Commercial

3-7 Residential

Roof Community Room

Frame

23' - 0"

18' -

6"

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7' - 8 1/2"

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654321

A

B

C

D

Re�ected ceiling Level 1

Level 1

UP

UP

23' - 0"

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6"

115' - 0"

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0"

40' - 6"

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654321

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Concrete Pylons 4’ D 40’ Deep


Level 8

The Green shaded wall show lateral support on the �rst and second �oor. This space was left uninhab-ited and is open for anybody or business to rent out.

The re�ective ceiling view shows how the beams (Sky Blue) and the girders (Violet) interact with the ceiling and create structural bays for the buildings tenants. I was able to su�ciently size my �oor and including my beans to be under two feet, some-thing that I designed for in the initial fazes of my building scheme.

On the third �oor you can see how the vertical circulation makes a core for the building this core helps reduce torque and Drift. The green walls are continuous shear wall which stabilized the building as a whole because of the forces acting in the wall which rest between two columns.

The re�ected �oor plan shows how the column and grid system transforms once it becomes part of the residential units. This is where the beams tie into the facade of the building.

At level eight you can notice the lack of shear walls, this is because the cores still act as a strengthening unit to the building and were not needed at the roof level

The columns and two beams support the light roof of the party room. This space is light enough to allow for less support in keeping its structure up.

Floor to Column Height 9’ 6”

Metal Girders 16” deep Concrete on Metal Decking 5” Deep

Metal Beams 14” Deep

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Girder & Beam Layout

Street View Night Time Illumination

Frame

The SoHo District of NYC is known for its commercial shopping district, a public experience; and its high end living accommodations, a private entity. I merged these two juxtaposed ideas of public and private into a residential building blurring the lines of what is on display and what is hidden in our daily lives. The facade draws from this idea, and is composed of apertures framing the daily lives of the people it surrounds.

23' - 0"

18' -

6"

115' - 0"

53' -

0"

40' - 6"

24' -

0"

10' - 6"

16' -

6"

12' - 6"

13' -

0"

7' - 8 1/2"

16' -

10"

23' - 0" 23' - 0" 23' - 0" 23' - 0"

18' -

6"

16' -

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654321

A

B

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D


Level 1

UP

UP

23' - 0"

18' -

6"

115' - 0"

53' -

0"

40' - 6"

24' -

0"

10' - 6"

16' -

6"

12' - 6"

13' -

0"

7' - 8 1/2"

16' -

10"

23' - 0" 23' - 0" 23' - 0" 23' - 0"

18' -

6"

16' -

0"

654321

A

B

C

D

Concrete Pylons 4’ D 40’ Deep


Level 8

The Green shaded wall show lateral support on the �rst and second �oor. This space was left uninhab-ited and is open for anybody or business to rent out.

The re�ective ceiling view shows how the beams (Sky Blue) and the girders (Violet) interact with the ceiling and create structural bays for the buildings tenants. I was able to su�ciently size my �oor and including my beans to be under two feet, some-thing that I designed for in the initial fazes of my building scheme.

On the third �oor you can see how the vertical circulation makes a core for the building this core helps reduce torque and Drift. The green walls are continuous shear wall which stabilized the building as a whole because of the forces acting in the wall which rest between two columns.

The re�ected �oor plan shows how the column and grid system transforms once it becomes part of the residential units. This is where the beams tie into the facade of the building.

At level eight you can notice the lack of shear walls, this is because the cores still act as a strengthening unit to the building and were not needed at the roof level

The columns and two beams support the light roof of the party room. This space is light enough to allow for less support in keeping its structure up.

Floor to Column Height 9’ 6”

Metal Girders 16” deep Concrete on Metal Decking 5” Deep


Structural Grid


Metal I BeamsW16”Metal Girders 16” Deep

Concrete on Metal Decking 5” Deep

Completed by:Josh Weber

[email protected]

Contact

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WJOSHW E B E R

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WA R C H I T E C T U R E