jonak.digital.asset.management
TRANSCRIPT
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Scanning technology has progressed since that time. Now the archive owner is keen to print a set of limited edition posters that are of considerably larger format. ........................................................................................................................... Damage to the image took place on four levels. One level consisted of tears, water, fading, mold, dirt collected in folds and other damage to the original art work. Shortcomings in the photography (color shift, shooting angle and flash reflection) were the second level. Damage to the transparency (scratches, hair, dust, fingerprints and color shift) is level three. Poor scan quality lead to loss of data (edge detail and color) and represented the last level of damage. Occasionally, there is an additional factor to consider: The quality of the original print! ........................................................................................................................... Before image restoration began we had to decide if we would treat the poster as an artefact and remove only the damage caused in the capturing process or we if would go much deeper and get the image as close as possible to what the artist had intended before he brought it to the printing company.
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