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jan
feb
mar ap
rm
ay jun
july
aug
sept
oct
nov
decLo
ndon
Tur
kish
Film
Fes
tival
Lond
on A
sian
Film
Fes
tival
Bird
s Ey
e Vi
ew F
ilm F
estiv
al
Let's
All
Be F
ree
Film
Fes
tival
Terr
acot
ta F
ar E
ast F
ilm F
estiv
al
East
End
Film
Fes
tival
Lond
on F
right
Fest
Film
Fes
tival
Braz
ilian
Film
Fes
tival
of L
ondo
nPe
ckha
m F
ree
Film
Fes
tival
Briti
sh U
rban
Film
Fes
tival
Rain
danc
e Fi
lm F
estiv
al
Lond
on F
ilm F
estiv
al
Film
Afr
ica
Fest
ival
One
dotz
ero
Film
Fes
tival
1st o
f Jan
uary
201
2Ch
ristm
as a
nd N
ew Y
ear
St. V
alen
tines
Day
Win
ter h
olid
ays
East
er H
olid
ays
Sum
mer
Hol
iday
s
Chris
tmas
Hol
iday
s31
st o
f Dec
embe
r 201
2
5 000
PUBLIC
STAFF
GUESTS
TERRACE
PRESSROOM
PRIVATEROOM
TECHNICALROOM
MANAGER ROOM
MANAGEMENTSECRETARY ROOM
PROJECTIONROOM
EXHIBITIONROOM
RECEPTION+ TICKET OFFICE
+ SHOPS
CIMEMA+ CORRIDORS
+ TOILETS+ LIFTS
TV STUDIOSET
STAGE DOOR+ RECEPTION
COMMONSPACE
MAINENTRANCE
The blue represents the population density of London, and the red illustrates the cinemas according to their number of rooms.
Cine’stival !
Attendance in all 500 London cinemas per day. There are about 80 million people attending cinemas each year throughout the whole city.
Attendance at London �lm festivals.
300 000
0
The showing of a �lm is the last and �nal link in the chain of the �lm industry; it culminates in the public reaction of all the work that has been put in to create it. The rapid distribution of �lm on all kinds of devices now allows you to watch �lms anytime, anywhere. Never before have we had such a proliferation of devices to view �lms: tablets, laptops, computers, home projectors, smartphones and home theatre amongst others. There is now nothing stopping us from accessing �lm on the undeground, in segments, even in other languages. However, showing �lms at the cinema has changed very little.Viewers who go to 'the movies' are less worried about the �lm itself but what else it has to o�er such as going into town, meeting with friends and eating in restaurants. In addition to this, the increase of piracy weakens �lm sales and more importantly, it destablises the independent �lm economy.Herewith, I propose a Film Festival Cinema complex especially adapted to showcase Film Festivals. Its design is di�erent from the conventional cinema. The aisles are wide to allow the free �ow of movement of people from one event to another as well as allowing the space to be utilised �exibly dependent upon the activities included in each festival.and allows the viewer to truly experience the �lm making process for him or herself. So, this project tries to encompass and develop the realm of independent cinema - a possible backlash to the conveyor belt of the Blockbuster.
Relationship between the public, sta�, guests, and the rest of the program ; with sizes relating to surface area.
Numero : 3938