james richards, fasla - american society of … 2010 no limits on ... computer is where we finish...

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1 Freehand Renaissance TOWNSCAPE Inc. www.townscape.com Copyright 2011 James Richards FASLA James Richards, FASLA Drawing and Creativity in a Digital Age ASLA 2011 Annual Meeting and Expo San Diego, California October, 2011 Why draw?

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Page 1: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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Freehand Renaissance

TOWNSCAPE Inc. www.townscape.com Copyright 2011 James Richards FASLA

James Richards, FASLA

Drawing and Creativity in a Digital Age

ASLA 2011 Annual Meeting and ExpoSan Diego, California

October, 2011

Why draw?

Page 2: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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Luis Ruiz Benedetta Dossi

“Design is at a turning point. Our infatuation with—and backlash against—technology is over. Today’s best designers have learned to embrace its advantages and think beyond its limitations by combining the computer with the human qualities of handmade elements.”

- Fingerprint, 2010

no limits on creativity

(don’t let the tool be an obstacle)

Page 3: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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Kona Village Resort, Hawaii, SWA Group

University of Texas at Dallas, MESA Design

Page 4: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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Bridge Enhancement Concepts: U.S. 80 at Collins Road Sunnyvale, Texas

Prepared by Townscape, Inc. www.townscape.info

influences

Page 5: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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Mort Drucker Ronald Searle

Paul Hogarth Mark McMahon

Page 6: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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Gordon Cullen Gordon Cullen, Townscape, 1961

Walt Disney at storyboard conference, 1937

THINKING/DRAWING

concept sketch by Harley Jessup, Pixar

Page 7: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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Pixar Animation

43,563 hand-drawn storyboards

“The computer lets us create worlds and characters that otherwise we could only dream of enjoying. The computer lets us invite you into the dream to dream along with us. The computer is where we finish our stories.

So where, then, do we start them, enliven them, give them shape? As with all storytelling, we begin in the imagination, with an idea. Then we turn to traditionally trainedartists and sculptors, who start with blank paper and lumps of clay. Handmade art — made using the same ancient tools available before writing existed, like drawing and painting and sculpture — brings the vision of our stories to life.”

Page 8: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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Page 9: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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www.thegnomonworkshop.com

what does this mean?

Page 10: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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Not “either/or,” but “both/and.”

Page 11: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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Alvar Aalto

Tadao Ando

Use of design imagery

• To capture the creative thought at the moment• To further explore and refine design ideas• To convey an envisioned character• To illustrate a proposed design

Use of design imagery• To capture the creative

thought at the moment• To explore and refine

design ideas• To illustrate/experience

a proposed design

Spontaneous

Premeditated

Page 12: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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Use of design imagery• To capture the creative

thought at the moment• To explore and refine

design ideas• To illustrate/experience

a proposed design

Freehand magic

Digital magic

what do we teach?

• deemphasize “presentation techniques”• emphasize rapid visualization skills

–capture the creative thought now–explore concept–explore character

what should you know?

Page 13: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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Rapid visualization basics… simplify tools

• 12 inch white trace • #2 pencil• Pilot fineliner• 15-20 prismacolor

pencils, period.• sometimes:

– sharpie– blue pastel

Travel set…

Page 14: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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#2 pencil on white trace, colored pencil on back

simplify message

Bill Johnson, FASLA

work small

Page 15: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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simplify technique

Page 16: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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The SWA Group

draw people first

Page 17: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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Page 18: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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pull it together with darks

Page 19: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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Darks separate distinct elements while unifying the composition

Page 20: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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annotate everything

Bill Johnson, FASLA

Page 21: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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“Freshness—Designer Quality”

The quick concept sketch…

Trace over digital photos

Use 1-point perspective–simplest, fastest, accurately reflects viewer’s perception.

Page 22: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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This is what you need to know:

Eye-level line(5 ft. height)

Eye-level line

Guidelines from existing features

Eye-level line

Guidelines from existing features

Vanishing point

Page 23: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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Small print of site photo… Find the 5 ft. eye-level line…

Use existing features to find the vanishing point… Quick trace overlays to explore ideas—work fast!

Page 24: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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Pull sketch off photo… Another overlay…refine ideas…

Pull it together with darks… Print at letter size and wash w colored pencils

Page 25: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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Same drawing techniques apply:• drawing from digital site photos• drawing from SketchUp models• drawing from Google Earth images• digital tablet sketching

SketchUp massing model over freehand plan

•Rotate to find best views,•Print screen view at letter size, •Overlay with trace, •Attack the drawing!

Page 26: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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Transit village character: Fort Worth

Page 27: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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Page 28: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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Quick aerial sketch from Google Earth

Find best angle and print on 8.5”x11”…

Pilot fineliner on white trace over photo… Add labels and a little colored pencil on back…

Page 29: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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Same techniques for more illustrative sketch… Robert Chipman, ASLA

Robert Chipman, ASLARobert Chipman, ASLA

Page 30: James Richards, FASLA - American Society of … 2010 no limits on ... computer is where we finish our stories. So where, then, do we startthem, ... • To further explore and refine

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Robert Chipman, ASLA

let’s try it!

for more information:• www.townscape.com• www.facebook.com/townscape• www.flickr.com/photos/jamesrichardsdrawings/

Freehand Renaissance

Town Planning and Urban Design www.townscape.com Copyright 2010 James Richards FASLA

James Richards, FASLA

Drawing and Creativity for a Digital Age