islamic art of china · poster design by the l&e foundation islamic art of china haji noor deen...

2
Free admission Event Organised by the L&E Foundation For seat reservations call the Box Office: 01282 664400 or 07811 448648 Ticket event only Refreshments will be provided Poster design by the L&E Foundation Islamic Calligraphy by Haji Noor Deen (China) Photo Essay by Peter Sanders (UK) Friday, 30th May, 2008 Mechanics Theatre Manchester Rd, Burnley BB11 1JA 6:30pm ‒ 9:00pm Islamic Art of China

Upload: others

Post on 01-Aug-2020

6 views

Category:

Documents


0 download

TRANSCRIPT

Page 1: Islamic Art of China · Poster design by the L&E Foundation Islamic Art of China Haji Noor Deen Mi Guang Jiang is a renowned master of Arabic calligraphy. Born in 1963 in Shangdong

Free admissionEvent Organised by the L&E Foundation

For seat reservations call the Box Office: 01282 664400 or 07811 448648Ticket event only Refreshments will be provided

Poster design by the L&E Foundation

Islamic Calligraphy by Haji Noor Deen (China)

Photo Essayby Peter Sanders (UK)Friday, 30th May, 2008Mechanics TheatreManchester Rd, Burnley BB11 1JA

6:30pm ‒ 9:00pm

Islamic Art of China

Page 2: Islamic Art of China · Poster design by the L&E Foundation Islamic Art of China Haji Noor Deen Mi Guang Jiang is a renowned master of Arabic calligraphy. Born in 1963 in Shangdong

Free admissionEvent Organised by the L&E Foundation

For seat reservations call the Box Office: 01282 664400 or 07811 448648Ticket event only Refreshments will be provided

Poster design by the L&E Foundation

Islamic Art of ChinaHaji Noor Deen Mi Guang Jiang is a renowned master of Arabic calligraphy. Born in 1963 in Shangdong province, China, he brings an immense learning in traditional thought and Islamic art to a modern audience, juxtaposing them in a new calligraphic style all his own, both Eastern and Western.

master calligrapher

unique fusion of styles

the photographer

Peter Sanders, internationally recognised as one of the worlds leading photographer of the Islamic World.

The photographer began his career in the mid-1960's covering Londons' seminal rock and roll scene, capturing now legendary music icons in a collection that is considered a classic by collectors.

Towards the end of the 1970's, Sanders' attention turned inward which set him on a spiritual search that took him to India and led him in the end to the Muslim world. All the while the photographer captured his

surroundings on film, creating a striking and disparate record of the last vestiges of traditional Muslim societies in transition. Sanders' own deep commitment to and love of traditional Islamic culture has brought

him into intimate contact with people and places few photographers reach.

"The photographs are extremely, extraordinarily beautiful," claims Japanese Art Critic, Tsuyoshi Kawasoe.

The Chinese and Arabic calligraphic traditions have often been compared as the two of the world's finest manifestations of the written word, but never likened; indeed, they are at once opposites and complements. When combined the result is an artistic piece that is a work of incredibly unique beauty, and a testimony to man's synthesizing genius.