is taylor the new garth; does history repeat? by … taylor the new garth; does history repeat? by...
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©2009, MusicRow Communications, LLC—ALL RIGHTS RESERVED [email protected]
page 1 Monday, November 16, 2009
Opinion:
Is Taylor The New Garth;
Does History Repeat? by David M. Ross
Country's last popularity peak was
spearheaded by Garth Brooks who attracted
both countryphiles and musicphiles—fans
with a wide variety of musical tastes. Today
there are a great many similarities to those
times with the media's strong attraction
toward Taylor Swift and her music which
to date has sold over 10 million records.
When Garth was riding his wave of
popularity he helped, (and was helped),
by what we now call the class of ’89. Is
there a new class of ’09? Hot acts were
showcased on the CMA Awards such as
Lady Antebellum, Darius Rucker,
Jason Aldean, Miranda Lambert, Zac
Brown Band, Jamey Johnson and Billy
Currington. Favorites such as Carrie
Underwood, Brad Paisley, Sugarland,
George Strait Kenny Chesney, Martina
McBride and Reba proved themselves
current and cutting edge. It was an
amazing tour de force of new, developing
and established talents.
Could country be on the verge of a strong
expansion lead by the 19-year-old singer/
songwriter and reinforced by a vigorous
rising class of appealing artists ready to
benefit from the format's increased attention?
Let's examine some of the recent dots
on our tastemaker radar and see if they
connect. A lot of high profile happenings
have taken place in a short timespan. The
CMA Awards show this week drew its highest
ratings since 2005 with an estimated 35 million
viewers watching at least some portion of
the show. Swift performed twice and won
four trophies. The precocious prodigy also
brought Saturday Night Live its best ratings
of the season when she appeared as host
and musical guest on Nov. 7. Bundle Swift's
recent appearance/performance on Oprah,
the VMA/Kanye West incident which brought
worldwide coverage, plus her sold-out tour
and it is easy to see why she is now the
largest selling artist across all formats. And
where is she from? What does she call
herself? [Answers: Nashville; country.]
A grassroots indication that attention
is turning toward country music, also
happened the day following the Awards
when MusicRow.com experienced its largest
ever one-day traffic numbers—a staggering
increase of 37% over its previous all-time
best day. People were searching out information
about Swift, the awards and the format in
numbers we have never seen before.
Monday, November 16, 2009
©2009, MusicRow Communications, LLC—ALL RIGHTS RESERVED [email protected]
Is Taylor the new Garth? Will her magnetic popularity
reconnect country with a larger multi-format audience? Is
there a class of ’09? Time will tell, but it appears that a new
energy in country music is starting to rumble across America.
Hopefully we'll see it reflected on the holiday sales charts. If
these dots are connecting, it will mean good things for everyone
on Music Row in the coming year. Bring it on!
Comments: [email protected]
Awards Shows Have Delayed Impact On Touringby Sarah Skates, David M. Ross It is common knowledge that awards show
performances and appearances can boost album
sales, but does it affect an artist’s asking price on
the road? Touring experts agree that it is good
exposure for overall career building, but that
short-term impact is minimal.
Ron Sakamoto, President of Canada’s Gold
& Gold Productions, explains, “Since we book at
least six months to a year ahead, a show appearance
and even a trophy don't have an immediate
change in pricing for the artist.”
CAA’s John Huie and veteran agent Tony Conway
believe that awards shows might give ticket sales a bump.
“But I don’t think it directly causes a promoter to pay more
money,” says Conway.
“I'm not going to make more money for Sugarland
because they won Duo,” agrees Huie. “Plus, people won’t
stop going to see artists they love that don’t win.”
Red Light Management’s Greg Hill points out, “If you look
at talented artists like Kellie Pickler or Bucky Covington,
they were in front of millions of people every week, and that
shows the power of TV...But it is all part of a larger puzzle
and awards shows are one piece of that puzzle.”
Citigroup Denies Terra Firma's Latest Bid Terra Firma recently sought financial help from its lenders
Citigroup to restructure its EMI debt. According to reports in
today’s Wall Street Journal, “Terra Firma would inject about
£1 billion, or $1.67 billion, into EMI in exchange for Citigroup
forgiving a similar proportion of its £2.6 billion of EMI loans.”
The article says that Citigroup denied the request.
Spin Zone by Jon Freeman
Lady Antebellum is now a couple of CMA Awards
richer, and “Need You Now” continues its run at the top of
the CountryBreakout™ Chart for a third consecutive week.
Entries from Taylor Swift (“Fifteen”), Dierks Bentley (“I
Lady Antebellum"Need You Now"Capitol Nashville
It doesn’t take a genius to figure out that
Lady Antebellum’s had a pretty great year,
capped by winning two CMA Awards last
week: Single of the Year (“I Run To You”)
and Vocal Group of the Year. On top of
that, the group’s stellar CMA Awards
performance of “Need You Now”—currently No. 1 on the
CountryBreakout™ Chart—provided one of the show’s most memorable
moments. The group’s members also received songwriting awards at
the SESAC and BMI Awards earlier last week. The song picked up an
additional 32 spins in this chart edition for a total of 3955, well ahead
of its closest competition.
#1
page 2 Monday, November 16, 2009
©2009, MusicRow Communications, LLC—ALL RIGHTS RESERVED [email protected]
Wanna Make You Close Your Eyes”), and Reba (“Consider
Me Gone”) are creeping ever closer inside the top 5.
Our two guitar slinging heroes, Brad Paisley and Keith
Urban, have released new singles in rapid succession with
similarly dramatic responses. Last week Paisley’s “American
Saturday Night” vaulted on to the chart at No. 70 with no prior
reports. This week the song moves onward to No. 52 with a
gain of 396 spins. Urban’s “’Til Summer Comes Around” makes
its first appearance at No. 64 with no prior spins, earning it the
biggest debut for this edition of the chart.
On this spin based chart, the quickest way to get to the
top is to make big gains. Some of our fastest rising singles
at the moment are regularly posting triple digit gains in spins,
like Justin Moore’s “Backwoods” at No. 32, Easton Corbin’s
“A Little More Country Than That,” Joe Nichols’s “Gimmie
That Girl” at No. 38, Josh Thompson’s “Beer On The Table”
at No. 42, and Randy Houser’s “Whistlin’ Dixie” at No. 43.
Radio News Cox Radio’s WZZK/Birmingham announced last week the
hire of Casey Carter to fill the 10am-3pm air shift. She comes
to the station from KXKC/Lafayette, La. and her experience
includes time at country stations WROO & WQIK/Jacksonville,
WNOE/New Orleans and WCOL & WHOK/Columbus. Reach
her at 205-916-1100 or [email protected].
DJ Hall of Famer Les Acree has been moved to a retirement
center in Rosepine, La., with the help of a couple of friends.
Dale Knippers (who worked with Les at KRMD in Shreveport)
and his wife Rosella were visiting Les’s retirement home in
Memphis and did not like his living conditions. With Les’s
permission, the pair packed him up and moved him down to
Rosepine, where Rosella works, to provide him a more nurturing
environment. Dale is currently leading a fundraising effort to
get Les a computer so he can better communicate with friends
and family. For more information, contact Dale at 337-378-5947.
Frozen Playlists: KCIL, KGFY, KIOK, WAAG, WAKG, WEZJ
New On The Chart—Debuting This WeekArtist/song/label chart pos.
..........................Keith Urban/Til Summer Comes Around/Capitol 64
.......Burns & Poe/Don't Get No Better Than This/Bluesteel Records 67
Lucky Seven Greatest Spin IncreaseArtist/song/label spin+
.........................Keith Urban/Til Summer Comes Around/Capitol 459
............................Brad Paisley/American Saturday Night/Arista 396
................Toby Keith/Cryin' For Me (Wayman's Song)/Show Dog 316
.....Burns & Poe/Don't Get No Better Than This/Bluesteel Records 258
.................................Blake Shelton/Hillbilly Bone/Warner Bros. 243
......................................Justin Moore/Backwoods/Valory Music 236
........................................Jason Aldean/The Truth/Broken Bow 226
On Deck—Soon To Be ChartingArtist/song/label spins
.........Gretchen Wilson/Work Hard, Play Harder/Redneck Records 342
..................Gwen Sebastian/Hard Rain/Lofton Creek/Open Road 322
............................................Billy Joe Royal/Hard Rock to Roll 275
.....................................Carly Patterson/The Chase/Music Mind 254
...................................Chris Young/The Man I Want To Be/RCA 216
Mark Wayne Glasmire/Everthing Is Gonna Be Alright/
............................................................. Traceway/Spinville 214
............Montgomery Gentry/Oughta Be More Songs.../Columbia 195
..........................................Zona Jones/Day Off/Rocky Comfort 188
.....Daniel Smith/Life, Liberty and the Pursuit of Happy Hour/DLS 188
...............................Aaron Watson/The Road/Big Label/Edgehill 186
Two Week Most Added*Artist/song/label new adds
..............................Brad Paisley/American Saturday Night/Arista 59
..........................Keith Urban/Til Summer Comes Around/Capitol 36
.................Randy Houser/Whistlin' Dixie/Universal Records South 31
..................Burns & Poe/Don't Get No Better Than That/Bluesteel 30
.................Joe Nichols/Gimmie That Girl/Universal Records South 23
..............Montgomery Gentry/Oughta Be More Songs.../Columbia 21
................................................Justin Moore/Backwoods/Valory 19
........Blake Shelton feat. Trace Adkins/Hillbilly Bone/Warner Music 19
.....Big Kenny/Long After I'm Gone/Bigger Picture/Love Everybody 18
......................................SingleTree/Ms. What's Her Name/Big 7 18
*Total Adds rec’d over two weeks
DISClaimer by Robert K. Oermann
There are stars in the Americana field who are known almost
as widely as many of Nashville’s mainstream country artists are.
In the marketplace today are new efforts by Kris Kristofferson,
Kieran Kane, Guy Clark, Maura O’Connell and the always
amazing Chris Knight. Any connoisseur of songs will know
those names.
Power Chart Debut
Keith Urban"'Til Summer Comes Around"Capitol Nashville
Like another guitar shredding superstar
in the previous chart, Keith Urban has
this week’s biggest debut and greatest
gain in spins, all with no prior reports.
His new single “‘Til Summer Comes Around” added 459 spins in its
first week of reporting, pushing it on to the chart at No. 64. Urban
was present for the 43rd Annual CMA Awards last week, where he
performed and took home the award for Musical Event of the Year
(for “Start A Band” with Brad Paisley).
Greatest Spin Gain Burns & Poe"Don't Get No Better Than That"Bluesteel Records
The brainchild of former Trick Pony
guitarist Keith Burns and Michelle Poe,
duo Burns & Poe are roaring up the
CountryBreakout™ Chart with new single
“Don’t Get No Better Than That.” The song makes its official chart
debut this week at No. 67 after a big gain of 258 spins. Producer
James Stroud brought the pair together and there was an instant
connection. “We realized from the beginning that we had something
special to offer,” Poe says. “We clicked in every way.” Not only did
the two singers blend together musically, they also discovered a
profound songwriting chemistry and penned nearly every song on
their new CD together.
Momentum Mover
page 3 Monday, November 16, 2009
©2009, MusicRow Communications, LLC—ALL RIGHTS RESERVED [email protected]
Many might also know of the musical pleasures that a new album by Nashville’s Paul Burch always brings. In his own little acoustic and uniquely jazzy way, he steals the show today with a Disc of the Day win. And it wasn’t for lack of competition. In addition to Chris, Maura and Guy, Paul was up against the wildly creative Blue Mother Tupelo and a steaming blues combo previously known to me only because it landed a Nashville Music Awards nomination. The latter, Jason Ricci & New Blood, wins our DisCovery Award.
GUY CLARK/Somedays You Write The SongWriter: Guy Clark/Gary Nicholson/Jon Randall; Producer: Guy Clark, Verlon Thompson & Chris Latham; Publisher: EMI April/Sony-ATV Cross Keys/Gary Nicholson/Reynsong/Wha Ya Say, ASCAP/BMI; Dualtone (track) —With the exception of a version of Townes Van Zant’s “If I Needed You,” Guy’s new CD consists of his collaborations with such writers as Shawn Camp, Rodney Crowell, Verlon Thompson, Jedd Hughes and Ashley Monroe. The CD’s title, Some Days the Song Writes You, is derived from this track’s wistfully resigned lyric. Throughout the set, his rough-hewn vocals are set in beautifully sympathetic acoustic tracks usually featuring Thompson’s guitar and harmonica, Camp’s fiddle and mandolin and the percussion work of Kenny Malone. You should own every record this artist has ever made, this one most definitely included.
KIERAN KANE/Somewhere Beyond The RosesWriter: Kieran Kane; Producer: Kieran Kane; Publisher: Little Duck/Carlin America, SESAC; Compass (track) (www.kierankane.org) —In recent years, Kane has been working in stark, stripped-down musical settings. On the title tune to his latest, for instance, the track has hypnotic, trance-like backing by his banjo, light percussion and softly honking sax. Even when Richard Bennett’s guitar or Fats Kaplan’s steel are added on certain tracks, the sound still seems spare and economical, yet always mesmerizing.
CONNOR CHRISTIAN & SOUTHERN GOTHIC/One Toke Over The LineWriter: none listed; Producer: Jeff Tomei; Publisher: none listed; Vintage Earth (track) (www.vintageearthmusic.com) —This band’s CD is called 90 Proof Lullabies. Their take on this 1971 Brewer & Shipley hit is as jaunty and folk-rocky as the original. Check it out.
KRIS KRISTOFFERSON/Closer To The BoneWriter: Kris Kristofferson; Producer: Don Was; Publisher: Jody Ray, BMI; New West (track) (www.kriskristofferson.com) —This is an older Kris tune that has been revived to become the title song of his new album. His dusty vocal ruminates in this lyric about getting nearer and nearer to Truth as his journey continues. Producer Don Was keeps things simple throughout the set, relying on Kris’s guitar and harmonica, with basic bass-drum-keyboard support, plus the always reliable guitar work of the late Stephen Bruton. Listening to the rest of these songs, I’m impressed all over again by this senior citizen’s ongoing mastery of his craft.
THE AVETT BROTHERS/I And Love And YouWriter: The Avett Brothers; Producer: Rick Rubin; Publisher: none listed; American Recordings (track) (www.theavettbrothers.com) —I have long been a fan of this outfit, but up to now their reputation has rested more on extraordinary live shows than
on recordings. Signing with Rick Rubin and American is evidently a bid to change that. The clarity and simplicity of the set’s title ballad is striking. Overall on this CD, the Avetts emphasize piano-based songs over their thrash-country string-band stylings. In either mode, they’re consistently listenable.
CHRIS KNIGHT/It Ain’t Easy Being MeWriter: Chris Knight; Producer: Frank Liddell & Joe Hayden; Publisher: Bash/Bluewater, ASCAP; Drifter’s Church (track) (www.chrisknight.net) —This title is certainly an understatement. This Kentucky guy is pretty consistently dark. Here he drawls winningly about being a “jerk” in “Sorryville” who keeps being self destructive over and over again. “Was I born this way? Am I a self-made fool? I shoot the light. Then I curse the dark. I need your love. But I’ll break your heart.” Ya gotta love this guy. Co-writers on his new Trailer II collection include Kim Richey, Sam & Annie Tate, Craig Wiseman and Fred Eaglesmith, so evidently
he plays well with others, after all, despite tunes like “Love and a .45.”
JASON RICCI & NEW BLOOD/Done With The DevilWriter: Jason Ricci/Shawn Stachurski; Producer: Phillip Wolfe; Publisher: Chosen Who, BMI; Electo Groove (track) (www.jasonricci.com) —In a word, “Wow.” This harmonica wailing Nashvillian cooks up quite a hot little blues stew on his disc. This title tune introduces both his hoarse, urgent vocal delivery and the overall energy in his sound. Tip your hat to the toughest new bluesman in Tune Town.
PAUL BURCH/Still Your ManWriter: Paul Burch; Producer: Paul Burch, Dennis Crouch & Jen Gunderman; Publisher: Borrowed and Broke/Bug, BMI; Ramseur (track) —The title tune to Paul’s new album swings smartly. He’s an acoustic jazzbo with charm to spare. His WPA Ballclub Band is rhythm happy whether he’s a rambling blues boy, a western swinger or a ‘30s-style saloon troubadour. This is one delightful disc.
BLUE MOTHER TUPELO/Give It Away/Hard TimesWriter: Ricky Davis/Micol Davis and Jessie Mae Hemphill; Producer: Ricky Davis & Micol Davis; Publisher: Gp Ahead On/Squeeze Me Tight, BMI/ASCAP and Music River, BMI; Diggin’ Music (track) (www.bluemothertupelo.com) —This Hendersonville husband-wife team craft their homemade CDs by layering instruments and emphasizing their soulful, harmonic, mountain-blues vocals. I love their rustic, earthy, gritty, groove-soaked sound. The album is titled Heaven & Earth, and you won’t find a more individualistic and ear-opening CD anywhere else in this city or in this format. I assure you, this little treasure is staying real close to my stereo for days to come.
MAURA O’CONNELL/The Bright Blue RoseWriter: Jimmy McCarthy; Producer: Gary Paczosa & Maura O’Connell; Publisher: Universal PolyGram, no performance rights listed; Sugar Hill (track) (www.mauraoconnell.com) —This singer’s singer has a new CD titled Naked with Friends, because it contains no instrumental tracks, only a cappella vocals. This opening track took my breath away, for the “friends” are the sonorous choir The Settles Connection, and Maura’s harmony vocalists are Kate Rusby and Dolly Parton. The other vocal friends on the set include Tim O’Brien, Alison Krauss, Darrell Scott, Paul Brady and Mary Black. This is a brave record and a fascinating one as well. Support it.
page 4 Monday, November 16, 2009
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page 5 Monday, November 16, 2009
©2009, MusicRow Communications, LLC—ALL RIGHTS RESERVED [email protected]
13 1 1 Lady Antebellum/Need You Now/Capitol 3955/107 1 32 3923
29 2 2 Luke Bryan/Do I/Capitol 3736/102 -1 -23 3759
12 3 3 Taylor Swift/Fifteen/Big Machine 3620/106 3 91 3529
17 4 4 Dierks Bentley/I Wanna Make You Close Your Eyes/Capitol 3618/107 3 94 3524
15 7 5 Reba/Consider Me Gone/Starstruck/Valory 3549/106 6 191 3358
10 5 6 Carrie Underwood/Cowboy Casanova/Arista 3476/94 -1 -40 3516
15 6 7 Kenny Chesney & Dave Matthews/I'm Alive/BNA 3288/94 -3 -116 3404
11 8 8 Darius Rucker/History In The Making/Capitol 3225/106 6 169 3056
9 9 9 Tim McGraw/Southern Voice/Curb 3035/99 7 194 2841
8 10 10 Rascal Flatts/Why/Lyric Street 2932/104 5 127 2805
13 11 11 Miranda Lambert/White Liar/Columbia 2644/92 7 172 2472
21 12 12 Sarah Buxton/Outside My Window/Lyric Street 2415/100 5 104 2311
23 13 13 Jake Owen/Eight Second Ride/RCA 2376/92 4 91 2285
6 15 14 George Strait/Twang/MCA 2294/92 8 179 2115
9 17 15 Billy Currington/That's How Country Boys Roll/Mercury 2251/94 8 158 2093
8 20 16 Jason Aldean/The Truth/Broken Bow 2122/89 12 226 1896
5 24 17 Toby Keith/Cryin' For Me (Wayman's Song)/Show Dog Nashville 2002/101 19 316 1686
11 19 18 Josh Turner/Why Don't We Just Dance/MCA 1995/88 5 96 1899
27 14 19 Trace Adkins/All I Ask For Anymore/Capitol 1963/65 -9 -190 2153
24 16 20 Craig Morgan/Bonfire/BNA 1952/59 -7 -146 2098
9 22 21 Gloriana/How Far Do You Wanna Go?/Emblem/Warner Bros. 1875/97 2 40 1835
25 21 22 Martina McBride/I Just Call You Mine/RCA 1819/73 -2 -39 1858
15 23 23 Lance Miller/Time To Go Crazy/Big 7 1790/66 3 54 1736
20 18 24 David Nail/Red Light/MCA 1717/61 -12 -237 1954
4 31 25 Blake Shelton/Hillbilly Bone/Warner Bros. 1653/94 17 243 1410
5 29 26 Eric Church/Hell On The Heart/Capitol 1607/94 10 140 1467
7 26 27 Jimmy Wayne feat. Daryl Hall & John Oates/Sara Smile/Valory Music 1602/88 6 95 1507
10 25 28 Phil Vassar/Everywhere I Go/Universal South 1577/85 3 53 1524
Weeks Last Wk This Wk Spins/ % Spin Spins Last Wk On Chart Position Position Artist/Song/Label Repts Power +- # Spins
page 6 Monday, November 16, 2009
©2009, MusicRow Communications, LLC—ALL RIGHTS RESERVED [email protected]
14 28 29 Jason Michael Carroll/Hurry Home/Arista 1567/75 7 96 1471
18 27 30 Gary Allan/Today/MCA 1547/75 5 67 1480
19 30 31 Bellamy Bros./Bacon Bros./Guilty Of The Crime/Bellamy/Spinville 1465/66 2 31 1434
6 37 32 Justin Moore/Backwoods/Valory Music 1459/95 19 236 1223
14 34 33 Cody McCarver/White Trash With Money/E1/PLC 1388/67 3 37 1351
23 36 34 Greg Hanna/It's A Man's Job/Pheromone Records 1269/64 2 29 1240
9 38 35 Steel Magnolia/Keep On Loving You/Big Machine 1246/75 6 71 1175
8 42 36 Easton Corbin/A Little More Country Than That/Mercury 1185/65 12 126 1059
18 39 37 Jonalee White/Perfect Angel/Lick Records 1171/56 2 26 1145
4 43 38 Joe Nichols/Gimmie That Girl/Universal South 1144/80 12 124 1020
13 41 39 Bekka Bramlett/What's On My Mind/Shongaloo Records 1119/54 4 48 1071
16 40 40 Keni Thomas/Gunslinger/RBM/Tenacity 1101/59 2 17 1084
10 44 41 Mica Roberts/Days You Live For/Show Dog Nashville 1042/61 5 45 997
11 49 42 Josh Thompson/Beer On The Table/Columbia 1020/64 16 142 878
3 53 43 Randy Houser/Whistlin' Dixie/Universal South 1001/74 28 219 782
6 46 44 Matt Kennon/The Call/BamaJam 973/71 4 40 933
9 47 45 Kellie Pickler/Didn't You Know How Much I Loved You/RCA 953/62 3 32 921
5 51 46 Big Kenny/Long After I'm Gone/Bigger Picture Entertainment/Love Everybody 933/68 11 95 838
16 45 47 Katie Armiger/Gone/Cold River 927/52 -6 -58 985
8 50 48 Houston County/I Can't Make It Rain/Stroudavarious 914/60 8 68 846
8 52 49 Williams Riley/Country Livin'/Golden Music 865/60 9 69 796
5 55 50 Bucky Covington/Gotta Be Somebody/Lyric Street 819/58 12 90 729
5 54 51 Jack Ingram feat. Patty Griffin/Seeing Stars/Big Machine 796/53 5 36 760
2 70 52 Brad Paisley/American Saturday Night/Arista 791/59 100 396 395
18 33 53 Zac Brown Band/Toes/Atlantic 760/25 -45 -632 1392
12 56 54 Steve Richard/Stomp/ 653/32 3 18 635
12 58 55 Clay Underwood/New Beginnings and Old Honky Tonks/PCL Music 628/37 2 14 614
20 35 56 Brad Paisley/Welcome To The Future/Arista 620/24 -50 -631 1251
7 59 57 John Anderson/Bigger Hands/Country Crossing 558/33 2 9 549
8 60 58 Jeff Sable/Rainy Days at the Beach/American Eagle Recordings 548/33 2 10 538
5 61 59 Bomshel/19 & Crazy/Curb 508/39 2 9 499
6 62 60 Buddy Jewell/Somebody Who Would Die For You/New Revolution 497/31 5 23 474
2 74 61 SingleTree/Ms. What's Her Name/Big 7 476/42 26 99 377
3 65 62 Trent Tomlinson/Angels Like Her/Lyric Street 459/38 9 39 420
6 63 63 Richie Fields/Losing You/Joint Journey 459/30 6 27 432
1 0 64 Keith Urban/Til Summer Comes Around/Capitol 459/36 0 459 0
2 71 65 Rodney Atkins/Chasin' Girls/Curb 455/33 15 61 394
20 48 66 Keith Urban/Only You Can Love Me This Way/Capitol 453/17 -48 -426 879
1 88 67 Burns & Poe/Don't Get No Better Than That/Bluesteel Records 445/38 138 258 187
7 66 68 Chris Hanners/It's My Lie (Let Me Live It)/Little House Records 441/27 6 23 418
5 67 69 Hannah McNeil/What Am I Getting Up For/Red/Jerry Duncan Promo/Spinville 427/31 5 22 405
3 68 70 Diamond Rio/God Is There/Word 424/26 5 21 403
5 72 71 Ronica Coldiron/First Day of the Rest of my Love Life/Sweetsong Nashville 410/27 6 23 387
4 69 72 Sammy Sadler with Steve Wariner/I'll Always Have Denver/E1 405/30 2 6 399
2 73 73 Fast Ryde/Make It Rain/Republic Nashville 395/31 3 10 385
4 76 74 Bryan White/The Little Things/Just A Pup Records 379/26 12 41 338
7 75 75 Dion Pride/We All Gotta Live Here/WeBlast Records 359/24 4 15 344
Weeks Last Wk This Wk Spins/ % Spin Spins Last Wk On Chart Position Position Artist/Song/Label Repts Power +- # Spins
page 7 Monday, November 16, 2009