introduction to identity photography project

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Identity Your personal issue

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Page 1: Introduction to Identity Photography project

IdentityYour personal issue

Page 2: Introduction to Identity Photography project

Shaping your project• You must address specific assessment objectives during your

coursework project• The process you will follow takes you through these:• AO1 – research into other image-makers (photographers, film-makers, artists) • AO2 – experiment with the ideas and techniques you have discovered• AO3 – review and refine (improve) your images• AO4 – plan and create a final piece that is your own idea, influenced by your

research

• You will probably go backwards and forwards through these steps

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• You are working towards creating a final piece on the theme of Identity• This will be displayed in the summer exhibition “Sensed”• It must use photography or moving image• Your final coursework deadline is Tuesday 9th May – you have 11 school

weeks and 3 holiday weeks• The exhibition evening is Thursday 29th June

• There is an outline on Firefly of how you are expected to use the 11 weeks

Page 11: Introduction to Identity Photography project

On Tuesday 9th May, you will hand in:• Your sketchbook(s)• Your portfolio pieces mounted on black card, or a showreel of your best

clips• Your A3 display book of amazing photographs, or stills from your films• Your final piece, as it will be seen in the exhibition

In late June you will hang, project or set up your final piece for the exhibition

Page 12: Introduction to Identity Photography project

Work for an exhibition: Jane Bown

Page 13: Introduction to Identity Photography project

Work for an exhibition: Jane Bown

Page 14: Introduction to Identity Photography project

Work for an exhibition: Jane Bown

Page 15: Introduction to Identity Photography project

Work for an exhibition: Martin Parr

Page 16: Introduction to Identity Photography project

Work for an exhibition: Martin Parr

Page 17: Introduction to Identity Photography project

Work for an exhibition: Martin Parr

Page 18: Introduction to Identity Photography project

Work for an exhibition: Martin Parr

Page 19: Introduction to Identity Photography project

Work for an exhibition: Christian Boltanski

Page 20: Introduction to Identity Photography project

Work for an exhibition: Christian Boltanski

Page 21: Introduction to Identity Photography project

Work for an exhibition: Christian Boltanski

Page 22: Introduction to Identity Photography project

Work for an exhibition: Christian Boltanski

Page 23: Introduction to Identity Photography project

Work for an exhibition: Christian Boltanski

Page 24: Introduction to Identity Photography project

Work for an exhibition: Shelagh Fenner

Page 25: Introduction to Identity Photography project

Work for an exhibition: Video Installations

Page 26: Introduction to Identity Photography project

Work for an exhibition: Sonja Henrichsen

Page 27: Introduction to Identity Photography project

Work for an exhibition: Video Installations

Page 28: Introduction to Identity Photography project

Week One: • Review the work you have done on Identity.• Choose one of these pieces as a starting point for new ideas.• Taking this piece as your inspiration, mind map initial ideas for a presentation

piece for the exhibition, including drawing out some of your ideas.• From this, decide what aspect of Identity you wish to explore.• Research how two artists, photographers or film-makers who have explored a

similar theme. • Plan and take at least one set of shots before the first lesson next week.• [A set of shots or ‘a film’ from now on is a minimum of 15-20 photographs, or 60

seconds of footage, all exploring the same idea]

Final deadline for all coursework: 9th May