introduction to architecture. “reading” architecture requires us to allow buildings to...
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Introduction to Architecture
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“Reading” architecture requires us to allow buildings to “speak” to us.
But how can inanimate objects speak to us?
Especially if those objects are not representational?
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Pentre Ifan Burial Chamber, 2000 BCE
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John Portman, Bonaventure Hotel, Los Angeles. 1976.
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Richard Neutra, Edgar J. Kaufmann House, Palm Springs, 1946.
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According to Vitruvius (Marcus Vitruvius Pollio, 1st cent. BCE), in De Architectura a building must be considered in terms of three elements:
UtilitasFirmitas
Venustas
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Utilitas need function plan
Firmitas means structure section
Venustas art beauty elevation
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Utilitas need function plan
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Firmitas means structure section
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Venustasart beauty
elevation
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Utilitas as Message:
TWA Terminal, JFK
Transamerica Bldg. SF, CA
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Utilitas by Addition:Louis Kahn’s Richards Medical Laboratory, University of Pennsylvania
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Utilitas by Division:
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Urge towards symmetry:
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Firmitas/Stucture will always be a function of:
•Advances in engineering•Availability and strength of materials•Cost available for materials•Other historical and geographical factors
“Architecture is the adaptation of form to resist force.” John Ruskin (19th c.)
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All structures seek a balance between tension and compression.
Traditionally there were two ways to handle this:
through trabeated structures
or through arcuated structures.
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Trabeated Structures
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CANTILEVER
Milstein Hall, Cornell University (Rem Kolhaas)
Gale House, Oak Partk, IL (Frank Lloyd Wright)
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Villa Savoye, Poissy, France. LeCorbusier.
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ARCUATED STRUCTURES
Colosseum, Rome.
Hagia Sophia, Instanbul
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Venustasartbeauty elevation
Hertziana, Rome
Gugenheim Museum, Bilbao
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What makes architecture good?• Does it express its function in a meaningful,
interesting, and appealing way?• Does it seem to “fit” its surroundings (by
complementing or contrasting with it in an interesting and meaningful way)?
• Is its design and execution structurally sound?• Does it create a meaningful (interesting,
surprising, enjoyable, delightful, disturbing etc.) space?
• Will it endure? Has it endured?
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Analyzing a Building:
• Space: Solids and Voids
• Scale and Proportion
• Weight & Mass
• Basic Design Elements
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Analyzing a Building:
• Space: Solids and Voids– Symmetry– Asymmetry
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Symmetry
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Asymmetry
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Analyzing a Building:
• Weight & Mass:– Materials– Massing for Weight– Relationship to Ground (high or low?)– Texture– Color– Ornamentation– Light– Acoustics– Context
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Basic Elements
• Roof• Walls• Windows• Doorways• Orientation
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Roof Types
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Butterfly Roof
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Butterfly w/Solar Panels
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Barrel Vault Roof
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Wall Types
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Rusticated
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Half-timbered
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Clapboard
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Board and Batten Siding
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Wainscoting
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Stucco Wall
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Glass Wall
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Window Types
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Lancet
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Palladian
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Oeil-de-boeuf (ox-eye)
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Double-hung window
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Bay window
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Ribbon Window
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Casement window
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Dormer
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Doorways
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Arched
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Pedimented
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Venetian Door
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French Door
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Sliding Door
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Orientation
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Aesthetic
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Cultural
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Ecological
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The Getty CenterRichard Meier
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