intermediate string/full orchestra - alfred music · pdf file2 oboe 1 1st bb clarinet ......
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Please note: Our band and orchestra music is now being collated by an automatic high-speed system. The enclosed parts are now sorted by page count, rather than score order.
NOTE FROM THE EDITOR
All Belwin string parts have been carefully bowed and fingered appropriately by level. The Yellow Very Beginning series includes many bowings as well as reminder fingerings for first-time readers. The Red Beginning series includes frequent bowings to assist younger players. Fingerings for altered pitches are often marked. The Green Intermediate series includes appropriately placed bowings for middle-level students. Fingerings and positions are marked for notes beyond first position. The Blue Concert series includes bowings appropriate for the experienced high school player. Fingerings and position markings are indicated for difficult passages.
Bob PhillipsBelwin/Pop String Editor
INTERMEDIATE STRING/FULL ORCHESTRA
INSTRUMENTATION
1 Conductor 1 1st Flute 1 2nd Flute 2 Oboe 1 1st Bb Clarinet 1 2nd Bb Clarinet 2 Bassoon 1 Bb Bass Clarinet 4 F Horn
1 1st Bb Trumpet 1 2nd Bb Trumpet 3 Trombone 1 Tuba 1 Mallet Percussion
(Bells/Xylophone or Marimba)
1 Timpani (F#-B-D-E)
3 Percussion (Suspended Cymbal, Snare Drum/Tom-Tom, Shaker)
1 Piano (Optional) 8 1st Violin 8 2nd Violin 5 3rd Violin (Viola T.C.) 5 Viola 5 Cello 5 String Bass
Grade 3
Featuring Hedwigs Theme, Obliviate, Dobby, Lovegood, Ministry of Magic, Farewell to Dobby, and The Elder Wand
Music by JOHN WILLIAMS and ALEXANDRE DESPLATArranged by MICHAEL STORY
Selections from
NOTES TO THE CONDUCTOR
This arrangement of music from the wonderful soundtrack to the seventh movie in the Harry Potter series contains seven contrasting themes. It is scored for intermediate-level full orchestra; however, it is also completely playable by string orchestra alone, or with any number of added winds or percussion. Hedwigs Theme is written for both solo violin and bells, but you may wish to use either just the violin or bells only. In Ministry of Magic, the staccato eighth notes in the upper strings and winds should be played very lightly and should not cover up the melody in the lower parts. Farewell to Dobby may be played in-tempo, or, if desired, in a rubato manner. In the final section, The Elder Wand, there should be a steady crescendo throughout. If desired, as your students become familiar with the music, feel free to increase the tempo to up to around 172 bpm.
I hope you and your orchestra find this piece to be an exciting and worthwhile musical experience!Prev
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43434343434343434343434343434343
4343434343
Flutes
Bb Clarinets
I
Bb Trumpets
II
Violins
Oboe
Bassoon(Bb Bass Clarinet)F Horn
Trombone
Tuba
Timpani(F#-B-D-E)
Viola(Violin III)
Cello
String Bass
I
II
I
II
I
II
Percussion(Suspended Cymbal, Snare Drum/Tom-Tom,Shaker)
Mallet Percussion(Bells/Xylophone or Marimba)
Piano(optional)
Bells
P
Solo
P
Tune: F#-B-D-E
-3
Hedwigs Theme - By JOHN WILLIAMS
Hedwigs Theme - By JOHN WILLIAMS
Mysteriously ( = 126)
Mysteriously ( = 126)
. j
. J
1
2
.
.
3
.
.
4
. j
. J
5
# n
# n
6
.
.
7
8
. j
. J
9
9
9
2
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Arranged by Michael Story
2002 and 2010 WARNER-BARHAM MUSIC LLC (BMI)All Rights Administered by SONGS OF UNIVERSAL (BMI)
Exclusive Worldwide Print Rights Administered by ALFRED MUSIC PUBLISHING CO., INC.This Arrangement 2011 WARNER-BARHAM MUSIC LLC (BMI)
All Rights Reserved including Public Performance
Harry Potter and the Deathly Hallows Part 1Featuring HEDWIG'S THEME, OBLIVIATE, DOBBY, LOVEGOOD,
MINISTRY OF MAGIC, FAREWELL TO DOBBY, THE ELDER WAND
Selections from
CONDUCTOR SCOREDuration - 4:50
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44
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Fls.
Cls.
I
Tpts.
II
Vlns.
Ob.
Bsn.(Bb B. Cl.)Hn.
Trb.
Tuba
Timp.
Vla.(Vln. III)
Cello
Str. Bass
I
II
I
II
I
II
Perc.
Mlt. Perc.
Pno.(opt.)
10
#
#
11
N #
N #
12
. J b
. J b
13
b
b N
14
poco rit.
poco rit.
w
w
15
pizz.
ppp
p
p
15
15
With motion ( = 80)
With motion ( = 80)
Obliviate - by ALEXANDRE DESPLAT
Obliviate - by ALEXANDRE DESPLAT
16
P
3
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#
Fls.
Cls.
I
Tpts.
II
Vlns.
Ob.
Bsn.(Bb B. Cl.)Hn.
Trb.
Tuba
Timp.
Vla.(Vln. III)
Cello
Str. Bass
I
II
I
II
I
II
Perc.
Mlt. Perc.
Pno.(opt.)
.
17
18
.
19
pSus. Cym. with mallets
#
#
# w
20
w
All
arco
Xyl. or Mrb. (soft mallets)
F
F
F
FFF
F
20
20 2
4Hi 3
4
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Fls.
Cls.
I
Tpts.
II
Vlns.
Ob.
Bsn.(Bb B. Cl.)Hn.
Trb.
Tuba
Timp.
Vla.(Vln. III)
Cello
Str. Bass
I
II
I
II
I
II
Perc.
Mlt. Perc.
Pno.(opt.)
#
# # w
21
w
4
#
w
# w
22
w
#
w # w
23
w
p
FF
5
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Fls.
Cls.
I
Tpts.
II
Vlns.
Ob.
Bsn.(Bb B. Cl.)Hn.
Trb.
Tuba
Timp.
Vla.(Vln. III)
Cello
Str. Bass
I
II
I
II
I
II
Perc.
Mlt. Perc.
Pno.(opt.)
n
n
n
n n n
n
n
n n
24
F
FFF
FF
FF
Lo 1
n n n n n b
n
b n
n
n n
25
b
www n n
w
26
FF
n n n
n n b
n
b n
n
n n
27
b
6
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Fls.
Cls.
I
Tpts.
II
Vlns.
Ob.
Bsn.(Bb B. Cl.)Hn.
Trb.
Tuba
Timp.
Vla.(Vln. III)
Cello
Str. Bass
I
II
I
II
I
II
Perc.
Mlt. Perc.
Pno.(opt.)
n n n
n n b
n
b n
n
n
n
28
b
p
a # # a # # a # a # # a # # ww#
a # #w
#
29
Ff
S.D.
ffffffffffff
fff
ff
29
29 -4
x4
wwwww
w
30
p
-1
7
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Fls.
Cls.
I
Tpts.
II
Vlns.
Ob.
Bsn.(Bb B. Cl.)Hn.
Trb.
Tuba
Timp.
Vla.(Vln. III)
Cello
Str. Bass
I
II
I
II
I
II
Perc.
Mlt. Perc.
Pno.(opt.)
# # # # # # # # # ww#
# #w
#
31
f
www
ww
w
32
p
,
ww
n
w n
33
Bells
FFFFFFFFFFFF
FFFFF
n n b n n n n
b
b n n
34
b
Lo 1
8
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