INSTRUCTIONSBefore using your IS-2DLX, read this manualcarefully to ensure correct use.We recommend that you take test shots to getaccustomed to your IS-2DLX before takingimportant photographs.

Thank you for purchasing the Olympus IS-2DLX.

MAIN FEATURESBuilt-in 35mm ~ 135mm approx. 4X zoom lens for increased shooting range.Full-fledged macro functions include Zoom Macro for subjects as close as 0.6m (2 ft), Super Macro for subjects as close as 0.39 m (1.3 ft), and 1:1 Macro*which captures life-size images of small subjects on film.ED (extraordinary dispersion) glass is used in the lens, achieving crisp, clearimages with high contrast.The standard shooting mode lets anyone take beautiful pictures easily.Panorama photographs are possible when the optional panorama adapteris attached.Other various easy-to-use functions include versatile flash, subject, drive, andexposure modes and more.* The optional IS/L LENS A-LIFE SIZE MACRO H.Q. CONVERTER f=13cm is required.

Symbols used in this manual:

Incorrect

Indicator on Indicatorblinking

Attention Depresshalfway

Automaticoperation

Operationorder

Manualoperation

22

PREPARATIONSNames and functions of parts 4Viewfinder display/LCD panel 6Attaching the strap 7Loading the batteries 8

BASIC OPERATIONSLoading the film 13Taking pictures 16Unloading the film 19

Using the focus lock 20Flash photography 21Selftimer 27Macro photography 29Using the subject modes 32

Using the drive modes 38Using the exposure modes 43Exposure compensation 49PF (power focus) 50Spot metering 51

Flash 52Effects of zoom and its advantages 55Autofocus (AF) 57

Exposure 59Metering the amount of light 61

Exposure compensation 62Film speed 62Macro photography 63Panorama photography 66

Accessories 67

Care and storage 68Battery handling 69Troubleshooting 70Questions and answers 73Specifications 74

ADDITIONALFUNCTIONS

TAKING BETTERPICTURES

CAMERAMAINTENANCE

Checking the batteries 9Points to remember 10Reset operation 12

33

NAMES AND FUNCTIONS OF PARTS

Hot shoe cover

Shift buttonsSelects the exposurecompensation level, aperturesetting and shutter speed.

Shutter release button

AF illuminatorAlso blinks when the selftimeris activated.

Power ON/OFF switch

Flash

Flash release (See p. 21.)

Strap attachment stud

Zoom (T/W) buttons(See p. 17.)

Become the focus buttonsin the PF mode.

4

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Viewfinder(See p. 6.)

PF buttonFlash mode button*

Selftimer buttonDrive mode button*

+/- buttonExposure mode button*

Macro buttonSubject mode button*

Mid-roll rewind button

Date MODE, SET andADJUST buttons

Spot button(See p. 51.)

— Film windowFor confirmation of

film ISO speed

Back coverrelease

- Remote cordjack

For connecting tothe optional

M-Remote Cord1.2m or 5m

• Batterycompartment

cover

Tripod socket

Function button (See p. 22/32/38/43.)Switches to the modes indicated by *.

Reset buttonRestores the standard shooting mode andchecks the battery condition.

5

VIEWFINDER DISPLAY/LCD PANELVIEWFINDER DISPLAYSpot frameAutofocus frame

FlashPanorama marks**Optional IS/L PANORAMAADAPTER is required.

LCD PANEL

Shutter speedSelftimerSingle-frame advanceContinuous-frame advanceDouble exposureProgram auto-exposureExposure compensationindicatorAperture-preferred autoexposureManual exposureExposure counter/Exposurecompensation levelDate-time indicator

* The optional IS/L LENS A-LIFESIZE MACRO H.Q. CONVERTERf=13cm is required in the 1:1 ESP metering

Single-frame advanceSuper Macro

1:1 Macro*Night scene

Portrait modeSports mode

Fill-in flashAuto-S flash

Auto flashSpot metering

Power focus (autofocusoverride)

Manual flashBattery check

Aperture setting/1:1 Macro* informationDisplays the aperture setting except when in the1:1 Macro mode, in which the correct working 1:1 Macro adjustment mark*distance is displayed.

Exposure compensation/Manual exposure

Spot meteringAperture setting

Shutter speedMacro

Autofocus

6

ATTACHING THE STRAP

Put the strap mount into the guide hole.Push the strap mount onto the camera's strap attachment stud, and pull itto adjust the strap's length.

7

LOADING THE BATTERIES

Use two 3V lithium batteries (CR123A or DL123A).

Turn the lock screw on thebottom of the cameracounter-clockwise toopen the battery cover.

Insert the batteries asshown and replace thecover, turning the lockscrew clockwise.

The types of batteries that can beused are also shown inside the batterycover.

Read "Battery Handling" on page 69.

2.1.

8

CHECKING THE BATTERIES

Turn thepower switchON.

Press the resetbutton tocheck thebatteries.

2.1.

Blinks

Lights

Batteries are OK.The mark disappearswhen the finger isreleased from thebutton.

Batteries arelow.Have spareshandy.

Batteriesshould bereplacedimmediately.

9

POINTS TO REMEMBER

Hold the Camera Correctly.

Correct. Correct. Incorrect.

Note: As the focal length becomes larger, shaking thecamera becomes more noticeable. Hold the camerafirmly with both hands to keep from shaking the camera.

Caution:Keep your fingers awayfrom the lens, AFilluminator and flash.

10

Proper Shutter Release.Depress Theshutter releasebutton halfway.

Depress theshutter releasebutton fully.

2.1.

To lock the focus.

The image is clear andthe autofocus indicatorlights in the viewfinder.

To release theshutter and takethe picture.Note: When the autofocusindicator doesn't light, theshutter won't release.(See p. 57)

Cautions:

• Press the shutterrelease button gently

• Avoid shaking thecamera when pressingthe shutter release buttonto prevent blurry pictures.

Practice before loading the film.

11

RESET OPERATION

Reset operation restores the standard shooting mode, forworry-free photography that anyone can perform. Also usethis mode when you don't know what operation to perform.

Press the reset button. Standard Shooting Mode

The camera will return to thestandard shooting mode, andother set modes will becanceled.

* Won't be restored when the reset button ispressed after the first shot has been takenin the Double Exposure mode. (See p. 41)

Exposure mode: Program Auto(P)Drive mode; Single (S)*Light metering mode: ESPFlash mode: AUTO or AUTO-SExposure compensation: ±0Focusing: AF

12

LOADING THE FILM

Slide the back coverrelease upward to openthe back cover.

Insert the film cartridge.1. 2.

Note: Use DX-coded film.Caution: Do not touch the shutter curtainwhen loading.

13

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Pass the edge of the filmunder the film guide, andalign the film leader with thefilm loading indicator.

3.

Note: Make sure the film is lying flat. Ifnot, push the cartridge down.

Film loading indicator Film guide

14

Close the back cover. Turn the power switchON.4. 5.

The film automaticallyadvances to the first frame.

The exposure counter on the LCD panelreads .

Note: If blinks in the exposurecounter, reload the film.

15

Follow the procedure here to cover ordinary photography.

TAKING PICTURES

Remove the lens cap,and turn the powerswitch ON.

While looking through theviewfinder, press the zoombutton to determine thecomposition.

1. 2.

The lens advances, and theLCD panel lights.Note: If no operation is made for approx. 30seconds, the LCD panel goes out and will come onagain when the operation is resumed.

16

How to Use the ZoomButtons

Position your subjectwithin the autofocusframe.

Telephoto: Press the button to zoom in.

Max. telephoto focallength: 135mm

Wide-angle: Press the button to zoom out.Max. wide-angle focallength: 35 mm

Autofocus frame

3.

17

Depress the shutterrelease button halfway.

Depress the shutter releasebutton fully to take the picture.The film automaticallyadvances to the next frame.

4. 5.

The autofocus indicator lights when thesubject is in focus. It will blink if the subject isdifficult for the autofocus to lock on, and when thesubject is too close.Note: When the autofocus indicator doesn't light,the shutter won't release. (See p. 57.)

Working DistanceStandard shooting (39mm~135mm): 1.2 m (3.91) ~Macro shooting as close as 0.6 m (2 ft) is possiblethrough the 35mm~100mm fecal length (ZoomMacro).

18

UNLOADING THE FILM

The camera automatically rewinds the film when youreach the end of a roll.Make sure the motor has stoppedand the is blinking on the LCDpanel, before opening the backcover and removing the film.

Rewinding the film beforethe end of the roll

• If the power is turned OFF while rewinding, operationswill stop. Rewind mode however, is not canceled.Rewinding will continue when the power switch isturned ON again.

•The final number of exposures may sometimes exceedthe number of exposures specified on the film.

Press the mid-roll rewind button with thetip of a ballpoint pen, or the like. Do notuse an instrument with a sharp tip.

19

USING THE FOCUS LOCKTo avoid taking out-of-focus pictures

When the main subject is not in the center of the Autofocusframe, use the focus lock.

Position the autofocusframe on your subjectand press the shutterrelease button halfway.

Reposition your subjects in thepicture frame while keepingthe shutter release buttondepressed halfway. Then pressthe shutter release button fully.

1. 2.

The autofocus indicator lightsin the viewfinder.

Autofocus frame

Notes:When the focus is locked, theexposure is also locked (AE lock).The focus cannot be locked using theM-Remote Cord.20

AD

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FLASH PHOTOGRAPHYThis camera has two flash tubes that are automatically selected and firedaccording to the shooting conditions. There are also various flash modes thatcan be selected to match your needs.Flash Modes How to Select the Flash Mode

Slide the flash release toflip up the flash.1.

Notes:•See p. 36 for the Night Scene mode and p. 48 for

the Manual Flash mode.•When the reset button is pressed in the Fill-In

mode, the Auto Flash mode will be restored.

Note: Always be sure to use the flash release to flipup the flash.

Mode Function

Automatically fires inlow-light conditions.(p. 23)

Significantly reducesthe phenomenon of"red-eye" (when a subject'seyes appear red). (p. 25)

Fires regardless ofavailable light. (p. 26)

21

Use the function andflash mode buttons toselect the mode.

Press the functionbutton to engage themode.

3.2.

When the function button is pressed,the mode selected by using the flashmode button starts blinking.

The engaged mode is blinking.Note: The blinking indication's modecan also be engaged directly bypressing the shutter release button.22

AUTO (Auto Flash Mode)The flash fires automatically when there is insufficient light.Use this mode normally.

When blinks in theviewfinder, the flashshould be used. Slidethe flash release.

When the flash isflipped up, the camerawill start recharging theflash.

1. 2.

AUTO lights. When the flash isrecharged, in the viewfinder will light.

Note: The flash won't fire untilrecharging is finished.

23

Press the shutter releasebutton.3.

Auto Flash Range*(with color negative film)

* The Auto Flash mode can be combined withthe Zoom Macro or Super Macro mode.

Focal length

ISO 100

ISO 200

ISO 400

35mm

4.6m (15.1 ft)

6.5m (21. 3 ft)

9.2 m (30.2 ft)

135mm

5 m (16.4 ft)

7.1 m (23.3 ft)

10 m (32.8 ft)

Notes:The shutter speed is automatically set at 1/100-sec. when the flash fires. If the subject requires a fastershutter speed, the flash won't fire.If the subject is too far, the shutter speed and aperture indicator will blink in the viewfinder when the shutter

release button is depressed halfway. In this case, the picture should be taken at a shorter distance.24

•

•

AUTO-S (Red-Eye Reducing Flash)Approximately 20 pre-flashes are emitted before the main flash fires,significantly reducing the phenomenon of "red-eye" (when a subject's eyesappear red). This mode is the same as Auto Flash except for the pre-flashes.

Flip up the flash, andselect the Auto-S mode.1.

Notes:• After pressing the shutter release button, hold the camera securely until the shutter has been

released.• To cancel the Auto-S mode, select another mode following the procedure on page 21.

25

FILL-IN (Forced Activation)In this mode, the flash always fires, Even in backlighting, both the subject and backgroundcan be shot clearly. And portraits look lively by reflecting light into the subject's eyes,

Make sure the exposuremode is set to P(program).

1. Flip up the flash, andselect the FILL-IN Flashmode by using the flashmode button.

2.

Note: The shutterspeed is automaticallyset at 1/100-sec.

Note: To cancel thesubject mode, pressthe reset button(see p. 12),

26

SELFTIMERTo put yourself in the picture

Press the selftimer button.is displayed on the

LCD panel.

Position the autofocus frameon the subject. Press theshutter release button half-way to focus on the subject,

1. 2.

The focus and exposure willbe locked.

27

Press the shutterrelease button fully toactivate the selftimer.

3.Notes:•Use a tripod, etc., to hold the camera

steady.•The selftimer will be automatically

canceled after the shot.•To cancel the selftimer in the middle of

operation, press the selftimer buttonagain.

The shutter will be released12 seconds later.

The viewfinder display disappears and the AF illuminator and blink.

Important:To prevent backlight from enteringthrough the viewfinder, do not moveyour eye from the viewfinder.

28

MACRO PHOTOGRAPHY

Macro (Close-up) Modes Zoom Macro

Press the zoom button to ensure thatthe front edge of the camera body

is within the MACRO (0.6 m)range indicated on the lens barrel.

1.

Notes:•When the subject is closer than

1.2 m (4 ft), the subject may not bein focus even though the AFilluminator lights.

• In the Super Macro and 1:1 Macromodes, the optional Electronic FlashG40 does not fire except when inthe Manual Exposure mode.

(See p. 65)

Note: When you focus on a subjectcloser than 1.2 m (4 ft), will light in theviewfinder.

Zoom Macro

Super Macro

1:1 Macro

Working distance: 0.6 m(2 ft) ~ (Focal length:35mm ~ 100mm)

Working distance:0.39 m(1.3 ft) ~(Focal length: 70 mm)

Full scale on the film

29

Super MacroAn area of approximately 12 X18 cm (4-3/4X7-1/16 in) will fill the entire frame,Press the macro button, is displayed onthe LCD panel, The lens is then set at 70mmShoot from as close as 0,39 m (1.3 ft) to thesubject,

1:1 Macro*Life-size images of small subjects can becaptured on film.

Mount the optional converter, andpress the macro and functionbuttons simultaneously.

* The optional IS/L LENS A-LIFE SIZE MACRO H.Q.CONVERTER f = 13 cm is required. (Refer to p. 64.)

1.

lights in the view/finder.Note: In the Super Macro mode, zoom does notoperate. To cancel the Super Macro mode, pressthe macro button again.

1:1 converter on the LCD panel and inthe viewfinder are blinking.Note: To cancel the 1:1 Macro mode, press themacro and function buttons simultaneously, or pressthe reset button.

30

The correct 1:1 Macrodistance will bedisplayed on the LCDpanel, or will alsoappear to check if thesubject can be focusedin the present position.

2. Checking the 1:1 MacroDistance

The current distance is correct.The subject can be focused inthe present position.

The current distance is incorrect.The subject cannot be focused in thepresent position. Move the cameraaccording to the 1 : 1 Macro distancedisplayed on the LCD panel.

Note: When the shutter release button is pressed,the 1:1 Macro distance on the LCD panel willdisappear, and the shutter speed and aperturesetting will be displayed in the standard shootingmode. Press the macro button again to display the1:1 Macro distance.

Important: Use of the flash isrecommended, because a fast shutterspeed will prevent the picture frombeing affected by the camera shaking.

31

USING THE SUBJECT MODESThere are three subject modes for optimal results whentaking pictures of various subjects.Subject Modes How to Select the Subject

Mode

1.Press the functionbutton.

Display Function

SportsTo shoot fast-moving subjects.(p. 34)

PortraitTo take pictures with blurredbackgrounds for a "portrait"effect. (p. 35)

Night SceneTo shoot night scenes ornight scenes with subjects inthe foreground. (p. 36)

The three subject mode indicators allappear.

32

2.Press the subject buttonto select the mode. 3.Press the function

button again toengage the mode.

The selected subject mode is blinking.Note: The Program Auto-exposure modewill be engaged, and the correct driveand flash modes will be selected.

The selected subject mode lights.Note: The blinking indication's modecan also be engaged directly bypressing the shutter release button.

33

SPORTSTo shoot fast-moving subjects.

In this mode, the camera automatically selects both a faster shutter speed andthe Continuous Shooting mode. This results in increased clarity, and lets youcapture fast moving photo opportunities you might otherwise miss.

1. Select the Sports modeto display on the LCDpanel.

2.As long as the shutter releasebutton is pressed, the shutterwill release continuously,

Notes:•Auto-S flash cannot be used in the Sports mode.•The camera exposes a maximum of two frames per second.

34

PORTRAITTo take pictures with blurred backgrounds for a "portrait" effect.

Portrait mode lets you take beautiful portrait photographs, This isespecially effective when the lens is at the telephoto setting.

1. Select the Portraitmode to display onthe LCD panel.

2.Press the shutter releasebutton .

Note: The aperture is wide open.

35

NIGHT SCENETo shoot night scenes or night scenes with subjects in the foreground

In this mode, the camera automatically selects the ideal exposure compensation for shootingnight scenes free of subjects, and for shooting night scenes with subjects in the foreground.

Shooting Night Scenes Free of Subjects

1. Select the Night Scenemode to display onthe LCD panel.

2.Press the shutter releasebutton.

36

Shooting Night Scenes with Subjects in the Foreground(Slow-Synchro)

Engage the Night Scenemode. Flip up the flash. Pressthe shutter release button. With Auto Flash

Both the subject and background will beperfectly exposed.

In the Auto Flash mode, only the subjectin the foreground can be shot.

Note: Since a slow shutter speed is automatically selected in low-light situations, the use of a tripod isrecommended to prevent blurred pictures caused by shaking the camera.Shutter speeds in the Night Scene mode: Wide-angle: 3 sec. max. Telephoto: 4 sec. max. (With negative color film, ISO 100)

37

USING THE DRIVE MODESThere are two film-advance modes in addition to thestandard single-frame advance mode.Drive Modes Selecting the Drive Mode

1.Press the functionbutton.Display Function

SingleStandard single-frameadvance mode

Continuous ShootingThe camera releases the shuttercontinuously while keepingmoving subjects in focus andcorrectly exposed. (p. 40)

Double ExposureYou can combine two imageson a single frame. (p. 41 )

38

2.Press the drive modebutton to select the mode. 3.Press the function button

to engage the mode.

The selected drive mode isblinking.

The selected drive modelights.Note: The blinking indication's mode canalso be engaged directly by pressingthe shutter release button.

39

CONTINUOUS SHOOTINGThe camera releases the shutter continuously while keepingmoving subjects in focus and correctly exposed.

Select the ContinuousShooting mode todisplay C on the LCDpanel.

While the shutter releasebutton is fully pressed,the shutter releasescontinuously.

Notes:•The camera exposes a maximum of approximately 2 frames per second.•When used in combination with the flash, the flash may not fire after the second

frame. The exposure will be adjusted automatically instead.40

1. 2.

DOUBLE EXPOSUREYou can expose two images on a single frame.

Select the DoubleExposure mode todisplay D.EXP on theLCD panel.

Press the shutter releasebutton fully to take thefirst exposure.

2.1.

D.EXP on the LCD panel will blink.The film will not be advanced.

41

Take the second exposure.The film will advance, andthe Double Exposuremode will be canceled.

3.

Note: The Double Exposure modecannot be canceled after the first shot.

42

USING THE EXPOSURE MODES

Exposure Modes Selecting the Exposure Mode

Press the functionbutton.1.Display Function

Program Auto (ESP metering)Both the aperture and shutter speed areset automatically.Standard exposuremode for ordinary shooting.

Aperture-Preferred Auto (center-weighted average metering)The aperture is set manually, andthe camera automatically controlsthe correct shutter speed. (p. 45)

Manual Exposure (center-weighted average metering)Both the aperture andshutter speed are set manually.(p. 46)

43

Press the exposuremode button to selectthe mode.

Press the functionbutton to engage themode.

2. 3.

The selected exposure modeis blinking.

The selected exposure modelights.Note: The blinking indication's mode can alsobe engaged directly by pressing the shutterrelease button.44

APERTURE-PREFERRED AUTOAuto-exposure photography can be performed to controlbackground blur.

Enter the Aperture-Prefer-red Auto mode. Press theshift buttons to adjust theaperture setting.

Note: Larger aperture settings such asF5.6 will often give a blurredbackground, and smaller aperturesettings such as F22 will give a sharperbackground.

1.

45

MANUAL EXPOSURE

Select the ManualExposure mode todisplay M on the LCDpanel.

Press the shift button toadjust the aperture.1. 2.

46

While pressing the +/-button, press the shift-button to adjust theshutter speed.

The exposure level willbe displayed on theLCD panel and in theviewfinder.

3. 4.

+ Blinks: Overexposed+ Lights: Slightly overexposed± Lights: Correctly exposed- Lights: Slightly underexposed- Blinks: Underexposed

47

Flash Photography in the Manual Exposure Mode

Flip up the flash,and set the shutterspeed to 1/100-sec. or slower.

Set the aperture setting according tothe camera-to-subject distance in thetable below.

1. 2.Aperture setting (color negative film)

Note: Will a shutter speed faster than 1/100-sec, theflash will not fire.

Calculation formula for ISO 100: Aperture setting = GN15 ÷ Distance (m)Aperture setting = GN50 ÷ Distance (ft)

Distance

ISO 50

ISO 100

ISO 200

ISO 400

SuperMacro

0.39~0.6m

1.3~2.0ft

F22

Zoom Macro

0.6~0.8m

2.0~2.6ft

F16

F22

-

0.8~1m

2.6~3.3ft

F11

F16

F22

1 ~1.2m

3.3~3.9ft

F9.5

F13

F19

-

Standard

1.2~1.5m

3.9~4.9ft

F8

F11

F16

F22

1.5~2m

4.9~6.6ft

F5.6

F8

F11

F16

2~2.5m

6.6~8.2ft

F4.5

F6.7

F9.5

F13

2.5~3.2m

8.2~10.5ft

F5.6

F8

F11

3.2~4m

10.5~13.1ft

F4.5

F5.6

F8

48

EXPOSURE COMPENSATIONThe exposure compensation levels canbe set up to ±4EV in 1 /3EV steps.

While pressing the +/-button, press the shiftbutton to set the desiredcompensation level.

1.

The exposure level is displayed inthe viewfinder and on the LCD panel.

Note: While pressing the +/- button, theexposure counter changes to thecompensation level display.

+2EV

±0EV

-2EV

49

When the distance at which you want to shoot is predetermined, you canset the focus in advance and wait until the photo opportunity comes.

PF (Power Focus)

1. Focus on the subject byusing autofocus first. Thenpress the PF button to display

on the LCD panel.

Press the shutter releasebutton to take apicture.

2.

Notes:•The focus is fixed even after the finger is released

from the shutter release button.• Manual focusing is possible using the zoom button.

Use it when autofocusing is difficult (see p. 57).

Note: Zooming cannot be performed in the PFmode, To cancel the PF mode, press the PF buttonagain

50

SPOT METERINGIn this mode, the camera limits light metering to the subject's particulararea such as a face and sets the correct exposure.

Position the subject forspot metering within thespot frame, and pressthe SPOT button.

Recompose the shot,then press the shutterrelease button to takethe picture.

1. 2.

(Make;sure) will bedisplayed on the LCDpanel and in theviewfinder, and theexposure is locked.

Notes:•When the flash is flipped up, the camera does not

perform spot metering.•After the shot, the Spot Metering mode is

canceled. To cancel the mode without taking ashot, press the SPOT button again.

51

FLASHFlash StrengthThe flash on the IS-2 employs a new exposurecontrol system that combines the advantages ofboth "flashmatic," used in compact cameras, and"auto flash", found in SLR cameras. Flashmaticemits a full-strength flash while automaticallyadjusting the aperture for proper exposure. Thissystem is effective in most cases. However, subjectsat extremely close range tend to be overexposed,and the background too dark, because thenarrowest aperture setting has been selected. Autoflash varies the amount of light emitted by the flash,and sets the exposure by measuring reflected light.Depending on the background however, the wrongexposure for the main subject can be selected. Forexample, with a white background, the subject mayappear too dark due to the level of reflected lightreceived through the lens. The reverse is true for adark background.

The IS-2 adjusts both the aperture and flashstrength to give you perfect exposure every time,taking into account the effect of the backgroundlight and the distance to the subject.

Dual-Strobe Intelligent FlashThe flash of the IS-2 is distinguished by twoemission tubes. One of the most important functionsof a flash is to distribute light evenly throughout theframe. When a zoom lens is used, the area that canbe lit by a single flash is determined by the wide-angle focal length. When telephoto is used, the lightis wasted because the light is spread over a widearea. If this wasted light is concentrated on thepicture area however, the working distance of the

flash will be increased. Solving this problem iscrucial to effective telephoto-flash photography.

The zoom flash system found in some cameras isone solution to this problem. With this system, thedistance between the xenon tube — which is theemission source of the flash — and the reflectivematerial behind it is varied according to the focallength of the lens. When telephoto is used, the lightfrom the flash is condensed more intensely. (Thedistance between the xenon tube and thecondenser lens can be varied for the same result.)

So why does the IS-2 incorporate the dual-strobesystem? Because the dual-strobe system can utilizethe light more effectively while achieving moreuniform lighting than the zoom flash system iscapable of. The zoom flash system also cannot alterthe actual shapes of the reflector and the condenserlens. In practice, these two factors greatly affect theeven distribution and condensing intensity of lightfrom the flash. The zoom flash sacrifices theeffective use of the light's intensity for evendistribution. To achieve both optimal condensingintensity and even distribution, Olympus developedthe dual-strobe flash system with two sets of tubesand a reflective backing that are ideal for both wide-angle and telephoto photography. This makes apowerful, versatile flash with GN 20 (ISO 100 • m) /GN 66(ISO 100 • ft) possible.The lower tube is designed for telephoto

photography and offers GN 20 (ISO 100 • m) / GN 66(ISO 100 • ft). The upper tube is an intelligentvariable-power flash offering GN 15~1.6 (IS0 100 • m) /GN 50~5.3 (IS0 100 • ft). When the flash strengthshould be less than GN 15 (ISO 100 •m)/GN5052

TAKI

NG B

ETTE

RPI

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(ISO 100 • ft) in order to obtain natural-lookingresults, even if the lens is set at telephoto, the upperflash will automatically fire.

Even during macro photography, the flash lightwon't be obstructed by the tip of the lens since theintelligent variable-power flash is placed up and tothe side of the camera. The flash is also capable ofemitting minimal intensity for ideal macrophotography.Auto-S FlashThe Auto-S Flash mode includes a series of pre-flashes that reduces the phenomenon of red-eye, inaddition to the same functions as the Auto Flashmode which prevent camera-shake and insufficientlighting by automatically firing in dimly lit and darkconditions when the flash is flipped up. Thephenomenon of red-eye is when subject's eyesappear red in printed photographs. In this mode, thecamera will start emitting approximately 20 low-power pre-flashes about a second before theregular flash.

This contracts pupils, which are wide open in thedark, significantly reducing red-eye. The pre-flashesdo not decrease the power of the main flash. Inaddition, the red-eye reducing effect variesaccording to shooting conditions.Fill-in FlashFill-in refers to the auxiliary light that "fills in" areas ofthe subject shadowed by the main light source.Even when the subject is backlit, the IS-2 can shootit at the correct exposure using ESP metering orspot metering, however this may wash out thebackground. This happens because the differencein brightness between that of the subject and thebackground is too great. When the Fill-In Flash isused in such a cases, the subject is lit brightly bythe flash. This minimizes the difference in brightness

between the subject and the background, allowingboth to be shot clearly. This light is also reflectedfrom the subject's eyes (catch light effect), makingthe picture lively.

In this mode, the flash fires no matter what light isavailable as long as the flash is flipped up. (Flashemission in well-lit conditions is called daylightsynchro.)Electronic Flash G40 (Optional)The G40 is a dedicated flash for the IS-2 (GN 40,ISO 100 • m / GN 131, ISO 100 • ft). It is designedfor professional flash photo-effects such as Bounce,Multi-Flash, and Follow-Synchro.

Bounce photography uses indirect lighting ofsubjects by reflecting the flash off the ceiling or wall.With straight flash photography a strong shadowoften appears behind the subject. By bouncing theflash, you can obtain soft, well -balanced lighting ofthe entire subject. You can also use the built-in flashtogether with the G40 for additional affects.

Multi-flash emits the light several times in oneexposure. With this flash mode, continuousmovement, such as a golf swing, can bephotographed sequentially in one frame. It's amultiple exposure with flash.

With Follow-Synchro mode, the flash fires at the finalpoint of slow-synchro. For example, the tail-lights of amoving automobile can be captured on film.

When the IS-2 is equipped with the tele-converterlens (1.5X) or the wide-converter (0.8X), the built-inflash cannot be used. We recommend you use theG40 for such cases.

Note: In the Super Macro and 1:1 Macro modes, theElectronic Flash G40 does not fire except in theManual Exposure mode.

53

Direct Flash Multi FlashNormal Slow-Synchro(Curtain-1 Synchro)

Bounce (with simultaneous use ofthe built-in flash)

Follow-Synchro(Curtain-2 Synchro)

54

EFFECTS OF ZOOM AND ITS ADVANTAGESIn a zoom lens, the focal length is changed bymoving part of the lens. In the case of the IS-2, anyfocal length between 35 mm and 135 mm can beselected.•35 mm wide-angleBecause the angle of view is wide and the depth offield is large, sharp photographs with enhancedperspective and contrast can be taken.• 70 mmWith the lens zoomed to 70 mm, subjects appeartwo times closer than when the lens is positioned at35 mm.

• 100 mm or moreWhen the lens is set to the maximum focal length of135 mm, magnification is approximately four timesgreater than at 35 mm, for genuine telephotophotography. As the telephoto power is increased,the perspective narrows and the depth of fieldbecomes more shallow. The result is that objects infront of and behind your subject are more likely tobe out of focus. This can be used to interestingeffect on snapshots and portraits.Maximum telephoto lengths are particularly usefulfor taking pictures at sporting events and for naturephotography, when you want to get closer to yoursubject without disturbing it.

IS/L LENS A-28 H.Q. CONVERTER 0.8X

55

•The five pictures below are samples taken using the zoom lens. Noticethe dimensions of the subject as the camera zooms in. The three pictureson the right were taken without changing the subject's size. Notice howthe background and foreground tend to blur at increased focal lengths.• Be sure to hold the camera firmly, as pictures tend to blur more easilyat longer focal lengths.Angle of view and depth of fieldAngle of view is directly related to the focal depth of field (the distance infront of and behind the subject that the camera is able to bring into focus).The greater the angle of view (wide angle), the greater the depth of field.When the angle of view is narrow (telephoto), the depth of fielddecreases.•The use of a converter lens (optional)It is possible to attach a converter lens for an even wider angle of view,or for additional telephoto power.• Instead of 35 mm, a wide-angle converter (0.8X) enables you reduce thecamera's focal length to 28 mm.

• Instead of 135 mm, a telephoto converter (1.5X) enables you to increasethe camera's focal length to 200 mm.

IS/L LENS A-200 H.Q. CONVERTER 1.5X

56

AUTOFOCUS (AF)Difficult Subjects for Autofocus to Lock On

Although the IS-2's autofocus can lock on virtually any subject, thereare certain conditions, such as shown below, where it may notbe possible to obtain the correct focus. In the situations shown below in

, autofocus may not lock on the correct subject even though theautofocus indicator lights and the shutter releases.

Subjects with low contrast Subjects that do not containvertical lines

Subjects in excessively brightlight

• Use the focus lock by firstfocusing on something at thesame distance as the subject youwish to take a picture of, and thenaim at the subject. Or use thepower focus to manually focus onthe subject.

• Use the focus lock first whileholding the camera vertically.Then switch the camera to thehorizontal position to take thephotograph. Or use the powerfocus to manually focus on thesubject.

• Use the focus lock by firstfocusing on something at thesame distance as the subject youwish to take a picture of, and thenaim at the subject. Or use thepower focus to manually focus onthe subject.

57

Two subjects at differentdistances

Subjects with repetitivepatterns

High-speed subjects at closerange

• When the subject looks out-of-focus although the autofocuslamp lights, use the power focusto manually focus on the subject.

• When the subject looks out-of-focus although the autofocuslamp lights, use the power focusto manually focus on the subject.

• Focus on another subject at thedesired camera-to-subjectdistance first. Switch the mode topower focus, and shoot thesubject when it is at the distanceset in advance.58

EXPOSUREAutomatic Exposure Mode

Exposure refers to the amount of light which strikesthe film, and is controlled by a combination ofaperture size and shutter speed. The correctamount of light, called correct exposure, dependson the film speed (indicated on the film package,e.g. ISO 100 or ISO 200)The automatic exposure function automatically setsthe correct exposure. The IS-2 employs two typesof automatic exposure modes: (1) programmedauto exposure, and (2) aperture-preferred autoexposure.With programmed auto exposure, the cameraautomatically selects the most suitable combinationof F stop and shutter speed for the existing lightingconditions. This lets you concentrate on composingyour shot and releasing the shutter at just the righttime.With aperture-preferred auto, you select the desiredF stop, and the camera automatically selects thecorrect shutter speed. Aperture-preferred autoallows greater manual control for more artisticfreedom of expression and creativity.

Program Chart (Standard Photography Mode)Following program chart is for 35mm wide-angleand 135mm telephoto focal lengths. According tothe focal length, the camera's program itselfchanges. When the subject is brightly lit, the F stopand shutter speed changes simultaneously. Whenthe lighting is darker, the aperture opens fully andthe shutter speed changes to match it.In the standard photography mode (refer to p. 12),

if the built-in flash has been flipped up, it willautomatically fire in dark lighting conditions. Theshutter speed will be fixed at 1/100-sec.

Program Chart (Portrait Mode)The chart shown below is a program chart forportrait mode.The shutter speed will automatically be adjusted upto 1/2000-sec. with the aperture fully opened. If thelighting then becomes brighter, the aperture will beadjusted to compensate. This is because with alarger (more open) aperture, the depth of field isreduced. That means that the farther thebackground is, the more out-of-focus it will be. Atthe same time, shutter speed is increased toprevent blurry pictures caused by shaking thecamera.

59

Sports ModeThis mode is ideal for capturing high-speed photoopportunities such as sports scenes and children atplay. A fast shutter speed is automatically selectedto "freeze" the action on film. However, the highshutter speed is not the only important feature ofthis mode. To shoot such high-speed action,excellent timing is essential to take the photo at justthe right moment. This mode offers the optimalcombination of continuous shooting and autofocusto maximize your timing for maximum results.

Night Scene ModeWhen shooting night scenes you may sometimesbe disappointed with the result, usually because thecamera's automatic exposure function works on astandard exposure ratio. In such situations aprofessional photographer would adjust forexposure compensation based on long experience,or select the manual shooting mode.The IS-2's night scene mode will automaticallyadjust the exposure compensation for attractivenight scene photography. For example, whenshooting a subject with a night scene as itsbackground, the use of the flash is often desirable.Should that be the case, the camera performs themost suitable exposure compensation for both thesubject and the background. Since the selectedshutter speed may be very slow (up to 4 secondswith ISO 100 or 15 seconds with ISO 25), thecamera should be held firmly in position (with atripod for example) to prevent blurring.

60

METERING THE AMOUNT OF LIGHTLight Metering

Light metering can measure the brightness of theframed picture in various ways. The IS-2 employsthree metering systems: (1) ESP light metering , (2)center-weighted average light metering, and (3)spot metering. The IS-2 allows you to select thelight metering system most suitable in anyphotographic situation.At the same time, the IS-2 uses TTL (through-the-lens) light metering to automatically measure thelight that enters the lens. This allows you to obtainvery accurate light metering that is not affected bychanges in the distance between the subject andthe camera.

Fuzzy Logic ESP (Electro-Selective Pattern) LightMetering (Exposure Mode P)

ESP light metering measures the brightness of thecentral portion and peripheral portion of the frameseparately in order to determine the properexposure. The calculation program used is basedon programmed data to properly compensate forbacklighting. ESP light metering is usedautomatically when in the P (Program) mode.

Center-Weighted Average Light Metering(Exposure Mode A or M)

Center-weighted average light metering is the mostwidely used light metering system (Fig. A). Thissystem measures the light available throughout theframe with special emphasis on the center of theframe. When in A (Aperture-preferred) or M(Manual) mode, this light metering system is

automatically activated.When the contrastbetween bright and darkareas is not too extremeoutside the center of theframe, this system offersexcellent results.

Spot MeteringSpot metering (Fig. B) measures the brightness atthe center of the frame only. Because this meteringsystem calculates the correct exposure for only onepoint, it is convenient when the subject is backlit orthe picture contains strong contrasts. Whenshooting a subject in front of an extremely brightbackground, you should use spot-metering on thesubject's face. To properly expose white objects,use spot metering and then press the + side of theexposure compensation button. To properly exposeblack objects, use spot metering and then press the- side of the exposure compensation button.Spot metering can beused in any of the P, A orM exposure modes.

61

EXPOSURECOMPENSATION FILM SPEED

Fixed Proper ExposureProper exposure refers to the balance of light anddark in a photo. When shooting a black and whitewall, the exposure will be based on the averageratio of black and white — thus the overallexposure is set for gray. This is technically called"fixed proper exposure." A good example of this is asubject with a strongly lit background. The reasonthe subject turns out dark is because there is morebrightness than darkness in the frame. Therefore,the fixed proper exposure is based on the total levelof light in the photo, which is significantly brighterthan the subject. In the case of strong backlighting,the exposure needs to be adjusted to compensatefor the excessive brightness.Adjusting the exposure to accommodate lightingconditions is called exposure compensation. WhenESP light metering is used, the cameraautomatically evaluates the lighting situation andcompensates for the proper exposure, so manualexposure compensation is not needed.

Exposure CompensationWith the IS-2, ±4EV exposure compensation in 1/3EV steps is possible. + Compensation will make asubject appear brighter, while - compensation willmake a subject appear darker. Under backlitconditions you'll want to make your subject appearbrighter (+1 to +2EV). For shooting winter snowscenes, you may want adjust the exposure foraddtional definition (+2EV). Or, suppose your pictureis composed of a black wall, (-2EV) compensationwould most likely be appropriate.

Film SpeedFilm speed is indicated on the back of filmpackages. ISO 100, ISO 200, and ISO 400 are themost common. High-speed film (ISO 400), asimplied by its name, is for taking photos of fast-moving subjects in action shots, for example.However, there are also other advantages. Withhigh-speed film, such as ISO 400, it is possible totake pictures in lower light. And the distancecovered by the flash will be greater.With this camera, we recommend the use of "DX"film cartridges: ISO 25, 32, 50, 100, 200, 400, 800,1600, and 3200. In the case of non-DX-coded film,the camera will automatically be set to film speedISO 32. Also, films with intermediate speeds suchas ISO 64, 160, and 1000 are automatically set tothe next lower speed. When using intermediatefilm, use the exposure compensation.

ISO 64:-0.3 EV; ISO 160:-0.7 EV;ISO 1000:-0.3 EV

62

MACRO PHOTOGRAPHYZoom Macro

The IS-2 has an automatic macro function thatenables you to shoot subjects as close as 0.6 m(2 ft) when the focal length is set from 35mm to100mm. The autofocus and built-in flash can alsobe used with this function, which can fill the framewith an area of approx. 15x22 cm (5-7/8x8-11/16in) at a working distance of 0.6m (2 ft) with the focallength set to 100mm. The picture area can beadjusted by changing the focal length and workingdistance. The range in which the zoom macro iseffective is indicated on the lens barrel. So, if youwant to shoot a subject closer than 1.2m (3.9 ft)when the lens is at a telephoto setting greater than100mm, zoom out to a wide-angle setting toposition the lens within the zoom macro range.

Super MacroThe Super Macro mode is ideal when you want tofill the frame with a small subject. In this mode, thefocal length is fixed at 70mm, and shooting ispossible as close as 0.39 m (15-3/8 in) to thesubject. With this function, an area approx. 12 x18 cm (4-3/4 x 7-1/16 in) can fill the entire frame,and the picture can be adjusted by changing thecamera-to-subject distance. The autofocus andbuilt-in flash can be used with this mode. Toprevent blurry pictures caused by shaking thecamera, use of the built-in flash is recommended.The camera can focus as far as infinity in thismode, so you'll never miss a photo opportunity.

63

IS/L LENS A-LIFE SIZE MACRO H.Q. CONVERTERf=13cm (Optional)

This is a dedicated close-up converter that lets youcapture life-size images of small subjects on film(when the focal length is 135mm), for genuinemacro photography. When standard-size prints aremade, the images become approx. 3 times bigger.The picture area can be changed between approx.2.4 x 3.6 cm (life-size) and 9 x 13cm (15/16 x 1-7/16 in and 3-9/16 x 5-1/8 in). When the 1:1 Macromode is engaged, the built-in flash will give perfectresults in the Auto Flash mode. The cameraautomatically determines the working distance,which is one of the most difficult aspects of macrophotography. The camera's autofocus system alsotakes care of fine focus adjustments. Now, anyonecan perform advanced macro photography thatwould otherwise require a special flash unit andadvanced photographic experience.

IS/L LENS A- MACRO H.Q. CONVERTERf=40cm (Optional)

This is a close-up lens that lets you fill the framewith an area approx. 6 x 9 cm (2-3/8 x 3-9/16 in),about the size of an ordinary business card. Thisconverter can be used with the Aperture-PreferredAuto Exposure mode and the Manual Flash mode.Autofocus also works when using this mode,making it ideal for macro photography beginners.

Super Macro Converter f= 40cm 1:1 Macro f=13cm

64

Picture Area

65

PANORAMA PHOTOGRAPHY (OPTIONAL)By mounting the optional IS/L PANORAMA ADAPTER inside the camera,panorama pictures can be taken. Zoom in and out with the adaptermounted to obtain various compositions. When the optional IS/L LENSA-28 H.Q. CONVERTER 0.8X is used with the adapter, wide-anglepanorama photography is possible, adding extension and depth topictures.

Picture area is shown withpanorama marks as illustrated onthe left.

Panorama marks

•When the adapter is mounted, the entire roll of film must be shot as panorama-format pictures,•Panorama prints generally take longer to get processed than ordinary prints.• Availability of Panorama-format film processing facilities varies according to area. Consult your local film

processor or camera dealer for details.66

ACCESSORIES (OPTIONAL)

IS/L LENS A-200H.Q. CONVERTER

1.5X

IS/L LENS A-28H.Q. CONVERTER

0.8X

IS/L LENS A-LIFE SIZEMACRO H.Q.

CONVERTER f=13cm

IS/L LENSA-MACRO H.Q.CONVERTER

f=40cm

Electronic FlashG40

Soft Case A Grip Strap A

M-Remote Cord1.2m/5m

Variable DioptricAdapter A

IS/L PANORAMAADAPTER

67

CARE AND STORAGECAUTIONS• DO NOT EXPOSE THE CAMERA TO

EXTREME HEAT (OVER 40°C/104°F)OR TO EXTREME COLD (BELOW-10°C/14°F).

• AVOID SUDDEN TEMPERATURECHANGES AND HUMIDITY.

• DO NOT EXPOSE THE CAMERA TOSTRONG MAGNETIC FIELDS.

• DO NOT APPLY EXCESSIVE FORCETO THE CAMERA OR ITS CONTROLS.

• DO NOT TOUCH THE CONTACTPOINTS INSIDE THE CAMERA.

• DO NOT USE ORGANIC SOLVENTS,THINNERS, OR BENZINE TO CLEANTHE CAMERA.

• AVOID STRONG IMPACTS CAUSEDBY BUMPING OR DROPPING THECAMERA.

• DO NOT EXPOSE THE CAMERA TOWATER, SUCH AS FROM RAIN.

• DO NOT EXPOSE THE CAMERA TODUST AND SAND.

In case of malfunction, consult your nearestOlympus dealer or Olympus service center.

WARNING•NEVER ATTEMPT TO DISASSEMBLE

THE CAMERA; IT CONTAINS AHIGH-VOLTAGE CIRCUIT.

68

CA

ME

RA

MA

INTE

NA

NC

E

BATTERY HANDLINGNOTES• Do not mix different types of batteries

or new and old batteries.

• When the camera is not used for anextended period of time, remove thebatteries.

• Keep spare batteries on hand whengoing on a long trip or to a cold area.

• Sweat, oil, and so on can prevent abattery's terminals from makingelectrical contact. To avoid this, wipeboth terminals before loadingbatteries.

WARNINGS• NEVER TRY TO DISASSEMBLE,

RECHARGE, OR SHORT CIRCUITBATTERIES. NEVER EXPOSE BATTERIESTO EXCESSIVE HEAT OR OPEN FLAMES.

• KEEP THE BATTERIES OUT OF THEREACH OF CHILDREN. IF A CHILDSWALLOWS A BATTERY, CONTACT ADOCTOR IMMEDIATELY.

• USE TWO 3V LITHIUM BATTERIES(CR123A OR DL123A). NEVER TRY TODISASSEMBLE OR MODIFY ANYBATTERY OR BATTERY PACK FOR USEIN THIS CAMERA.

69

TROUBLESHOOTINGSymptom

The camera doesnot work.

The displays turnoff suddenly.

The shutter speedand aperturesetting blink.

The subject cannotbe focused.

CauseThe power is OFF.The batteries are loaded incorrectly.The batteries are exhausted.The batteries are temporarily unableto function.The loaded film has been rewound.The film is incorrectly loaded.The LCD panel and viewfinder displaysturn off after approx. 30 sec. (5 min.when the flash is flipped up) if thecamera is not used.When the light metering function ofthe camera does not work correctlybecause it's too dark, these indicatorsstart blinking. In the Manual Exposuremode, ± also blinks.If the camera-to-subject distance istoo great when the flash is used,.they start blinkingWhen the subject is moving too fast,the camera is being shaken, or thesubject is difficult for autofocus to lockon (refer to p. 57), the autofocusmay not work.The subject is closer than the camera'sminimum working distance (0.6 m/2 ft

with 35 ~ 100mm or less than 1 .2m/3.9ftwith 100~. 135mm)When the PF mode is engaged,autofocus will not operateeven though the shutter releasebutton is pressed.

RemedySet the power switch to ON.Reload the batteries correctly.Replace the batteries with new onesKeep the camera warm whileusing it.Load new film.Reload the film.Press the shutter release buttonhalfway to turn on the displays.

Use the flash.

Move the camera closer tothe subject.

Focus on the subject by usingthe power focus, or by firstfocusing on something at thesame distance as the subject.

Use the Super Macro mode.

Cancel the PF mode.

Seep.16p.8

. p.9

p.19p.15p.16

p.23

p.24

p.57

p.30

p.50

Operating Problems

70

SymptomThe camera doesn'tfocus on the subjecteven though the AFilluminator lights.

The shutter doesn'trelease even whenthe shutter releasebutton is pressed.The flash doesn't fire

CauseThe autofocus may not work when thesubject is out of the AF illuminator'sworking distance (approx. 1 .2 ~ 6 m/3.9~ 20 ft) or when the subject has lowcontrast (blue or black).The subject is not in focus.

The rewound film is still loaded.doesn't light in the viewfinder.

The shutter speed is set at 1 /1 25-sec.or faster.The flash has been used repeatedly.

RemedyUse the power focus, or move thecamera closer to the subject.

Make sure the subject is in focusand the autofocus indicator in theviewfinder lights.Remove the film.Press the shutter release buttonhalfway to light .Set the shutter speed at 1/100-sec.or slower.Wait until lights.

Seep.29

p.18

p.19p.23

p.48

p.23

71

SymptomThe subjects' eyesappear red inprinted pictures.

The subject waswithin the frame ofthe viewfinder, butits edges aremissing on the print.The film is scratched

The picture isout of focus.

The picture is toodark.

CauseThis "red-eye phenomenon" occurs withall cameras when a flash is used. It iscaused by light from the flash reflectingoff retina at the back of the eye. Red-eyevaries depending on the individual andthe shooting conditions such as ambientlighting. It is also more likely to occurwhen using 135mm telephoto than whenusing wide-angle focal lengths.When a negative is enlarged, sometimesthe edge of the frame is not printed.

Film particles have accumulated alongthe path that the film follows as it iswound due to extended use of the cameraThe camera moved when the shutterrelease button was pressed.

The viewfinder's autofocus frame wasnot positioned on the subject.The subject was out of the workingrange of the flash.The subject was backlit.

RemedyUse the Auto-S Flash mode to

significantly reduce red-eyephenomenon.

Leave some room on the edges ofthe frame when you composeyour shots.

Clean the inside of the camera.

Hold the camera correctly, andpress the shutter release buttongently.Position the autofocus frame onthe subject, or use the focus lock.Shoot within the working rangeof the flash.Set the flash to Fill-In mode.

Seep.25

p.10

p.20

p.24

p.26

Problems with Printed Pictures

72

QUESTIONS AND ANSWERSQ: How long will the batteries last?A: Two new 3V lithium batteries will

last for roughly 25 rolls of 24-exposure film on which the flashwas used on half of all the shots(determined under Olympus testconditions). If you do not use theflash and zoom very often, thebatteries will last much longer.

Q: How should I store the camera?A: Cameras are susceptible to

damage caused by dust, moisture,and salt. Wipe and dry thecamera thoroughly before storingit. After using it at the beach, wipeit with a cloth that has beenmoistened with fresh water andthen wrung out. Do not useinsecticides.

Q:Can the M-Quartz RemoteController 1 be used?

A: No, it cannot.

Q:When does the camera measureand set the exposure?

A: When the shutter release button ispressed halfway, the camerameasures both the exposure andthe focus and then locks them aslong as the shutter release buttonremains halfway depressed. In theSpot Metering mode, the exposureis locked when the spot button ispressed.

Q: How should I clean the lens?A: Wipe the lens gently with lens

cleaning tissue that has beenmoistened with a small amount oflens cleaning fluid.

73

SPECIFICATIONSType: Fully automatic 35mm autofocus

single-lens reflex camera with built-in35mm ~ 135mm zoom lens.

Film format: 35mm standard DX-coded film(24 X 36mm)

Lens: Olympus lens (filter available, 49mm filterdiameter) 35mm ~ 135mm F4.5 ~ 5.6, 16elements in 15 groups (5-group zoomconstruction) with extraordinary dispersion(ED) glass at third element in the first zoomlens group.

Shutter: Electronic control system vertical focalplain shutter. Shutter speed 1/2000-sec. ~15-sec. bulb.

Focusing: TTL phase-difference detectionsystem autofocus with focus lock, AFilluminator automatically lights up in lowlight. Manual focusing available (powerfocus). Focusing range — 0.6m (2 ft) ~at 35 ~ 100mm; 1.2m (3.9 ft) ~ at100mm or larger; 0.39m (1.3 ft) ~ inSuper Macro mode.

Viewfinder: Single-lens reflex system,magnification ratio 0.75 (at 50mm). Finderview-field — 85% of actual view-field.

Viewfinder information: Autofocus frame, spotframe, panorama marks, autofocusindicator, flash indicator (to be used asflash warning), shutter speed, aperturesetting, spot metering, macro, exposurecompensation (manual exposure).

Light metering system: TTL light meteringsystem — Fuzzy logic ESP light metering,center-weighted average light metering,spot metering.

Exposure modes: (1) Program AE (Standard,Sports, Portrait, Night-Scene), (2) Aperture-preferred AE, (3) Manual exposure.

Exposure compensation: ±4 EV compensationpossible (1/3 EV step).

Exposure counter: Progressive type, displayedon LCD panel.

Film speed range: Automatic setting withDX-coded film (ISO 25, 32, 50, 100, 200,400, 800, 1600, 3200. Other intermediatefilm speeds will be automatically set fornext lower speed).

Film loading: Automatic loading (automaticallyadvances to first frame when camera backis closed).

74

Film advance: Automatic film winding,consecutive winding max. 2.3 frames/sec.(in PF mode, under Olympus testconditions), double exposure possible.

Film rewind: Automatic film rewind (automaticrewind activated at end of film, automaticrewind stop). Rewind is possible at anypoint with rewind button.

Selftimer: Electronic selftimer with 12-sec.delay.

Flash: Built-in IVP (Intelligent Variable-Power)flash system with dual light emitting tubes.Manual activating system, recycling timeof about 3.5 sec. (at normal temperature).Light emission: Automatic — ISO 100 • mof GN 20 / ISO 100 • ft of GN 66, Manual— ISO 100-m of GN 15/ISO 100 • ft ofGN 50

Flash range: Wide — 0.6 ~ 4.6 m (2 ~ 15.1 ft),Tele — 1 . 2 ~ 5 m (3.9 ~ 16.4 ft) with ISO100 negative color film; Wide —0.6 ~ 9.2m (2 ~ 30.2 ft), Tele — 1.2 ~ 10 m (3.9 ~32.8 ft) with ISO 400 negative color film,Flash available in Super Macro mode.

Flash modes, Auto (automatic flash activationin low-light), Auto-S (red-eye reducing,same as Auto otherwise), Fill-In (forcedactivation), Manual.

Battery check: Displayed on LCD panel.Power source: Two 3V lithium batteries

(CR123Aor DL123A) (replaceable).Dimensions: 117(W) X 91 (H) X 155(D) mm

(4-5/8X3-9/16X6-1/8 in)(excluding protrusions).

Weight: 890 g (31.4 oz) (without batteries).

SPECIFICATIONS ARE SUBJECT TO CHANGEWITHOUT ANY NOTICE OR OBLIGATION ONTHE PART OF THE MANUFACTURER.

75

OLYMPUS OPTICAL CO., LTD.San-EI Building, 22-2, Nishi Shinjuku 1 -chome, Shinjuku-ku, Tokyo, Japan. Tel. 03- 3340-2211

OLYMPUS CORPORATIONCrossways Park, Woodbury, New York 11797-2087, U.S.A. Tel. 516-364-3000

OLYMPUS OPTICAL CO.(EUROPA) GMBHPostfach 104908, Wendenstrasse 14-16, 2000 Hamburg 1, Germany. Tel. 040-23773-0

OLYMPUS OPTICAL CO. (U.K) LTD.2-8 Honduras Street, London EC1Y OTX, United Kingdom. Tel. 071-253-2772

PRINTED IN JAPAN 0392. 6MM