innerspeaker by tame impala

8/17/2019 Innerspeaker by Tame Impala

1/58

Innerspeaker by Tame Impala

Released in 2010, written by Kevin Parker

This is my favourite album of all-time, by my favourite band of all-time !ll of these

tabs are my own work, and have been thorou"hly #he#ked for a##ura#y and #ompleteness

$very sin"le sound on the album made by the "uitars and synths %and even a bit of bass

too& is here I made sure to in#lude everythin" you hear on the album in this tab

I've been workin" on this for a lon", lon" time, so I hope you en(oy playin" the son"s

and be sure to support Tame Impala in any way possible They more than deserve it)

Tra#klist*

01 It Is +ot eant to e

02 .esire e, .esire /o

0 !lter $"o

0 u#idity

03 4hy 4on't 5ou ake 6p 5our ind7

08 9olitude Is liss

0: ;eremy's 9torm

0 The old !rrow of Time

10 Runway, ?ouses, @ity, @louds

11 I .on't Really ind

To Aui#kly find a son" you are lookin" for, (ust press '@trl B' and type the name of

the son" +ow without further ado

--------------------------------------------------------------------------------------

Tra#k 01

It Is +ot eant to e

--------------------------------------------------------------------------------------

Intro*

/uitar 1*

eC-----------------------------------------------------------------C D

C-------------3---3---3---3---------------------------C D

/C---3---3---3---3---3---3---3---3-------------------------C D

.C-----------------------------------------------------------------C C

!C-----------------------------------------------------------------C C

$C-----------------------------------------------------------------C C C =

eC-----------------------------------------------------------------C C

C-------------3---3---8---8---------------------------C C

/C---3---3---3---3---3---3---3---3-------------------------C C

.C-----------------------------------------------------------------C E

!C-----------------------------------------------------------------C E

$C-----------------------------------------------------------------C E

ass*

/C----------------------12--------------12------------------------------------C

.C--------------------------------12----------13--1--12--10--1--12-10-------C =<

!C-10--------12---1----------------------------------------------------1-12-C

$C----------------------------------------------------------------------------C

/uitar 2*!fter the 2nd repeat, the se#ond "uitar plays this over the topF

the strummin" pattern is in#luded above the tab %. means down and 6 means up&*

. . 6 . 6 . 6 . . 6 . 6 . 6 . . 6 . 6 . 6 . . 6 . 6 . 6 . 6 .

eC-------------:--:-:--:-:--:-:---------------3--3-3--3-3--3-3--3-3--3-C

C-------------3--3-3--3-3--3-3------------------------------C

/C-3--3-3--3-3--3-3---3--3-3--3-3--3-3---3--3-3--3-3--3-3------------------C =

.C-------------3--3-3--3-3--3-3---3--3-3--3-3--3-3------------------C

!C-3--3-3--3-3--3-3-----------------------------------------------------------C

$C----------------------------------------------------------------------------C

Gerse 1*

/uitar 1*


2/58

HI wanted her,

I wanted herH

eC---------C

C---------C

/C---------C =

.C---------C

!C------3--C

$C-3-------C

/uitar 1*

Hut she doesn't like the life that I lead,she doesn't like the life that I leadH

eC-3----3--C

C-3----:--C

/C-3----:--C =

.C-:----:--C

!C-:----3--C

$C-3-------C

/uitar 1*

Hdoesn't like sand stu#k on her feet,

or sittin" around smokin" weed,

I must seem more like a friend in need, and IH

eC-3--3--3-3--3--3--C

C-3--3--3-3--:--:--C

/C-3--3--3-3--:--:--C =8.C-:--:--:-:--:--:--C

!C-:--:--:-:--3--3--C

$C-3--3--3-3--------C

Pre-#horus*

/uitar 1*

Hboast that it is meant to be, but in all hone-H

eC------------------C

C------------------C

/C---------:--:--:--C

.C------3-----------C

!C-3----------------C

$C------------------C

@horus 1*/uitar 1 and 2*

H-sty, I don't have a hope in hell, I'm hap-H

eC------------------------------------------------------C

C-1--1-------1--1-----------0--0--1--1--1--1-1-C

/C-2--2-------2--2-------2--2--0--0--2--2--2--2-2-C

.C-----3--3-3------3--3-3------2--2----------C

!C-----3--3-3------3--3-3--0--0--2--2----------C

$C------------------------------------------------------C

H-py (ust to wat#h her move, and in all hone-H

eC----------------------------------------------------------C

C-1--1-------1--1-------1--1-------3--3-3-------C

/C-2--2-------2--2-------2--2-------3--3-3-------C

.C-----3--3-3------3--3-3------3--3-3--:--:-:---3--3--C

!C-----3--3-3------3--3-3------3--3-3--:--:-:---3--3--C$C----------------------------------------------------------C


eC------------------------------------------------------C

C-1--1-------1--1-----------0--0--1--1--1--1-1-C

/C-2--2-------2--2-------2--2--0--0--2--2--2--2-2-C

.C-----3--3-3------3--3-3------2--2----------C

!C-----3--3-3------3--3-3--0--0--2--2----------C

$C------------------------------------------------------C

H-py (ust to wat#h her move, andH

eC---------------------------------------------------------C


3/58

C-1--1-------1--1-------1--1-------1--1-------C

/C-2--2-------2--2-------2--2-------2--2-------C

.C-----3--3-3------3--3-3------3--3-3------3--3-3--C

!C-----3--3-3------3--3-3------3--3-3------3--3-3--C

$C---------------------------------------------------------C

Gerse 2*

/uitar 1*

Hshe doesn't like the friends that I make,

doesn't make friends for friendship's sakeH

eC-3----3--CC-3----:--C

/C-3----:--C =

.C-:----:--C

!C-:----3--C

$C-3-------C

/uitar 2*

! se#ond plays lead Auietly in the ba#k"round like this*

eC--------------------------------------------------------------C

C---------------3-:---:----:b>-:b>-C

.C-:----------------------------:--3-:--------------------------C

!C--------------------------------------------------------------C

$C--------------------------------------------------------------C

/uitar 1*

Hshe (ust "ets boredH

eC----------C

C------3----C

/C----------C

.C------3----C

!C----------C

$C-3---------C

/uitar 1*

Hsittin" by the lake,

her soul won't surfa#e

and her heart won't a#heH

eC-3----3--C

C-3----:--C/C-3----:--C =

.C-:----:--C

!C-:----3--C

$C-3-------C

eC------------------------------------------------------------C

C--------3-----C

.C--------------------------------------:----3--:------------C

!C----------------------------------------:-------------------C

$C------------------------------------------------------------C

Pre-#horus*

/uitar 2*

Hand I boast that it is meant to be, but in all hone-HeC------------------------C

C------------------------C

/C-0----------------------C

.C--------:------3-3-:-3--C

!C------3------3----------C

$C------------------------C

/uitar 1*

eC------------------------C

C------------------------C

/C------:----:----:----:--C

.C------------------------C


4/58

!C------3--3----3----3----C

$C------------------------C

@horus 2*

/uitar 1 and 2*


eC------------------------------------------------------C

C-1--1-------1--1-----------0--0--1--1--1--1-1-C

/C-2--2-------2--2-------2--2--0--0--2--2--2--2-2-C

.C-----3--3-3------3--3-3------2--2----------C

!C-----3--3-3------3--3-3--0--0--2--2----------C$C------------------------------------------------------C

H-py (ust to wat#h her moveH

eC--------------------------------------------------------------C

C-1--1-------1--1-------1--1-------3--3-3---------C

/C-2--2-------2--2-------2--2-------3--3-3---------C

.C-----3--3-3------3--3-3------3--3-3--:--:-:---3--3-3-3--C

!C-----3--3-3------3--3-3------3--3-3--:--:-:---3--3-3-3--C

$C--------------------------------------------------------------C

9olo*

Jne "uitar plays this pro"ression while the other plays the solo*

/uitar 1*

eC------------------------------------------------------C

C-1--1-------1--1-----------0--0--1--1--1--1-1-C/C-2--2-------2--2-------2--2--0--0--2--2--2--2-2-C

.C-----3--3-3------3--3-3------2--2----------C

!C-----3--3-3------3--3-3--0--0--2--2----------C

$C------------------------------------------------------C

eC--------------------------------------------------------C

C-1--1-------1--1-------3--3-------1--1--1--1-1-C

/C-2--2-------2--2-------3--3-------2--2--2--2-2-C

.C-----3--3-3------3--3-3--:--:--3--3-3----------C

!C-----3--3-3------3--3-3--:--:--3--3-3----------C

$C--------------------------------------------------------C

/uitar 2*

eC----------------------------------------------C

C----------------------------------------------C/C->-D2-----:D3--2E---:D3--2E-------0h2-2--2-C

.C--------------------------------3D-----------C

!C----------------------------------------------C

$C----------------------------------------------C

eC----------------------------------------------C

C----------------------------------------------C

/C-2--2E---E3--2D---E3--2-------------2----C

.C------------------------------3--3D--------C

!C----------------------------------------------C

$C----------------------------------------------C

Pre-#horus*

/uitar 1*

eC-----------------CC-0---------------C

/C-0---------------C

.C-2---------------C

!C-2---------------C

$C-----------------C

/uitar 2*

eC-----------------C

C----------------C

/C-----0h2-1---2---C

.C-2---------------C

!C-----------------C


5/58

$C-----------------C

/uitar 2*

H!nd I thou"ht they #ould #ure his disease, but in all hone-H

eC-----1-----------1---C

C-------------------C

/C-----2------2--------C

.C-----0----0----------C

!C---------------------C

$C---------------------C

@horus *

/uitar 1*

H-sty, he didn't have a hope in hell, now we'llH

eC------------------------------------------------C

C-1----------1---------------0-----1----------C

/C-2----------2----------2-----0-----2----------C

.C------3----------3----------2---------------C

!C------3----------3-----0-----2---------------C

$C------------------------------------------------C

Hnever see him moveH

eC-------------------------------------------------C

C-1----------1----------1----------1----------C

/C-2----------2----------2----------2----------C

.C------3----------3----------3----------3-----C!C------3----------3----------3----------3-----C

$C-------------------------------------------------C

/uitar 2*

! sitar plays one note (ust after the word HhimH

It #an be played on "uitar as well*

eC-------C

C------C

/C-------C

.C-------C

!C-------C

$C-------C

Jutro*

/uitar 1 - there's a #ouple of variations in the outro, whi#h I will tab here*eC-----------------------------------------------------------------C

C-------------3---3---3---3---------------------------C

/C---3---3---3---3---3---3---3---3-------------------------C

.C-----------------------------------------------------------------C

!C-----------------------------------------------------------------C

$C-----------------------------------------------------------------C

eC-----------------------------------------------------------------C

C-------------3---3---8---8---------------------------C

/C---3---3---3---3---3---3---3---3-------------------------C

.C-----------------------------------------------------------------C

!C-----------------------------------------------------------------C

$C-----------------------------------------------------------------C

eC-----------------------------------------------------------------CC-------------3---3---3---3---------------------------C

/C---3---3---3---3---3---3---3---3-------------------------C

.C-----------------------------------------------------------------C

!C-----------------------------------------------------------------C

$C-----------------------------------------------------------------C

eC-------------------------------------------------3---3----------C

C-------------3---3---8---8---------------------------3---C

/C---3---3---3---3---3---3---3---3-------------------------C

.C-----------------------------------------------------------------C

!C-----------------------------------------------------------------C

$C-----------------------------------------------------------------C


6/58

eC-----------------------------------------------------------------C

C-------------3---3---3---3---3---3---3---3---3-D----------C

/C---3---3---3---3---3---3---3---3---3---3---3---3--------------C

.C-----------------------------------------------------------------C

!C-----------------------------------------------------------------C

$C-----------------------------------------------------------------C

eC-----------------------------------------------------------------C

C-------------3---3---8---8---------------------------C

/C---3---3---3---3---3---3---3---3-------------------------C.C-----------------------------------------------------------------C

!C-----------------------------------------------------------------C

$C-----------------------------------------------------------------C

eC-----------------------------------------------------------------C

C-------------3---3---3---3---------------------------C

/C---3---3---3---3---3---3---3---3-------------------------C

.C-----------------------------------------------------------------C

!C-----------------------------------------------------------------C

$C-----------------------------------------------------------------C

ass

/C----------------------12--------------12------------------------------------C

.C--------------------------------12----------13--1--12--10--1--12-10-------C =:

!C-10--------12---1----------------------------------------------------1-12-C$C----------------------------------------------------------------------------C

/uitar 2*

. . 6 . 6 . 6 . . 6 . 6 . 6 . . 6 . 6 . 6 . . 6 . 6 . 6 . 6 .

eC-------------:--:-:--:-:--:-:---------------3--3-3--3-3--3-3--3-3--3-C

C-------------3--3-3--3-3--3-3------------------------------C

/C-3--3-3--3-3--3-3---3--3-3--3-3--3-3---3--3-3--3-3--3-3------------------C =:

.C-------------3--3-3--3-3--3-3---3--3-3--3-3--3-3------------------C

!C-3--3-3--3-3--3-3-----------------------------------------------------------C

$C----------------------------------------------------------------------------C

/uitar 1*

$nd on*

eC------C

C------C/C------C

.C-3-----C

!C-3-----C

$C------C

C E slide up

C D slide down

C . downstroke

C 6 upstroke

C h hammer-on

C p pull-off

C vibratoC L harmoni#

C = ute note

C b end

C pb Pre-bend

C br end release

C pbr Pre-bend release

C brb end release bend

--------------------------------------------------------------------------------------

Tra#k 02


7/58

.esire e, .esire /o

--------------------------------------------------------------------------------------

BuMMy intro part*

/uitar 1* /uitar 2*

eC----------------C----------------C

C---------------C----------------C

/C-3b:------------C----------------C

.C----------------C------12----C

!C----------------C----------------C

$C----------------C----------------C

Gerse*

HBeel it #ome, I-I don't know

?ow lon" it's, "o-o-onna

9tay with me, whoa-oa, I let

.esire be, de-esire "o,

JohH

eC-8--


8/58

H.are I fa#e the real worldH

eC-8--


9/58

eC-------------------------------------------------------------C

C-------------------------------------------------------------C

/C-------------------------------------------------------------C

.C-------------------------------------------------------------C

!C-


10/58

C br end release



--------------------------------------------------------------------------------------

Tra#k 0

!lter $"o

--------------------------------------------------------------------------------------

/uitar 1 - Rhythm

/uitar 2 - 9ynthy lead "uitar

Intro*

9ynth*

This is too fast to play on a "uitar %unless you're a really fast player&, and wasn't

intended to be played on a "uitar, but I've in#luded it anyway Try to play it with

le"ato %e" slides, hammer-ons, pull-offs et#&*

eC-13-1-12-------------------------------------------------------------------------C

C----------13-1-12----------------------------------------------------------------C

/C-------------------1-12--------------------------------12------------------------C

.C-------------------------13-1-12--------------12-1-13--------12--1-------------C

!C----------------------------------13-1-12-------------------------13-1-12--C

$C----------------------------------------------------------------------------------C

/uitar 1 - play this pro"ression : times*

eC-------------------------------------------------------------------C

C-1--1-1--1--1-1--1-1--1-1--1--1-1--1-1--1-1--1--1-1--0--0--0-0-0-C

/C-2--2-2--2--2-2--2-2--2-2--2--2-2--2-2--2-2--2--2-2--0--0--0-0-0-C =:

.C---------------------------------2--2--2-2-2-C

!C---------------------------------2--2--2-2-2-C

$C-------------------------------------------------------------------C

/uitar 1 - and then play this*

eC-------------------------------------------------------C

C-1--1-1--1--1-1--1-1--1-1--1--1-1--1-1--1-1--1--1-1--C

/C-2--2-2--2--2-2--2-2--2-2--2--2-2--2-2--2-2--2--2-2--C

.C---------------------------------C

!C---------------------------------C

$C-------------------------------------------------------C

/uitar 1*

eC-0--0-0--3--3-3------------------------------------------C

C-0--0-0--3--3-3------------------------------------------C

/C-1--1-1--8--8-8--------------------------------3--3-3--3--3-3--C

.C-2--2-2--:--:-:--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3------------C

!C-2--2-2--:--:-:--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--C

$C-0--0-0--3--3-3------------------------------------------C

/uitar 2 - #omes in on the fourth repeat of the above #hords,

plays throu"hout the entire #hord pro"ression above*

eC-----------------------------C---------3b:r3-------------C

C-3C---3---------------3----3C

/C-----------------------------C-----------------------------C

.C-----------------------------C-----------------------------C!C-----------------------------C-----------------------------C

$C-----------------------------C-----------------------------C

eC-----------------------------C---------3b:r3-------------C

CC---3---------------3----3C

/C-----------------------------C-----------------------------C

.C-----------------------------C-----------------------------C

!C-----------------------------C-----------------------------C

$C-----------------------------C-----------------------------C

eC-----------------------------C---------3b:r3-------------C

C


11/58

/C-----------------------------C-----------------------------C

.C-----------------------------C-----------------------------C

!C-----------------------------C-----------------------------C

$C-----------------------------C-----------------------------C

eC-----------------------------C---------3b:r3---------------C

C3C---3---------------3----h3C

/C-----------------------------C-------------------------------C

.C-----------------------------C-------------------------------C

!C-----------------------------C-------------------------------C

$C-----------------------------C-------------------------------C

eC-----------E3---------------C------------------------------C

C3----3C---3-----3--3---3E:--3E:--3C

/C-----------------------------C-------------------------------C

.C-----------------------------C-------------------------------C

!C-----------------------------C-------------------------------C

$C-----------------------------C-------------------------------C

eC-----------------------------C-----------------------------C

C1C0C

/C-----------------------------C-----------------------------C

.C-----------------------------C-----------------------------C

!C-----------------------------C-----------------------------C

$C-----------------------------C-----------------------------C

Gerse*

/uitar 1*

H9aid the voi#e from afar* '.on't you know it doesn't have to

e so hard7 4aitin" for everyone else a-H

eC--------------------------------------------------2-----------C

C-3---------------------------------3--------------------------C

/C-------------------------------------------------N-----------C =2

.C-3-----------------------------------------------------------C

!C----------------------------------2---------------2-----------C

$C---------------------------------------------------------------C

/uitar 1*

H-round to a"ree, mi"ht take too lon",

i"ht take too lon"'H

4hen it won't be soHeC--------------------------------------2--2--2-2-2-C

C-3--3-3--3--3-3--3-3--3-3--3--3-3--3-3--3--3--3-3---------C

/C--------------------------------N--N--N-N-N-C =

.C-3--3-3--3--3-3--3-3--3-3--3--3-3-------------------C

!C----------------------2-2--2--2--2-2--2--2--2-2-2-C

$C---------------------------------------------------------------C

/uitar 2*

eC----------------------C

C-D1------


12/58

eC-0--0-0--0--0-0--0--0-0--0--0-0----------------------C

C-----------------------------------------C

/C-2--2-2--2--2-2--2--2-2--2--2-2----------------------C

.C---------------------3--3-3--3--3-3--3--3-3--3--3-3--C

!C-0--0-0--0--0-0--0--0-0--0--0-0--3--3-3--3--3-3--3--3-3--3--3-3--C

$C-----------------------------------------------------C

/uitar 2*

eC------------------C

C-----3-8----------C

/C-2---------3-2--C.C------------------C

!C------------------C

$C------------------C

/uitar 1*

H4ell it's true, yes, but you won't "et far tellin" me that youH

eC-0--0-0--0--0-0--0--0-0--0--0-0--0--0-0--0--0-0--0---------------C

C-1--1-1--1--1-1--1--1-1--1--1-1--1--1-1--1--1-1--1---------------C

/C-2--2-2--2--2-2--2--2-2--2--2-2--2--2-2--2--2-2--2---------------C

.C-2--2-2--2--2-2--2--2-2--2--2-2--2--2-2--2--2-2--2---------------C

!C-0--0-0--0--0-0--0--0-0--0--0-0--0--0-0--0--0-0--0---------------C

$C-----------------------------------------------------------------C

/uitar 2*

eC---------------------CC-1--------3----8----C

/C---------------------C

.C---------------------C

!C---------------------C

$C---------------------C

@horus*

/uitar 1*

Hare all you're meant to

e, when the one from my

.ream is sittin" ri"ht ne=t to

e and I don't know what toH

eC-------------------------------------------------------------------C

C-1--1-1--1--1-1--1-1--1-1--1--1-1--1-1--1-1--1--1-1--0--0--0-0-0-C

/C-2--2-2--2--2-2--2-2--2-2--2--2-2--2-2--2-2--2--2-2--0--0--0-0-0-C =.C---------------------------------2--2--2-2-2-C

!C---------------------------------2--2--2-2-2-C

$C-------------------------------------------------------------------C

/uitar 1*

HdoH

eC-------------------------------------------------------C

C-1--1-1--1--1-1--1-1--1-1--1--1-1--1-1--1-1--1--1-1--C

/C-2--2-2--2--2-2--2-2--2-2--2--2-2--2-2--2-2--2--2-2--C

.C---------------------------------C

!C---------------------------------C

$C-------------------------------------------------------C

/uitar 1*

HJh, alter e"o,/etH

eC-0--0-0--3--3-3------------------------------------------C

C-0--0-0--3--3-3------------------------------------------C

/C-1--1-1--8--8-8--------------------------------3--3-3--3--3-3--C

.C-2--2-2--:--:-:--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3------------C

!C-2--2-2--:--:-:--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--C

$C-0--0-0--3--3-3------------------------------------------C

Gerse*

/uitar 1*

Hthem to love you, while they may dependin" on your

4ords and wealth, the only one who's really (ud"in"H


13/58

eC--------------------------------------------------2-----------C

C-3---------------------------------3--------------------------C

/C-------------------------------------------------N-----------C =2

.C-3-----------------------------------------------------------C

!C----------------------------------2---------------2-----------C

$C---------------------------------------------------------------C

/uitar 1*

Hyou is yourself, nobody else,

+obody else,

If I #ould part,It wouldn't be soH

eC--------------------------------------2--2--2-2-2-C

C-3--3-3--3--3-3--3-3--3-3--3--3-3--3-3--3--3--3-3---------C

/C--------------------------------N--N--N-N-N-C =3

.C-3--3-3--3--3-3--3-3--3-3--3--3-3-------------------C

!C----------------------2-2--2--2--2-2--2--2--2-2-2-C

$C---------------------------------------------------------------C

/uitar 2*

eC----------------------C

C-D1------


14/58

/uitar 1*

H4ell it's true, yes, but you won't "et far tellin" me that youH

eC-0--0-0--0--0-0--0--0-0--0--0-0--0--0-0--0--0-0--0---------------C

C-1--1-1--1--1-1--1--1-1--1--1-1--1--1-1--1--1-1--1---------------C

/C-2--2-2--2--2-2--2--2-2--2--2-2--2--2-2--2--2-2--2---------------C

.C-2--2-2--2--2-2--2--2-2--2--2-2--2--2-2--2--2-2--2---------------C

!C-0--0-0--0--0-0--0--0-0--0--0-0--0--0-0--0--0-0--0---------------C

$C-----------------------------------------------------------------C

/uitar 2*

eC---------------------CC-1--------3----8----C

/C---------------------C

.C---------------------C

!C---------------------C

$C---------------------C

/uitar *

eC---------------------------------C

C--------1-E3-D--1-E-E3---3-E8--C

/C--E3----------------------------C

.C---------------------------------C

!C---------------------------------C

$C---------------------------------C

@horus*/uitar 1*

Hare all you're meant to

e, when the one from my

.ream is sittin" ri"ht ne=t to

e and I don't know what toH

eC-------------------------------------------------------------------C

C-1--1-1--1--1-1--1-1--1-1--1--1-1--1-1--1-1--1--1-1--0--0--0-0-0-C

/C-2--2-2--2--2-2--2-2--2-2--2--2-2--2-2--2-2--2--2-2--0--0--0-0-0-C =

.C---------------------------------2--2--2-2-2-C

!C---------------------------------2--2--2-2-2-C

$C-------------------------------------------------------------------C

/uitar 1*

HdoH

eC-------------------------------------------------------CC-1--1-1--1--1-1--1-1--1-1--1--1-1--1-1--1-1--1--1-1--C

/C-2--2-2--2--2-2--2-2--2-2--2--2-2--2-2--2-2--2--2-2--C

.C---------------------------------C

!C---------------------------------C

$C-------------------------------------------------------C

/uitar 1*

HJh, alter e"oH

eC-0--0-0--3--3-3------------------------------------------C

C-0--0-0--3--3-3------------------------------------------C

/C-1--1-1--8--8-8----------------------3--3-3--3--3-3--3--3-3--3--3-3--C

.C-2--2-2--:--:-:--3--3-3--3--3-3--3--3-3--3--3-3----------------------C

!C-2--2-2--:--:-:--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--C

$C-0--0-0--3--3-3------------------------------------------C

/uitar 1 - end with this #hord*

eC------C

C-3-----C

/C------C

.C-3-----C

!C------C

$C-------C

C E slide up


15/58

C D slide down

C h hammer-on

C p pull-off

C vibrato

C sta##ato %play Aui#kly, then mute&

C L harmoni#

C = ute note

C b end

C pb Pre-bend

C br end release

C pbr Pre-bend releaseC brb end release bend

--------------------------------------------------------------------------------------

Tra#k 0

u#idity

--------------------------------------------------------------------------------------

Gerse*

HI know where you went, but I don't know how you "ot there,

I know where you went, but I don't know how you "ot there,

9ilver ton"ue hill where you talk up what I'd play down,

I would speak up, but I wouldn't know what to sayH

eC-:-:-:-:-:--:-:--:--:--:-:-:--:-:-:-:-:--:-:--:--:--:-:-:--CC-:-:-:-:-:--:-:--:--:--:-:-:-->->->->->-->->-->-->-->->->--C

/C-:-:-:-:-:--:-:--:--:--:-:-:-->->->->->-->->-->-->-->->->--C =

.C-:-:-:-:-:--:-:--:--:--:-:-:-->->->->->-->->-->-->-->->->--C

!C-:-:-:-:-:--:-:--:--:--:-:-:--:-:-:-:-:--:-:--:--:--:-:-:--C

$C-----------------------------------------------------------C

BuMM "uitar riff*

HTo say,

Jh, to sayH

eC----------------------------------------------------C

C----------------------------------------------------C

/C----------------------------------------------------C =

.C-12-12-11----11-------------------------------------C

!C----------1-----12-12-1--11--12--11-12-1-1-1---C

$C-----------------------------------------------12---C

Gerse #hords a"ain*

eC-:-:-:-:-:--:-:--:--:--:-:-:--:-:-:-:-:--:-:--:--:--:-:-:--C

C-:-:-:-:-:--:-:--:--:--:-:-:-->->->->->-->->-->-->-->->->--C

/C-:-:-:-:-:--:-:--:--:--:-:-:-->->->->->-->->-->-->-->->->--C

.C-:-:-:-:-:--:-:--:--:--:-:-:-->->->->->-->->-->-->-->->->--C

!C-:-:-:-:-:--:-:--:--:--:-:-:--:-:-:-:-:--:-:--:--:--:-:-:--C

$C-----------------------------------------------------------C

@horus*

Hu#idity, #ome ba#k to me,

Put all five senses ba#k to where they're meant to be,

Joh, it's hard to tell,

reaks down, there is a will there is aH

eC-:----3--3----:----3--3--------CC-:----:--3----:----:--3--------C

/C-----:--:----3----C

!C->----3--:---->----3--:----3----C

$C-:-------3----:-------3--------C

9hort little "uitar arpe""io*

HwayH

eC---------------------C

C----3------------:---C

/C------3-------:----:-C

.C-3--------3E:--------C


16/58

!C---------------------C

$C---------------------C

Gerse*

H4anderin" around like spare time never knew it,

I mi"ht su#k fiMMle or I mi"ht (ust float awayH

eC-:-:-:-:-:--:-:--:--:--:-:-:--:-:-:-:-:--:-:--:--:--:-:-:--C

C-:-:-:-:-:--:-:--:--:--:-:-:-->->->->->-->->-->-->-->->->--C

/C-:-:-:-:-:--:-:--:--:--:-:-:-->->->->->-->->-->-->-->->->--C =

.C-:-:-:-:-:--:-:--:--:--:-:-:-->->->->->-->->-->-->-->->->--C

!C-:-:-:-:-:--:-:--:--:--:-:-:--:-:-:-:-:--:-:--:--:--:-:-:--C$C-----------------------------------------------------------C

/uitar solo*

HBloat awayH

eC-:h>p:---3D2E--->D:D3--E3D-0------------------------------:h>p:---C

C----------------------------------3-h:p3-----------------------------C

/C-----------------------------------------:--8-:-:D2-2E8--:-----------C

.C---------------------------------------------------------------------C

!C---------------------------------------------------------------------C

$C---------------------------------------------------------------------C

@horus*

H!nd we'll "o runnin" off toni"ht,

?i"h above, where we won't even need to rea#h the sky, my love,

Joh, there will be a #han"e in the air,+obody will be anybodyH

eC-:----3--3----:----3--3--------C

C-:----:--3----:----:--3--------C

/C-----:--:----3----C

!C->----3--:---->----3--:----3----C

$C-:-------3----:-------3--------C

9hort little "uitar fill*

HelseH

eC-3-E:D3--E3E:---C

C--------------------------------------C

/C--------------------------------------C

.C--------------------------------------C

!C--------------------------------------C$C--------------------------------------C

BuMM "uitar riff*

eC----------------------------------------------------C

C----------------------------------------------------C

/C----------------------------------------------------C =

.C-12-12-11----11-------------------------------------C

!C----------1-----12-12-1--11--12--11-12-1-1-1---C

$C-----------------------------------------------12---C

@horus*

Hu#idity, #ome ba#k to me,

Put all five senses ba#k to where they're meant to be,

Joh, where we'll "o,

Tip toe, tread boldly ri"ht down to theHeC-:----3--3----:----3--3--------C

C-:----:--3----:----:--3--------C

/C-----:--:----3----C

!C->----3--:---->----3--:----3----C

$C-:-------3----:-------3--------C

rid"e*

HlairH

eC---------------------------------C

C---------------------------------C

/C---------------------------------C =2


17/58

.C-----3--:-->------>--:----3----C

!C-----3--:-->------>--:----3----C

$C-2------3--:--2----:--3--------C

eC------C

C------C

/C------C

.C--C

!C------C

$C------C

@raMy outro fuMM "uitar solo It was pretty hard to de#ipher it under all the fuMM,

but this is what I #ould make out*

eC----------------------------------------------------1----12--------------C

C-12-------12--------------------------------------------------------------C

/C-1b18----1b18r1b18---1p1-1---1b18-11--11----11----11-1--------C

.C-------------------------------------------------------------------1--C

!C--------------------------------------------------------------------------C

$C--------------------------------------------------------------------------C

eC--------------------------------------------------------------------------C

C--------------------------------------------------------------------------C

/C--------------------------------------------------------------------------C

.C->->-->-->-->->->--:E>->->->->--:E>->--:E>->------------------------------C

!C--------------------------------------------------------------------------C

$C----------------------------------------------:-:-:-:-:--3E:-:--3E:-:--0--C

Play these #hords underneath the solo*

eC-:-:-:-:-:--:-:--:--:--:-:-:--:-:-:-:-:--:-:--:--:--:-:-:--C

C-:-:-:-:-:--:-:--:--:--:-:-:-->->->->->-->->-->-->-->->->--C

/C-:-:-:-:-:--:-:--:--:--:-:-:-->->->->->-->->-->-->-->->->--C =

.C-:-:-:-:-:--:-:--:--:--:-:-:-->->->->->-->->-->-->-->->->--C

!C-:-:-:-:-:--:-:--:--:--:-:-:--:-:-:-:-:--:-:--:--:--:-:-:--C

$C-----------------------------------------------------------C

C E slide up

C D slide down

C h hammer-on

C p pull-offC vibrato

C L harmoni#

C = ute note

C b end

C pb Pre-bend

C br end release



--------------------------------------------------------------------------------------

Tra#k 03

4hy 4on't 5ou ake 6p 5our ind7

--------------------------------------------------------------------------------------

Intro*

This is the main #hord

pro"ression that #ontinuously

plays throu"hout the entire son"*

eC-3--8-----0--1-----C

C-3--8-----0--1-----C

/C-3--:-----0--2-----C =2

.C-:--


18/58

J##asionally hit the hi"her notes

after playin" the #hords, like this*

eC-3--8-8----0--1-1----C

C-3--8---8--0--1---1--C

/C-3--:------0--2------C

.C-:--


19/58

!C-:---10--12E1-1--------------------1D12-12--C =2

.C->b>3--:-------------------->b>3--10---:-10------------C

!C---------------------------------------


20/58

.C-:--


21/58

eC------------------C

C-10----------10---C

/C------12b1-------C

.C------------------C

!C------------------C

$C------------------C

The main #hords are played very faintly in the ba#k"round a"ain*

/uitar 1*

eC-3--8-----0--1-----C

C-3--8-----0--1-----C/C-3--:-----0--2-----C =<

.C-:--


22/58

eC-----------------------------C

C-----------------------------C

/C-----------------------------C =

.C-----------------------------C

!C-----------------------------C

$C-12-12-12-12-12--1D12-12-12-C

Hno one else around to look at me, so I #anH

eC-----------------------------C

C-----------------------------C

/C-----------------------------C =2.C-----------------------------C

!C-12-12-12-12-12--1D12-12-12-C

$C-----------------------------C

Hlook at my shadow as mu#h as I please, all theH

eC-----------------------------C

C-----------------------------C

/C-----------------------------C =2

.C-----------------------------C

!C-----------------------------C

$C-12-12-12-12-12--1D12-12-12-C

Pre-#horus*

Hki#ks that I #an't #ompare to, makin"H

eC--3--3--3--3-3-3--3-3--3-3--3--CC--3--3--3--3-3-3--3-3--3-3--3--C

/C--8--8--8--8-8-8--8-8--8-8--8--C

.C--:--:--:--:-:-:--:-:--:-:--:--C

!C--:--:--:--:-:-:--:-:--:-:--:--C

$C--3--3--3--3-3-3--3-3--3-3--3--C

Hfriends like you're all suH

eC--8--8--8--8-8--C

C--8--8--8--8-8--C

/C--:--:--:--:-:--C

.C--


23/58

! se#ond "uitar plays this (ust after Hsoul #an breatheH*

eC----------------C

C----------------C

/C-------12--1C

.C--E1-----------C

!C----------------C

$C----------------C

Hnothin" else matters I don't #are what I missH

eC-----------------------------CC-----------------------------C

/C-----------------------------C =2

.C-----------------------------C

!C-12-12-12-12-12--1D12-12-12-C

$C-----------------------------C

H#ompany's okay, solitude is blissH

eC-----------------------------C

C-----------------------------C

/C-----------------------------C =2

.C-----------------------------C

!C-----------------------------C

$C-12-12-12-12-12--1D12-12-12-C

!nother "uitar plays this on the words Hsolitude is blissHeC-----------------------------C

C-----------------------------C

/C-----------------------------C

.C-1-1-1-1-1-1-------C

!C-----------------------------C

$C-----------------------------C

Pre-#horus*

Hthere's a party in my head, andH

eC--3--3--3--3-3-3--3-3--3-3--3--C

C--3--3--3--3-3-3--3-3--3-3--3--C

/C--8--8--8--8-8-8--8-8--8-8--8--C

.C--:--:--:--:-:-:--:-:--:-:--:--C

!C--:--:--:--:-:-:--:-:--:-:--:--C

$C--3--3--3--3-3-3--3-3--3-3--3--C

Hno one is inH

eC--8--8--8--8-8--C

C--8--8--8--8-8--C

/C--:--:--:--:-:--C

.C--


24/58

Pre-solo*

eC-----------------------------C

C-----------------------------C

/C-----------------------------C =

.C-----------------------------C

!C-----------------------------C

$C-12-12-12-12-12--1D12-12-12-C

! se#ond "uitar plays this on the

third repeat of the riff above*eC----------------C

C----------------C

/C-------12--1C

.C--E1-----------C

!C----------------C

$C----------------C

9olo*

eC----------------------------------------------------------------------C

C----------------------------------------------------------------------C

/C-12---12-12---10-12-10----


25/58

eC-->--->--->-->-->-:-----------------C

C-->--->--->-->-->-:--->-->-->->-->--C

/C-10--10--10-10-10--->-->->-->--C

.C-11--11--11-11-11->---:--:--:-:--:--C

!C-11--11--11-11-11->---:--:--:-:--:--C

$C-->--->--->-->-->-:-----------------C

HtodayH

eC-->--->--->-->-->-:-------------------------C

C-->--->--->-->-->-:--->-->-->->--11-11-11--C

/C-10--10--10-10-10--->-->->--11-11-11--C.C-11--11--11-11-11->---:--:--:-:--->-->-->--C

!C-11--11--11-11-11->---:--:--:-:--->-->-->--C

$C-->--->--->-->-->-:-------------------------C

eC-->--->--->-->-->-:-----------------C

C-->--->--->-->-->-:--->-->-->->-->--C

/C-10--10--10-10-10--->-->->-->--C

.C-11--11--11-11-11->---:--:--:-:--:--C

!C-11--11--11-11-11->---:--:--:-:--:--C

$C-->--->--->-->-->-:-----------------C

! se#ond "uitar plays this riff throu"hout

the #hord pro"ression above*

eC----------------------------------------C

C----------------------------------------C/C----------------------------------------C =

.C--------------->-->--11--11--11-11--11--C

!C---------->h11--------------------------C

$C-->-->-->-------------------------------C

Pre-#horus*

H.on't ask me how you're supposed to, '#auseH

. . . . 6 6

eC-3--3--3--3--3---------3------C

C-3--3--3--3---3---------3-----C

/C-8--8--8--8----8---------8----C arpe""iate the last

.C-:--:--:--:-----:-------------C part of the #hord

!C-:--:--:--:------:------------C

$C-3--3--3--3-------3-----------C

Hyou will never #ome #lose to how I feel,

you will never #ome #lose to how I feel,

you will never #ome #lose to how I feel,

you will never #ome #lose to how I feelH

. 6 . 6 . . 6 . . . 6 . 6 . . 6 . .

eC-10-10--10-10--10--10-10--10--


26/58

C pb Pre-bend

C br end release



--------------------------------------------------------------------------------------

Tra#k 0:

;eremy's 9torm

--------------------------------------------------------------------------------------

This son" is played in . standard tunin" If you want to sound like the re#orded

version then you must tune down, otherwise it will be two semitones wron" e#ause

this son" uses a lot of open notes and fin"er pi#kin", there's no way of transposin"

this son" to $ standard, so either tune down or play it in a different key

IntroEfin"er-pi#kin" se#tion*

/uitar 1*

dC-:-------------------3-----:-------------------3--C

!C-------3----------3--------------3----------3-----C

BC-------------3h:-----------------------3h:--------C

@C----3-----3-------------------3-----3-------------C

/C-0----------------------0--0----------------------C

.C--------------------------------------------------C

dC--------------------2------------------------2--C

!C-------2----------2--------------2----------2-----C

BC-------------2h-----------------------2h--------C

@C----2-----2-------------------2-----2-------------C

/C-0----------------------0--0----------------------C

.C--------------------------------------------------C

dC-0-----------------------1--------------------C

!C-------1-----------------------1--------------C

BC-------------2-----------------------2--------C

@C----------------------------------------C

/C-----------------------------------------C

.C----------------------------------------------C

dC-1---------------------------------------8--C!C-------1--------------------------8--------C

BC----------------------------


27/58

.C----------------------------------------------C C

C

dC-1---------------------------------------8--C E

!C-------1--------------------------8--------C E

BC----------------------------


28/58

.C----------------------0----C

/uitar 2 %with fuMM&*

dC------------------------------C---------------------------C

!C---3E1--1-------------------C-3E0--0-------------------C

BC------------2-----------2-----C---------1-----------1-----C

@C-----------------2----------C------------2--1--2--------C

/C------------------------------C---------------------------C

.C------------------------------C---------------------------C

dC------------------------------C--------------------C!C---3E1--1-------------------C-3E0--0-------------C

BC------------2-----------2-----C---------1----------C

@C-----------------2----------C------------2-------C

/C------------------------------C--------------------C

.C------------------------------C---------------0----C

Birst rhythm and lead se#tion*

/uitar 1*

dC------------------C

!C------------------C

BC------------------C =<

@C------------------C

/C----:------:------C

.C-0----0-0----0-0--C

/uitar 2*

dC---------------:--C---------------:--C------------------C---------------:--C

!C-------------:----C-------------:----C---------------:--C-------------:----C

BC------------------C------------------C-------------:----C------------------C =2

@C------------------C------------------C------------------C------------------C

/C------------------C------------------C------------------C------------------C

.C------------------C------------------C------------------C------------------C

/uitar 2 makes #raMy sound effe#ts in this se#tion, whi#h are mostly untabbable

/uitar 1*

dC------------------C

!C------------------C

BC------------------C =<

@C------------------C

/C----:------:------C.C-0----0-0----0-0--C

/uitar 1*

dC-----------------------C

!C-----------------------C

BC-----------------------C =

@C---------------3E:--3--C

/C----:------:---:E>--:--C

.C-0----0-0----0---------C


dC-----------------------C

!C-----------------------C

BC-----------------------C =

@C-----------------------C/C---------------:E>--:--C

.C-----------------------C

/uitar 1*

dC--------------------C

!C--------------------C

BC--------------------C =2

@C---------------3---C

/C----:------:---:-8--C

.C-0----0-0----0------C

/uitar 1*


29/58

dC------------------------------------------C

!C------------------------------------------C

BC------------------------------------------C =2

@C---------------3E:--3----------------3---C

/C----:------:---:E>--:-----:------:---:-8--C

.C-0----0-0----0---------0----0-0----0------C

/uitar 1*

dC------------------C

!C------------------C

BC------------------C =2@C------------------C

/C----:------:------C

.C-0----0-0----0-0--C

ini-"uitar solo*

/uitar 1*

Ouietly in the ba#k"round*

dC------------------C

!C------------------C

BC------------------C =

@C------------------C

/C----:------:------C

.C-0----0-0----0-0--C

/uitar 2*dC---------------:--C---------------:--C------------------C---------------:--C

!C-------------:----C-------------:----C---------------:--C-------------:----C

BC------------------C------------------C-------------:----C------------------C

@C------------------C------------------C------------------C------------------C

/C------------------C------------------C------------------C------------------C

.C------------------C------------------C------------------C------------------C

/uitar 1*

Ouietly in the ba#k"round*

dC------------------C

!C------------------C

BC------------------C =<

@C------------------C

/C----:------:------C

.C-0----0-0----0-0--C

/uitar 2*

dC---------------:--C---------------:--C------------------C---------------:--C

!C-------------:----C-------------:----C---------------:--C-------------:----C

BC------------------C------------------C-------------:----C------------------C =2

@C------------------C------------------C------------------C------------------C

/C------------------C------------------C------------------C------------------C

.C------------------C------------------C------------------C------------------C

/uitar *

dC---------1p12----C------------------C-1p12------------C------------------C

!C------------------C------------------C--------1D12-----C---1b13r1-12----C

BC------------------C------------------C------------------C------------------C

@C------------------C------------------C------------------C------------------C

/C------------------C------------------C------------------C------------------C.C------------------C------------------C------------------C------------------C

dC------------------C------------------C------------------C------------------C

!C------------------C------------------C------------------C------------------C

BC------------------C------------------C------------------C------------------C

@C------------------C-----1D12CC-11---------------C

/C------------------C------------------C------------------C-----12E1-C

.C------------------C------------------C------------------C------------------C

Bin"er-pi#kin" se#tion*

/uitar 1 and 2*

dC-:-------------------3-----:-------------------3--C D


30/58

!C-------3----------3--------------3----------3-----C D

BC-------------3h:-----------------------3h:--------C D

@C----3-----3-------------------3-----3-------------C D

/C-0----------------------0--0----------------------C D

.C--------------------------------------------------C D

C

dC--------------------2------------------------2--C C

!C-------2----------2--------------2----------2-----C C

BC-------------2h-----------------------2h--------C C

@C----2-----2-------------------2-----2-------------C C

/C-0----------------------0--0----------------------C C.C--------------------------------------------------C C

C =2

dC-0-----------------------1--------------------C C

!C-------1-----------------------1--------------C C

BC-------------2-----------------------2--------C C

@C----------------------------------------C C

/C-----------------------------------------C C

.C----------------------------------------------C C

C

dC-1---------------------------------------8--C E

!C-------1--------------------------8--------C E

BC----------------------------


31/58

@C-------------------2--------------2---------C

/C-2--2-----2-----2-----2--2-----2------2-----C

.C--------------------------------------------C

/uitar 2 %#lean&*

dC-0-----------------------C-0-----------------------C

!C----1-------------------C----0-------------------C

BC-------2-----------2-----C-------1-----------1-----C

@C------------2----------C----------2--1--2--------C

/C-------------------------C-------------------------C

.C-------------------------C-------------------------C

dC-0-----------------------C-0-----------------------C

!C----1-------------------C----0-------------------C

BC-------2-----------2-----C-------1--------1-----1--C

@C------------2----------C----------2--------2-----C

/C-------------------------C-------------------------C

.C-------------------------C-------------------------C

/uitar 1*

dC-0---------------------------------------------C

!C-------1--------------------------------------C

BC-------------2------------------------2--------C

@C------------------------2--------------------C

/C---------------------------------------C

.C-----------------------------------------------C

dC-0---------------------------------------------C

!C-------0--------------------------------------C

BC-------------1------------------------1--------C

@C-------------------2-----1-----2---------------C

/C-2--2-----2-----2-----2-----2------2-----2-----C

.C-----------------------------------------------C

dC-0---------------------------------------------C

!C-------1--------------------------------------C

BC-------------2------------------------2--------C

@C------------------------2--------------------C

/C---------------------------------------C

.C-----------------------------------------------C

dC-0-------------------------C

!C-------0-------------------C

BC-------------1-------------C

@C-------------------2-------C

/C-2--2-----2-----2----------C

.C----------------------0----C


dC------------------------------C---------------------------C

!C---3E1--1-------------------C-3E0--0-------------------C

BC------------2-----------2-----C---------1-----------1-----C

@C-----------------2----------C------------2--1--2--------C

/C------------------------------C---------------------------C

.C------------------------------C---------------------------C

dC------------------------------C---------------------------C

!C---3E1--1-------------------C-3E0--0--------------------C

BC------------2-----------2-----C---------1-----------1-----C

@C-----------------2----------C------------2--1--2--------C

/C------------------------------C---------------------------C

.C------------------------------C------------------------0--C

9e#ond rhythm and lead se#tion*

There are more #raMy sound effe#ts in this se#tion made by "uitar 2

that are untabbable*

/uitar 1*

dC------------------C


32/58

!C------------------C

BC------------------C =<

@C------------------C

/C----:------:------C

.C-0----0-0----0-0--C

/uitar 2*

dC------------------C------------------C------------------C------------------C

!C-12C------------------C------------------C------------------C

BC-1b18C------------------C------------------C------------------C

@C------------------C------------------C------------------C------------------C/C------------------C------------------C------------------C------------------C

.C------------------C------------------C------------------C------------------C

dC------------------------------C------------------C--------------C--------------C

!C------------------------------C------------------C--------------C--------------C

BC--------12-1b18-1b18-1b18C-1b18--12h1-12--C--------------C--------------C

@C-----1-----------------------C------------------C--------------C--------------C

/C------------------------------C------------------C--------------C--------------C

.C-12---------------------------C------------------C--------------C--------------C

/uitar 1*

dC-----------------------C

!C-----------------------C

BC-----------------------C =

@C---------------3E:--3--C/C----:------:---:E>--:--C

.C-0----0-0----0---------C

/uitar 1*

dC--------------------C

!C--------------------C

BC--------------------C =

@C---------------3---C

/C----:------:---:-8--C

.C-0----0-0----0------C

/uitar 1*

dC-:--:-:--:--:-:--:--C

!C-:--:-:--:--:-:--:--C

BC-:--:-:--:--:-:--:--C =@C-:--:-:--:--:-:--:--C

/C-:--:-:--:--:-:--:--C

.C-0--0-0--0--0-0--0--C

/uitar 1*

dC--------------------C

!C--------------------C

BC--------------------C =

@C---------------3---C

/C----:------:---:-8--C

.C-0----0-0----0------C

/uitar 1 and *

dC---------------------C

!C---------------------CBC---------------------C =

@C-3--3-3-:--3-3-3----C

/C-:--:-:->--:-:-:--8--C

.C-0--0-0-0--0-0-0--0--C

/uitar 1 and *

dC-------------C

!C-------------C

BC-------------C =

@C-3--8--3----C

/C-:--


33/58

/uitar 1 and *

$nd on this #hord*

dC-------------C

!C-------------C

BC-------------C

@C-3-----------C

/C-:-----------C

.C-0-----------C

Jutro*/uitar 2*

9li"htly arpe""iate the #hord and "ently

dip your whammy bar a little bit*

dC-:-----------C

!C-:-----------C

BC-:-----------C =

@C-:-----------C

/C-:-----------C

.C-0-----------C

C E slide up

C D slide downC h hammer-on

C p pull-off

C vibrato

C L harmoni#

C = ute note

C b end

C pb Pre-bend

C br end release



--------------------------------------------------------------------------------------

Tra#k 0< $=pe#tation

--------------------------------------------------------------------------------------

0*01-0*10Q

/uitar*

eC--3-C

C-3-3-C

/C--3-C =<

.C-3--C

!C----C

$C-----C

0*11-0*20Q

/uitar*eC--3-C

C-3-3-C

/C--3-C =<

.C-3--C

!C----C

$C-----C

0*11-0*20Q

ass*

/C-----C

.C----C =<

!C----C


34/58

$C-----C

0*21-0*1Q

/uitar*

eC---3----3-C

C-3--3-3-3--3-C

/C---3----3-C =

.C-3---3-3---C

!C----------C

$C-------------C

0*21-0*1Q

ass*

/C-------------C

.C----------C =

!C-----------C

$C-------------C

0*1-0*8Q

ass*

/C-3----------C

.C---------3-C =2

!C-----------C

$C------------CH$verythin" you ever told me #ould've been a lie,

we may never have been in loveH

0*:-0*1Q

/uitar*

eC---3----3-C

C-3--3-3-3--3-C

/C---3----3-C =2

.C-3---3-3---C

!C----------C

$C-------------C

0*:-0*1Q

ass*/C-------------C

.C----------C =2

!C-----------C

$C-------------C

0*:-0*1Q

Blan"y 2nd "uitar*

eC----------------------------------------------------------------------------------C

C----------------------------------------------------------------------------------C

/C-------------1b18--12---------------12-----1b18r1-12----12--1b18r1-12--------C

.C-1-12-1p12-----------12--1-12--1----1--------------1-----------------1-12--C

!C----------------------------------------------------------------------------------C

$C----------------------------------------------------------------------------------C

%This "uitar is buried ba#k in the mi= and is hard to make out due to the heavy use

of effe#ts, so this is (ust a rou"h estimation Play it however you like&

0*2-0*8Q

ass*

/C-3-------C

.C------3-C =2

!C--------C

$C---------C

H9tu#k on thinkin" that there is always somethin" to lose,

or a hit from aboveH


35/58

0*:-0*38Q

/uitar*

eC---3----3-C

C-3--3-3-3--3-C

/C---3----3-C =

.C-3---3-3---C

!C----------C

$C-------------C

0*:-0*38Q

ass*/C-------------C

.C----------C =

!C-----------C

$C-------------C

0*:-0*38Q

Blan"y 2nd "uitar*

eC--------------------------------------------------------------------------C

C------------------------------------12--------------------12--------------C

/C----------12--1b18-1-12-1--12-1----1-12-1-12--12-1----1-12-1-12--C

.C----12-1-----------------------------------------------------------------C

!C-1-----------------------------------------------------------------------C

$C--------------------------------------------------------------------------C

eC--------------------------------------------------------------------------CC-12------12-----------------------------------------------12-12E13-12-----C

/C----1-----12----12-1-12----------------E12-------12-1-------------1--C

.C---------------1----------1----------1-----1-12-----------------------C

!C------------------------------1-1-1------------------------------------C

$C--------------------------------------------------------------------------C

HJr a hit from aboveH

0*3:-1*02Q

/uitar*

eC------------------------C

C------------------------C

/C------------------------C

.C------------------------C!C-2-p2--2---2-p2--2--C

$C------------------------C

0*3:-1*02Q

ass*

/C------------------------C

.C------------------------C

!C---------------2-------C

$C-----------------------C

1*02-1*22Q

/uitar*

eC----3--3----3-C

C-3--3-3--3-3--3-3-C/C----3--3----3-C =<

.C-3--3----3--3--C

!C--------------C

$C------------------C

1*02-1*22Q

ass*

/C------------C

.C---------C =18

!C----------C

$C------------C

HI don't need what I'm holdin",


36/58

what I'm holdin" onto,

I wish I knew,

ohhhH

1*12-1*22Q

9ynth*

eC-----------------------------12--------12h1p12--12h1p12--12h1p12--C

C---------------------------------------------------------------------C

/C---------------------------------------------------------------------C

.C------------------:h>E10E12------------------------------------------C

!C---------3h:E->->-:--:E10--C

!C------------------C

$C------------------C

%This is probably the least audible,

most buried ba#k in the mi=, part of

the son", but there's a very barely

audible fuMMed out "uitar that plays

this (ust before the synth bit below

+ot important or ne#essary to playin" theson", but I've in#luded it for the sake

of #ompleteness&

9ynth*

eC--------------------------------------------C

C--------------------------------------------C

/C--------------------------------------------C

.C---------------------------------:h>E10E12--C

!C------------------------3h:E


37/58

and is too hard to play on "uitar, but I've in#luded it anyway&

1*2


38/58

!C-------------C

$C-------------C

%There is a very subtle, barely

noti#eable ba#kwards "uitar that

fades in on ea#h repeat This isn't

essential to playin" the son", but

it is a #ool little thin" you #ould

in#lude and e=a""erate usin" a flan"e

and volume pedal or the volume

swit#h on your "uitar to fade into

the #hord&

2*11-2*28Q

/uitar*

eC-----C

C----3-C

/C----3-C =12

.C-3-3--3-C

!C-3-3---C

$C------C

2*11-2*28Q

ass*

/C--------C

.C--------C =12!C------C

$C-------C

H!nd now I'll es#ape,

I'll never ever have to see a

disappointed fa#e,

no one to please,

every now and then,

it feels likeH

2*28-2*2Q

ass*

/C-----------------------------------------------C

.C----0--1--1---0-1--------1-----3-10-


39/58

eC---3----3-C

C-3--3-3-3--3-C

/C---3----3-C =<

.C-3---3-3---C

!C----------C

$C-------------C

2*2-*02Q

ass*

/C-------------C

.C----------C =<!C-----------C

$C-------------C

HI told myself I wouldn't #are,

no, I wouldn't #are,

but when she said she'd #ome around

I #ombed my hair,

yes, I #he#ked my hairH

*02-*0:Q

/uitar*

eC------------------------C

C------------------------C

/C------------------------C

.C------------------------C!C-2-p2--2---2-p2--2--C

$C------------------------C

*0


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eC---------C

C---------C

/C-------1-C

.C--------C

!C---------C

$C-1-------C

*1


41/58

*-*1Q

9ynth*

eC-0--0--3------3-C

C-1--0--3--3----3-C

/C-2--0--3------3-C =8

.C-2--2----3--3---C

!C-0--2-------3----C

$C----0------------C

*-*1Q

/uitar*

eC-0--0--3------3-C

C-1--0--3--3----3-C

/C-2--0--3------3-C =8

.C-2--2----3--3---C

!C-0--2-------3----C

$C----0------------C

*-*1Q

ass*

/C------------------C

.C----------------3-C =8

!C-0--------------C

$C----0------------CHflu#tuation is makin" me old,

e=pe#tation is takin" its toll,

flu#tuations are a#hin" my soul,

e=pe#tation is takin" its toll,

flu#tuations are a#hin" my soul,

e=pe#tation is takin" its tollH

*1-*1>Q

9ynth*

eC-0--0--3------3-C

C-1--0--3--3----3-C

/C-2--0--3------3-C

.C-2--2----3--3---C

!C-0--2-------3----C$C----0------------C

*1>-*2Q

9ynth*

eC-3----------------C

C-3----------------C

/C-3----------------C

.C-----------------C

!C------------------C

$C------------------C

The son" fades out at this point, and then eventually fades ba#k into this*

J6TRJ*

------

*0-*


42/58

/uitar with flan"e*

eC-----C

C----3-C

/C----3-C =10

.C-3-3--3-C

!C-3-3---C

$C------C

*


43/58

.C-3-3--3-C

!C-3-3---C

$C------C

3*3-3*3


44/58

/C-------------------------------------C =

.C---------------------------------12--C

!C-----


45/58

eC-------------------------------------C-----------------------------------C

C-------------------------------------C-----------------------------------C

/C---------------------------------12--C-----------------------------------C

.C-----


46/58

C-------------C

/C-11-11-->-11-C =<

.C--N--N--N--N-C

!C-12-12-10-12-C

$C-10-10--


47/58

/uitar 1*

eC---------------------------------------------------------------C

C---------------------------------------------------------------C

/C---------------------------------------------------------------C

.C-12-12-12--10--12-12-12--10---12-12-12--10-12--10-12--10---12--C

!C---------------------------------------------------------------C

$C-10-10-10---


48/58

!C-:-:--:-:--:-:----------2-2--2-2--2-2--2-2--2-2--1-1--1-1--1-1--1-1--C

$C-------------------------------------------------------------------------C

eC-----------------------------------------3-3--3-3--3-3--3-3--3-3--3-3--3-3--3-3--C

C-1-1--1-1--1-1--1-1--------------:-:--:-:--:-:--:-:--:-:--:-:--:-:--:-:--C

/C-2-2--2-2--2-2--2-2--------------:-:--:-:--:-:--:-:--:-:--:-:--:-:--:-:--C

.C-------------3-3--3-3--3-3--3-3--:-:--:-:--:-:--:-:--:-:--:-:--:-:--:-:--C

!C-------------3-3--3-3--3-3--3-3--3-3--3-3--3-3--3-3--3-3--3-3--3-3--3-3--C

$C---------------------------------------------------------------------------------C

9ynth lead*eC-


49/58

/C-------------------------------------------------------------C D

.C------------


50/58

H!nd don't remind me of home,

Jr I mi"ht noti#e where I amH

eC-------1--------C

C------1-------C

/C------2-------C =2

.C-3-------3-----C

!C-8-------8-----C

$C-------1--------C

HIt's true that some thin"s have toH/uitar fill*

eC-8-8-8-8-------C

C---------------C

/C-----------------C

.C-----------------C

!C-----------------C

$C-----------------C

H#han"eH

/uitar 1*

eC---------------------------------------------------C

C---------------------------------------------------C

/C---------------------------------------------------C

.C-----------8h


51/58


52/58

!C-10-1010--10-1010--10-1010--10-1010---C C

$C--


53/58

C---------------------------------------------------C

/C---------------------------------------------------C

.C-----------8h


54/58

eC------1--------C

C-3------------C

/C-3------------C =1:

.C-3----------3--C

!C------1-----8--C

$C----------------C

/uitar solo %#omes in after the above synth "uitar riff& I've labelled them

part 1 and 2 be#ause there is a sli"ht variation between them at the end*

Part 1*

eC--------------------------------------------------------CC--------------------------------------------------------C

/C-


55/58

!C-------------------------10-


56/58

H?uffin", puffin", mar#hin" around like I know how mu#h better it should beH

/uitar 1*

eC-----------------------------------------------------------------C

C-----------------------------------------------------------------C

/C-----------------------------------------------------------------C

.C-----------------------------------------------------------------C

!C----------------->-->-->->->-->--:--:--:-:-:--:------------------C

$C->-->-->->->-->----------------------------------:--:--:-:-:--:--C

/uitar 2*

eC-->----->----:----:----CC-->----11---->----:----C

/C-10----11---->-------->----C

!C-11----->----:---->----C

$C-->---------------:----C

/uitar *

eC---------------------------------------------------C

C---------------------------------------------------C

/C---------------------------------------------------C

.C---------------------------------------------------C

!C-------->E11-->->----->E11-->->----->E11-->->------C

$C-->-->------------->------------->-------------:---C

Pre-#horus*HI know it looks like I disa"ree nine tenths of the timeH

/uitar 1*

eC-------------------------------------------C

C-------------------------------------------C

/C-------------------------------------------C

.C--------------------------------->----1---C

!C-:--:--:-:-:--:------------------:----11---C

$C-----------------3--3--3-3-3--3------------C

/uitar 2*

eC-:----3----:----11----C

C->----3---->----1----C

/C->----8---->----1----C

.C->----:---->----1----C

!C-:----:----:----11----C$C------3---------------C

@horus*

Hut I don't really mind,

but I don't really mind,

but I don't really mind,

but I don't really mindH

eC---------2----2--0--C

C-------------2--0--C

/C---------------1--C =

.C-------------2--C

!C-------2------2--C

$C-2--2---------2--0--C

Gerse 2*H@hildhood puppy is old and "ruff, your mother wants to "ive him awayH

/uitar 1*

eC-----------------------------------------------------------------C

C-----------------------------------------------------------------C

/C-----------------------------------------------------------------C

.C-----------------------------------------------------------------C

!C-:--:--:-:-:--:------------------:--:--:-:-:--:-->-->-->->->-->--C

$C-----------------3--3--3-3-3--3----------------------------------C

/uitar 2*

eC-0----0----0----2----C

C-0----2----0----2----C


57/58

/C-1----2----1--------C

.C-2----2----2--------C

!C-2----0----2--------C

$C-0---------0----2----C

/uitar *

eC---------------------------C

C---------------------------C

/C---------------------------C

.C---------------------------C

!C-:---------:----:E11-D>----C$C------3--------------------C

HPillar of stren"th was lifted off his deathbed, three weeks a"o todayH

/uitar 1*

eC--------------------------------------------------------C

C--------------------------------------------------------C

/C--------------------------------------------------------C

.C---------------------------------------------------->---C

!C-:--:--:-:-:--:------------------:--:--:-:-:--:-:-------C

$C-----------------3--3--3-3-3--3-------------------------C

/uitar 2*

eC-0----0----0----0--2--C

C-0----2----0----0----C

/C-1----2----1----1----C.C-2----2----2----2----C

!C-2----0----2----2--2--C

$C-0---------0----0-----C

/uitar *

eC----------------------------------------C

C----------------------------------------C

/C----------------------------------------C

.C----------------------------------------C

!C-:---------:--:E1--1--1--1--1--1--C

$C------3---------------------------------C

@horus*

Hut I don't really mind,

but I don't really mind,but I don't really mind,

but I don't really mindH

eC---------2----2--0--C

C-------------2--0--C

/C---------------1--C =

.C-------------2--C

!C-------2------2--C

$C-2--2---------2--0--C

9ynth se#tion*

Jbviously this is played on a synth, but I tabbed it for "uitar

;ust keep strummin" or sustainin" these #hords for the len"th that they are played

I won't add any strummin" pattern or anythin" be#ause that's up to you

eC---------------------------------------------------------------------------C

C------------------------------------------------------------C/C-333--C

.C---------------------------------------------------------------------------C

!C---C

$C---------------------------------------------------------------------------C

eC---------------------------------------------------------------------------C

C--------------------


58/58

eC---------------------------------------------------------------------------C

C--------------------

innerspeaker by tame impala

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