ink, variety of line and the 'strip' exercise
DESCRIPTION
Glenn Hirsch, Instructor www.glennhirsch.comTRANSCRIPT
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Pen and Ink
Textureand the
Strip Exercise
Glenn Hirsch, Instructor
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What makes drawing beautiful?
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Variety of line ….
Light to dark …
Fast to slow …
Thick to thin
Leonardo
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parallel, curving (directional)
short dashes
cross-hatched
loose wandering (jagged)
Rembrandt
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contour
Durer
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Picasso
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Picasso
Cross hatching
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Picasso
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Cross hatching behind the figure
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Cross hatching behind the figure
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Barry Coombs
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Texture
The illusion of texture and the texture of the
ink itself.
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The illusion of texture: metal, straw, leather, wood, cloth.
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RepinThe illusion of texture: metal, straw, leather, wood, cloth.
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PicassoThe illusion of fur.
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Texture
The illusion of rope.
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Jeff Raymond
Texture of the ink itself in cross-hatched line
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Texture of the ink itself in circular pattern
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Albrecht Dürer 1471–1528
master of line and texture
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strips
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You fill in the spaces between
Xeroxed strips from art books
using your own variety of line,
texture and imagination.
The red color marks the master
strip, the student fills in what’s in
between.
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The yellow is
the student’s
drawing in
between strips
from a master.
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The yellow is
the student’s
drawing in
between strips
from a master.
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The red
color
marks the
master
strip, the
student
fills in
what’s in
between.
![Page 28: Ink, Variety of Line and the 'Strip' Exercise](https://reader037.vdocuments.site/reader037/viewer/2022103017/55852ec1d8b42a86388b4b61/html5/thumbnails/28.jpg)
The red
color
marks the
master
strip, the
student
fills in
what’s in
between.
![Page 29: Ink, Variety of Line and the 'Strip' Exercise](https://reader037.vdocuments.site/reader037/viewer/2022103017/55852ec1d8b42a86388b4b61/html5/thumbnails/29.jpg)
Texture
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Texture