indian national war museum

INDIAN NATIONAL WAR MUSEUM

www.indiannationalwarmuseum.com

INDEX

GLOBAL ARCHITECTURAL DESIGN COMPETITION

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CONNECTING TUNNEL

Invitation 4

Introduction and Intent 5

Objectives of the National War Memorial 6

Location, Site and Climate 6-7

Components 7

Development Rules and Regulations 8

Design Considerations 9-10

Competition Schedule 11-13

Competition Jury and Award 14

Detailed Site Survey Plan (Appendix A) 16

Detailed Site Location & Surroundings Plan (Appendix B) 20

Details of Architecture and Design Competition and Selection of the Consultant

(As Appendix C) 24

Registration Form, Identification Form & Participants Acceptance Form 28

LIST OF APPENDICES, PHOTOGRAPHS AND CHARTS

Appendix A : Detailed Survey Plan.

Appendix B : Detailed Site Location plan showing National War Museum

Appendix C: Details of the Competition and Selection of the Consultant.

List of Photographs enclosed

1. Map of India

2. Map of Delhi

3. Delhi Map showing Zones in Lutyen’s Delhi

4. Site Plan along with the photographs of the surrounding buildings

5. Aerial view of the site

6. Site photographs

7. Solar Chart of Delhi, Annual Temperatures, Average Rain fall, Wind Direction Chart


FOR



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(i) India has a rich military

heritage. The gallantry of

Indian soldiers is recognised

world over. Since

independence, the Indian

Armed Forces have fought

four major wars to defend

national borders and uphold

our national interests. The

Armed Forces have also won

laurels and glory while

operating in UN mandated

peace missions, combating

terror and insurgency and

during conduct of

Humanitarian Assistance and

Disaster Relief operations.

(ii) A National War Museum has

been planned in New Delhi as

a tribute to Indian soldiers and

to showcase the nation’s

military culture, customs,

traditions and history. The

Museum is envisaged to be

world class, state of the art

building which will be a ‘must

visit’ landmark for those

visiting New Delhi. Towards

this end, a Global Architecture

and Design Competition will

be held under the aegis of the

Ministry of Defence, herein

after called the Promoter, to

select the architect for

designing the Museum

building and implementing

the National War Museum.

1. Introduction & Intent

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2. Objectives of the National War Museum

iii. The National War Museum will portray famous battles, eulogise military

martyrs, heroes and leaders and chronicle the course of Indian military

history. The institution will collect, interpret, preserve and display military

artefacts, and relics of historical value. The components of the Indian

Armed Forces and their campaigns, victories, memories, equipment, et

al will be eternalised for perpetuating the memory of the Services, which

will be a source of inspiration for future generations.

iv. The National War Museum will serve following purpose :

a) Portray military campaigns, heroic deeds and victories through

a multi sensory display so as to reinforce citizens’ faith and

pride in the Armed Forces.

b) Exhibit relics and records of historical significance and military

interest, chronicling ascendency of Armed Forces

from ancient times.

c) Display items of military interest and historical value including

development of arms, equipment and their role in the Indian

history.

d) Profile human experience of war and chronicle military events

which shaped development of our country and national character.

e) Enhance awareness of the glorious military heritage of India to

instil and motivate citizens to greater devotion and duty to the

country.

f) Inform about the challenges under which Armed Forces operate

to enhance comprehension and understanding of the Armed

Forces.

g) Act as Military’s premier educational research and archive centre

with multimedia libraries, seminar and exhibition facilities.

h) Establish itself as an outstanding landmark in the National Capital

Region for Indian and foreign visitors.

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3. Location & Site

v. The National War Museum is proposed to be constructed in Princess

Park area (10.71 acres) in harmony with National War Memorial. Both

are planned to be constructed in central Delhi, near India Gate (Lutyen

Zone, New Delhi). Detailed Survey Plan is enclosed as Appendix A1.

vi. New Delhi was conceived by Edvin Lutyens and built in the period 1912

to 1930. It is 28.73 sq km in area and is approx 2% of the National

Capital Region, which is approx 1,404 sq km. Lutyens Zone is centrally

located and is part of Zone D of Delhi Master Plan 2021. It has

impressive green cover which is a key environmental asset and an

essential lung space for the city. The Lutyens Zone was designed

on ‘Garden City’ principles with a magnificent Vijay Path (‘Road to

Victory’) aligned centrally and bordered with lush green trees and

imposing Government buildings. The entire Vijay Path is overlooked by

the historical Rastrapati Bhavan (President House) at one end. The

National War Museum and the Memorial are planned to be constructed

at the other end of the Vijay Path (Refer site plan showing National War

Museum – Appendix B)

( 1 The existing structures in the demarcated region in the location / survey plan of the

proposed National War Museum can be demolished. The encroachments in the area are

proposed to be demolished in due course. While transplantation of smaller trees is

possible to the site, it may be better to preserve existing trees which are 22 to 100 years

old.)

vii. Delhi is characterized by long hot summers and a

cold short winter with the rainy season in the

months from July to September. The variations in

the mean maximum and minimum temperatures

for each of the months, the average rainfall and the

variation in average relative humidity are provided

in the Charts and Graph enclosed.

viii. The prevailing winds are predominantly from

North-West both in summers and in winters. The

rain bearing monsoon winds are from the East and

South-East. The recorded wind direction for each

of the months is provided in the table given

herewith.

ix. Delhi features a humid subtropical climate.

Temperatures range from 5 to 40°C (41.0 to

104.0°F) with the lowest and highest temperatures

ever recorded being -2.2 and 48.4°C (28.0 and

119.0°F) respectively. The annual mean temp

42.5°C (77.0°F) and the monthly mean

temperatures range from 13 to 32°C (55 to 90°F).

The average annual rainfall is approx. 714

mm (28.1in), most of which falls during the

monsoon in July and August. The average date of

the advent of monsoon winds in Delhi is 29 June.

4. Climate

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(x) An inter connecting underground tunnel connecting

the Museum with the National War Memorial

(being planned in C Hexagon near India Gate) will

be integral part of the Museum Complex. The

National War Museum would be structured to

showcase famous battles, military victories and

sacrifices, historical legacy, military components,

etc, through multimedia / multisensory auditoriums,

display galleries, exhibit areas, research /

educational assets, restoration / archive facilities,

secure storage vaults and central facilities on the

pattern of contemporary and global best practices.

Approximate percentage space allocation in the

Museum will be as follows:

5. Components

a) Indian Military – Ancient to Medieval era 1%

b) Indian Military through British Era, WWI, WWII, Post Partition 4%

c) Indo Pak Wars of 1947-48 and Indo China War, 1962, Wars in

1965, 1971 & Kargil Conflict of 1999, Low Intensity Conflict,

Counter Insurgency and Counter Terrorist Operations, UN

Missions and Out of Area Operations

30%

d) Service specific galleries of Indian Army, Indian Navy & Indian

Air Force including Hall of Honour & Memorial Hall

(10%+5%+5%)

20%

e) Central Facilities, Auditoriums, Workshops, Labs, Security 20%

f) Museum Management Organization 5%

g) Public Utilities, Parking, Commerce Generation, Miscellaneous 20%

6. Development Rules & Regulations

xi. Maximum Ground Coverage will be 35% of the total site with FAR

1.20. The permissible height of the building is 26 M

xi. Parking shall be as follows:

a) Basement to be used for parking & services requirements

only subject to the area allocated for services not

exceeding 30% of the basement area. Use of basement

for purposes other than parking and services shall be

counted towards F.A.R and shall be subject to provisions

under building bye laws & Master Plan Delhi 2021.

b) Parking Standard @ 2ECS /100

sqm of floor area.

c) A proper scheme for visitors

parking. Parking adequacy

statement shall be prepared

taking into consideration a large

visitor footfall.

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7. Design Considerations (xii) The National War Museum building should be an

imposing edifice in Princess Park around ‘C’

Hexagon, matching the grandeur and style of other

landmark buildings such as Baroda House, the

Hyderabad House etc. It should necessarily serve

following purposes:

a) Lutyens Zone Delhi buildings having

traditional exteriors with modern interiors,

interlinked and subdivided layouts, seamless

integration of display areas, installations,

interactive zones, multifunction libraries,

seminar rooms and auditoriums with special

effects.

b) Integrated with National War Memorial.

c) Green building having minimal carbon

footprints with alternate energy sources, zero

energy habitability factor and recycling.

d) Structural Engineering for earthquake

resistance, materials engineering for fire and

accidents resistance and New Delhi

Municipal Corporation directives compliance.

e) Integrated with public utilities infrastructure

and service providers viz DVB, DJB, NDMC,

UTTIPEC, DTC, DMRC, with inherent

backups.

f) Progressive design of tertiary facilities in later

phase (upon removal of encroachments).

g) A balance and harmony of urban

requirements, aesthetics, architectural

splendor and grandeur, natural environment

and security considerations should be

maintained.

h) Friendly facilities and unimpaired all round

enriching experience for people from all

walks of life, including differently abled and

blind people, for facilitating individual

pursuits and organized studies / tours.

i) Failsafe & people friendly biometrics driven

sub vault based tiered security facilitating

smooth flow of visitors, ease of subpart

viewership, entry / exits, secure evacuation

etc. Deterrence against terror strikes, thefts,

vandalism, stowaways, pests, animals, birds

etc.

j) Restoration / conservation and archiving

workshops, storage vault reserves for

artefacts, record keeping, documentation and

big data based e-connectivity.

k) Support Staff Infrastructure, parking and

holding areas.

l) Eateries, bistros, kiosks and conveniences.

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xiii. Artifacts & Systems for Display

a) The indoor and outdoor display areas

should facilitate depiction of battle scenes,

paintings / photographs, presentation of

documents, books, pictures, interactive

areas with smart voiceover commentaries

etc. These could be in the form of

dioramas, terrain walk through, virtual

experience, movies, 3D laser shows, war

machines / equipment, mannequins /

models / sculptures / statues, uniforms,

medals, memorabilia, media coverage,

simulators etc.

xiv. Outline of Themes

a) Evolution : Evolution of Indian armed

forces through ages.

b) Partition till Present Day Period: Covers

the period 1947 to date with special

emphasis on wars and other operations.

c) Personallia Gallery: Gallery portraying

distinguished military leaders and soldiers,

Hall of Honour and Memorial Hall. Relics,

souvenirs, documents, photographs,

personal and official records, citations,

uniforms, medals and other information.

d) Specific Aspects :Displays to illustrate

service specific aspects either as a

special theme or integrated into the other

themes.

e) Miscellaneous :The credo, ethos, spirit

de corps and elan would be appropriately

incorporated in the overall exhibition plan

e.g the Regimental colours /crests,

evolution / changes in dress, musical

instruments of Regimental bands, war

posters / hoardings, captured flags/

equipment, outdated formation signs,

histories, press cuttings etc. The

noteworthy contributions to sports, arts &

sciences, books & journalism etc could

also be covered.

f) Temporary Exhibitions :Temporary

exhibitions to highlight special interactive

activities or commemorations would be

organized such as academic

collaborations, centenaries / jubilee days,

administration, recruitment & training

discipline / punishment & rewards, etc.

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xv. Eligibility

a) The competition is open to all Architects

registered in respective countries and multi

disciplinary teams led by a Registered

Architect.

b) The language of competition will be English.

xvi. Type of Competition

a) It will be a two stage competition. In the first

stage the competitors are required to give

their concepts. It shall not be more than 10

(A3 size ) sheets. All drawings will be in PDF

format and will be submitted online. The jury

will assess all the entries and short list nine

best entries for the second stage competition.

The rule of anonymities will apply throughout

the competition.

b) In the second stage competition the

detailed drawings and 3D models will

have to be provided by all the 9

shortlisted competitors. This will be

presented to the jury for final selection.

The organisers of the Competition

reserve the right to select or reject any

entry without tendering any justification.

8. Competition Schedule

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a) Launch of Competition and Registration 15th Aug. 2016

b) Closing of Online Registration 13th Sept. 2016

c) Last Date of Online Submission 15th Sept. 2016

d) Announcement of Result of Stage 1 15th Oct. 2016

e) Submission Deadline of Deliverables by Selected

9 Competitors

30th Nov. 2016

f) Announcement of Final Result 31st Dec. 2016

g) Consultants Acceptance as per Council of Architecture 15th Jan. 2017

xviii. Important Dates for the Global

Competition

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xix. Assessment Criteria :

While the Jury will determine the procedure to be followed

for assessment of the entries, the broad assessment criteria

for assessment of design entries would be as follows:

a) Aims and objectives of the promoters’

introduction and intent.

b) Responsiveness to local microclimate and

achievement of energy efficiency through

design. The concept of a ‘Green Building’ needs

to be followed as closely as possible.

c) Integration with a good landscape design and

using the elements on site in the best possible

manner.

d) User friendliness of the design to facilitating

administration of the entire Museum complex as

well as the visitors to the premises.

e) Responsiveness of the design to the functional

and other requirements elaborated in the

Architectural Program.

f) Flexibility in design for additions, expansion or

alterations for accommodating future needs.

g) Sensitivity to the local character of the site and

its surroundings with special emphasis on the

location of site in the heritage area of Lutyen’s

Zone.

xx. List of Documents to be submitted by the

Competitor :

a) Competition Stage I :The competitors may

submit a report providing an explanatory text

supported by sketches to convey the designer’s

interpretation of the architectural programme

and functional relationship. This shall not

exceed 10 (A3 size) sheets (PDF format)

including site plan. This will be only conceptual.

All the Competitors must submit the copy of

license / registration certificate of architectural

practice in their respective country.

a) Competition Stage II : It shall contain site plan

/ master plan (PDF format), Plans at all levels,

elevation & sections, 3D model (walk through),

etc. The Competitors must submit copies of last

three years of Income Tax returns.

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(xxi). Competition Jury and Award :

Eleven Member Jury consisting of Six Technical and Five Non – Technical Members will be composed.

xxii. The Professional Advisor:

The Professional Advisor will

be present during the

deliberations of the jury in

order to answer possible

questions relating to the

technical requirements of the

architectural programme and

conformity with the

regulations.

All the queries related to the

competition, site &

programme will

be answered through the

Professional Advisor.

xxii. Deliberations of the Jury:

The Chairperson and the

Members of the jury will

determine the procedure to be

followed for assessment of the

entries received for both the

stages of the Competition. On

conclusion of the assessment,

the jury will submit a signed

report to the Promoter

indicating the procedures and

criteria used for assessment.

xxiii.Other details of the

Competition and selection of

the Consultant are given at

Appendix C attached.

xxiv.Conclusion: The spirit of

valour, dedication and

sacrifice of the Indian soldiers

and the martial tradition of the

Indian military through the

ages are the core values

which are envisaged to be

showcased in the Indian War

Museum and the same needs

to be adequately reflected in

the conceptual design edifice

of the War Museum.

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Appendix A

(Refers to Para 3 (v) of the Dossier for the Competition)

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DETAILED SURVEY PLAN

17 DETAILED SURVEY PLAN

18 SITE PLAN WITH TREES LOCATIONS

LIST OF TREES ON SITE

19

SITE LOCATION & SITE PLAN

FOR


Appendix B

(Refers to Para 3 (vi) of the Dossier for the Competition)

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Site Location & Surroundings 23

1) General

The Architecture and Design Competition will be held in two stages.

The first stage is envisaged to shortlist the best concepts and the

second stage will involve detailed drawings by the shortlisted

designs of the first stage. The organisers of the Competition reserve

the right to select or reject any entry without tendering any

justification.

2) Compensation and Awards:

a) This being a two stage open completion for the pre-qualified

architects/architectural firms, the Promoter has decided to

award prizes as follows:-

b) All 9 entries selected in the first stage will be awarded with

USD 3,000 each *

c) In the second stage the award prize will be as follows:

First Prize (One) : USD 75,000 *

Second Prize (One): USD 50,000 *

Third Prize (One) : USD 25,000 *

d) The Promotor will award prizes only in accordance with the

recommendations of the Jury. Only those proposals which fulfil all

the requirements covered in the subsequent paragraph on

appointment of Consultant, will qualify for being considered for

awarded of prize money. All prizes will carry a citation and a

certificate.

(* For Indian designers the said prize money will be equivalent in

Indian currency)

Appendix C

(Refers to Para 8 (xxiii) of the Dossier for the Competition)

3) Appointment of Consultant

(a) The winner of the first prize will be appointed by the Promoter as

the Architect for the project in accordance with the Conditions of

Engagement as prescribed by the Professional Document of the

Council of Architecture subject to the competitor satisfying all

other requirements.

(b) The engagement will be for the provision of Comprehensive

Architectural Services which will cover Architectural, Structural,

Communication and other services designs (Plumbing & Fire

Fighting, Electrical, HVAC, Mechanical, Security etc) together

with Landscape and Site Development. Further, the services to

be provided will cover all stages of work, i.e Concept Design,

Preliminary Designs and Drawings (Competition Stage), Drawing

for all Approvals, Working Drawings and Tender Documents,

Constructions, and Completion Drawings.

(c) In accordance with the minimum criteria for qualifying to

participate in the competition, the winner of the first prize

should have had a practice for not less than five years as on

01 Aug 2015 after registration as an Architect and Gross

Receipts of Professional fee not less than ₹ 25.00 Lakhs in

each of the last three financial years. Therefore, on official

announcement of the prizes, the winner of the first prize shall

submit the following immediately and in no case later than two

weeks from the date of announcement :

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i. Copies of Income Tax Returns for the last three

financial years.

ii. Details of his / her Organisation including

partners, associates, technical and non technical

staff, floor area of office premises, available

infrastructure and equipment's.

iii. Expertise available in-house for providing

consultancy support in any or all of the other

disciplines, i.e Structural, Communication and

other Services (Plumbing & Fire fighting,

Electrical, HVAC, Mechanical, Security etc.) If any

or all of these disciplines are to be supported by

outside consultants, then the winner of the first

prize shall submit letters of consent from each of

the consultants proposed to be associated on the

project.

iv. Provide a full set of the Competition drawings in

‘.DWG’ format.

v. The Promoter shall enter into an Agreement with

the first prize winner within two months of the

announcement of the competition results.

vi. However, if for any reason the first prize winner

fails to fulfill the provisions contained in clauses

under Para 3 (c) above, then the Promoter

reserves the right to engage the second prize

winner in consultation with the jury subject to the

second prize winner satisfactorily fulfilling

requirements of clauses under Paras 3 (a, b, c)

above.

vii. If the Architect selected in accordance with

provisions under clause under Paras 3 (a, b, c)

above, for any reasons is unable to satisfy the

promoter of his ability to carry out the work, then

the jury may require him to collaborate with

another architect of his/her choice and approved

by the jury and the Promoter. The prize amount

of the selected Architect will be adjusted against

the professional fee to be paid to the Architect.

viii. The selected architect may be required to modify

his design to meet any reasonable requirements

of the Promoter. The detailed design will need to

be sanctioned by the Municipal and other

concerned authorities in accordance with the

requirements of New Delhi Municipal Corporation.

The selected architect will need to engage

necessary consultation with the Promoter for

fulfilling the requirements of all engineering

services, landscape design and other support

systems.

ix. Once the Promoter enters into an Agreement with

a prize winning Architect, then it is essential for

the Architect to discharge all responsibilities and

obligations in accordance with the provisions of

the Agreement. In the event of any non-

performance or a breach of contract on the part of

the Architect, the Promoter will be at liberty to

engage any other consultant or adopt any other

alternative means to get the chosen design

executed notwithstanding the Copyright of the

design resting with the chosen Architect.

x. In the event of the chosen Architect withdrawing

from the project after the signing of the

Agreement, the Promoter will be at liberty to get

the chosen design detailed and executed by

engaging any other consultant or adopting any

other alternative means.

xi. The Promoter intends to construct the building in

a single phase and the construction is proposed to

be completed with 30 months from the date of

signing of the Agreement with the architect.

xii. The Promoter retains the right to not award the

work to any of the prize winning architect without

assigning any reasons.

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4. Application of Regulations

a) Sending of submission by a competitor implies

the acceptance of all the competition regulations

contained in the Competition Dossier. The jury

alone is vested with the authority to enforce the

regulations.

b) Lapses / Omissions, if any, with regard to the

conformity of the competition regulations will be

recorded by the Professional Advisor for the

consideration of the jury.

c) The jury’s decision in the matter will be final and

binding.

d) By sending their submission the competitors

submit themselves to the decisions of the jury

which alone will be competent in the application

and Interpretation of the regulations.

5. Ownership & Copyright

a) The Promoter retains all rights of ownership of

the design of the prize winner with whom an

Agreement is entered into subject to legal and

regulatory safeguards covering intellectual

property.

b) The Promoter cannot use the submission of any

prize winner unless the author of that prize

winning design is retained under an Agreement

for detailed design and supervision.

The submissions of other competitors, whether

award winner or not, cannot be wholly or

partially used by the Promoter without entering

into an Agreement with the concerned architect.

c) The Promoter reserves the right to retain copies

of the report and the drawings covered under

Para 23, Appointment of Consultant

6. Resolution of Disputes

a) The jury shall be the sole arbiter at all stages of

the competition and up to the stage of signing of

an Agreement between the Promoter and the

Architect.

b) In the event of a dispute not related to the

judging process or awarding of prize, recourse

to the good offices of the Council of

Architecture, India may be taken for resolution

of such a dispute.

c) In the event of litigation the courts at New Delhi

shall have exclusive jurisdiction. All submitted

entries will become property of Min. of Defence,

Govt. of India. In case foreign architect is

selected for the award of the work he/she will

have to establish his/her office in Delhi, in

association with reputed, experienced,

registered Indian Architect, till the completion of

the project.

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1. Entrance Hall

2. Exhibition for Army, Navy, Airforce

3. Audio Visual Rooms

4. Restoration Labs

5. Auditorium ( 100 persons)

6. Ticketing Counters

7. Outdoor Displays

8. Display in the connecting underground passage

9. Open Air Theatre

10. Guard Rooms

11. Administrative Offices

12. Public Utilities

13. Cafeteria, Kitchen etc.

14. Shop for mementos

15. Central A/C plant including pump house

16. Parking's

17. Interactive Audio Visual Arcades

18. History Section (Repository)

19. Library

20. Conference Rooms

21. The broad envisaged sections / galleries are as follows:

Ancient Warfare: Illustrations of ‘Military Archaeology’

and other aids of ancient warfare.

22. Warfare in Early Indian History: Military and maritime

exploits of India.

23. Decisive Battles & Wars: Researched depictions of

battles fought on Indian soil illustrated by means of

battle plans, models, documents, sculpture, miniature

paintings etc to highlight evolution of medieval warfare

tactics i.e employment of elephant/camel/horse cavalry,

evolution of forts & fortifications. Coastline of India

before arrival of foreigners, after gaining of their

foothold, sea skirmishes, boats & weapons used.

24. Medieval Period: Chronicle the military events

preceding the British era.

25. Evolution of Indian Military: To illustrate the pattern of

military as existed prior to the coming of Europeans, the

recruitment and training of Indians in the East India

Company Military, the growth of the British Indian

Army/Navy/Air Force, Indenisation of Indian Armed

Forces, their growth and modernization. Indian Naval

forces up to 1st World War, activities of Indian war

vessels and auxiliaries in the World Wars. Indian

Navies metamorphosis 1947 onwards into two

dimensional and later as a three dimensional force,

Indian manned aviation units’ exploits in the World war

arenas/ subcontinent and coming into being of the

Indian Air Force into a modern air power.

26. Evolution of Armament & Equipment: A historical and

technical display to show the changes over the

centuries and their impact on tactics in the battle field.

27. World War I & II: Role of the Indian Armed Forces in

the World Wars I & II. It would include the historical

background, tactical and technical aspects, deeds of

Indian Regiments/units / squadrons / ships, relics &

records.

28. Recent / Contemporary Wars and Conflicts.

a) Indo Pak Wars, 1947- 48 and Indo China War,

1962, Wars in 1965, 1971, Kargil Conflict, 1999,

Low Intensity Conflicts, Counter Insurgency and

Counter Terrorist Operations, UN Missions and

Out of Area operations.

b) Service specific galleries of Indian Army, Indian

Navy and Indian Air Force including Hall of

Honour and Memorial Hall (10%+5%+5%).

29. Other requirements alluded to in the Dossier.

Broad Requirements of the National War Museum

(for reference)

27

REGISTRATON FORM

28

IDENTIFICATION CODE FORM

29

ACCEPTANCE FORM OF PROMOTERS TERMS

30

Map of India 31

Map of Delhi State 32

Luyten’s Delhi Zoning Map

33

Professional Advisor :

Ar. Prakash Deshmukh

Director,

Associated Space Designers, Pune

Email : [email protected], [email protected]

Associates:

Ar. Kalpak Deshmukh

Associated Space Designers, Pune

Email : [email protected]

Acknowledgements

The above document is made with the help of Ministry of Defence

and Service Headquarters. The photographs of the Site, Delhi

Climate are provided by Ministry of Defence , Government of

India.

All the other images & maps are used under General Public

License.

INFORMATION AND REGISTRATION

www.indiannationalwarmuseum.com

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mailto:[email protected]



