imaginative geography in twelfth night

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Imaginative Geography in Twelfth Night Christy Desmet University of Georgia

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Imaginative Geography in Twelfth Night. Christy Desmet University of Georgia. 1.2 of Twelfth Night. VIOLA: What country, friends, is this? CAPTAIN: This is Illyria, lady. - PowerPoint PPT Presentation

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Page 1: Imaginative Geography in  Twelfth Night

Imaginative Geography in Twelfth Night

Christy DesmetUniversity of Georgia

Page 2: Imaginative Geography in  Twelfth Night

1.2 of Twelfth NightVIOLA: What country, friends, is this?

CAPTAIN: This is Illyria, lady.

VIOLA: And what should I do in Illyria?My brother he is in Elysium.Perchance he is not drowned.—What think you, sailors?

CAPTAIN: It is perchance that you yourself were saved.

VIOLA: O, my poor brother! And so perchance may he be. (Twelfth Night, 1.2, Folger Digital Texts)

Page 3: Imaginative Geography in  Twelfth Night

Abraham Ortelius, Map of Adriatic Sea

Page 4: Imaginative Geography in  Twelfth Night

Shipwreck in Trevor Nunn Twelfth Night

Page 5: Imaginative Geography in  Twelfth Night

Sebastian Abandons Ship inTrevor Nunn Twelfth Night

Page 6: Imaginative Geography in  Twelfth Night

Brother and Sister Separated in Trevor Nunn Twelfth Night

Page 7: Imaginative Geography in  Twelfth Night

Twelfth Night 1.2.9-18

CAPTAIN: True, madam. And to comfort you with chance,Assure yourself, after our ship did split,When you and those poor number saved with youHung on our driving boat, I saw your brother,Most provident in peril, bind himself(Courage and hope both teaching him the practice)To a strong mast that lived upon the sea,Where, like Arion on the dolphin’s back,I saw him hold acquaintance with the wavesSo long as I could see.

Page 8: Imaginative Geography in  Twelfth Night

Arion astride a dolphin

“The mind of wild beasts is not so savage as that of greedy man.”

Alciato at Glasgow: http://www.emblems.arts.gla.ac.uk/alciato/facsimile.php?emb=A31b011

Page 9: Imaginative Geography in  Twelfth Night

Twelfth Night (FDT)

Antonio: A witchcraft drew me hither.That most ingrateful boy there by your sideFrom the rude sea’s enraged and foamy mouthDid I redeem; a wrack past hope he was. (5.1.69-72)

Orsino: Be not amazed; right noble is his blood.If this be so, as yet the glass seems true,I shall have share in this most happy wrack.—Boy, thou hast said to me a thousand timesThou never shouldst love woman like to me. (5.1.276-80)

Page 10: Imaginative Geography in  Twelfth Night

Northrop Frye, “The Argument of Comedy”

Page 11: Imaginative Geography in  Twelfth Night

Green World

Judi Dench as Titania with Bottom at the Rose Theatre, Kingston

Page 12: Imaginative Geography in  Twelfth Night

Kenneth Branagh Twelfth Night (1988)

Page 13: Imaginative Geography in  Twelfth Night

Entering Illyria: John Sichel TN (1969)

Page 14: Imaginative Geography in  Twelfth Night

Trevor Nunn TN (1996)

Page 15: Imaginative Geography in  Twelfth Night

Indoor vs. Outdoors in Trevor Nunn TN

Page 16: Imaginative Geography in  Twelfth Night

“Upstairs/Downstairs”

John Sichel Twelfth Night (1969)

Page 17: Imaginative Geography in  Twelfth Night

“Upstairs/Downstairs”

Trevor Nunn Twelfth Night (1996)

Page 18: Imaginative Geography in  Twelfth Night

Festive Space

Kenneth Branagh TN (1988)

Page 19: Imaginative Geography in  Twelfth Night

Garden as Liminal Space

Page 20: Imaginative Geography in  Twelfth Night

Charles Kent, Silent Twelfth Night (1910)

Page 21: Imaginative Geography in  Twelfth Night

Lady and the Unicorn, Musee Cluny, Paris (Wikipedia)

Page 22: Imaginative Geography in  Twelfth Night

Leonardo da Vince , Annunciation , Uffizi, Florence (Wikipedia)

Page 23: Imaginative Geography in  Twelfth Night

Romance of the Rose (British Library)

Then let thy love be younger than thyself,Or thy affection cannot hold the bent.For women are as roses, whose fair flower,Being once displayed, doth fall that very hour. Orsino to Viola 2.5.143

Page 24: Imaginative Geography in  Twelfth Night

Viola as Liminal CharacerMALVOLIO: Not yet old enough for a man, nor young enough for a boy—as a squash is before ’tis apeascod, or a codling when ’tis almost an apple. ’Tiswith him in standing water, between boy and man.He is very well-favored, and he speaks very shrewishly. One would think his mother’s milk werescarce out of him.

(Twelfth Night, 1.5.155 ff.)