image 1. ‘the morning dew’ as a standard...
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![Page 1: Image 1. ‘The Morning Dew’ as a standard transcription.vuir.vu.edu.au/1954/2/Helen_Oshea_appendix.pdf · Image 1. ‘The Morning Dew’ as a standard transcription. Image 2. ‘The](https://reader035.vdocuments.site/reader035/viewer/2022071009/5fc751b131c16d391842c2f4/html5/thumbnails/1.jpg)
Image 1. ‘The Morning Dew’ as a standard transcription.
Image 2. ‘The Morning Dew’ in ABC notation.
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Image 3. ‘The Morning Dew’ as a complex transcription.
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Image 4. ‘Lakeside Cottages’ (oil on canvas: Paul Henry).
Image 5. ‘Timeless’ cottage (photo: Jill Uris).
“Timeless, the thatched, whitewashedcottage, mortarless stone wall, andhay drying portray a centuries-old
lifestyle.”
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Image 7. Codifying the session (Ó hAllmurháin 1998: 160).
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Image 8. Tulla’s pipe band (photo: Helen O’Shea).
Image 9. The Tulla Millennium Stone (photo: Helen O’Shea).
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Image 10. The priest.Image 11. The politician.Image 12. The guard.Image 13. The Tulla Millennium
Stone revealed.(Photos 10-13: Helen O’Shea).
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Image 14. Water pump, Tulla,sporting Co. Clarecolours (photo: Helen O’Shea).
Image 15. Shop display, Tulla,supporting Co. Clarehurling team (photo: Helen O’Shea).
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Image 16. Mary MacNamara (photo: Mícheál Ó Catháin).
Image 20. ‘Martin Hayes (with P.J. Hayes) (oil on canvas: Catharine Kingcome).
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Image 18. Josephine Marsh (photo: Christy McNamara) (Woods1997: 76).
Image 19. Josephine Marsh (photo:Helen O’Shea).
Image 17. ‘Wet. Pain’ (photo: Steve Pyke)(O’Grady 1997: 93).