identifying and analyzing the poetic qualities of the beatles’ lyrics from 1965- 1970. by...

15
Identifying and analyzing the poetic qualities of The Beatles’ lyrics from 1965-1970. By Stephanie Murphy Mentor: Jim Baird Advisor: Susan Eve

Upload: iris-jacobs

Post on 19-Jan-2016

221 views

Category:

Documents


4 download

TRANSCRIPT

Page 1: Identifying and analyzing the poetic qualities of The Beatles’ lyrics from 1965- 1970. By Stephanie Murphy Mentor: Jim Baird Advisor: Susan Eve

Identifying and analyzing the poetic qualities of The

Beatles’ lyrics from 1965-1970.

By Stephanie Murphy

Mentor: Jim Baird

Advisor: Susan Eve

Page 2: Identifying and analyzing the poetic qualities of The Beatles’ lyrics from 1965- 1970. By Stephanie Murphy Mentor: Jim Baird Advisor: Susan Eve

1965-19701965-1970Pre-psychedelic:

Rubber Soul (1965) Revolver (1966)

Psychedelic: Sgt. Pepper’s Lonely Hearts Club Band (1967)

The Beatles (White Album) (1968)Magical Mystery Tour (1968)

Post Psychedelic: Abbey Road (1969)

Let it Be (1970)

Page 3: Identifying and analyzing the poetic qualities of The Beatles’ lyrics from 1965- 1970. By Stephanie Murphy Mentor: Jim Baird Advisor: Susan Eve

Songs by Lennon, Songs by Lennon, McCartney, and HarrisonMcCartney, and HarrisonOnly analyze songs written by

Not Ringo Only two written about the same time Not enough data to collect Inability to show progress

Page 4: Identifying and analyzing the poetic qualities of The Beatles’ lyrics from 1965- 1970. By Stephanie Murphy Mentor: Jim Baird Advisor: Susan Eve

Lennon vs. McCartneyLennon vs. McCartney

vs. Harrisonvs. Harrison

Page 5: Identifying and analyzing the poetic qualities of The Beatles’ lyrics from 1965- 1970. By Stephanie Murphy Mentor: Jim Baird Advisor: Susan Eve

Society

“All You Need is Love,” “Come Together,” “Revolution,” “Blackbird”

Places

“Penny Lane,” “Strawberry Fields Forever,” Abbey Road

Images

“I am the Walrus,” “A Day in the Life,” “Glass Onion”

Characters

“Eleanor Rigby,” “Lovely Rita,” “Martha My Dear,” “Polythene Pam,” “Mean Mr. Mustard”

Page 6: Identifying and analyzing the poetic qualities of The Beatles’ lyrics from 1965- 1970. By Stephanie Murphy Mentor: Jim Baird Advisor: Susan Eve

Avoiding MisinterpretationAvoiding Misinterpretation

Misinterpretations of: I Am the WalrusNurse in Penny LaneLucy in the Sky With DiamondsHelter SkelterCovers of Sgt. Pepper and Abbey Road

Helter Skelter

Page 7: Identifying and analyzing the poetic qualities of The Beatles’ lyrics from 1965- 1970. By Stephanie Murphy Mentor: Jim Baird Advisor: Susan Eve

LimitationsLimitations

Page 8: Identifying and analyzing the poetic qualities of The Beatles’ lyrics from 1965- 1970. By Stephanie Murphy Mentor: Jim Baird Advisor: Susan Eve

SubjectivitySubjectivity

Page 9: Identifying and analyzing the poetic qualities of The Beatles’ lyrics from 1965- 1970. By Stephanie Murphy Mentor: Jim Baird Advisor: Susan Eve

Why should the lyrics of Why should the lyrics of Beatles songs from 1965-1970 Beatles songs from 1965-1970

be analysed as poetry?be analysed as poetry?

Page 10: Identifying and analyzing the poetic qualities of The Beatles’ lyrics from 1965- 1970. By Stephanie Murphy Mentor: Jim Baird Advisor: Susan Eve

Pre-psychedelicPre-psychedelic

Page 11: Identifying and analyzing the poetic qualities of The Beatles’ lyrics from 1965- 1970. By Stephanie Murphy Mentor: Jim Baird Advisor: Susan Eve

Norwegian Wood (This Bird Has Flown)

I once had a girl, or should I say, she once had me.

She showed me her room, isn’t it good, Norwegian wood?

She asked me to stay and she told me to sit anywhere,

So I looked around and I noticed there wasn’t a chair.

I sat on a rug, biding my time, drinking her wine.

We talked until two and then she said, it’s time for bed.

She told me she worked in the morning and started to laugh.

I told her I didn’t and crawled off to sleep in the bath.

And when I awoke I was alone, this bird had flown.

So I lit a fire, isn’t it good, Norwegian wood.

Page 12: Identifying and analyzing the poetic qualities of The Beatles’ lyrics from 1965- 1970. By Stephanie Murphy Mentor: Jim Baird Advisor: Susan Eve

PPssyycchheeddeelliicc

Page 13: Identifying and analyzing the poetic qualities of The Beatles’ lyrics from 1965- 1970. By Stephanie Murphy Mentor: Jim Baird Advisor: Susan Eve

Within You Without YouWe were talking about the space between us all

And the people who hide themselves behind a wall of illusionNever glimpse the truth

then it’s far too late when they pass away.

We were talking about the love we could all share when we find it to try our best to hold it there

with our love, with our love we could save the world -- if they only knew.

Try to realize it’s all within yourselfNo one else can make you change

And to see you’re really only very small,And life flows on within you and without you.

We were talking about the love that’s gone so cold and the people, who gain the world and lose their soul

They don’t know, they can’t see Are you one of them?

When you’ve seen beyond yourself Then you may find peace of mind, is waiting there,And the time will come when you see we’re all one,

And life flows on within you and without you.

Page 14: Identifying and analyzing the poetic qualities of The Beatles’ lyrics from 1965- 1970. By Stephanie Murphy Mentor: Jim Baird Advisor: Susan Eve

Post PsychedelicPost Psychedelic

Page 15: Identifying and analyzing the poetic qualities of The Beatles’ lyrics from 1965- 1970. By Stephanie Murphy Mentor: Jim Baird Advisor: Susan Eve

““And in the end…And in the end…

……the love you make…the love you make…

……is equal to the love is equal to the love

you take”you take”

- “The End” (Lennon/McCartney), - “The End” (Lennon/McCartney), Let it BeLet it Be (1970) (1970)