identifications for music history ii midterm

2
Identifications for Music History II Midterm Seconda pratica -Monteverdi’s term -A practice of counterpoint + composition that allows the rules of 16 th century counterpoint (prima practica) to be broken in order to express the feelings of a text -Also called stile moderno -Used by modern Italians -Dissonances and chromaticism -Used in 17th - 18th century Monody Artusi-Monteverdi controversy Monteverdi’s madrigals Opera Basso ostinato St. Mark’s Oratorio Dance suite Binary form French overture King Louis XIV Tragédie lyrique Sonata Da capo aria

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Identifications for Music History II Midterm

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Page 1: Identifications for Music History II Midterm

Identifications for Music History II Midterm

Seconda pratica -Monteverdi’s term-A practice of counterpoint + composition that allows the rules of 16th century counterpoint (prima practica) to be broken in order to express the feelings of a text-Also called stile moderno -Used by modern Italians-Dissonances and chromaticism-Used in 17th - 18th century

Monody

Artusi-Monteverdi controversy

Monteverdi’s madrigals

Opera

Basso ostinato

St. Mark’s

Oratorio

Dance suite

Binary form

French overture

King Louis XIV

Tragédie lyrique

Sonata

Da capo aria