California State University, Northridge: Spring 2012

English 651: Rhetorical and Composition Theory

This study challenges European-centered history, provincializes alphabetic dominance, and positions Mestiz@ scripts at the center of twenty-first century writing.

Damián Baca

Syllabus Table of Contents:

Instructor Information Disability Information Course Description Required Texts Course Requirements

Seven Moodle Assignments

Collaborative Oral Presentation

Final Project Tentative Schedule Attendance and Participation

Instructor Information: Instructor: Ian Barnard, Ph.D.

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Office: ST 834In-person office hours: MW 2:45-3:45 p.m., and by appointmentEmail: ian.barnard@csun.edu

Disability Information: Please see me early in the semester if you have a documented disability, so that we can discuss what accommodations, if any, I might make to help you to succeed in this class.

Course Description: What does “writing” mean in the age of Facebook and the empire of the visual? Whose rhetoric and what types of rhetoric get privileged under the sign of the “war on terror” and in the era of “the hegemony of global capitalism and its political supplement, liberal democracy” (Slavoj Žižek)? Your English, my English, World Englishes, Spanglish, no English?

This semester, our graduate level overview of the exciting, exponentially expanding, and rapidly shifting field of rhetoric and composition will pay special attention to a growing body of scholarship on “The Rhetoric of the Americas” as a way of contesting more conventional Aristotelian- and Western-centered histories of rhetoric, and as a way of situating our own work and selves in the imperial migrant-rich metropolis of a multicultural and deeply historied “American” country and continent. (Which doesn’t mean that we won’t read Aristotle as well—after all, he may be more complex than both his admirers and his detractors make him out to be!)

The course serves as one of the foundation courses for students in the rhetoric and composition theory option of the M.A. program in English, but other graduate students interested in questions of language and empire or who are simply interested in finding out more about rhetoric and composition studies are also welcome to enroll.

Professor’s Promises: This is, in some ways, an “overview” course, but I promise not to assign any hefty

anthologies with pages so thin you can’t annotate the reading. In fact, we’ll be reading a book that attacks The Rhetorical Tradition, one of the “heavyweight” anthologies in the field.

No tests and exams; few lectures. Class meetings are discussion-based.

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Required Texts (texts marked & are on reserve in the Oviatt Library):

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In addition, you will be reading articles and other materials on Moodle

Course Requirements:Attendance and Participation

This is a discussion-based course, and I expect you to attend all seminar meetings on time and participate critically and actively in seminar discussions and other class activities (including in-class peer workshops on the final project). You may miss two seminar meetings without penalty.

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Critical Reading/Viewing

I expect you to read/view all assigned texts carefully and critically by the posted due dates.

Seven Moodle Assignments

Since the final project is relatively short, the seven Moodle assignments will constitute the bulk of your individual writing for the course. Each Moodle assignment consists of a 500-750 word post and substantive responses to at least two colleagues (each response should be at least a paragraph long). Do not respond to the same colleagues as everyone else, and do not respond to the same colleagues each week. See the rubric for more details on how I will evaluate the Moodle assignments. Given the size of the class, I cannot give each class member individual written feedback on Moodle responses; however, we will discuss sample responses in class, and you are welcome to visit me in my office hours to discuss your responses.

These assignments are designed to allow you to reflect on course readings and concerns, dialogue with other class members about your and their ideas, and prepare for seminar meetings; they also give me a sense of how class members are responding to the course texts. See the schedule for due dates and times.

Moodle assignment #1: Respond in any way you like to Baca’s book. Remember, though, that this is a scholarly response. Don’t spend time complaining about the text and don’t write a general impressionistic response to the text as a whole. You might want to focus on a specific issue or section or rhetorical strategy in the text, or perhaps something that particularly interests or intrigues or disturbs you. You don’t have to demonstrate mastery of the book--it’s ok if you don’t understand everything, and if you have more questions than answers. However, you should read carefully and closely and thoughtfully. Make specific references to the text.

Moodle assignment #2: What about Lynn’s introduction to the field of rhetoric and composition was new to you? What did you know already? What surprised you? What did you find problematic? Exciting? Be selective in your response so that you are able to develop a few ideas in depth rather than cover many ideas superficially. Try to connect your ideas so that your post isn’t a list of disparate points. Make specific references to the text.

Moodle assignment #3: After reading Romney and Guaman Poma, write a Moodle post in which you 1) demonstrate that you understand Romney’s argument and 2) use Guaman Poma’s book to develop your own position agreeing or disagreeing with Romney. Make specific references to both texts.

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Moodle assignment #4: Select a short passage from pp. 111-250 of Aristotle’s On Rhetoric that you’d like to write about. Perhaps choose a passage that you find particularly resonant or interesting or intriguing or difficult or offensive. Attend closely to your selected passage, teasing out its possible meanings and significance. You don’t need to copy out the passage in your post, but be sure to identify the passage you are working with and to make specific references to the passage in your explication of it.

Moodle assignment #5: Use Rose’s text to frame your own education auto-ethnography, in which you discuss your experiences as a student (in English and other classes), as a writer, and as a teacher (if you have teaching experience). Don’t just describe your experience, but try to also reflect on it theoretically, as Rose does with his own experience. Be sure to make specific references to Rose’s text in the course of your education auto-ethnography.

Moodle assignment #6: Gloria Anzaldúa expressed surprise at the way in which her work suddenly got taken up by scholars, teachers, and students in rhetoric and composition. Discuss what you see as Anzaldúa’s relevance for the field of rhetoric and composition or why you think scholars/students/teachers in rhet./comp. might or should be interested in Anzaldúa’s work. Develop one or two points in depth rather than cover too many points too superficially. Make specific references to Anzaldúa’s text. Feel free to also refer to Baca’s Mestiz@ Scripts, Lynn’s Rhetoric and Composition, and other course readings (or readings you have discovered elsewhere).

Moodle assignment #7: Select any two of this week’s readings to respond to. Discuss a few salient similarities and/or striking differences that you notice in your two texts. (If you choose to respond to Kairos, respond to the journal issue as a whole rather than to an individual article in this issue.) Don’t merely list similarities and/or differences—try to reflect on their significance as well.

Collaborative Oral Presentation

You and your group members will give an oral presentation on one of four cutting edge areas of inquiry in the field of rhetoric and composition: lgbt and queer rhetoric and composition; feminist rhetoric and composition; visual/digital rhetoric and composition; critical animal studies in rhetoric and composition. Each group will

1. research your assigned topic (I will give you a list of resources to get you started)2. decide on the focus and direction of your presentation3. compile a selection of readings (no more than 50 pages total) on your topic for class members to

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read4. post your readings on Moodle one week before your presentation. (Ensure that your scanned

documents contain complete citation information.)5. deliver an interactive presentation on your topic in class. The presentation must include discussion

of (some of) your assigned readings and an interactive component where you invite class members to engage with your presentation topic and/or readings. Each presentation (including interaction) should last no longer than sixty minutes. Do not exceed the time limit.

I will give you time in class to meet with your group members to work on the presentation, but you will also need to meet with your group members outside of class. You are also welcome to meet with me to discuss your presentation plans.

Remember that this is a collaborative presentation—groups that earn strong presentation evaluations will work together in presenting their topic, rather than deliver several short mini-presentations. All group members earn the same evaluation from me, unless I hear that some group members did not contribute their fair share to the presentation.

You cannot possibly give a comprehensive presentation on your topic, but you should give class members some kind of overview of the topic and then focus in on particular issues or readings that interest you.

Final Project For your final project, you will create a “remediation” of one of your seven Moodle posts. Choose the Moodle post that you feel is the strongest or the one that interests you the most or the one that has the most potential to be further developed. You may revise and expand your selected Moodle post into a 5 page paperlet (which may include links and digital media) or you may revise and transform it into some other genre or medium (e.g., a short video, website, blog, piece of creative writing). You will receive peer feedback on a draft of your final project. You need to post an on-time draft and final project in order to be eligible to earn full credit for this assignment.

I will assign each class member a holistic grade at the end of the semester, unless we as a class decide otherwise. Note that I do use +/- grades.

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Tentative Schedule

readings marked * are on Moodlereadings marked & are on reserve in the Oviatt Library

Date In-Class Activities Assignments for Next Time

1/23 introduction to the course class member introductions discuss syllabus and grading discuss rubric for Moodle responses view and discuss “In Defense of Rhetoric” * read and discuss Richardson, “Writing is Not

Just a Basic Skill” * read and discuss Horner and Lu, “Working

Rhetoric and Composition” * read and discuss Crowley, “Composition is Not

Rhetoric” *

read Baca, Mestiz@ Scripts & Moodle assignment #1 due: post by 3 p.m. on 1/29; respond

to colleagues by 3 p.m. on 1/30 bring your presentation preferences to class

1/30 discuss reading and Moodle posts assign presentation groups and dates discuss presentation prompt meet with presentation collaborators

read Lynn, Rhetoric and Composition: An Introduction Moodle assignment #2 due: post by 3 p.m. on 2/5; respond

to colleagues by 3 p.m. on 2/7

2/6 discuss readings and Moodle posts discuss sample Moodle posts introduction to research resources in rhetoric and

composition discuss Covino, “Rhetorical Pedagogy” * meet with presentation collaborators

read Guaman Poma, The First New Chronicle and Good Government

read Romney, “Indian Ability (auilidad de Indio) and Rhetoric’s Civilizing Narrative: Guaman Poma’s Contact with the Rhetorical Tradition” *

2/13 discuss readings and Moodle posts meet with presentation collaborators

Moodle assignment #3 due: post by 3 p.m. on 2/17; respond to colleagues by 3 p.m. on 2/19.

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read Aristotle, On Rhetoric, ix-110 (if you’re pressed for time, omit Book 1, Chapters 4-6) &

2/20 discuss reading meet with presentation collaborators

read Aristotle, On Rhetoric, 111-250 & Moodle assignment #4 due: post by 3 p.m. on 2/26; respond

to colleagues by 3 p.m. on 2/27

2/27 discuss reading and Moodle posts meet with presentation collaborators

if you are presenting on 3/12, post your presentation readings on Moodle by 3 p.m. on 3/5

work on presentations

3/5 watch and discuss Winnie the Pooh meet with presentation collaborators

if you are presenting on 3/19, post your presentation readings on Moodle by 3 p.m. on 3/12

read presentation readings work on presentations

3/12 presentations mid-semester evaluations of course

read presentation readings work on presentations

3/19 presentations discuss mid-semester evaluations

read Rose, Lives on the Boundary & Moodle assignment #5 due: post by 3 p.m. on 3/25; respond

to colleagues by 3 p.m. on 3/26

3/26 discuss reading and Moodle posts read Anzaldúa, Borderlands/La Frontera & Moodle assignment #6 due: post by 3 p.m. on 4/6; respond

to colleagues by 3 p.m. on 4/8

Spring Break

4/9 discuss reading and Moodle posts discuss final project

read Baca, “Rethinking Composition, Five Hundred Years Later” *

read Young, “’Nah, We Straight’: An Argument Against

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Code Switching” * read Canagarajah, “The Place of World Englishes in

Composition” * read Lunsford, “Toward a Mestiza Rhetoric” (interview

with Gloria Anzaldúa) *

4/16 discuss readings work on final project

read Self, “The Movement of Air, The Breath of Meaning: Aurality and Multimodal Composing” *

read Kairos 14.2 * read Thompson, “Clive Thompson on the New Literacy” * read McDougall and Nordstrom, “Ma ka Hana ka ‘lke (In

the Work is the Knowledge): Kaona as Rhetorical Action” * optional reading: Cole, “Writing Removal and Resistance:

Native American Rhetoric in the Composition Classroom * Moodle assignment #7 due: post by 3 p.m. on 4/23; respond

to colleagues by 3 p.m. on 4/30

4/23 discuss readings and Moodle posts work on final project

read Coetzee, Waiting for the Barbarians &

4/30 discuss reading work on final project

post a draft of your final project (or a link to your draft) on Moodle by 11:59 p.m. 5/5

read your group members’ final project drafts before class *

5/7 workshops on final project wrap-up party?

post your revised final project (or a link to it) on Moodle by 3 p.m. on 5/14