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Explore suggestions for visual evidence to support documentation of each role in the Film Portfolio. IB Film Visual Evidence Explored Film Portfolio Click here to download

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Page 1: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Explore suggestions for visual evidence to support documentation of each role in the Film Portfolio.

IB Film

VisualEvidence Explored

Film Portfolio

Click here to download

Page 2: IB Film Film Portfolio Visual - seminolecinema.weebly.com

2

Director:❏ Inquiry❏ Action❏ Reflection❏ Sources

Cinematographer❏ Inquiry❏ Action❏ Reflection❏ Sources

Scriptwriter❏ Inquiry❏ Action❏ Reflection❏ Sources

Sound Designer❏ Inquiry❏ Action❏ Reflection❏ Sources

Editor❏ Inquiry❏ Action❏ Reflection❏ Sources

❏ 4 Tips for strong visual evidence❏ Links you’ll Love & Student

Credits

WHAT THIS IS:This booklet contains examples of and

suggestions for visual evidence relevantto each film production role for theportfolio pages. It was designed to

stimulate ideas and provide sources.

WHAT THIS ISn’t:This is not an all-inclusive list of

suggestions for visual evidence. This isalso not an IB publication, although mostsuggestions come from the Film Guide,

Rather, these sources were assembled by

an IB Film teacher who endeavors tosupport film students as they engage inthe research process for the portfolio.

Page 3: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Provide visual evidence for the

role of

Inquiry, Action, Reflection

Page 4: IB Film Film Portfolio Visual - seminolecinema.weebly.com

The Director is responsible for the artistic and logistic aspects of the production, visualizing the script and guiding the other individuals involved in the film in order to fulfill their artistic vision.

Inquiry▪ Blocking diagram▪ Lighting diagram▪ Concept Mapping▪ Storyboard▪ Shot list▪ Talent release▪ Scouting release

Action▪ Daily progress report▪ Shot schedule▪ Call sheets

Reflection▪ Reflection

Provide visual evidence for the role of

Inquiry, Action, Reflection

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Page 5: IB Film Film Portfolio Visual - seminolecinema.weebly.com

ç

Click on images to download

forms

InquiryVisualization

Show planning: brainstorming and story mapping with writer and editor

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Page 7: IB Film Film Portfolio Visual - seminolecinema.weebly.com

ç

InquiryPlan mise-en-scene,

locations and lighting.

Show collaboration with the

cinematographer

blocking

Online lighting diagramcreate diagram online, then convert to jpg

Click image to access diagram

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Page 9: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Shot liststoryboard

Inquiry

Click on images to download

forms

Evidence of collaboration and

planning film shots with

cinematographer

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Page 10: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Inquiryscript

Download Celtx, a free scriptwriting app

Label all images (i.e.Fig.1)

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Page 11: IB Film Film Portfolio Visual - seminolecinema.weebly.com

release & Location scouting forms

Inquiry

Evidence of location scouting

Click on images to download

forms All visual evidence should support how your intentions are acheived.

Talent & Location Release forms

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Page 14: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Reflection Include visual evidence to

support evaluations made in the reflective

process.

Evidence could include a script-to-screen or script-to-storyboard comparison

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Page 16: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Provide visual evidence for the role

of

Inquiry, Action, Reflection

Page 17: IB Film Film Portfolio Visual - seminolecinema.weebly.com

The Cinematographer is responsible for the camera and for achieving the artistic and technical decisions related to the framed image.

Inquiry● Location scouting, equipment● Location, lighting tests● Location, inspiration● Storyboard, landscape● Storyboard, portrait● Blocking: Planning Mise-en-scene● Lighting Diagram

Action● Scene diagram example● Annotated storyboard● Side-by-sides● Annotated shot list● Lighting

Reflection● Annotated scene shots

Page 18: IB Film Film Portfolio Visual - seminolecinema.weebly.com

InquiryShow test shoots using different focal

lengths, camera placement, etc.Identify camera, lens types, filters, lights

that will be used. 35 mm

105mm

300mm

Locating scouting

Test shots

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Page 19: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Inquiry

Location scoutingLighting tests in locations

Discussion of location scouting and lighting tests should support how your

intentions will be achieved

Location scoutingLighting tests

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Page 20: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Inquiry Compare shots of your inspiration to scenes when scouting locations and

exploring mise-en-scene. 35 mm

105mm

influential films

Inspirational cinematographers

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Page 21: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Storyboard landscape

Inquiry

Show planning of camera shots and movement

Evidence of planning shot types with director

Click on images to download

forms

Click HERE for free storyboard

templates

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Page 22: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Storyboard Portrait

Inquiry

Annotations on storyboards to show planning with director, scriptwriter, editor, and sound designerShow planning of shot types with director

Click on images to download

forms

Click HERE for free storyboard

templates

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Page 23: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Map of each location to show:

● camera placement

● camera movement

● lighting

● character

blocking/movement

Download this free version of Shot

Designer to block your scenes.

This is what you can do with the

app:

Inquiryblocking

Click on images to download

forms

Click HERE for free storyboard

templates

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Page 24: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Evidence of collaboration with the director to plan mise-en-scene, locations and lighting

Documented workflow showing your set- up sequence

Inquiry

Online lighting diagramcreate diagram online, then convert to jpg

blocking

Click image to access diagram

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Page 25: IB Film Film Portfolio Visual - seminolecinema.weebly.com

ActionClick on images

to download forms

Click HERE for free storyboard

templates

Annotated scenes from your film to show how you will fulfill your intentions with evidence of ● camera

preparation● movement● angles● shot design (the

main focus of this role) StudioBinders

Camera movement

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Page 26: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Storyboard Portrait

Action

Delete scene

Annotations show evidence of changes, development, revisions in your work. Use

them well!GO BACK

Page 27: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Action

Click on images to download

forms

Click HERE for free storyboard

templates

Show how intention is achieved through side by side documentation of:● script-film● film-blocking

diagram

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Page 28: IB Film Film Portfolio Visual - seminolecinema.weebly.com

AnnotatedShot list

Action

Evidence of collaboration with director on shot types

Click on images to download

forms

● Evidence of collaboration with the editor about the coverage needs for the film

● Evidence of alternative shots and why you chose the one used in the final film

● Evidence of continued contribution with director and editor through advice, assistance and any scheduled re-shoots as a result of the editing process

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Page 29: IB Film Film Portfolio Visual - seminolecinema.weebly.com

\

Evidence of how lighting design was used to create mood, atmosphere, (perhaps genre too)

lighting

Action

Click on images to download

forms

Click HERE for free storyboard

templates

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Page 30: IB Film Film Portfolio Visual - seminolecinema.weebly.com

ReflectionInclude visual evidence to support comments made in the reflection

include excerpts of reactions from the screening party

Show side-by-sides to support evaluation of your success toward your filmmaking intentions● film/inspiration● film/storyboard

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Page 32: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Provide visual evidence for the role of

Inquiry, Action, Reflection

Page 33: IB Film Film Portfolio Visual - seminolecinema.weebly.com

The Writer is responsible for writing the screenplay, for updating the script during production and for supporting others in realizing the artistic intentions for the film

Inquiry● Brainstorm Map● Inspiration: Film-script side-by-

side● Script Breakdown● Plan story structure● Annotated storyboard

Action● Celtx● Annotated Script● Shot List● Annotated script

Reflection● Side-by-sides for comparison

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Page 34: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Inquirybrainstorm, mapping

Show planning with

story mapping and

brainstorming. Can be

annotated to show

collaboration with

director.

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Page 35: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Inquiryinspiration

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Page 36: IB Film Film Portfolio Visual - seminolecinema.weebly.com

script breakdown

Inquiry

Click on images to download

forms

Provide a breakdown of the

script. Show collaboration with

director with annotations

Always connect your comments to your

filmmaker intentions

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Page 37: IB Film Film Portfolio Visual - seminolecinema.weebly.com

story circlePlot Diagram

Evidence of planning

story structure

Inquiry

Click on images to download

forms

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Page 38: IB Film Film Portfolio Visual - seminolecinema.weebly.com

ActionEvidence of continued

contribution with director and editor

through advice, assistance and any scheduled re-shoots

as a result of the editing process

Shot List

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Page 39: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Inquiry

Evidence of

collaboration with

the

cinematographer

on the

visualization

of the shot types/

movement/lighting

to be used.

Click on images to download

forms

annotatedStoryboard

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Page 40: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Action Evidence of notes taken to document challenges faced and changes made to the script during shooting

Click on images to download

forms

annotatedScript

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Page 41: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Action Show notes to evidence collaboration with core production team members (director, cinematographer, sound designer, editor) showing script was used to guide their work

Click on images to download

forms

annotatedScript

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Page 42: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Reflection

Support your reflection, with a comparison of

the film alongside the

script. screen to Scriptcomparison

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Page 44: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Provide visual evidence for the role of

Inquiry, Action, Reflection

Page 45: IB Film Film Portfolio Visual - seminolecinema.weebly.com

The Sound designer is responsible for capturing, creating, sourcing and assembling the audio elements of the film.

Inquiry● Inspiration, Research● Sound experiments● Annotated Script

Action● Sound report● Feedback● Timeline & Soundtracks

Reflection● Reflection

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Page 46: IB Film Film Portfolio Visual - seminolecinema.weebly.com

● Screenshot of inspiration

● Evidence of research on sound designers

Inquiry

InspirationResearch

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Page 47: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Screenshot of tutorials or

sound experiments

Inquiry

Sound experiments

Always connect your comments to

your filmmaker intentions

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Page 48: IB Film Film Portfolio Visual - seminolecinema.weebly.com

InquiryPlanning:

annotated script

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Page 49: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Notes on location, notes regarding sound that may

be problematic on location.\

Foley sound list InquiryInspiration

ResearchAlways connect your

comments to your filmmaker intentions

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Page 50: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Notes with daily log of work accomplished and issues raised during the editing process.

Annotated lists and documents that identify sound problems

Click on images to download

forms

Actionsound report

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Page 51: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Click on images to download

forms

ActionAnnotated ● shot lists● storyboards● scripts

that reflect sound changes and revisions

Evidence of feed-back from the director

Feedback

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Page 52: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Screenshots of audiolevels, dashboard of sound on the editing

timelineBefore/after

screenshots to show improved sound tracks

Click on images to download

forms

ActionTimeline & Soundtracks

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Page 53: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Reflection

Click on images to download

forms

Include visual evidence to support claims made in the reflective process.

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Page 54: IB Film Film Portfolio Visual - seminolecinema.weebly.com

WEBSITES

● The Sound of Film: video

● 23 films with great sound -

Indiewire

● Best Sound Editing

● A filmmaker’s guide to sound

effects - StudioBinder

FORMS

● Sound report

● Production Sound report

Sources

Click on images to download

forms

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Page 55: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Provide visual evidence for the role of

Inquiry, Action, Reflection

Page 56: IB Film Film Portfolio Visual - seminolecinema.weebly.com

The Editor is responsible for assembling the raw footage, selecting shots and constructing the film in order to meet the artistic vision for the film.

Inquiry● Brainstorming● Research/Inspiration● Experiments● Planning

Action● Editing● Color-grading & Cuts● Before/After● Editing & Collaboration● Evaluation

Reflection● Reflection

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Page 57: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Inquiry

Click on images to download

forms

Evidence of collaboration

regarding ideas, genre, concepts and group

intentions (brainstorm,

mapping)brainstorming

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Page 58: IB Film Film Portfolio Visual - seminolecinema.weebly.com

InquiryShow screengrab of specific stylistic elements you are incorporating into your own work

Inspiration

Label all images to correspond with the respective text (i.e., Fig.1.)

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Page 59: IB Film Film Portfolio Visual - seminolecinema.weebly.com

InquiryShow screengrabs/images to evidence your research on:▪ genre▪ any influences for

the production of the film

▪ identifying conventions

▪ developing style

research

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Page 60: IB Film Film Portfolio Visual - seminolecinema.weebly.com

InquiryScreenshots to

show experiments with editing

Click on images to download

forms

Experiments

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Page 61: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Inquiry

Click on images to download

forms

Annotated storyboards showing pre-visualization

Annotated script showing plans for transitions, notations for timing/pacing for each scene.

Annotated shot list for sufficient coverage, with notes of special effects, shots that require additional work in post-production.

planning

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Page 62: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Action

Click on images to download

forms

Evidence of collaboration with the

director and cinematographer when editing to ensure there is

enough footage for transitions and b-roll

Editing

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Page 63: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Action

Evidence of choices made when color-grading and

selecting cuts, timing, and pacing with justifications color-grading,

cuts, pacing

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Page 64: IB Film Film Portfolio Visual - seminolecinema.weebly.com

ActionUse before and after shots to show how you achieved your intentions with color,

continuity , pacing and sound.

Click on images to download

forms

Before/after

Always connect your comments to your filmmaker

intentions

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Page 65: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Action

Evidence of continued contribution with director and editor through advice,

assistance and any scheduled re-shoots as a

result of the editing process

Click on images to download

forms

Editing & Collaboration

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Page 66: IB Film Film Portfolio Visual - seminolecinema.weebly.com

ActionCompare pre-visualization (scripts, storyboards) to final cuts and evaluate the outcome

From ‘Call me by your name’

Evaluate

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Page 67: IB Film Film Portfolio Visual - seminolecinema.weebly.com

Reflection

Include visual evidence to support comments made in the reflection.

WEBSITES

● StudioBinder: the

Editor

● St Clair Film

Studies: Editor

FORMS

● Production Sound

report

Sources

Page 68: IB Film Film Portfolio Visual - seminolecinema.weebly.com

4 Tips for strong visual evidence1. All visual evidence must focus

on showing an understanding of the filmmaker role and intention.

2. Annotations show evidence of progress, change and collaboration; use them!

3. For balance in the documentation, include visuals for each part of the process: Inquiry, Action and Reflection.

4. Label and reference each source to acknowledge the source.

● Jordan Lin● Laurence Chai● Ava Hällström● Rey Arcenas● Helery Kuld

FEATURED STUDENT WORK BY:

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