i & n thim, sty pald issiled a fina!tech.mit.edu/v108/pdf/v108-n16.pdf · 2007-12-16 · seven...

16
nuo IT~~~~~~~~~~~~ .. ; .- (.-. ~ :1 A;..::Ii SS·.: 'a 'h rigs . : 'S3IncB: · :set tI~~~~~~~~~~~~~~~~~~~~~~ et is~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~i: Paull w~ill drop fraternity coveragI~e by APL3'3 -- ------- - I I XVI professor Enett the Aero-Astro ospen wMill remove the post- I place. Margossian noted that "he has been in serious communications with several companies" and that with "MIT's excellent insurance track record" he expects the 23 fraternities to have a new and better blanket insurance policy "within the next few weeks." More will be required from fraternites Last Friday, Margossian and Eisenmann called a meeting with all of the IFC house mangers to discuss the insurance situation and to warn the fraternity houses that more will be demanded from them than ever before. The meet- ing was the first time all of the IFC house managers have offi- cially met to discuss the issue of insurance with the MIT adminis- tration since Mark Ertel resigned in July. After an extensive question- and-answer session with the house managers concerning the Massachusetts fire safety code, Margossian stated that almost all of the fraternities he visited over Independent Activities Period and in February had major fire (Please turn to page 14) accounts ASA can consider denying recog- nition to groups only on a case by case basis. "The ASA clauses for denying recognition are very weak," Kantrowitz noted. "There have to be serious grounds for a group to lose recognition." However according to Deepto Chakrabarty '88, president of the Musical Theatre Guild, this rule does not exist. "I spoke to people at the ODSA [Office of the Dean for Student Affairs] and they said it is not an MIT rule. Rather they said it was something the UA came up with," he said. Kantrowitz asserted that this rule exists and its purpose is to enable MIT to seize any funds that it feels are being inappropri- ately used by a student activity. "There have been complaints [from the administration] that Finboard tends to fund big, inde.. pendent organizations," Hen- dricks said. Part of the reason this happens is that Finboard just does not know how much outside funds a particular activity has, he (Please turn to page 14) said. Thim, Sty Pald issiled a fina! sixty-day warning at the end of February, he added. St. Paul is primarily a property insurance company and only a small amount of its business in- volves administering the type of casualty insurance demanded by fraternity systems, Eisenmann ex- plained. After new legislation in both Massachusetts and Cam- bridge complicated the insurance guidelines for fraternities, St. Paul "felt uncomfortable insur- ing that many independent fraternities," Margossian said. Margossian, working through the Office for the Dean of Stu- dent Affairs, and MIT's insur- ance broker, Fred James, are shopping for a better insurance policy. "Several companies have already shown vigorous interest in insuring the MIT fraternities," Margossian said. However, according to Eisen- mann, the search for a good poli- cy will not leave the 23 MIT fra- ternities uninsured for any period of time. MIT is taking the time and effort to search for the best possible long-term policy, Margossian said. & I n , llh, , Zc .I.a The St. Paul Insurance Corn- pany has announced it will dis- continue its blanket insurance coverage of 23 MIT fraternities on April 30, according to Steven P. Margossian '88, consultant to fraternities. According to Andy M. Eisen- mann '75, senior staff associate of residential and campus activi- ties, St. Paul chose to drop the MIT fraternities because "they saw no improvement in the fire safety condition of the frats in their preliminary investigations in February." Throughout last December and January MIT had been communi- cating with St. Paul. trying to come to an agreement about in- surance coverage, Margossian said. "On January 23, St. Paul gave the 23 MIT fraternity houses a thirty day warning of dismissal which they later retracted," Margossian stated. However, the insurance com- pany's inspector, Peter Wilcox, was not satisfied with the im- provements made by the fraterni- ty houses in February, Eisenmann Hang those posters! Course Witrner tapes up a poster for house. Of course physical plant ers since they are not in a legal areas. Overloading during second term Manning said he thought that, by the second term, most stu- dents had completed their transi- tion into MIT. The CFYP con- cluded that second term passifail should be eliminated, he said, be- cause students "overload" on coursework in their second term, and because the non-uniform use of hidden grades was problematic. Manning -said -- that,- according to statistics from the Registrar's Office, courseload is highest dur- ing a student's second term. Fig- ures from a 1985 profile of the freshman year showed that eleven /Please turn to page 13) · is k,. :., ~m* * * ~..' '": "'~ _~~~~~~~~~~·~·· :..~·-` By Michael Gojer A small number of students "really need" second term pass/ fail grading, said Beth Leibowtiz '89, who spoke yesterday at an open forum with the Committee on the First Year Program. Leibowitz, one of about 15 stu- dents who attended the forum, said she would have left the Insti- tute during her second term if not for pass/fail. Leibowitz's comments came in light of the CFYP's proposed elimination of second term pass/ fail grading, which have ap- peared in a draft of a report the committee is preparing for the Committee on the Undergraduate Program. Leibowitz also criticized the CFYP's proposal to create a one- class per term credit/no-credit option beginning in the second term, saying it was "too rigid." She said the proposal should be revised to-allow students to take seven credit/no-credit courses with scheduling at their own discretion. Other students questioned the desirability of spreading the sci- ence core requirements beyond the freshman year, though none were directly opposed to it. Pro- fessor Kenneth Manning, chair of the CFYP, said that one of the committee's major goals was in- creasing the flexibility of the first year - encouraging students to defer science core subjects in or- der to explore other academic By Darrel Tarasewicz Any student activity that main- tains bank accounts outside PMIIT after April 29, "witt -be- denied the opportunity for funding from the Finance Board of the Under- graduate Association," according to a letter which Darian C. Hen- dricks '89, chairman of Fin- board, sent to all student groups last week. The letter also addressed stu- dent activities that do not receive funding from Finboard by threat- ening them with loss of their offi- cial recognition from the Associ- ation of Student Activities they fail to comply. Project Athena Loss of recognition from ASA can result in complete seizure of all the office and auditorium -space that an activity uses. However the letter explained that this fate could be avoided if an activity transferred all of its outside funds into MIT accounts. The action was taken by Fin- board in order to gain greater ac- countability for its funding deci- sions and to enforce an old MIT rule that had fallen by the way- side in recent years, Hendricks stressed. Mark Kantrowitz '89, president of ASA, agreed with the purpose of the letter but stressed that closes clusters By Kaushik Bagchi A total of six computers was stolen from offices and Project Athena clusters during spring break, according to Jeffrey I. Schiller '79, operations manager of Athena. In response, Athena shut down all the clusters on March 21 for security upgrades, with a few reopening on March 23. In addition to closing some clusters and restricting hours at others, Athena is considering in- stalling alarm systems similar to those used in cars, according ato James D. Bruce '60, vice- president of Information Sys- tems. On the first weekend of spring UICea, two 3IBM PC/NAT's were stolen from 6-218M. Then, on the following Monday (3/21), two DEC Vax workstations were stolen from 37-318. The third IBM AT was stolen from 6-218M on the same day. On the follow- ing Sunday (3/27), an IBM PC/ RT was stolen from 1-124D, Schiller said. In the past four weeks over $60,000 worth of equipment has been stolen including two Micro- Vaxes and several Apple laser printers, Bruce said. In all of 1987, $160,000 of computers and computer accessories were stolen, Bruce noted. Also, there were three times as many major com- puter thefts in 1987 as in 1986. Schiller and Bruce believe that two distinct groups of thieves were involved in the recent thefts. One group resorted to brute force by using fire-extinguishers to break windows in order to eni- ter the computer facilities, Schiller said. Bruce and Schiller believe that (Please turn to page 14) Mark D. Virtue/The Tech Panel moderator, Phillip S. Khoury. By Darrel Tarasewicz Moderate winds caused the cancellation last Sunday and yes- terday of two attempts by Project Daedalus to make its 74 mile journey from Crete to Greece, according to Charles H. Ball, as- sistant director of the News Of- fice. The cancellations occured minulte. before scheduled takeoff. Ball, who has been in daily contact with the group in Crete, said that the next attempted flight will be on Wednesday. "They can't go on Tuesday since the weather is expected to wor- sen." On Sunday, Greg Zack, one the group's five pilots, sat in the cockpit for more than 15 minutes before being informed just be- fore scheduled takeoff that the attempt had been scrubbed, ac- cording to an article in the Bos- ton Globe. On Monday, Frank Scioscia, another pilot in the project, had to wait for an hour in the cockpit before the flight was once again # _ ~~~~~~- \i Photo Courtesy MIT News Office The Project Daedalus team (pictured) is anxiously awaiting a successful crossing of the Aegean Sea. cancelled. "Early on the winds picked up to about 8 knots. The group decided to wait for the winds to subside, but it didn't happen," -Ball said. Ball said that John S. Lang- ford '79, project manager, told him Monday that the group will to wait until the winds die down to about 3 knots. "The wind con- ditions are particularly important since the aircraft is fragile, and has limited steering ability." (Please turn to page 15) Pass/fail changes are debated at CFYP forum Finboard bans non-&IIT because of spring break thefts Strong winds thwart two Daedalus attempts aftL·Irrii r1 : "&1F··":rt · ·· ;h-l-l · ·-· · i:$

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Page 1: I & n Thim, Sty Pald issiled a fina!tech.mit.edu/V108/PDF/V108-N16.pdf · 2007-12-16 · seven credit/no-credit courses with scheduling at their own discretion. Other students questioned

nuo IT~~~~~~~~~~~~~~~~~~~~~~~~~-· .. ; .- (.-. ~ :1A;..::Ii SS·.: 'a 'h rigs

. : 'S3IncB: · :set tI~~~~~~~~~~~~~~~~~~~~~~ et

is~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~i:

Paull w~ill drop fraternity coveragI~e by APL3'3

-- ------- -

I I

XVI professor Enettthe Aero-Astro ospenwMill remove the post-I place.

Margossian noted that "he hasbeen in serious communicationswith several companies" and thatwith "MIT's excellent insurancetrack record" he expects the 23fraternities to have a new andbetter blanket insurance policy"within the next few weeks."

More will be requiredfrom fraternites

Last Friday, Margossian andEisenmann called a meeting withall of the IFC house mangers todiscuss the insurance situationand to warn the fraternity housesthat more will be demanded fromthem than ever before. The meet-ing was the first time all of theIFC house managers have offi-cially met to discuss the issue ofinsurance with the MIT adminis-tration since Mark Ertel resignedin July.

After an extensive question-and-answer session with thehouse managers concerning theMassachusetts fire safety code,Margossian stated that almost allof the fraternities he visited overIndependent Activities Periodand in February had major fire

(Please turn to page 14)

accountsASA can consider denying recog-nition to groups only on a caseby case basis. "The ASA clausesfor denying recognition are veryweak," Kantrowitz noted. "Therehave to be serious grounds for agroup to lose recognition."

However according to DeeptoChakrabarty '88, president of theMusical Theatre Guild, this ruledoes not exist. "I spoke to peopleat the ODSA [Office of the Deanfor Student Affairs] and they saidit is not an MIT rule. Rather theysaid it was something the UAcame up with," he said.

Kantrowitz asserted that thisrule exists and its purpose is toenable MIT to seize any fundsthat it feels are being inappropri-ately used by a student activity.

"There have been complaints[from the administration] thatFinboard tends to fund big, inde..pendent organizations," Hen-dricks said. Part of the reasonthis happens is that Finboard justdoes not know how much outsidefunds a particular activity has, he

(Please turn to page 14)

said. Thim, Sty Pald issiled a fina!sixty-day warning at the end ofFebruary, he added.

St. Paul is primarily a propertyinsurance company and only asmall amount of its business in-volves administering the type ofcasualty insurance demanded byfraternity systems, Eisenmann ex-plained. After new legislation inboth Massachusetts and Cam-bridge complicated the insuranceguidelines for fraternities, St.Paul "felt uncomfortable insur-ing that many independentfraternities," Margossian said.

Margossian, working throughthe Office for the Dean of Stu-dent Affairs, and MIT's insur-ance broker, Fred James, areshopping for a better insurancepolicy. "Several companies havealready shown vigorous interestin insuring the MIT fraternities,"Margossian said.

However, according to Eisen-mann, the search for a good poli-cy will not leave the 23 MIT fra-ternities uninsured for any periodof time. MIT is taking the timeand effort to search for thebest possible long-term policy,Margossian said.

& I n , llh, , Zc .I.a

The St. Paul Insurance Corn-pany has announced it will dis-continue its blanket insurancecoverage of 23 MIT fraternitieson April 30, according to StevenP. Margossian '88, consultant tofraternities.

According to Andy M. Eisen-mann '75, senior staff associateof residential and campus activi-ties, St. Paul chose to drop theMIT fraternities because "theysaw no improvement in the firesafety condition of the frats intheir preliminary investigations inFebruary."

Throughout last December andJanuary MIT had been communi-cating with St. Paul. trying tocome to an agreement about in-surance coverage, Margossiansaid. "On January 23, St. Paulgave the 23 MIT fraternityhouses a thirty day warning ofdismissal which they laterretracted," Margossian stated.

However, the insurance com-pany's inspector, Peter Wilcox,was not satisfied with the im-provements made by the fraterni-ty houses in February, Eisenmann

Hang those posters! CourseWitrner tapes up a poster forhouse. Of course physical planters since they are not in a legal

areas.

Overloading during second term

Manning said he thought that,by the second term, most stu-dents had completed their transi-tion into MIT. The CFYP con-cluded that second term passifailshould be eliminated, he said, be-cause students "overload" oncoursework in their second term,and because the non-uniform useof hidden grades wasproblematic.

Manning -said --that,- accordingto statistics from the Registrar'sOffice, courseload is highest dur-ing a student's second term. Fig-ures from a 1985 profile of thefreshman year showed that eleven

/Please turn to page 13)

· is

k,. :., ~m* * * ~..' '": "'~_~~~~~~~~~~·~·· :..~·-`

By Michael GojerA small number of students

"really need" second term pass/fail grading, said Beth Leibowtiz'89, who spoke yesterday at anopen forum with the Committeeon the First Year Program.Leibowitz, one of about 15 stu-dents who attended the forum,said she would have left the Insti-tute during her second term ifnot for pass/fail.

Leibowitz's comments came inlight of the CFYP's proposedelimination of second term pass/fail grading, which have ap-peared in a draft of a report thecommittee is preparing for theCommittee on the UndergraduateProgram.

Leibowitz also criticized theCFYP's proposal to create a one-class per term credit/no-creditoption beginning in the secondterm, saying it was "too rigid."She said the proposal should berevised to-allow students to takeseven credit/no-credit courseswith scheduling at their owndiscretion.

Other students questioned thedesirability of spreading the sci-ence core requirements beyondthe freshman year, though nonewere directly opposed to it. Pro-fessor Kenneth Manning, chair ofthe CFYP, said that one of thecommittee's major goals was in-creasing the flexibility of the firstyear - encouraging students todefer science core subjects in or-der to explore other academic

By Darrel TarasewiczAny student activity that main-

tains bank accounts outside PMIITafter April 29, "witt -be- deniedthe opportunity for funding fromthe Finance Board of the Under-graduate Association," accordingto a letter which Darian C. Hen-dricks '89, chairman of Fin-board, sent to all student groupslast week.

The letter also addressed stu-dent activities that do not receivefunding from Finboard by threat-ening them with loss of their offi-cial recognition from the Associ-ation of Student Activities theyfail to comply.

Project Athena

Loss of recognition from ASAcan result in complete seizure ofall the office and auditorium-space that an activity uses.

However the letter explainedthat this fate could be avoided ifan activity transferred all of itsoutside funds into MIT accounts.

The action was taken by Fin-board in order to gain greater ac-countability for its funding deci-sions and to enforce an old MITrule that had fallen by the way-side in recent years, Hendricksstressed.

Mark Kantrowitz '89, presidentof ASA, agreed with the purposeof the letter but stressed that

closes clusters

By Kaushik BagchiA total of six computers was

stolen from offices and ProjectAthena clusters during springbreak, according to Jeffrey I.Schiller '79, operations managerof Athena. In response, Athenashut down all the clusters onMarch 21 for security upgrades,with a few reopening on March23.

In addition to closing someclusters and restricting hours atothers, Athena is considering in-stalling alarm systems similar tothose used in cars, according atoJames D. Bruce '60, vice-president of Information Sys-tems.

On the first weekend of springUICea, two 3IBM PC/NAT's werestolen from 6-218M. Then, onthe following Monday (3/21),two DEC Vax workstations werestolen from 37-318. The third

IBM AT was stolen from 6-218Mon the same day. On the follow-ing Sunday (3/27), an IBM PC/RT was stolen from 1-124D,Schiller said.

In the past four weeks over$60,000 worth of equipment hasbeen stolen including two Micro-Vaxes and several Apple laserprinters, Bruce said. In all of1987, $160,000 of computers andcomputer accessories were stolen,Bruce noted. Also, there werethree times as many major com-puter thefts in 1987 as in 1986.

Schiller and Bruce believe thattwo distinct groups of thieveswere involved in the recent thefts.One group resorted to bruteforce by using fire-extinguishersto break windows in order to eni-ter the computer facilities,Schiller said.

Bruce and Schiller believe that(Please turn to page 14)

Mark D. Virtue/The TechPanel moderator, Phillip S.Khoury.

By Darrel TarasewiczModerate winds caused the

cancellation last Sunday and yes-terday of two attempts by ProjectDaedalus to make its 74 milejourney from Crete to Greece,according to Charles H. Ball, as-sistant director of the News Of-fice. The cancellations occuredminulte. before scheduled takeoff.

Ball, who has been in dailycontact with the group in Crete,said that the next attemptedflight will be on Wednesday."They can't go on Tuesday sincethe weather is expected to wor-sen."

On Sunday, Greg Zack, onethe group's five pilots, sat in thecockpit for more than 15 minutesbefore being informed just be-fore scheduled takeoff that theattempt had been scrubbed, ac-cording to an article in the Bos-ton Globe.

On Monday, Frank Scioscia,another pilot in the project, hadto wait for an hour in the cockpitbefore the flight was once again

# _ ~~~~~~-

\i

Photo Courtesy MIT News OfficeThe Project Daedalus team (pictured) is anxiously awaitinga successful crossing of the Aegean Sea.

cancelled. "Early on the windspicked up to about 8 knots. Thegroup decided to wait for thewinds to subside, but it didn'thappen," -Ball said.

Ball said that John S. Lang-ford '79, project manager, told

him Monday that the group willto wait until the winds die downto about 3 knots. "The wind con-ditions are particularly importantsince the aircraft is fragile, andhas limited steering ability."

(Please turn to page 15)

Pass/fail changes aredebated at CFYP forum

Finboard bans non-&IIT

because of spring break thefts

Strong winds thwart two Daedalus attemptsa�ft�L·�Irrii r1

: "&�1F··"�:�rt ·� ··;h�-l-l ··-·

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Page 2: I & n Thim, Sty Pald issiled a fina!tech.mit.edu/V108/PDF/V108-N16.pdf · 2007-12-16 · seven credit/no-credit courses with scheduling at their own discretion. Other students questioned

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flying, musical marionettes.Last Friday in Lobby 7, gradu-

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Housing Program staged a pup-

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two-feet-high wooden mnanv-nettes can rally people into politi-

cal action.The marionettes, dressed in

traditional Sri Lankan garb, told

a story about poor, hard-workinlgpeasants who wait and wait and

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build houlses, repair their roads,

dig wells for drinking water and

ditches for irrigation. The villag-

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Page 3: I & n Thim, Sty Pald issiled a fina!tech.mit.edu/V108/PDF/V108-N16.pdf · 2007-12-16 · seven credit/no-credit courses with scheduling at their own discretion. Other students questioned

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Warm and moist forremainder of week

Early spring is the season for the "cut-off" in thenortheast United States. A "cut-off" is a low-pressure system which becomes stationary, unlikethe generally eastward propagating stovrms ofwinter-time. These disturbances can persist for aslong as a week. The local influence upon weather isquite dependent upon the position of the "cut-off."For example a "cut-off" positioned to our southeastwill result in a cool-damp northeasterly flow here inBoston. It appears as if a "cut-off" is forming toour west. As a result we would expect a warm andmoist, flow to develop from the south and persist asthe weekend approaches.

Today: Skies will be partly-cloudy with hightemperatures near 55°F (13°C). Winds will beonshore during the day.

Tonight: It will clear, calm and cool with lows 40-45 °F (5-7 °C).

Wednesday: Parly sunny with highs 55-60°F (13-15 °C).

Thursday: Chance of showers. Highs 53-58°F (11-14 °C).

Forecast by Robert Black

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Mecham is impeachedEvan Mecham is now the former governor of Arizona.

He left the state senate chamber smiling after the senateconvicted of two counts of wrong doing at his impeach-ment trial. Mecham said, "They donlt like my poiitics."He became the first governor in 59 years to be impeachedand removed from office. The senate convicted him of at-tempting to thwart a death threat investigation and ofmisusing funds. Arizona's new governor is Rose Moffard.

Meese faces another probeEdwin Meese will be the subject of yet another probe.

Justice Department sources say the Attorney Generalfaces an ethics investigation by the department's Office ofProfessional Responsibilty. The review, which was haltedwhen independent counsel James McKay launched hiscriminal investigation of Meese last year, will resume onceMcKay's probe is complete. The process could ultimatelyresult in a recommendation to President Reagan thatMeese be fired.

Simon predicts good finishAlthough polls suggest differently, Senator Paul Simon

(D-IL) said he will do well in today's Wisconsin primary.Simon has indicated he needs a good showing in Wiscon-sin in order to continue his campaign. His only victory sofar has come in his home state of Illinois. Polls say Jack-son and Dukakis are the front-runners.

Memory of King celebratedAs one civil rights leader put it, "They killed the mes-

senger, but they could not kill the message." Supportersof Martin Luther King Jr. say that on this, the twentiethanniversary of his death, people should renew their com-mittment to his struggle. Yesterday, hundreds marched tothe Lorraine Motel in Tennessee - the site of hisassassination.

Jackson admonishedDemocratic presidential candidate Jesse Jackson was

the target of a gentle rebuke by State Department offi-cials. Jackson had disclosed that he sent a letter to Nor-iega last month urging him to step down. Yesterday, aspokeswoman said, "Proliferation of channels is a tacticNoriega likes to use to buy time," and contended thatsuch communications could prolong Noriega's hold onpower.

FDA to regulate cosmeticsNearly two dozen cosmetic companies have been given

30 days to stop claiming their over-the-counter creams canreverse or retard aging of skin. The Food and Drug Ad-ministration warns that any cosmetic product that isclaimed to counteract, retard or control the aging process,or repair or rejuvenate the skin will be subject to the samekind of regulation applied to drugs.

US sends 1300 troops to PanamaThe US has said there are no plans for military action

in Panama but 1300 American troops are being sent theretomorrow. Officials say it is part of a plan to beef up secu-rity for Americans living in Panama.

More violence on the West BankA Palestinian was shot to death by Israeli soldiers and

eight others were wounded yesterday as Arabs in the occu-pr]A IenA u, ,nt fn etr;lk e t-o o- ,,=,..s.e+- or LIae

George Shultz's PhD '49 peace mission. Yesterday's talksbetween Shultz and Israeli leaders focused on the US pro-posal for Palestinian self-rule.

Noriega levels threatHearings into Panamanian strongmnan Manuel Norie-

ga's drug dealings continue on Capitol Hill. Yesterday,Jose Blandon, former military aid to General Noriega,testified that Noriega possesses embarassing informationabout US officials. Blandon told the investigating Senatecommittee that Noreiga sent a letter to Panamanian offi-cials containing material which suggests that certain USofficials at least condoned drug trafficking in CentralAmerica. Blandon was not asked for details during yester-day's questioning.

US ambassador chasedUS officials are talking tougher after Sunday's incident

involving Ambassador Arthur Davis. His car was pursuedfor two miles by a Panamanian military vehicle with sirenwailing and red lights flashing. The State Departmentcalled it a case of deliberate harrassment. Panamanian of-ficials claim that the event began when a policeman sawgunmen following the ambassador's car. Panama's JusticeMinister suggested that the US staged the chase to justifyan eventual invasion.

Nicaraguan ceasefire in troubleBoth sides in the Nicaraguan war accused each other

yesterday of violating a cease-fire agreement. A pro-gov-ernment newspaper said rebels killed two soldiers overEaster weekend. An underground rebel station quoted acontra spokesman as saying Sandinista troops have beenfiring on rebels daily since the truce began. The reportscame as talks appeared stalled in efforts to work out apermanent end to Nicaragua's six-year-old civil war.

Dukakis advisor may be investigatedState officials are refusing to comment on a report that

a former advisor to Governor Dukakis is the target of astate investigation into a $15 million contract at the Uni-versity of Lowell. The first assistant Attorney General saidyesterday that his office would have no statements on thematter. The Boston Globe quoted unidentified sources inreporting that the state probe involved Gerard Indelicato,who is under indictment on federal corruption charges.

Massachusetts considerschild care law

Business interests are expressing opposition to legisla-tion requiring employers to offer workers up to eighteenweeks for parental leave with partial wage replacementand job guarantees. Richard Mastrangelo of the Associat-ed Industries of Massachusetts said yesterday that Massa-chusetts would be the only state in the country to forceemployers to take on such a burden. The employee wouldhave his or her job restored or be allowed to fill a compa-rable position upon returning to the job.

Kansas Wins NCAA titleThe University of Kansas has capped its basketball sea-

son with an 83-79 win over Oklahoma in NCAA champi-onship game yesterday in Kansas City. It is the sixth timein the past seven years that the college championship hasbeen decided by fewer than five points. Danny Manningclinched the victory for the Jayhawks by sinking four freethrows in the final 14 seconds. Manning finished with 31points, 18 rebounds, five steals, and a sensational clutchperformance. Kansas with 11 defeats has more losses thanany other champion in NCAA history. Kansas wasunranked going into the tournament. Compiled by Annabelle Boyd

TUESDAY, APRIL 5, 1988 The Tech PAGE 3 _

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Volume 108, Number 16 Tuesday, April 5, 1988__~l~Q~ss%~ae~ I P qpmxI

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and was perceptive to the pre-viously mentioned incidents.However, the incident thatstunned me most was the per-former dressed as a stereotypicalArab toting a machine gun. Astereotype quite prevalent inAmerica and the media- itstrongly suggests that all Arabsor Muslims are blood-thirsty ter-rorists or filthy rich oil sheiks. Itis not uncommon to hear in thenews about actions committed byan Arab terrorist, or worse, aMuslim terrorist. Being Arab orMuslim has nothing to do withtheir actions so why use theseterms to describe them? Contrastthis impression to the activities inIreland, where we don't hearabout Catholic, Christian, orIrish terrorists; instead they are

gave equali groupser, we realize how absurdly silly itwould be to admit students byfilling quotas.

Further, I think the Chorallar-ies do equal justice to majoritiesas to minorities at MIT. Some ofthe songs that elicited the mostlaughter from the audience werethose that made fun of the MITengineer, for example "TheEngineers' Song."

Richmond ends his column bysuggesting that the day he andthe Chorallaries can laugh to-gether is a long way off. Perhapsif he had laughed at their con-cert, that day would already bepast.

Olof Hellman '87

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To the Editor:I have been intrigued by the re-

cent articles in The Tech concern-ing the Chorallaries concert andtheir jokes made at the expenseof deeply offending women, ra-cial minorities, and the physically

hlandicapped. Some neople feelthat these vicious attacks are per-missible since they were made inthe name of "humor." It is quitedisheartening to discover thatsome people feel stereotypingand bigotry is acceptable as longas it is funny to the majority.Taken to an extreme, I wouldimagine this argument wouldcondone the lynching of a blackman by the Ku Klux Klan as longas laughter and joviality were inthe air.

I was present at this concert

C:horallairiesjustice to alTo the Editor:

In his column [" 'Humor' re-flects prejudices," April 11, Jona-than Richmond G lives up to theexpectations of the day by illus-trating his own prejudice againsthumor. He levels two basiccharges against the Chorallariesand Allen Grove '89; that theyoffend people by their humor andthat they "focus and re-infbrce bigoted beliefs" in thecommunity.

The first accusation can onlybe answered by noting that theConcert in Bad Taste is simplythat, and anyone who attends ex-pecting humor in good taste de-serves what he gets. I might ex-cuse Richmond himself, if he wassent by his editor to review theevent for The Tech, but thiswould hardly be in the spirit ofobjective journalism.

The second accusation is a farmore serious one and deservesthe attention of all members ofthe community. In Richmond'sown words, it is time to face upto these problems, to surfacethese hurtful beliefs and try tocast them off. However, he doesnot suggest how this is to be ac-complished, except by saying'use a little imagination."

I submit that a little imagina-tion is exactly what the Choral-laries are using. By making funof the admissions officer whorates physical disability and eth-nic origin above intellectual pow-ii

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the paper approached the profes-sor in his classroom for a com-ment. Although the paper's re-presentatives may have beenconfrontational in their ap-proach, they did nothing morethan what the "60 Minutes" re-porters do every week; they dis-played some rudeness which isoften necessary in investigativejournalism. These tactics were re-warded with charges of invasionof privacy and harassment. Be-cause the professor in questionwas a minority, they also carriedthe taint of racial prejudice.

What punishment should suchstudents receive? At Gallaudet,student protestors who shutdown their college for severaldays were viewed heroically. Hereat MIT obnoxious whistle blow-ers are casually exonerated. Cer-tainly such "justice" is notunique to the universities men-tioned; college activists rarely re-cieve more than a slap on thewrist.

More specifically, liberal col-

lege activists are seldomly pun-ished. The conservative reportersat Dartmouth found quite an-other system of justice applied tothem. John Sutter, the executiveeditor, and Christopher Baldwin,the editor-in-chief, were suspend-ed until 1989. John Quilhot, thephotography editor, was suspend-ed until this fall, and Sean No-lan, a writer, received a one-yearprobation.

The unwarrantedly stiff penal-ties were not enough, however.Dartmouth College PresidentJames Freedman decided to addinsult to injury and took this op-portunity to lambaste the Dart-mouth Review. Freedman stated,"1 do not criticize a newspaperbecause it is conservative. Rather,I deplore a pervsely provocativestyle of journalism that vulgar-izes responsible conservativethought." More aptly put, youcan have your conservative news-paper as long as you don't offendany liberals.

(Please turn to page 5)

It not often happens that a ma-jor university and the presidentthereof severely punish a groupof students whose expressed goalsare to imnrove academic stan-dards. VWhen such an incidentdoes occur, the public outcry, orat least the protestations fromcollege groups, should be deafen-ing. Such an outcry would nowbe present, no doubt, if the col-lege group in question were notthe editors of the notoriouslyconservative Dartmouth Review.

In an effort to maintain highstandards at their university, thenewspaper published an articleabout a course on the oral tradi-tion in American music. This ar-ticle described the course as "oneof Dartmouth's most academical-ly deficient courses." From manyaccounts, this course is one ofthose requirement-fillers so com-mon in today's course offerings,the intellectual equivalent to Bas-ket Weaving 101.

Then, in a follow up to thisoriginal story, four members of

Chairman ........... ............................... Peter E. Dunn GEditor in GChief ............................. Arndrew L. Fish '89Business Manager ..................... Mark Kantrowitz '89Managing Editor .......................... David B. Plass '90Executive Editor ......................... Thonmas T. Huang G

IRA activists.Jonathan Richmond G further

perpetuates this racial stereotype,either intentionally or throughnegligence or ignorance, by fail-ing to point it out in his criticismof the Chorallaries. This stereo-type was blat1.t, in that it couldnot be missed since the performerwas quite prominent and presentduring the entire concert. Per-haps Richmond is implying thatArabs are open game for racialattacks.

The concert is just one ofmany places this attitude is ex-pressed. I was present at a recentlunch that featured Middle East-ern food sponsored by a group atMIT. At this lunch some people,including myself, decided to wearcostumes depicting Middle Eeas-tern people. I was fascinatedwhen people suggested my cos-tume wasn't complete because Iwas lacking a weapon. It was notan attitude that I was expectingto encounter at a campus thatprides itself with intelligence.

There are close to a billionMuslims and over 200 millionArabs in this world. Less than 15percent of Muslims are Arabsand there are large numbers ofJewish and Christian Arabs. Tomake such broad and viciousgeneralizations about any race orreligion is not fair. I am not anArab, my only concern is the cal-lous attacks made by members ofthe MIT community against mi-norities. I write this letter topoint out that there still does ex-ist a racial problem at MIT whichneeds to be addressed.

Tareq Hoque G

News Editors ...................................... Darrel Tarasewicz '89Niraj S. Desai '90Michael Gojer '90

Night Editors ............................................... Ezra Peisach '89Marie E. V. Coppola '90

Opinion Editor .................................. Michael J. Garrison '88Arts Editors .......... ..................... Jonathan Richmond G

Julian West GPhotography Editors .............................. Kyle G. Peltonen '89

Mark D. Virtue '90Contributing Editors .................................. V. Michael Bove G

Akbar A. Merchant '89Advertising Manager ............................. Harold A. Stern GSenior Editors ............................ Mathews M. Cherian '88

Ben Z. Stanger '88David M. Watson '88

NEWS STAFFAssociate News Editor: Robert Adams '90, Annabelle Boyd '90,Irene Kuo '90; Senior Writers: Katherine T. Schwarz '86, Earl C.Yen '88, Anuradha Vedantharn '89; Staff: Salman Akhtar '89,Mary Condello '89, Sanjay Manandhar '89, Marcia Smith '89,Sally Vanerian '89, Anh Thu Vo'89, Ahmed Biyabani '90, Eric L.Chang '90, Sarita Gandhi '90, Seth Gordon '90, Anita Hsiung'90, Priyamvada Natarajan '90, Kenyon D. Potter '90, Robert E.Potter 11 '90. Raymie Stata '90, Jean Ihm '91, Christina Liu '91,Prabhat Mehta '91, Gaurav Rewari '91, Morlie L. Wang '91,Wayne W. Wu '91, Paula Maute; Meteorologists: Robert X. BlackG, Michael C. Morgan '88.

OPINION STAFFDaniel J. Glenn G, Kevin J. Saeger G, David P. Hamilton '88,Mark E. McDowell '88.

FEATUARES STAFFChristopher R. Doerr '89, Jonathan G. Monsarrat '89, Allan T.Duffin '91, Andrew M. Greene '91.

ARTS STAFFAssociate Arts Editors: Christopher J. Andrews '88, Allon G.Percus '91; Staff: Barbara A. Masi G, Mark Roman '87, DavidM. J. Saslav '87, Manavendra K. Thakur '87, Julie Chang '89,Ricardo Rodriguez '91, Davin Wong '91.

PHOTOGRAPHY STAFFAssociate Photography Editors: Lisette W. Lambregts '90, Kris-tine AuYeung '91; Staff: Rich R. Fletcher '88, Tom Coppeto '89,Victor Liau '89, Joyce Ma '89, Ken Church '90, Mike Niles '90,Wes Huang '91, Sarath Krishnaswamy '91, Georgina A. Maldon-ado '91, Mauricio Roman '91, Alice P. Lei; Darkroom Manager:Mark D. Virtue '90.

BUSINESS STAFFAdvertising Accounts Manager: Genevieve C. Sparagna '90;Staff: Shari Jackson '88, Michael Ho '89, Humphrey D. Chen'90, Susan Seung-eun Lee '91.

PRODUC7-ON STAFFAssociate Night Editor: Halvard K. Birkeland '89; Staff: Illy King'89, Daniel Peisach '90, Carrmen-Anita C. Signes '90, Ajay G.Advani '91, Jabin T. Bell '91, Scott R. Ikeda '91; Supplies Man-ager: Ezra Peisach '89; TEN Director: Halvard K. Birkeland '89.

PRODUCTION STAFF FOR THIS /SSUENight Editors: .......................................... Ezra Peisach '89

Marie E. V. Coppola '90Mark D. Virtue '90

Staff: Peter E. Dunn G, Mark Kantrowitz '89, Kyle G. Peltonen'89, David B. Plass '90, Carmen-Anita C. Signes '90.

V

The Tech (ISSN 0148-9607) is published Tuesdays and Fridays dunng the academicyear (except during MIT vacations), Wednesdays during January, and monthly duringthe summer for $15.00 per year Third Class by The Tech, 84 Massachusetts Ave.Room W20-483, Cambridge, MA 02139-0901. Third Class postage paid at Boston,MA. Non-Profit Org. Permit No. 59720. POSTMIASTER: Please send all addresschanges to our mailing address: The Tech, PO Box 29, MIT Branch, Cambridge, MA02139-0901. Telephone: (617) 253-1541. Advertising, subscription, and typesettingrates available Entire contents C 1981 The Tech. The Tech Is a member of theAssociated Press. Printed by Charles River Publishing, Inc.

Editorials, marked as such and printed in a distinctive format,are the official opinion of The Tech. They are written by the editori-al board, which consists of the publisher, editor in chief, managingeditor, news editors and opinion editors.

Dissents, marked as such and printed in a distinctive format, arethe opinions of the undersigned members of the editorial boardchoosing to publish their disagreement with the editorial.

Columns and editorial cartoons are written by individuals and re-present the opinion of the author, not necessarily that of the news-paper.

Letters to the Editor are welcome. They must be typed doublespaced and addressed to The Teeh, PO Box 29, MIT Branch, Cam-bridge MA 62139, or by interdepartmental mail to Room W20483.

Letters and cartoons must bear the authors' signatures, addresses,and phone numbers. Unsigned letters will not be accepted. No letteror cartoon will be printed anonymously without express prior ap-proval of The Tech. The Tech reserves the right to edit or condenseletters. Shorter letters will be given higher priority. We regret wecannot publish all of the letters we receive.

MMaq PAGE 4 The Tech TUEIIFSDAY APRIL 5 1i 988I

Column/K. J.

Review sanctions unjustifiedTWE C'1iiE: EXEC,TME MAIN MA, TE lEAD

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Chorallaries also stereotyped Arabs

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(Continued from page 4)The more telling statement

from Freedman - and the state-ment which gets to the crux ofthe problem - was, "DartmouthCollege must not stand by silent-ly when a newspaper recklesslysets out to create a climate of in-tolerance and intimidation thatdestroys our "utual sense ofcommunity."

I have often wondered whyradical liberalism always flour-ished so on college campuses.Certainly naivete and youthfulexuberance as well as a certainproclivity towards rebellionagainst the "Establishment" arepossible sources for this situa-tion. However, all the pieces didnot quite fit together until I readthe words "our mutual sense ofcommunity."

This community can be likenedto a close group of friends dis-cussing the world's problems inthe wee hours of the morning.The close scrutiny of the realworld has now been eased andsince only comrades are present,even the wildest of plans is in nodanger of censure. Indeed, withthe constant reinforcement ofcompanions in such cases, thewildest of plans can become themost plausible and soon all prob-lemss cease to exist, It is all sosimple!

The climate on today's campusis as uncritical of every new ideaas the above community offriends would be. To question aradical's claims is often construedas intolerance, and to openly de-mand some type of proof or jus-tification is clearly taken to be in-timidation. The DartmouthReview has attempted to be thelight of day which inevitablycomes to clear the heads of theunrestrained compatriots, but,not wishing to be awakened, therevelers have drawn the blinds.

The type of radical liberal ele-ment which the Review seeks toconfront and expose is best de-scribed by Dostoevsky in Crinmeand Punishment when writing ofAndrey Semenovich:

"He was one of thatcountless and multifariouslegion of nondescripts, pu-

trescent abortions and un-informed obstinate foolswho instantly and infalliblyattach themselves to themost fashionable currentidea, with the immediateeffect of vulgarizing if and

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TUESDAY, APRIL 5, 1988 The Tech PAGE 5 _O

LET'S

up to each student to take therole of devil's advocate upon her-self or himself to defy some ofthe absurdity which is runningamock. Students should attendnot only the lectures with whichthey agree, but also lectures onsubjects to which they are themost adamantly opposed. At thelatter. ask confternutatio-n 1 quPs-tions and demand satisfactoryanswers.

The university is a place of in-quisitive learning, not passive ac-ceptance.

of turning into a ridiculouscaricature any cause theyserve, however sincerely "

Although this character type isin no way new, the number of itsdevotees on campus is reachingalarming proportions.

Unique and pertinent ideas andsolutions are the wellspring ofany thriving university. Bat witheach idea presented, a vigorousdebate should ensue to ensure theseparation of fact from fiction,reality from illusion, and foodfrom rubbish.

Since it seems unlikely that thiscampus could muster enoughdedicated conservatives to startan equivalent of the Review, it is

K. J. Saeger, a graduate stu-dent in the Department of Aero-nautics and Astronautics, is acolumnist for The Tech.

The Techmlogpy & Culture Seminarwithl the Civil Liberties Union of bassachusetts

and the ALT Wombens Studies CenterGil 1.19111- presents a pblie florau:

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TUESDAY, APRIL 5, 1988 The Tech PAGE 7

THE WANNSEE CONFERENCEStarring Dietrich Maftausch, Anita Maally,Peter Fitz, and Gerd Bockmann.Produced by Manfred Korytowski.Directed by Heinz Schirk.Plays Wednesday through Friday at theSomerville Theater (Davis Square).

drinking too much brandy.During the meeting, the discussion cen-

ters on how to best consolidate the mecha-nisms for mass extermination under onecommand for maximal efficiency. ReinhardHeydrich, the chief of the Nazi SecurityPolice and Secret Service, who convenedthe meeting, is particularly pleased whenthe conference participants readily agreeto support his plan to implement the finalsolution. Not only does it bolster his ownpolitical ambitions (he was designated asHitler's successor), it masks the responsi-bility for the decision behind a collectivecommittee decision.

The biggest controversy that Heydrichhas to tackle during the meeting concernsprisoners of mixed lineage. Arguing thathalf of their blood is Aryan and thereforeought not be eliminated, Wilhelm Stuck-art, the Reich Minister of the Interior, pro-poses a compromise that half-Jews be ster-ilized rather than killed. Heydrich,however, firmly asserts that anyone withJewish blood will be considered a Jew. Heargues that it simplifies the bookkeeping.After some debate, the others quickly givetheir assent, relieved that this sticky pointhas been resolved.

Director Heinz Schirk makes No attemptto comment or highlight any of this. Helets the meeting and the participants speakentirely for themselves. The most tellingcomment made by Schirk is in his camerawork. After showing the exterior of thehouse and a few other establishing shots,the camera enters the conference roomand does not emerge from the house againuntil the end of the meeting and the film.This is the primary element responsible fortransporting the audience to within the su-persensitized sense of reality pervading thefilm.

While inside the room, the camera al-most seems to adopt the emotional charac-teristic of a Greek chorus, witnessing theevents unflinchingly while being unable toinfluence the seemingly ie.vitable nutscome. Near the beginning of the film, thecamera executes a complete rotation aboutthe long rectangular table at which the

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By MIANAVENDRA K. THIAKUR

N TUESDAY, JANUARY 20, 1942, fif-

lg D teen high-ranking members oft the Nazi government attended a

5_~b~ meeting in the upper-class Ber-lin suburb of Wannsee, where a rernark-ably casual sequence of events resulted inthe policy for systematic eradication of theJewish people. Based upon detailed min-utes taken by the secretary, down to thelevel of detail of what the party officialsate for lunch, the film documents the birthof the Holocaust as a formal and officialpolicy.

In 1984, producer Manfred Korytowskicompleted The Wannsee Conference, afilm that directly recreates the conferenceand runs 85 minutes - the exact length ofthe actual meeting. Korytowski's interestwas aroused when he discovered the secre-tary's notes at Yad Vashem, the HolocaustArchives in Jerusalem- He quickly becameconvinced that the conference demanded adefinitive cinematic treatment. After sixyears of intensive research, he managed toaccumulate letters from Heinrich Hinmmlerand Hermann Goerin- as well as the 1961trial records of Adolf Eichmann (a confer-ence participant) and documents from theNuremburg trials. From these records,writer Paul Momrnmertz fashioned a densescreenplay from which the film was made.

The film's approach is to eschew horri-fying images of concentration camps orpersonal testimonials that abound in mostHolocaust polemics. Instead, the film sim-ply presents the Nazis as accurately as therecords allow, without commentary or nar-ration. As the conenrence gets under walethe men crack jokes, flirt with the secre-tary, and drink cognac that the waitersbring out. One man even falls asleep after

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counters, creating an eerie sensation of ob- create a rcserving events through a solid glass wtall. mance, DinAt one point, two men in the foreground effective inlaugh at a joke about defiling a Jewish wo- and his actiman's vagina while the secretary in the disarminglybackground winces and averts her eyes. while reasstMost of the film is presented matter-of- having faintfa *Il ids this -ot of rniy-en-scerte and de- fnlsluitailed shot composition. And all of it is character ispresented in real time. how the act

The actors were chosen for their phys- (I

blance to their characters, butg skills are uniformly excellenthile the actors work together toremarkable ensemble perfor-etrich Mattausch is particularlyl portraying Reinhard Heydrich:tions in accessible terms. He isy - and disturbingly - humaniuring the others who admit to.ited or to being uneasy over the,on. The unification of actor andis so complete that one wonders.tors kept themselves from being(Please turn lo page $)

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*Mfr.'s suggested retail price for the standard LeMans 3-door hatchback coupe value leader. Excludes destination charge, taxes, title and options.

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Page 8: I & n Thim, Sty Pald issiled a fina!tech.mit.edu/V108/PDF/V108-N16.pdf · 2007-12-16 · seven credit/no-credit courses with scheduling at their own discretion. Other students questioned

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ProgrammaticHANDEUS ORATORIO,"LA RESURREZIONE"The Handel and Haydn SocietyChristopher Hogwood, ConductorAt Symphorny Hall, March 27

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The celebrated pianist Aicia lDe Larrocha will serenade Boston music audiences in aSymphony Hall-recital. The program features works by Mendelssohn: Songs WithoutWords; Capriclo in A minor, Op. 33, No. 1; and the Variations serieuses in D minor,Opo 54. Mompou's Impressiones intimas and the Humoresque (Op. 20) of Schumannround out the program.

Symphony Hall, April 8 at 8pm. MIT price: $5.

PRO ARTE CHAMBER ORCHESTRALeonard Share will perform Beethoven's Piano Concerto No. 5, "The Emperor",in a guest appearance with the Pro Arte Chamber Orchestra of Boston, underthe baton of Raymond Harvey. Also on the program: Mozart's Overture to "DonGiovanni", "The Bull on the Roof" by Milhaud, and the world premiere of EricChasalow's "Leaping to Conclusions". A "Meet-the-Composer" lecture, free to allticket-holders, will be held one hour before the concert.

Sanders Theatre, April 10 at 3pm. M[T price: $6.

SINFONOVA CHAMBER ORCHESTRAThe Boston debut of Tchaikovsky Competition Award Winner David Buechner, and thepremiere of three Boston-area composers' works are featured in Sinfonova's firstSymphony Hall performance. The string orchestra, joined by a full woodwind sectionfor this special concert, will play Dreaming by Takehiko Gokita, Inverness by PeterKelley, and Overture Fantasia by Marc Rossi. Buecner will also give the BostonPremiere of William Thomas McKinley's Piano Concerto No. 2 "The O'Leary", inaddition to performing Alan Hovhaness' Meditation on Orpheus.

Symphony Hall, April 11 at 8pm. MIT price: $3.

EUROPEAN COMMUNITY YOUTH ORCHESTRA140 of the finest young musicians from the twelve European Community countriesmake their United States Debut, in concert at Symphony Hall. Appearing with theEuropean Community Youth Orchestra, under the direction of esteemed ErichLeinsdorf are Marilyn Home, mezzo-soprano, and violist Nobuko Imai, together withthe Harvard Glee Club. Proceeds from the concert go to Very Special Arts ofMassachusetts, an organization devoted to enriching the lives of disabled persons.

Symphony Hall, April 15, at 8pm. MITprice: $5.

CITY OF BIRMINGHAM SYMPHONY ORCHESTRASimon Rattle and his renowned City of Birmingham Sylmphony Orchestra leave Britainfor their first American Tour. On the program in this Symphony Hall debut areSymphonies no. S, 6, and 7 by Jean Sibelius.

Symphony Hall, April 17, at 3pm. MtTprice: $5.

AMORPHOUS CONSORTA

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,a ResurrezioneOmmerle, Sharon Baker, Catherine Rob-bin, Jeffrey Thomas, and David Thomasdelivered performances ranging from thestrong to the sublime; in particular, Orm-merle's performance as the Angel was re-markable - Handel clearly did not intendhis "supporting roles" to be easy ones.

On the other hand, neither did Handelwrite music that was removed from thepublic; his portrayal of the eternal strugglebetween God and Devil in the oratorio'sscore was vivid and easy to envision. Inparticular, David Thomas' recounting ofhis fall from grace (as the Devil) was ac-companied by somber, downward-slopingphrases in the strings. Anyone interestedin the evolution of programmatic musicwriting is encouraged to start withHaydn's oratorios, this or any other.

The use of original instruments, nowcalled into general controversy among themusical literati, was perfect for this work.Furthermore, a touch of choreography-each soloist entered "as needed" instead ofall together at the start - was highly en-tertaining. Finally, neither overstated norunderdone, Hogwood's tempi and dyna-mics, and the fluidity of the instrumental-ists and vocalists served to make this ren-dition of "La Resurrezione" a smashingHandelian success.

By DAVID M. J. SASLAV

i 4 T T A NDEL IS TH E FATH ER OF

US ALL." remarked PapaHaydn after attending aperformance of Han-

del's Messiah; taken slightly out of con-text, this quotation describes nicely thefeeling that filled the air at Symphony Halltwo Sundays ago.

Christopher Hogwood's Handel andHaydn Society presented the-Boston pre-miere of Handel's "Resurrection" oratorioon March 25, and gave a second perfor-mance the following Sunday. The secondperformance was marked with flair andpanache; the performers were clearly verycomfortable with the work, and the solo-ists delivered strong performances. WhatHogwood did best was bring out the sub-tleties and grandiosities of Handel's mag-nificent musical writing.

Hogwood's direction was energetic andspirited, from the opening ritornetlo to theclose of the final tutti. Soloists Jeanne

(Continued from page 7)scarred emotionally while trying to divorcethemselves from their roles after theshoot.

The filmmakers' demand for completeprecision - even the pens and watches areaccurate - results in a copious use ofNazi jargon. Nevertheless, one need notknow that "Reichsffihrer S.S." refers toHeinrich Himmler to understand the es-sence of what is being discussed. The ex-pressions, tone of voice, and mannerismsall have a universal value that can easily beunderstood. Furthermore, the English sub-titles have been culled from the best ofthree separate translations (one originaltranscript, one by a poet, and one rigor-ously accurate).

The effect of all the elements that com-

prise this film is profoundly disturbing.Because the film approaches such a daunt-ing topic with so muted a style, the viewercannot build defenses or rationalizationsagainst what is on the screen. Mernories ofthis film linger and remain long after thefinal credits scroll by - so much so thatthe ultimate impact is that of a bomb ex-ploding under one's feet.

The filmmakers force the viewer to real-ize that real and live human beings werebehind all the Nazi carnage and therebyprecipitate a test of even the most forgiv-ing definition of humanity. In the end,nothing could be more damning an indict-ment of the Nazis than the Nazis them-selves. The accomplishment of The Wann-see Conference in this regard is nothingshort of devastating.

The unusual Amorphous Ensemble has two guitarists, a flautist, a cellist and akeyboardist. In their Boston premiere, augmented by guest artists, they will perform aGuitar Quartet by Edward Green, Stichomythia for Guitar Solo by TheodoreAntoniou, Summer Music for Cello, Flute and Two Amplified Guitars by MeyerKupferman and works by Marti Epstein and Alexander Jemnitz. First and SecondChurch, Boston, April 22 at 8prn. MIT price: $3.

Tickets are on sale at the Technology Community Association,W20-450 in the Student Center. Office hours posted on the door.

Call x3-4885 for further information.The Teeh Performing Arts Series, a service for the entire MIT community,

from The Tech, MIT's student newspaper,in conjunction with the Technology Community Association.

7r

I

MM_ PAGE 8 The Tech TUESDAY, APRIL 5, 1988

A R T

I The Tech Performing Arts Series presents. ..i PALICIA DE LARROCHA

Film describes Nazi conference

The O ffice ofthe D)ean for Student Affairs

invites you to a reception to thank the retiringDormitory Council members, UA, IFC and Class Officers

and to welcome the new

Dormitory Council members, UA, IFC and Class Officers

April;3PM -Room

1988

- 5PM7-133

Refreshments Meet ODSA Staff

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TUESDAY, APRIL 5, 1988 The Tech PAGE 9

S

THE WOODENTOPSAt the Paradise, March 18.

muddled by an oppresive bass-heavysound system that plagued the entire show.This also caused Anne Stephensor's key-boards to sound shrill and harsh in com-parison to Rollo's smooth vocals. The mu-sic's quick tempo and high energyoutshone these technical difficulties, how-ever.

The Woodentops have occasionally triedto divert some of their live energy into vi-nyl. Their latest recorded endeavor iscalleod KUoden Foot "V- vr' Th" ;.Lg. -way. Rollo recently said, "We intentionallydon't want to have one focus on the al-bumrn." This time around the block they'vesucceeded at just that. The album is full ofexciting twists and turns, with only an oc-casional dead end.

The album starts out at a ferocious pacewith "Maybe It Won't Last"; its frantickeyboards and raging guitars put thingsinto high gear. "In a Dreamn" is the al-bum's meisterwerk, a frenzied collage thattouts Rollo's ranting vocals over an orches-tral chasm. The band gets down and funkyon "What You Give Out" with the help ofBernie Worrell (Talking Heads) on key-boards and Doug Wimrbash (Mick Jagger,Tackhead) on bass.

The album cruises along smoothly untilit stalls with the weight of "Heaven" and"Tuesday-Wednesday." On "Heaven," TheWoodentops slow down so much that Ihad to check to make sure the batteries of.my Walkman weren't running low."Tuesday-Wednesday" is a soppy little dit-ty with an annoying dripping water faucetin the background.

The album is soon back on track withthe carefree abandon of 'No One MakesMe Feel," a song reminiscent of the hap-py-go-lucky acoustic material on theband's 1986 album Giant.

Perhaps Rollo explains the album's tem-peramental moods best: "To me, it startsin the claustrophobic oppression of thecity; I had New York on a bad day inmind. It starts off really sluggish and thenyou move into the suburbs and then finallyonto the open road."

By PAIGE PARSONS

OLLO MCGINTY never slowsdown. When his band The Woo-dentops play, they possess an in-tensity that can only be appreci-

ated by a live audience. Boston got achance to witness this supernova at theParadise two weeks ago when the bandstopped by to promote their newest al-bum, Woodenfoot Cops on the Highway.

The Woodentops treated their fans to afast, pumped up versions of their classicsincluding "Well, Well, Well," "Have YouSeen the Light," and 'Move Me." Theband's goal for the evening appeared to beplaying everything as fast as possible, re-gardless. Benny Staples was a blur of mo-tion on drums as he set the speed for"Love Train." The band kept up the pacewith an even faster "Get It On," as Rollo'slips sent forth the song's sensual messagequicker than a speeding bullet.

Unfortunately, some of the newer mate-rial seemed to lose its funky viscosity ."What You Give Out" was flat and tired;its subtleties and snappy rhythms were

Office of Career Services and Preprofessional AdvisingRoom 12-170

NEWY YORK CITY BOARD OF EDUCATIONis actively recruiting monolingual and bilingual staff for all licenseareas with a particular need for teachers of special education,foreign language, teaching English as a second language, and

other shortage areas.The entry level requirement for most teaching positions is theBaccalaureate degree. The minimum starting salary for teachers

effective September 1988 is $23,000.Mr. Eric Bagan, a 1984 VWilliams College graduate who has spentthree years teaching English in NYC public high schools, will beavailable to describe his experience and to explain the process ofobtaining temporary teacher certification for the 1988-89 school

year on

THURSDAY, APRIL 14, 1988

Interested seniors should stop by the Office of Career Servicessoon to sign up for an interview time.

Contact: Andreas HofmannGensym Corporation 125 CambridgePark DriveCambridge, MA 02140(617) 547-9606

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Join the Leadersin Real-Time Expert SystemsGensym is developing real-time expert systems in Common Lisp for real-time, on-line, intelligent monitoring and control of large, complexsystems. The founders are a team of professionals with extensiveexperience in Lisp, Artificial Intelligernce, User interface, and ProcessControl technologies, a strong product orientation, and extensiveexperience in sales, marketing, and support of real-time expert systems.

Our modern offices are conveniently located in Cambridge near theintersection of Routes 2, 3, and 16, and only steps away from the Alewife"T" rapid transit line.

Gensym provides a unique opportunity for challenging, creative, excitingwork as well as for sharing in the growth of a young company.

Full-time Employment OpportunitiesSoftware Development: Strong Lisp and expert systems background is

required. Engineering background, experience in C, and experiencewith real-time operating systems is helpful.

Documentation and Instruction: Strong technical documentation and/or instruction experience is required. A computer science orengineering degree is highly desirable. Candidates must be capableof writing impeccable English.

Sales and Marketing: Experience in high-technology sales and/ormarketing as well as a working knowledge of expert systems and

excellent written and verbal communication skills are required.

Customer Support: Knowledge of expert systems and Lisp or Crequired. Alternatively, candidates with a knowledge of distributedcontrol systems and network architectures and protocols are sought.Candidates must have good interpersonal skills and a strongindustry background to help customers develop and interface state-of-the-art expert system applications in the area of process control.

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* * , CRITC'S CHOICE * * *Les Miserables, the Tony-award win-ning musical adaptation of VictorHugo's classic, continues throughJune 25 at the Shubert Theatre, 265Tremont Street, Boston. Perfor-mances are Mon-Sat at 8 pm, Wed &Sat matinees at 2 pm. Tickets: S27.50to $45, $16 special student tickets forsome performances. Tel: 4264520.

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ON CAMPUSAnn Stoddnwd and Ralph Paquin: InResidence, a multi-media spectacle com-bining large scale sculpture, mechanicalcharacters, music & sound effects, andlive performances, continues throughApril 10 at the MIT Reference Gallery,List Visual Arts Center, Weisner BuildingE1S, 20 Ames Street, Cambridge. Gal-lery hours are weekdays 12-6, weekends1-5. No admission charge. Telephone:253-4400.

Siah Armajani: Communal Spaces atMIT List Center, focusing on the artist'scornmisioned master plan for the MITmain public entrance, continues throughApril 10 at the MIT Hayden Gallery, ListVisual Arts Center, Weisner BuildingE1S, 20 Ames Street, Cambridge. Gal-!cm, hlcurs oree weekdaye !2- nal- tI vaends 1-5. No admission charge. Tele-phone: 253.4400.

4* · ,

Arnold Newman: Five Decades, photog-raphy by the renowned American por-traitist, continues through May 31 at theMIT Museum, N52-2nd floor, 265 Mas-sachusetts Avenue, Cambridge. Galleryhours are Tues-Fri 9-5 and Sat-Sun 12-4.Admission: $2 donation requested. Tele-phone: 253 4444.

Earth, Sea and Sky, etchings and draw-ings of Charles H. Woodbury, MIT Classof 1886, continues through October 2 atthe MIT Museum, N52-2nd floor, 265Massachusetts Avenue, Cambridge. Gal-lery hours are Tues-Fri 9-5 and Sat-Sun124. Telephone: 253-4444.

OFF CAMPUSNew Dimensions in Photography, ex-ploring how contemporary photogra-phers are combining the unique charac-teristics of Polaroid film with alternativeprocesses, continues through April 9 atthe Clarence Kennedy Studio, 770 MainStreet, Cambridge. Gallery hours areTues-Sat 11-5. No admission charge.Telephone: 577-5177.

· · · *

Paintings by Lisa Russell continuesthrough April 22 at Ticknor Lounge,Boylston Hall, Harvard University, Cam-bridge. Telephone: 495-9449 ext. 79.

POPULAR MUSICFaster Pussycat and Smashed Gladysperform at the Paradise, 967 Common-wealth Avenue, Boston. Tel: 254-2052.

CLASSICAL MUSIC

I- A

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The Common Pursuit, Simon Gray'saward-winning play dealing with sixCambridge undergraduates in the 1960'swho over 20 years manage to violate thestandards they set when they began a lit-erary magazine, continues throughApril 24 at the Lyric Stage Theatre, 54Charles Street, Beacon Hill, Boston. Per-formances are Wed-Fri at 8 pm, Sat at5 pm & 8:30, and Sun at 3 pm- Tickets:S10 to $13. Telephone: 742-8703.

Contemporary Insanity, a collection ofsatirical songs and sketches portraying asophisticated and offbeat look at modernlife, continues indefinitely at the BostonBaked Theatre, 255 Elm Street, DavlsSquare in Somerville. Performances areThur-Fri at 8:15, and Sat at 7:30 & 9:45.Tickets: $8 to $11 ($1.50 discount to sen-iors and students). Telephone: 628-9575.

An Evening of Pinter, three one-actplays by Harold Pinter, Victoria Station,Trouble In The Works, and The DumbWaiter, continues through April 17 as apresentation ot the Stage Company ofBoston at The Paramount PenthouseTheatre, 58-62 Berkeley Street, Boston.Telephone: 367-6819.

* e, ,, ,

Forbidden Broadway 1988, the latest up-dated version of Gerard Alessandrini'smusical comedy revue, continues indefi-rmtely at the Terrace Room, Boston ParkPlaza Hotal. Performances are Tues-Friat 8 pm, Sat at 7 pm & 10 pm, and Sunat 3 pm & 6 pm. Tickets: $16 to $22.50.I elephone: 357-8384.

Franklin Alive!, with Bill Meikle imper-sonating the colonial quipster and diplo-mat, continues through April 16 at theOld South Meeting House, 310 Washing-ton Street, Boston. Performances are Fri-days and Saturdays at 8 pm. Tickets: $10to $12. Telephone: 482-6439.

_lB PAGE 10 The Tech TUESDAY, APRIL 5, 1988

SSerpent Song, an exhibition of 20 three-dimensional multi-media works by TanyaHayes Lee focusing on the symbolism ofthe serpent, continues through April 13at Gallery 57, City Hall Annex, 57 In-man Street, Cambridge. Gallery hoursare weekdays 9-8. Telephone: 498-9033.

Dutch Landscape an Paper: Rembrandtto Mondrian, tracing changing concep-tions and continuities in the Dutch visionof landscape from around 1600 to theearly twentieth century, continuesthrough mid-Aprii at the Museum ofFine Arts, 465 Huntington Avenue, Bos-ton. Telephone: 267-9300.

Japanese Calligraphy and*Brush Paintingexhibition continues through April 15 atthe Kaji Aso Studio, 40 St. StephenStreet, Boston. Gallery hours are Tues-Fri 1-5. No admission charge. Telephone:247-1719.

Fiber Connections. work by the BostonSeven and the Conseil des Arts Textilesdu Quebec, continues through April 22at the Federal Reserve Bank of BostonGallery, 600 Atlantic avenue, across fromSouth Station in downtown Boston. Gal-lery hours are Mon-Fri 10-4. No admis-sion charge. Tel: 973-3454 or 973-3368.

Wood-fired Ceratmics, displaying worksby Michael Marcus, David Shaner, JeffShapiro, Jack Troy, and Malcolm Wrightusing the ancient Japanese technique,continues through April 30 at Ten ArrowGallery, 10 Arrow Street, Cambridge.Gallery hours are Mon-Sat 10-6, Thur10-9, and Sun 1-5. Telephone: 876-1117.

John La Fargeomore than 100 paintings,graphics, and stained glass works by theinfluential 19th-century American artist,continues through May I in the Carterand Torf galleries, Museum of Fine Arts,465 Huntington Avenue, Boston. Tele-phone: 267-9300.

Masters of 17th Century Dutch Land-scape Painting, an exhibit attesting to theDutchman's adoring record of his sur-roundings, continues through May I atthe Museum of Fine Arts, 465 Hunting-ton Avenue, Boston. Tel: 267-9300.

Unfolding Beauty. The Art of the Fan,highlighting the beauty and romance inthe Western fans and costumes from thepermanent collection of the Museum ofFine Arts, continues through June 5 atthe MFA, 465 Huntington Avenue, Bos-ton. Telephone: 267-9300.

JAZZ MUSICThe Mike Metheny Quartet performs at9 pm at the Regattabar, Charles Hotel,Harvard Square, Camnbridge. Tickets:$4.50. Telephone: 864-1200.

The Nuclear Be-Bop Quartet performs atThe Western Front, 343 Western Avenue,Cambridge. Also presented April 6. Tele-phone: 492-7772.

POPULAR MUSICZiggy Marley performs at the Metro, 15Lansdowne Street, just across from theenrance to the bleachers at FenwayPark. Telephone: 492-1900 or 737-8000.

Screaming Blue Messiahs perform at8 pm & I i pm at the Paradise, 967 Com-ionv, eath A . ...... " . . . .. ele- -- ...e:

254-2052.

Jesse Colin Young, former lead singer ofthe Youngbloods, performs at 8:00 &10:30 at Nightstage, 823 Main Street,Cambridge. Tickets: $11. Telephone:497-8200.

JAZZ MUSICToots Thielernans performs at 9pm atthe Regattabar, Charles Hotel, HarvardSquare, Cambridge. Also presentedApril 7 at 9 pm and April 8 & 9 at 9 pm& 11 pm. Tickets: $6.50 to $9.50. Tele-phone: 864-1200.

CLASSICAL MUSICThe Beaux Arts Trio performs works byMozart, Faur6, and Brahms at 8 pm inSanders Theatre, Harvard University,Kirkland and Oxford Streets, Cam-bridge. Tickets: $9 to $14. Telephone:495-1700.

THEATERBig Time: Scenes from a Service Econo-my, Keith Reddin's satire set in the dan-gerous world of international finance andpolitical intrigue, opens today as part ofthe American Repertory Theatre's SpringFestival '88 at the Hasty PuddingTheatre, 12 Holyoke Street, Cambridge.Continues through April 28 with perfor-mances Wed-Fri at 8 pm, Sat at 2 pm &8 pm, and Sun at 2 pm & 7 pm. Tickets:$14 and S18. Telephone: 547-8300.

* * * CRITIC'S CHOICE * * *Ensemble Project Ars Nova performsmusic of the late Middle Ages byJacopo da Bologna, Landini, andMachaut at 8 pm in Houghton Me-morial Chapel, Wellesley College. Noadmission charge. Tel: 235-0320ext. 2028.

THEATEREntertaining Mr. Sloane, Joe Orton's catand mouse game of seduction, manipula-tion, and murder, opens today at theNlev Ehrl.ich Thcatre, 539 TICfeUl.Street, Boston. Continues through May 1with performances Thur-Fri at 8 pm, Satat 5 pm & 8:30 pm, and Sun at 2 prm.Tickets: $10 to $15. Tel: 482-6316.

FILM & VIDEOThe Someville Theatre presents aMarcello Mastroianni double bill withDark Eyes (Italy, 1987) at 3:15 & 7:45and 8V (Federico Fellini, Italy, 1963) at5:15 & 9:45. Located at 55 Davis Square,Somerville, just by the Davis SquareT-stop on the red line. Admission: $4.50general, $3 seniors and children (goodfor the double bill). Telephone: 625-1081.

$ * * *

The Brattle Theatre continues its Tues-day series Questioning War on Film withLetter to Jane (Jean-Luc Godard andJean-Pierre Gorin, 1985) at 4:15 & 7:30and In the Year of the Pig (Emile deAntonio) at 5:30 & 8:45. Located at 40Brattle Street in Harvard Square. Admis-sion: $5 general, $3 seniors and children(good for the double bill). Telephone:876-6837.

The Harvard Film Archive continues itsTuesday film series Women Directors andthe Avant-Garde with Film About aWoman Who. .. (Yvonne Rainer, 1974)at 5:30 & 8:00. Located at the CarpenterCenter for the Visual Arts, 24 QuincyStreet, in Harvard Square. Admission:$3 general, S2 seniors and children. Tele-phone: 495-4700.

The Miss Firecracker Contest, BethHenley's Southern Gothic comedy thatfinds meaning in a smalltown beautycontesi, ctiilllm ih-:o ugh A pil. 23 a;the Alley Theatre, 1253 CambridgeStreet, Cambridge. Performances areThur-Sun at 8 pm. Tickets: $12 general,$10 seniors and students. Telephone:491-8166.

Move Over Mrs. Markham, the 1971West End comedy about infidelity, lust,and missed opportunities, continues in-definitely at the Wilbur Theatre, 246 Tre-mont Street, Boston. Performances areTues-Fri at 8:00, Sat at 6:00 & 9:30, andSun at 3:00. Tickets: $19.50 to S27.50,$33.50 to S42.50 with dinner. Telephone:423-4008.

Nunsense, depicting the talent showstaged by the Little Sisters of Hobokenin order to raise money to bury four oftheir number currently in the conventfreezer, continues indefinitely at theCharles Playhouse, 74 Warrenton Street,Boston. Performances are Tues-Fri at8 pm, Sat at 6 pm & 9 pm, matineesThurs at 2 pm and Sun at 3 pm. Tickets:$15.50 to $26.50. Telephone: 426-6912.

Shear Madness, the long-running comicmurder mystery, continues indefinitely atthe Charles Playhouse, 74 WarrentonStreet, Boston. Performances are Tues-Fri at 8 pm, Sat at 6:30 and 9:30 pm,Sun at 3 and 7:30 pm. Tickets: S16 andS19. Telephone: 426-6912.

PAEO©VER

State Zip ,ddress

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* * * CRITIC'S CHOICE * * *The Peking Acrobats perform at 8 pmin the Lowell Memorial Auditorium,University of Lowell, 50 East Merri-mack Street, Lowell. Tickets: $7, $9.and $11i. Telephone: 452-5000ext. 2761.

PERFORMANCE ARTVias o de Paso, a multimedia perfor-mance by Silvia Gruner with five per-formers and two film loops, is presentedat 8 pm at Mobius, 354 Congress Street,near the South Station T-stop on the redline. Also presented April 7. Tickets: S5.Telephone: 542-7416.

DANCEBoston Ballet presents a Balanchine Fes-tival featuring Concerto Barocco, La$on.am.:buL, and Be_,_rrp_ Fn.tti:.e at8 pm at the Wang Center, 270 TremontStreet, in downtown Boston. Also pre-sented April 7 at 7 pm, April 8 at 8 pro,April 9 at 2 pm & 8 pm, and April 10 at2 pm. Tickets: $10.50 to $32.50. Tele-phone: 787-8000.

* * * CRITXC'S CHOICE * * *O-Positive performs in a benefit con-cert for The International RescueCommittee at 9 pm at Memorial Hall,Harvard University, corner of Cam-bridge and Broadway Streets. Tickets:$10 (available at Holyoke Center,Harvard Square).

* * * CRITIC'S CHOICE * * *SCC Strat's Rat presents the VolcanoSuns and Dogzilia in Walker Memori-al. No admission charge with MIT orWellesley student ID. Tel: 253-3942.

David Lindley, long-time JacksonBrowne and Ry Cooder sidekick, withhis band El Rayo-X, performs at 8 pm &11 pm at Nightstage, 823 Main Street,Cambridge. Also presented April 8.Tickets: $12. Telephone: 497-8200.

Gaye Bykers on Acid and SlaughterShack perform at Axis, 13 LansdowneStreet, across from the entrance to thebleachers at Fenway Park. Telephone:262-2437.

Plate O Shrimp performs at Johnny D's,17 Holland Street, Somerville, just bythe Davis Square T-stop on the red line.Telephone: 776-967.

Gang Green, with guests Goo Goo Dollsand Psycho, perform in an 18 + agesshow at the Channel, 25 Necco Street,near South Station in downtown Boston.Tickets: $5.50 advance/$6.50 at thedoor. Telephone: 451-1905.

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, * F CRITIC'S CHOICE ·**Laura Knott Dance Company pre-sents "Degrees of Freedom " at 7:30 &9:00 at the Brattle Theatre, 40 BrattleStreet in Harvard Square. Tickets: $8.Telephone: 876-6837.

The Ballet Theatre of iBoston presentsSetting New Paces at 8 pm at the StrandTheatre, 543 Columbia Road, Dorches-ter, near the JFK/UMass/ColumbiaT-stop on the Ashmont red line. Alsopresented April 9. Tickets: S9.50. Tele-phone: 262-0961.

Boston's DanceArt Cmpany and Fran-ce's Diagonal MIsse perform at 8 pm atthe Joy of Movement Studio Theatre,536 Massachusetts Avenue, CentralSquare, Cambridge. Also presentedApril 9. Tickets: S8. Tel: 899-9348.

The Skating Club of ~?oAon presents its76th annual production of Ice ChipsShow of Champions at 8 pm in WalterBrown Arena, Boston University. Alsopresented April 9 at 2 pm & 8 pm andApril 10 at 2 pm. Tickets: S8. Tele-phone: 782-5900.

FILM & VIDEO

, * * CRITIC'S CHOICE * * *The Brattle Theatre continues itsThursday film series Two Sides toEvery Story with Jean Renoir's LaMte humaine (1938), starring JeanGabin, at 4:00 & 7:50 and FritzLang's 1954 remake, Human Desire,

Kenny and Tzipora perform music of starring Gloria Grahame and Glenn Telephone: 225-8989. The MIT Lecture Series Committee pre- Tne young uomposers uopeIIIptjoEastern Europe, Britain, Ireland, and Ford, at 6:00 & 9:45. Located at 40 sents Frak Capra's Mr. Sith oes to Winners Concert is presented at 8 pn ins~~~~~~~~~~WnersCncetis presnte (pats 8r pmit ine America at 8 pm at the Blacksmith Brattle Street in Harvard Square. Ad- Washington (1939), starring Jimmy Stew- the Concert Room, The Boston Conser-PERWFORMABNCE ahnt (99 sarn im ewHouse, 56 Brattle Street, Cambridge. mission: S4.75 general, $3 seniors and . art and lean Arthur, at 7:30 in 10250 vatory, 8The Fenway. No admissionAdmission: $3.50. Telephone: 547-6789. children (good for the double bill). ... r-e-m-o-1-c* . a mechanizedmixed- and Innerspace, starrng Martin Short charge Telephone 536-6340.

Telephone: 876-6837. media event by Ralph Paquin and Ann and Dehnis Quaid, at 7:00 & 10:00 inStoddard, is presented at 7 pm & S pm 26-100. Admission: S1.50. Tel: 225-9179. Gisela Krause, harpsichord, and David

JAZZ MUSIC at the MIT List Yisual Arts Cent Bey, piano perorm a prgra entitledThe Rear Window presents Vittorio Weisnet Building E15, 20 Ames Street, The Rear Window presents The Shop on en tr rec ey d

* * CRITIC'S CHOICE r * * DeSica's Garden of the Finzi-Coantinis Cambridge. Also presented April 9 at Main Street (Jan Kadar, 1966), 1966 Mu ,, pma h All Neton M idThe Bob Moses Band performs at The (1970) at 8 pm at the Boston Food 3 pm & 4 pm. No admission charge but Oscar Winner as Best Foreign Fil, at S Chtut Stret West ewWestern Front, 343 Western Avenue, Co-op, 449 Cambridge Street, Allston. reservations are required. Telephone: 7:30 at the Firehouse Multicultural Arts Sctn No * d eison chare Tele honeCanbridge. Telephone: 492-7772. Admission: S4. Telephone: 277-4618. 253-4680. Center, 659 Centre Street, Jamaica Plain. 5274553

Admission: $4. Telephone: 277-4618.

POPULAR MUSIC

US_~·8The Cambridge Multicultural Arts Cen-ter's Third Anniversary CommunityOpen House Celebration features perfor-mances by The Children's Dance Pro-ject, The Children's Theater Project,Spanish songs and guitar by Arturo,African drumming and dancing withOnye Onyemaechi, and dancing to theStan Strickland Band beginning at 7 pmat CMAC, 41 Second Street, East Camn-bridge. No admission charge. Telephone:57 7-1400.

THEATEROf Thee I Sing, by George S. Kaufmanand Morne Rysking, music and lyrics byGeorge and Ira Gershwin, is presented at8 pm at Next House, 500 MemorialDrive. Also presented April 9 at 8 pmrnand April 10 at 2 pm. Admission: $2general, free to Next House students.

if

The Museum of Fine Arts continues itsfilm Latin Visions with La Muerte de unBurocrata (Death of a Bureaucrat,Tomas Gutierrez Alea, Cuba, 1966) at5:30 and la Tierra Promerida (ThePromised Land, Migue! Littin, Chile,1973) at 8:00. Screenings in Remis Audi-torium, MFA, 465 Huntington Avenue,Boston. Tickets: $3.50 general, $3 MFAmembers, seniors, and students. Tele-phone: 267-9300 ext. 306.

The Harvard Film Archive begins a seriesof contemporary Swedish Cinema withThe Threat (Stefan Jarl, 1987) at 8 pm,preceded by a lecture by Swedish film di-rector, Carl Henrik Svenstedt, introduc-ing the series. Located at the CarpenterCenter for the Visual Arts, 24 QuincyStreet, in Harvard Square. Admission:$5 general. Telephone: 495-4700.

$ . e c

The French Library in Boston continuesits series Experiments in Film and Soundwith Rcni Clair's Svus ies oiios de zari3(Under the Roofs of Paris, 1930) at8 pro. Also presented April 9 and 10.Located at 53 Marlborough Street, Bos-ton, near the Arlington T-stop on thegreen line. Admission: $3.50 general,$2.50 Library members. Tel: 266-4351.

Mobius presents Mega Seam: A VideoExtravaganza, with screenings of recentvideotapes by nine Boston artists, at8 pm. A different program is alsoscreened April 9 and video installationsare on view April 9 to 10. Located at 354Congress Street, Boston, near the SouthStation T-stop on the red line. Admis-sion: $5. Telephone: 542-7416.

CLASSICAL MUSICThe Ridge String Quartet pertormsworks by Haydn, Bartok, and DvorAk aspart of the MIT Guest Artist Series at8 pm in Kresge Auditorium. No admis-sion charge. Telephone: 253-2906.

FILM & VIDEOThe MIT Japanese Film Series presentsTon's Drema of Spring at 7:30 in Room10-250. Admission: $2 donation. Tele-phone: 253-3142.

CLASSICAL MUSICDuo Classico - David Witten, piano,and Suellen Hershman, flute - performsworks by Ponce, Brouwer, Delano, Bar-her, Lasala, and Copland as part of theMIT Affiliated Artist Series at 8 pm inKillian Hall, MIT Building 14, 160 Me-morial Drive. No admission charge. Tele-phone: 253-2906.

Ensemble Chaconne performs 18th cen-tury masterpieces on original instrumentsas part of the MIT Noon Hour ChapelSeries at 12:05 in the MIT Chapel. Noadmission charge. Telephone: 253-2906.

The Boston Symphony Orchestra, SeijiOzawa conducting, performs RogerSessions' Concerto for Orchestra andMendelssohn's Symphony No. 2,"Lobgesang' at 8 pm in Symphony Hall,corner of Huntington and MassachusettsAvenues, Boston. Also presented April gat -2 .n ..... .J !2 ........ pr.. Tick-ets: $15.50 to $41. Telephone: 266-1492.

The Tallis Scholars perform as part ofthe International Earty Music Series at8 pm in the Church of the Advent, Brim-rner and Mt. Vernon Streets, BeaconHill. Tickets: $9, $12, and $15. Tele-phone: 262-0650.

The Opera Theater of the Boston Con-servatory and New England Conserva-tory presents Mozart's comic opera "TheMarriage of Figaro" at 8 pm at the Bos-ton Conservatory Theater, 31 HemenwayStreet, Boston, Also presented April 8& 9 at 8 pm and April 10 at 3 prm. Tick-ets: $7 general, $4 seniors and students.Telephone: 536-6340.

John McDonald, pianist and composer,performs a prograrn of his own works at8 pm In the Edward Pickman ConcertHall, Longy School of Music, corner ofFallen and Garden Streets, Cambridge.No admission charge. Tel: 876-0956.

The New England Conservatory's Hon-ors Brass Quintet performs works byBerio, Jan Bach, and others at 12:30 inthe Federal Reserve Bank of Boston'sAuditorium, 600 Atlantic Avenue, acrossfrom South Station in downtown Bos-ton. No admission charge. Telephone:973-3454 or 973-3368.

FILM St VIDEO

The Harvard Film Archive presents a fes-tival of Hungarian Avant-Garde Films,with director Istvan Antal in person, be-ginning at 7:30. Located at the CarpenterCenter for the Visual Arts, 24 QuincyStreet, in Harvard Square. Admission:$3 general, $2 seniors and children. Tele-phone: 495-4700.

THEATERDamn Yankees is presented by the MITMusical Theatre Guld at 8 pm im KresgeLittle Theater. Also presented April 8 a,8 pm and April 9 at 3 pm & 8 pm. Tick-ets: $7 general, $6 MIT faculty and staff,$5 students, $4 MIT students. Tele-phone: 253-6294.

Boogie Woogie Landscapes, a play byntozake shange, is presented by the MITBlack Students Union at 8 pm in McCor-mick Hall (Gymnasium). Also presentedApril $ and 9. No admission charge.

The Complete Guide to ldol Cooking,or, Jane Goodall Won't Eat My Salmon,a one-woman performance written andperformed by Kathleen Patrick, openstoday as a presentation of TheaterWorksat the Performance Place, 277 Broadway,Somerville. Continues through April 23with performances Thur-Sat at 8 pm.Tickets: $10 Fri & Sat, 'pay what youcan" on Thur. Telephone: 923-2251 or787-0306.

Little Shop of Horrors is presented at8 pm at Cohen Auditorium, Tufts Uni-versity, Medford. Also presented April 8and 9. Telephone: 381-3493.

* * * CRITIC'S CHOICE * * *The Somerville Theatre presents TbeWannsee Conference (1987) at 4:15,6:00, 7:45, & 9:30. Also presentedApril 7 and 8. Located at 55 DavisSquare, Somerville, just by the DavisSquare T-stop on the red line. Tele-phone: 625-1081.

Pop Will Eat Itself performs at Axis, 13Lansdowne Street, across from the en-trance to the bleachers at Fenway Park.Telephone: 262-2437.

* * * e

Treat Her Right, with guests T.H. andthe Wreckage, Dr. Black's Combo, andBig Clock, perform at the Channel, 25Necco Street, near South Station indowntown Boston. Tickets: $4.50 ad-vance/S5.50 at the door. Tel: 451-1905.

Rola~ and ' gthe &n! and The 7alin

perform in WBCN's 20th birthday partyat the Paradlse, 967 Commonwealth Ave-nue, Boston. Telephone: 254-2052.

o . *s ,

The Titanics, Deliverance, Flying Scouts,and Red Wagon perform at the Rat, 528Commonwealth Avenue in KenmoreSquare. Telephone: 536-9438.

Shake the Faith and She Cried performat T.T. the Bear's, 10 Brookline Street,Cambridge. Telephone: 49240082.

DANCE

** $ *s

The Brattle Theatre continues itsWednesday series of The Films of R. WFassbinder with Eld Briest (1974) at 6:10& 9:40 and Katzlemacher (1969) at 5:45& 10:00. Located at 40 Brattle Street inHarvard Square. Admission: 54.75 gen-eral, $3 seniors and children (good forthe double bill}. Teleohone: 876-6837.

The Hanrard Film Archive continues itsWednesday series Film and Dreams withL'lmmoertle (The Immortal One, AlainRobbe-Grillet, France, 1962) at 5:30 &8:00. Located at the Carpenter Centerfor the Visual Arts, 24 Quincy Street, inHarvard Square. Admission: $3 general,$2 senior; and children. Tel: 4954700.

EXHIBITSThe Ebsworth Collection: AmericanModernism, 1911-1947, a wide-rangingcollection of 75 American Modernistpaintings, drawings, and sculptures,opens today at the Museum of Fine Arts,465 Huntington Avenue, Boston. Contin-ues through June 5. Tel: 267-9300.

Pickers and Other Folks, drawings andprints by Edward McCluney, opens todayat the Wendell Street Gallery, 17 WendellStreet, Cambridge. Continues throughApril 23 with gallery hours Wed-Sat11-4. Telephone: 864-9294.

LECTURESIn conjunction with the MIT Museum

exhibits of works by Charles H. Wood-bury, D. Roger Howlett, president,Childs Gallery, gives a lecture entitled"Charles H. Woodbury and His Contem-

poraries: Painting in; Boston and on theMaine Coast" and Sinclair Hitthings,Keeper of prints, Boston Public Library,gives a lecture entitled 'Atrt and Science:The Prints of Charles Woodbury" begin-ning at 7 pm at the MIT Museum, N52-2nd floor, 265 Massachusetts Avenue,Cambridge. No admission charge. Tele-phone: 253 4444.

Alexander Cooper, FAIA, principal,Alexander Cooper & Partners, gives alecture entitled "An Emerging Urbanism:The Case for Optimismi" at 8 pm inRemis Auditorium, Museum of FineArts, 465 Huntington Avenue, Boston.Tickets: $7.50 general, $6.50 MFA mem-bers, seniors, and students. Tel: 267-9300ext. 306.

d Fitzgerld, author of Daughtersof Earth, Sons of Heaven, delivers a lec-ture entitled `Insights of a Tramlater:Italian Poetry from Saint Francis toPasolini" at 7:30 in the School of Nurs-ing Auditorium, Boston University, 635Commonwealth Avenue, Boston. No ad-mission charge. Telephone: 353-2551.

* * * CRITIC'S CHOICE * * *Pianist Alicia de Larrocha performsworks by Mendelssohn, Mompou,and Schumann at 8 pm in SymphonyHall, corner of Massachusetts andHuntington Avenues, Boston. Tickets:$17, $18. and $20 [see also reduced-price tickets offered through The TechPerforming Arts Seriesl. Telephone:266-1492.

Banchetto Musicale performs Beetho-ven's Violin Concerto and Haydn's"Creation" Mass at 8 pm In JordanHall, New England Conservatory, 30Gainsborough Street, Boston. Tickets:$9, S14, and $17. Telephone: 965-0165.

Th. V....s EnrmoC.n-Riti.M

TUESDAY, APRIL 5, 1988 The Tech PAGE 11 l

A R T SPOPUJLAR MUSICPERFORMANCE

Page 12: I & n Thim, Sty Pald issiled a fina!tech.mit.edu/V108/PDF/V108-N16.pdf · 2007-12-16 · seven credit/no-credit courses with scheduling at their own discretion. Other students questioned

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Pro Arte Chamber Orchestra performsworks by Beethoven, Mozart, Martin,and Eric Chasalow at 3 pm in SandersTheatre, Harvard University, Kirklandand Oxford Streets, Cambridge. Tickets:

Compiled by Peter Dunn $6, s$10o, $12, and $15 [see also reduced-price tickets offered through The Tech

a~~h 1~ -s ~~lb~ 8~~5 ~9...'' -~' ~ ~ ~~'"'~'"Performing Arts Series]. Tel: 661-7067.

* * . CRITIC'S CHOICE * .Thle Harvard Film Archive continuesits Monday film series Three Direc-tors: Hitrhck_. Re.no;, gr- ':.'thJean-Luc Godard's A Bout de souffle(Breathless, France, 1959), starringJean-Paul Belmondo and JeanSeberg, at 5:30 & 8:00. Located at theCarpenter Centel for the Visual Arts,24 Quincy Street, in Harvard Square.Admission: $3 general, $2 seniors andchildren. Telephone: 495-4700.

* * * CRITIC'S CHOICE * * *rMarek Zebrowski, piano, performs anall-Chopin program as part of theMITAf.lioaed Arrtist Series at 4 pm inKresge Auditorium. No admissioncharge. Telephone: 253-2906.

* * * CRITIC'S CHOICE * * *Boston Concert Opera presentsVerdi's "Nabucco" at 8 pm in Sym-phony Hall, corner of Huntingtonand Massachusetts Avenues, Boston.Tickets: $12, $25, and $35. Tele-phone: 536-1166.

* * * CRITIC'S CHOICE * * *Brueggen-By Isma-Leonhardt Trio per-forms a program celebrating the 17thcentury Italian sonata at 8 pm in Jor-dan Hall, New England Conservatory,30 Gainsborough Street, Boston Tele-phone: 536-2412

Boston UniersiD Opera Theatre pre-sents Johann Strauss' Die Fledermaus at8 pm at the Bostoln University Theatre.264 Huntington Avenue, Boston. Alsopresented April 10 at 3 pm and April 11& 12 at 8 pm. T:ckets S6 & 58 general,S4 Bu facuhy/staff/alumni, seniors, andstudents, free with BU student ID. Tele-phone: 266-3913

The Halyard Wind Ensemble performsmusic of Peter Schickele and P.D.Q.Bach at 8 pm im Sanders Theater, Har-vard University, Kirkland and OxfordStreets, Cambridge, Tickets: $6 general.$4 seniors and students. Tel' 495-2000

JAZZ MUSICAnthony Braxton, a musician of manyinstruments on the cutting edge of mod-ern jazz, performs in the final event ofthe MIT Composers in Recital Series at8 pmm In Kihan Hall, MIT Building 14,160 Memorial Drive. Preceded by a freelecture by the composer at 4 pm. Admis-sion: $8 general, 54 students Telephone:253 -2906.

POPULAR MUSIC

- " -- - -- -- -- --- -- ---

POPULAR MUSICThe Rollins Band (featuring HenryRollins), with guests VolEano Suns andThe Rise, perform at the Channel, 25Necco Street, near South Station indowntown Boston. Tickets: $6.50 ad-vance/S7.50 at the door. Tel: 451-1905.

CLASSICAL MUSIC

EXHIBITSNew Approaches to the PhotographicMarketplace, highlighting the work ofthose photographers who have advancedtheir commercial careers without com-promising their originality, opens todayat Galleryv East, The Art Institute of Bos-ton, 700 Beacon Street, Boston. Contin-ues through May 11 with gallery hoursMcn-Fri 9-5. Telephone: 262-1223.

Artists' Ball. 12th Annual Ma.aueradeGala. featuring The Frat City Band, be-gins at 8 pm at the Boston Center for theArts Cyclorama, 539 Tremont Street.Boston. Tickets $15 advance/S18 at thedoor. Telephone: 1-443-8871.

FILM & VIDEOThe MIT Lecture Series Committee pre-sents The Name of the Rose, starringSean Connery, at 7 pm & 10 pm in26-100. Admission: 51.50. Tel: 225-9179.

The Brattle Tleawre presents a doublebill of nymphettomania with StanleyKubrick's film adaption of VladimirNabokov's novel, Lolita (1962), starringJames Mason, Peter Sellers, and SueLvon, at 2:15 & 7:30 and TennesseeWilliams' Baby Doll (Elia Kazan, 1956)at 5:00 & 10:10. Also presented April 10.Located at 40 Brattle Street in HarvardSquare. Admission: $4.75 general, 53seniors and children (good for the doublebill). Telephone: 876-6837.

The Rear Window presents MaryPoppins (Robert Stevenson, 1964), star-ring Julie Andrews and Dick Van Dyke,at 2 pm at the Firehouse MulticulturalArts Center, 659 Centre Street, JamalcaPlain, and Orson Welles' The Trial(1963) at 8 pm at the Brookline ArtsCenter, 86 Monmouth Street, Brookline.Admission: $3 Mary Poppms, S4 TheTrial. Telephone: 277-4618.

The Harvard Ferm Archive continues Itsseries of Anrimated Features with TheAdventures of Prince Ahmed (LotteReiniger, Germany, i926) at 2 pm, andalso continues Its series of Swedish Cine-ma with Sally and Freedom (GunnelLlndblom, 1981) at 7 pm and The Threat(Stefan Jarl, 1987) at 9 pm Located atthe Carpenter Center for the Visual Arts,24 Quincy Street, in Harvard SqluareAdmission: 53 general, $2 seniors andchildren. Telephone: 4954700.

The Celebration of Black Cinema V fes-tival opens today with Older Women andLove (Camille Bll3ops, 1987) & Two Dol-lars and a Dream (Staniey Nelson, 1987)at 7 pm and Playing Away (Horace Ove,1986) at 9 pm, presented at the Instituteof Contemporary Art, 955 BoylstonStreet, Boston, near the AuditoriumT-stop on the green line. Tickets: $4 50general, $3.50 seniors and students. Tele-phone: 232-1088

Mobius presents Mega Scan: A VideoExtravaganza, with screenings of recentvideotapes by nine Boston artists, at8 pm (program different from April 9screening). Video installations are onview to April 10 with hours 12-5. Locat-ed at 354 Congress Street, Boston, nearthe South Station T-stop on the red line.Admission: $5. Telephone: 542-7416

EXHIBITSDhumballa Rising. small paintings of oilon canvas by Lewis Benjamin and GallFitzgerald, opens today at the BasementGallery, Boston Food Co-op, 449 Cam-bridge Street. Allston. Continuesthrough April 30 with gallei. hoursMNon-Fri 10-9. Sat 9-9, and Sun 12-6. Noadmission charge. Telephone: 787-1416.

CLASSICAL MUSIC

Urban Blight, winners of the 1987 NewYork Rock & Roll Rumble, perform at8 pm & II pm at Nightstage, 823 MainStreet, Cambridge. Tickets: $8. Tele-phone: 497-8200.

Mlatweeds, Buzz and the Gang, Mercy-land, and Eight Balls perform at the Rat,528 Commonwealth Avenue in KenmoreSquare. Telephone: 536-9438.

Folkslnger/songwriter Tom Rush per-forms at 7 pm & 10 pm at the ColonialTheatre, 106 Boylston Street, Boston.Tickets: $20 and $25. Tel: 426-9366.

CLASSiCAL MUSIC

POPULAR MUSICGuitarist/fiddle player Clarence "Gate-mouth" Brown performs beginning at9pm at Nightstage, 823 Main Street,Cambridge. Tickets: $9. Tel: 497-8200.

FILM & VIDEOThe Brattle Theatre continues its Tues-day series Questioning War on Film withYiva La Muerte (Fernando Arrabal,1971) at 4:30 & 7:45 and The Brig (JonasMekas) at 6:15 & 9:30. Located at 40Brattle Street in Harvard Square. Admis-sion: $5 general, $3 seniors and children(good for the double bill). Telephone:876-6837.

The Harvard Film Archive continues itsTuesday film series Women Directors andthe Avant-Garde with Journeys fromBerlin/1971 (Yvonne Rainer, 1980) at5:30 & 8:00. Located at the CarpenterCenter for the Visual Arts, 24 QuincyStreet, in Hayvard Square. Admission:$3 general, $2 seniors and children. Tele-phone: 495-4700.

The Celebration of Black Cinema festivalcontinues with Black Goddess (OIa Balo-gun, Nigeria, 1978) at 6:00 at the Mass.College of Art Tower Building, 621Commonwealth Avenue, Boston. nearthe Longwood T-stop on the green line,and Pressure (Horace Ovr, 1974) at 8:30at the Institute of Contemporary Art,955 Boylston Street, Boston, near theAuditorium T-stop on the green line.Tickets: $4.50 general, $3.50 seniors andstudents. Telephone: 232-1088.

The Boston Music Awards at the WangCenter on April 13. Merchant of Venicepresented by the MIT ShakespeareEnsemble, April 14 to 19. Scruffy theCat at Axis on April 14. RudolphNureyev & Friends at the Wang Center,April 15 to 17. Je suis le cabier: TheSketchbooks of Picasso at the Instituteof Contemporary Art, April 15 toJune 12. Love and Rockets, with themighty lemon drops, at the OrpheumTheatre on April 16. The Bodeans at theMetro on April 20. The Peking Acrobatsat the Berklee Performance Center onApril 27 and 28. 10,000 Maniacs at theOrpheum Theatre on April 29. Treasuresof Ramses the Great opening April 30 atthe Museum of Science.

* e · ·The Celebration of Black Cinema V fes-tival continues with Dreaming Rivers(Martina Attille, 1988) & The Passion ofRememrbrance (Maureen Blackwood &Isaac Julien, 1986) at 6:00 at the Mass.College of Art Tower Building, 621Commonwealth Avenue, Boston, nearthe Longwood T-stop on the green line,and Kukurantumi (Road to Accra) (KingAmpaw, Ghana, 1983) at 8:30 at the In-stitute of Contemporary Art, 955 Boyl-ston Street, Boston, near the AuditoriumT-stop on the green line. Tickets: S4.50general, $3.50 seniors and students. Tele-phone: 232-1088.

EXHIBITSWorks by John Casey opens today at theGallery at the Piano Factory, 791 Tre-mont Street, Boston. Continues throughMay 2 with gallery hours Thur-Fri 5-9,Sat-Sun 2-6. Telephone: 437-9365.

i

_PPP PAGE 12 The Tech TUESDAY, APRIL 5, 1988

SFILM & VIDEO

The Somerville Theatre presents Houseof Games at 6:15 & 9:40 and Passion ofJudith Hearne at 7:45. Also presentedApril 12. Located at 55 Davis Square,Somerville, just by the Davis SquareT-stop on the red line. Admission: $4.50general (good for the double bill). Tele-phone: 625-1081.

The Brattle Theatre continues its Mon-day series of Film Noir with Pickup onSouth Street (Sam Fuller, 1953) at 4:30 &7:50 and Scandal Sheet (Phil Karlson,1952) at 6:10 & 9:30. Located at 40 Brat-tie Street in Harvard Square. Admission:$4.75 general, $3 seniors and children(good for the double bill). Telephone:876-6837.

* A * CRITIC'S CHOICE . * *Laura Jeppesen, viola da gamba, JaneHershey, viola da gamba, CatherineLiddell, theorbo, and FrancesConover Fitch, harpsichord, performworks by J. S. Bach, Marln Marais,Daniel Stepner, Captain TobiasHume, and Bela Bartok at 3 pm inRemlis Auditorium, Museum of FineArts, 465 Huntington Avenue, Bos-ton. Tickets: $12 general, $10 MFAmembers, seniors, and students. Tele-phone: 267-9300 ext. 306.

* . * CRITIC'S CHOICE r * ,SinfoNova Chamber Orchestra per-forms works by Takehlko Gokita, Pe-ter Kelly, and Marc Rossi at 8 pm InSymphony Hall, corner of Hunting-ton and Massachusetts Avenues, Bos-ton. Tickets: $16.50. $20, and $30[see also reduced-price tickets offeredthrough The Tech Performing ArtsSeries]. Telephone: 938-6828.

The Berklee Concert Wind Ensembleperforms at 8:15 at the Berklee Perfor-mance Center, 136 Massachusetts Ave-nue, Boston. Tickets: $2 general, $1 sen-iors. Telephone: 266-1400.

The New England Conservatory Percus-sion Ensemble performs works by Yiu-Kwong Chung, Steve Reich, and JamesHoffmann at 8 pm in Jordan Hall, NEC,30 Gainsborough Street, Boston. No ad-mission charge. Telephone: 262-1120ext. 257.

Boston Conservatory Chorale performsBrahms' "LZebslieder Walzer" andBach's "Lobet den Herrn" at 8 pm inSeully Hall, Boston Conservatory, 8 TheFenway, Boston. No admission charge.Telephone: 536-6340.

LECTURESKathy Adler presents a lecture/shldeshow entitled "Impressionism - AWoman's Place?" at 6:30 in Room 313,Boston University College of LiberalArts, 725 Commonwealth Avenue, Bos-ton. No admission charge. Telephone:353-2520.

Actor/director Janet Suzman gives theTheodore Spencer Memorial Lecture, en-titled "My Life in art (with a very smalla), " at 4 pm at the Loeb Drama Center,64 Brattle Street, Cambridge. No admis-sion charge. Telephone: 547-8300.

The New England Conservatory HonorsString Quartet performs works byHaydn, Bartok, and Debussy at 2 pm inKilhan Hall, MIT Building 14, 160 Me-morial Drive. No admission charge. Tele-phone: 253-2906.

James Lafitte, trombone, performsworks by Stravinsky, Ramsoe, Bozza,and Jacobs. at 8 pm at the All NewtonMusic School, 321 Chestnut Street, WestNewton. No admission charge. Tele-phone: 527-5317.

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* * CRITIC'S CHOICE * * *B. B. King, consummate blues artist,purforirms at 7 pd- at the StrdnidTheatre. 543 Columbia Road, Dor-chester, near the JFK/UMass/Colum-bia T-stop on the Ashmont red line.Tickets: 515 and $17 50. Telephone:282-8000.

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Duke Robillard performs at Johnny D's,17 Holland Street, Somerville, just bythe Davis Square T-stop on the red hline.Telephone: 776-9667.

Blushing Brides, w'th guests Good Ques-lion, perform at the Channel, 25 NeccoStreet, near South Station in downtownBoston. Tickets: S8.50 advance/$9.50 atthe door. Telephone: 451-1905.

The Rain Dogs, Blake Babies, and Infor-mation perform at T.T. the Bear's, 10Brookline Street, Cambridge. Telephone.492-0082.

Silly Wizard performs traditional andoriginal nmusic from Scotland at 8 pm atthe Somerville Theatre, 55 Davis Square,just by the Davis Square T-stop on thered line Also presented April 10. Tick-ets: $12 50. 514.50, $15.50 in advance,52 more day of show. Tel: 625-1081.

A R T

FILM & VIDEOThe MIT Lecture Series Committee pre-sents John Boorman's Excalibur at 6:30& 10:00 in 26-100. Admission: $1.50.Telephone: 225-9179.

The Harvard Film Archive continues Itsseries of Swedish Cinmemrna with I AmMaria (Karsten Wedel, 1980) at 4 pm andSally and Freedom (Gunnel Lindbiom,1981) at 7 pmr. Located at the CarpenterCenter for the Visual Arts, 24 QuincyStreet, in Harvard Square. Admission:$3 general, $2 seniors and children. Tele-phone: 495-4700.

The Harvard-Epworth Church presentsJohn Ford's The Sun Shines Bright (1953)at 8 pm. Located at 1555 MassachusettsAvenue, just north of Harvard Square.Admission: $3 contribution. Telephone:354-0837.

The Celebration of Black Cinema V fes-tival continues with Big George Is Dead(Henry Martin, 1986) & HandsworthSongs (John Akromfrah, 1986) at 3 prm,Jemrima and Johnnie (Lionel N'gakane,1962), Territories (Isaac Julien. 1985), &Dreaming Rivers (Martina Attille, 1988)at 7 pm, and Love Brewed. . .in the Af-rican Pal (Kwaw Ansah, Ghana, 1980) at9 pm, presented at the Institute of Con-temporary Art, 955 Boylston Street, Bos-ton, near the Auditorium T-stop on thegreen line. Tickets: $4.50 general, $3.50seniors and students. Tel: 232-1088.

A

to runyourOwn sno

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2PM: OS/2 Extended EditionWhat It Can Do For You Plus More.Find out more about the Presentation,Communication, and Database Managersthat operate under the 0§/2 ExtendedEdition. Presented by the IBMCambridge Scientific Center staff.

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spread their core subjects beyondtheir freshman year. The facultyshould endorse that attitude, hesaid, and alter its messages tostudents through the literature itdistributes to freshmen.

The CFYP initially began con-sidering pass/fail in ternis of itseffect on flexibility Manning said,though the discussion "took alife of its own" after that. Thepresent pass/fail structure, Hausexplained, discourages studentsfrom letting science core subjectsslip over into their thrid term.

But Aimee Smrz '88, claimedthat students themselves have ex-pectations about the science core,that they wanted to keep pacewith other freshmen.

The CFYP will hold a secondforum next Monday.

ing grade to "C" work would en-sure that those who passed hadperformed sufficiently well, with-out the need for eliminatingpass/fail.

One student suggested thatminimum competency standards- on an absolute scale, not acurve - could be established forpassing the science core subjects.

Darian Hendricks '89 ques-tioned whether poor performancein the second term might be afnhilhri of the ctiidntc' cllnnnrt

system. Manning said the CFYPwas not laying all of the blameon pass/fail; he suggested, how-ever, that second term was an op-portune time to switch to gradesbecause of the continuity of thefreshman support system. Thepresent transition into the sopho-more year is a difficult one,Manning argued.

Freshman year is seen as"training ground"

Manning likened the presentconception of the freshman yearas that of a "training ground,"saying it was "excessively rigid."Most freshmen are taking pri-marily science core subjects, hesaid, rather than exploring arange of interests. Although thereare no rules requiring students tocomplete the science core in theirfirst year, he said, "there are clearmessages coming from all partsof the Institute that this isdesirable."

But Manning said that mostdepartment heads had agreed,when surveyed, that much couldbe gained if students would

(Continued from page 1)percent took more than 60 unitsin the second term.

One student said he had seenfreshman deliberately overloadwhile on pass/fail, but that hethought they were small minority.

Kenneth Simons '90 suggestedthat freshmen may merely betesting their limits during the sec-ond term, and not deliberatelytrying to squeeze in more classeson pass/fail. Many students, he

I' l h hannk f,,r;1r +tey car.DloS19u ilvlrrutlJ wasa1 lsrv LXw, wasuswell in five courses after theirfirst term. Lowering the freshmancredit limit might alleviate theproblem without eliminatingpass/fail second term, he said.

Though Simons admitted thata low credit limit would prohibitexploration, another student sug-gested that excess credits beallowed, but on grades.

Second term work poor

Manning said poor courseworkperformance during the secondterm was an important concernof the CFYP, particularly becausestudents need only do "D" workin order to pass fundamentalsubjects. Faculty teaching upper-classmen often lament their stu-dents' poor background, saidProfessor Herman Haus, a mem-ber of the committee.

But one student countered thatputting students on grades is an"uncreative" and unnecessaryway to get students to do qualitywork. Another said he thoughtthat a full year of pass/fail bene-ficially resulted in low competi-tive spirit at MIT; because fresh-men are not worrying about eachother's quiz averages, he said,they learn to help each other outin classes.

Several students also notedthat raising standards for a pass-

Mark D. Virtue/The TechMarya Lieberman '89 makes a comment during a forum onthe freshman year.

Drop by Sunrday at 4and talk to Peter,Harold, or Kyle.

STUDENT VOLUNTEERS NEEDEDJ"I'M AIDS-AWARE"

April 25 - 29

FORWhen you fill out your FormW-4, "Employee'sWithholding AllowanceCertificate." remember:If you can be claimed on yourparent's or another person's taxreturn, you generally cannot beexempt from income taxwithholding. To get it right, readthe instructions that came withyour Form W-4.

MIT Medical's AIDS-AWARE project is planning information ta-bles, special programming on MIT Cable, computer updates on AIDS,fund-raising for AIDS research and services, and more throughoutthe week of April 25.

We want everyone on campus to be AIDS-aware, but, to be success-ful, we need your help. If you believe that all students need up-to-date AIDS information, then please contribute a small amount of yourtime and talent in this effort.

Come to an organizing meeting on Saturday, April 9 from 10am -noon in Roonm 1-223. If you want to volunteer, but can't come to themeeting, call Anne Gilligan or Janet Van Ness at 253-1316.

PLEASE.

3:30 PM 4-339

TUESDAY, APRIL 5, 1988 The Tech PAGE 13 _l

Pass/Fail reviewed at forum

WannaWrite

Spo0rtsD

WE NEED YOU.

PHYSICS OPEN HOUSEFRESHMEN AND UNDESIGNATED SOPHOMORES ARE

INVITED TO EXPLORE THE POSSIBILITIES OFFEREDWHENJ MAJORING IN PHYSICS. AT THIS ANNUAL EVENT,INFORMATION WILL BE AVAILABLE ON CURRICULUM,DEPARTMENTAL DIVISIONS, SOCIETY OF PHYSICSSTUDENTS, SIGMA PI SIGMA (HONOR SOCIETY) ANDUROP. FACULTY AND PRESENT PHYSICS MAJORS WILL BEON HAND TO DISCUSS OPTIONS AND OPPORTUNITIES.

REFRESH MENTSWEDNESDAY APRIL 6

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44No nmatter howbad they are,Grandma lovesto hear thelatest jokes.5

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BB8 PAGE 14 The Tech TUESDAY, APRIL 5, 1988

Athena responds t(Continaed firom page 1) cording to Steven R. Lerman '72,

this group of thieves, who are director of Athera. The publicdirector of Athena. The publicprobably not members of the clusters are expected to be openMIT community, have stolen for 24 hours then.most of the personal computers Theft has always been a prob-- not the DEC workstations. em n campus, Gavin stated.leto on campus, GlavinstedSchiller speculated that these Twenty years ago, electric type-thieves find marketing a personalthieves find marketing a persona writers used to be frequently sto-

ompuktaer easier than a len. Finally, typewriters wereworkstation. bolted down and the thefts

These thieves are operating at stoppedMIT, Harvard, and Boston Uni- Bruce said the reason peopleversity, and are believed to be Buesi h esnpolvery familiare with tthe ampusesare reluctant to physically securevery familiar with the campuses, eupeti htte iet

accodingto Ane P Glainequipment is that they like toaccording to Anne P. Glavin,- chief of Campus Police.

-.he O..h.er group o.r ,teites"probably familiar with theAthena system" and can utilize 8 11 FoI By Lu rithe workstations, Schiller be- (Continued from page 1)lieved. The actions of these violations. "MIT frats hadthieves showed no sign of forced blocked egresses, out-of-date andentry. unmounted fire extinguishers,

These thieves are probably part smoke detectors which did notof the MIT community, but work, broken emergency lights"there is no evidence that points and unlit exit signs," he noted.to anyone," Bruce said. According to Eisenmann, the

·t I- A

(Continued from page I)added.

Finboard needs information tofairly disperse its funds, Kantro-witz said. "Finboard exists pri-marily to give money to groupsthat cannot support themselvesfinancially."

In effect Finboard will becomeevery group's accountant, Hen-dricks said. This is not a newidea - about 15-20 groups havehaduu their finances managed b-yFinboard in the past few years,Kantrowitz added.

With the new system individualgroups will retain total controlover their money, Hendricksstressed. "Everyone will have sep-arate accounts and no one butthe authorized members of thegroup will have access to thosefunds," he said. Hendricks addedthat many of the incidental ex-penses such as checking feeswould be avoided.

Kantrowitz, who also is busi-ness manager of The Tech, as-serted that for various studentactivities such as The Tech or theLecture Series Committee, whichhave large cash flows, Finboard"would not be capable of per-forming all the necessary book-

keeping."Chakrabarty noted that MTG

does not intend to comply withFinboard's request. "Often ittakes MIT three weeks to cutchecks," he said. "Sometimes atMTG we have to pay expensesonly on an hour's notice," heexplained.

Chakrabarty said he was fairlycertain that LSC, The Tech, andthe Student Center Committeewould join MTG in nor comply-ing with the request.

Both MTG and The Tech re-ceive no Finboard funding, andaccording to Kantrowitz, "therule does not apply to us."

Chakrabarty asserted that,"they [Finboard] don't have theauthority to put forth such a re-quest. Really it's just apowerplay."

Hendricks conceded that hewould be willing to compromiseif special situations arise. "Myletter was not meant to be anta-gonistic," Hendricks said. Ratherit was intended to convincesmaller groups that if some stu-dent activities need to maintainoutside accounts, they can pre-sent valid reasons for doing so,Hendricks said.

meet more than just the state firesafety requirements." However, Margossiaboth Eisernmann and hMargossian ing in June,assured the fraternities that the would not onew insurance company would ties how tonot require expensive structural order", butwork in order to comply with its books coufire coverage regulations. from one h

Margossian did say that each other, so thefraternity house "will have to pay avoid anotlbetween $200 and $500 to meet like this one

new insurance company coulapossibly "demand that the frats

to theftsmove it around their while theywork.

Also, Glavin said some peoplethink it is too expensive to installsecurity devices. They think thatall they have to do is to remem-ber to lock their office door. "It'snot that simple," Glavin said.

Campus Police, the Athenastaff and administrative officialsare making a concerted effort toprevent thefts by distributing fly-ers and posters that warn peopleof the problem.

are seekingamnce policy

the new regulations."Margossian gave each of the 23

houses a notebook containing hisassessment of the individual fra-ternity's fire problems, charts ofeach house's fire exits, fire extin-guishers and emergency lightsand other relevant information tohelp the fraternity houses makethe needed changes.Clusters shut down

All the Athena clusters exceptthe one in the Student Centerwere shut down March 21, Schil-ler noted. The VS2000 systemboxes for the workstations werebolted down that night and onTuesday, the monitors werebolted down, he said.

The Athena cluster in 4-035,which used to be open 24 hours,now has restricted hours (2-5 pm,7-11 nm) Schiller said. Athena

an, who will be leav-hoped the notebooks

rnly show the fraterni-) "get their houses inalso that "the note-

ld be passed downhouse manager to an-e MIT frat system canher difficult situatione in the future."

staff are currently keeping watchof that cluster and the one inBuilding 37 during its hours ofoperation.

"'The current strategy is just tobolt down computer terminals,"Schiller said. There are presentlyalarm systems on the terminalsthat are linked to the CampusPolice headquarters.

Athena is also consideringmoving terminals from the Stu-dent Center cluster to the perim-eter of the Student Center library,Bruce said. He stressed thoughthat no firm decisions have yetbeen made.

Security problems will besolved at the end of this term, ac-

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Finboard bans outsidestudent group accounts

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TUESDAY, APRIL 5, 1988 The Tech PAGE 15 _M

(Continued frtom page 1)Moderate winds from the

north and south, which hit re-spectively the nose and tail, arenot much of a problem, Ballsaid. "However when you getcrosswinds [which appeared Sun-day and Monday], it carn reallyaffect the stability of the air-plane."

The adverse weather conditionsand the waiting not only affectthe project personnel on land,but also the individuals who willmonitor the flight at sea, Ballsaid. "You have to remember thatDaedalus has an entire convoyaccompanying it."

The scheduled pilot forWednesday's attempt will be Kan-elos Kanellopolous, member ofthe Greek Olympic Cycling

Team, Ball said. "The pilots willcontinue to alternate until they fi-nally take off," he said.

Ball explained that the group iswilling to stay in Crete at leastuntil May 15. "At that time theymay start running into complica-tions since in Crete you can ex-pect mid-summer temperaturesthen," he said.

If the team completes theirplanned 74-mile flight, they willsurpass the 22.5 mile point-to-point record that was set byAmerican Bryan Allen when hepedalled the Gossamer Albatrossacross the English Channel in1979. They would also breaktheir own 36.4 mile distance re-cord that wasForce Base inuary.

set at Edwards AirCalifornia last Jan-

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The Tech Subscription Rates: $15one year 3rd class mail ($28 twoyears); $39 one year 1st class mail($75 two years); $44 one year for-eign; $8 one year MIT Mail (2 years$15). The Tech, W20-483; or POBox 29, MIT Branch, Cambridge,MA 02139. Prepayment required.

SUMMER JOBS!Work as a live-in Big brother thissummer tutoring and caring forchildren at $175 per week plus al!living expenses and some travel.Free training available. Call 237-0211 for more info.

A103Art and reason

CWhen Mark and I decided to speledthe weekend at his mother's house,I never imagined I would be walkinginto a mouse's nightmare. There werecats everywhere.

Cat plaques, cat statues, cat clocks,even a cat mat. I couldn't begin to dupli-cate her collection of kitty litter if I spenta year at a garage sale. Conspicutouslyabsent, however, was a real cat. Strange,

I thought, and began to fear that ai weekend with cat woman could be a

! t~t~ lot less than purrfect. X!I ~ But their she came home, and?! ~i~ Mark introduced her. She was .

!! dressed surprisingly well-no 'r leopard pants. In fact, you :

could say she was the cat's meow,but Id rather not.

She offered me a cup of Dutch Choc-olate Mint. Now that was somethingI could relate to. Then she brought itout in the most beautiful, distinctly

unfeline china I'd ever seen. As wesipped, I foulnd out that Mrs. Campbellhas my same weakness for chocolate,loves the theater as much as I do, but,incredibly, never saw "Cats." So Mark

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o tasportsSoftball splits two games

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MMa PAGE 16 The Tech TUESDAY, APRIL 5, 1988

In the top of the eighth, MITgot Wheaton out one-two-three.In MIT's half, Paula Fergusen '90was walked. Pinch runner CeciliaWarpinski '90 then made it tothird on two balls that went bythe catcher. Michelle Duso '91then walked. Ragucci then hit aline drive down the third baseline to bring in the winning run.

Karen Krans '88 pitched all 15innings of the day and only al-lowed a total of 13 hits and had 4strikeouts. Brown and D'Angeloeach had a double, the onlyextra-base hits for MIT. MIT'srecord goes up to 2-2 overall, l-1for the New 8 Conference.

catch in center field which heldall the runners.

Wheaton got a hit to bring inone rurn, and then the bases werestill loaded with one out. Di-Massa then caught the next ballat third and quickly tagged therunner at third base for the lastout. "Those two plays by Dianeant th dtiving ret-h hv Trri xxwer.

the key plays of the game,"Coach Jean Heiney, said.

In the seventh inning, Wheatonhad three hits to bring in a run totie the game at 2-2. MIT wasn'table to get a run at the bottom ofthe inning, thus sending the gameinto extra innings.

By Marcia SmithThe MIT softball team_ split

the two games it played Saturdayto bring their record to 2-2. MITlost 5-1 to Babson College, thencame back to win 3-2 to Wheatonin an extra-inning game.

MIT started off with a one-two-three first inning against

bes,, D.tn.B.Ut th.ly1 ;. .X_

Babson scored once in the secondinning. In the third inning, Bab-son made three hits and MITmade two errors. which uppedBabson's lead to 5-0.

MIT came back in the bottomof the inning to score a run off ofa hit to deep right field by JulieBrown '88 to bring in TeriLowenstein '89 from second. Forthe rest of the game, both de-fenses held tight, each allowingthe other team only one hit andno runs. Babson won 5-1.

In the Wheaton game, MITcame back ready to win. "Wewere intense from the begin-ning," co-captain Carol Cantwell'88, said. "We didn't wait threeinnings to pull the defense to-gether."

Both teams were tough for thefirst two innings, not allowingany runs. At the bottom of thethird inning, Lowenstein walked,then advanced by a hit byCantwell. Two outs later, DianeDiMassa '88, hit a line drive upthe middle to bring in the run.MIT led 1-0.

MIT held Wheaton, then cameback the next inning for anotherrun. Stephanie Ragucci '90 got a--single, then Linda D'Angelo '90knocked a ball out to left fieldthat gave pinch runner Lori Hart'90 enough time to round thebases to bring the lead to 2-0.

Wheaton came close to gettinga run in the fifth inning whenthere was a runner on first andsecond with two outs. A ball washit sharply out to left field andBrown threw to third base. Therunner overslid the base and Di-Massa alertly tagged her for thelast out.

In the sixth inning, MITwalked two batters and commitedan error, allowing Wheaton toload the bases with no outs.Then, Lowenstein made a diving

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