i. improvisation “i should care” - jazz piano...

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i. Improvisation “I Should Care” 1. Soloing over secondary dominants – Here’s a solo example over a chord progression that includes a lot of secondary dominants. (figure 28.16) Figure 28.16 2. Relative ii-7, tritone and secondary dominants – Now that we are using secondary dominants we can replace all of the relative ii-7 chords with secondary dominants to approach the tritone subs. Let’s go through and replace the relative ii-7 chords that lead into the tritone with secondary dominants in “I Should Care”. (see figure 28.17) Figure 28.17 3. Soloing over all reharms–Adding reharmonization to every measure will take away the essence of the song. A nice balance between the original changes and your own reharms will sound best. Look at the chart below of some of the reharms I made over “I Should Care”. (see figure 28.18) Figure 28.18

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Page 1: i. Improvisation “I Should Care” - Jazz Piano Schooljazzpianoschool.com/wp-content/uploads/2016/05/Step-8-Comping... · i. Improvisation “I Should Care” 1. Soloing over secondary

i. Improvisation “I Should Care” 1. Soloing over secondary dominants – Here’s a solo example over a chord

progression that includes a lot of secondary dominants. (figure 28.16)

Figure 28.16

2. Relative ii-7, tritone and secondary dominants – Now that we are using

secondary dominants we can replace all of the relative ii-7 chords with

secondary dominants to approach the tritone subs. Let’s go through and

replace the relative ii-7 chords that lead into the tritone with secondary

dominants in “I Should Care”. (see figure 28.17)

Figure 28.17

3. Soloing over all reharms–Adding reharmonization to every measure will

take away the essence of the song. A nice balance between the original

changes and your own reharms will sound best. Look at the chart below of

some of the reharms I made over “I Should Care”. (see figure 28.18)

Figure 28.18