i-doc talk for esoddoc 2013

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by Sandra Gaudenzi i-docs.org i-docs: why, how and how much

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This is the talk that I gave to ESoDoc on September 2013. Feel free to get inspired, but do reference me if you use it!

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Page 1: i-doc talk for ESoDdoc 2013

by Sandra Gaudenzii-docs.org

i-docs: why, how and how much

Page 2: i-doc talk for ESoDdoc 2013

A linear documentary is a creative treatment of actuality

An i-doc is non linear interactive

Page 3: i-doc talk for ESoDdoc 2013

Defining i-docs

Any project that intends to document the real, and that does so by using digital interactive technology, can be called an i-doc.

Page 4: i-doc talk for ESoDdoc 2013

A media specific contract with the audience

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i-docs as a proposition to enter into a dynamic world and to change it to a

certain degree (depending on the level of agency given to the user)

From: One millionth Tower, NFB, 2012

Page 6: i-doc talk for ESoDdoc 2013

Agency

‘the satisfying power to take meaningful action and see the results of our decisions and choices’ (Janet H. Murray, Hamlet on the Holodeck,1997:126)

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Agency

satisfying power

choices

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Agency

power +

choices = change

feed-back loop

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the feed-back loop of

interactivity goes beyond

the user-computer... and so does your i-doc!

Page 10: i-doc talk for ESoDdoc 2013

The i-doc as part of an ecosystem

it DOES things, you only control part of it

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The Living documentary

1. effect/impact does not stop at user-computer 2. not human centred approach, but systemic3. levels of aliveness = levels of doing (impact)4. aptitude to self-organize, to adapt to their

environment, and to change it5. life and death of an i-doc

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i-doc as a relational & living entity

Put the emphasis what it makes you DO (rather than what it SAYS to you)

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How to create an i-doc?1/3

PRE-PRODUCTION:

1. Ponder if interactivity is necessary. What is it adding? What is its purpose?

2. Include interactive strategy from start.3. Minimum team:

Film maker (content producer) interactive designer Coder

MORE: social media manager, story architect

4. Brainstorming sessions (all included)5. Feasibility study (technical & financial)

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DEVELOPMENT:

1. Story architecture & platforms2. Budget3. Storyboarding & look and feel4. Content mapping & production

schedule5. Coding (tailor made or choice of tools)6. Testing (iterative prototyping)

How to create an i-doc?2/3

Page 15: i-doc talk for ESoDdoc 2013

LAUNCH:

1. Marketing strategy 2. Social media strategy3. Launch strategy (beta, soft, progressive…)

LIFE:- Moderation- Social media communication- Analytics- Changes

DEATH:- Designing for an end

How to create an i-doc?3/3

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TOOLS

• Zeega• PopcornJS• 3WDoc, Klynt, Djehouti• Storyplanet• Wix• Korsakow• Conducttr

(see TMtoolkit or i-Docs)

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FINANCE 1/3

THE BIG PLAYERS:

- EU Creative Europe 2014 (ex Media Fund) up to Euros 150,000

- TFI New Media Fund $50,000 to $100,000 (6 non-fiction, social issue media projects which go beyond traditional screens)

- Co-produce with NFB or Arte- National entities: CNC (Fr), Arts Council (UK),

Creative England (UK) etc…

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THE NEW PLAYERS:

- Online Magazines/papers (Le Monde, The Guardian and Firestorm, NYTimes and Snowfall or Highrise)

- YouTube (see Life in a Day)

- Google (think Google glasses)

- Kickstarter & IndiGogo (see Tmtool kit for more on crowdsourcing)

FINANCE 2/3

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ALTERNATIVE ROUTES:

- NESTA Digital R&D Fund (up to £125,000 for International academic research attached to a project)

- City Festivals & exhibitions (ex: Geneva)

- Partner with digital companies (ex: Defense d’Afficher)

- Sponsoring relatd to the topic (ex: Las voces de la memoria)

THE FUTURE:- The i-Doc entrepreneur- New business models (apps, I love your work booking model

etc…)

FINANCE 3/3

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SMALL budget examples 1/4

done with Storyplanet

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SMALL budget examples 2/4

done with tumblr

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SMALL budget examples 3/4

made with Zeega

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SMALL budget examples 4/4

made with Popcorn

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Must check links:

- i-Docs and i-Docs Resources- The Transmedia Resources Kit

• NFB/interactive - a portal through which to browse all of National Film Board of Canada’s i-docs projects to date.

• DocShift – the most comprehensive archive of i-docs to date, by the Documentary Organization of Canada.

• idfa DOCLAB - show-casting the amazing international range of webdocs presented at idfa DOCLAB so far.

• TFI Sandbox – all the projects sustained by the Tribeca Film Insitute… and more.

• Arte Webproductions - the entire collection of webdocs produced by Franco-German television Arte.

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my PhD: http://eprints.gold.ac.uk/7997/

Thank you

[email protected]

//i-docs.org

www.interactivedocumentary.net