htwe wut junior review (cca)
DESCRIPTION
California College of the ArtsTRANSCRIPT
ARCHITECTURE PORTFOLIOARCHITECTURE PORTFOLIOWUT YEE HTWE
PROJECTSCURRICULUM VITAE
EDUCATION
SKILLS
COMPUTER SOFTWARE 3D Modeling: Autocad, Revit, Sketch Up, Rhino, Maxwell Visual Communication: Photoshop, Illustrator, In Design, Lightroom, Dreamweaver, Adobe Flash Office: Word, Excel, Powerpoint
PHYSICAL Sketching: Pencil, Ink, Charcoal, Chalk, Watercolor, Marker Fabrication: laser cutting, CNC Router, 3D printing
LANGUAGE English, Burmese, Chinese
2008-2010 Hua Qiao University, Xia Men, China Archiecture
2010- 2013 City College of San Francisco, San Francisco, California, USA Associate Degree of Architecture
2013- 2016 California College of the Arts, San Francisco, California, USA(anticipate) Bachelor of Architecture
EXPERIENCE
2009-2010 Vice President of International Student Organization, Hua Qiao University, China Campus Tour for international students, Managing different activities and events
2011-2012 Administrator, CCSF Oxfam Club, USA Writing Meeting Minutes, Organizing documents and files, Communicating with Associated Student Councils
2013- Present Vice President of Youth Society for Education, non-profit organization, USA Meeting with private business, filing related with government documents, Helping in designing logos, banners, posters, website, and building
2014- Present Event and Project Assistant of Architecture Division, California College of the Arts, USA Preparing for exhibitions and events, Data Entry, Collecting materials for recycle
2013- Present Photographer in Online Shoe Store, USA Taking photos of shoes, Editing photos in Lightroom
WATER IN THE STRUCTURE
CONTINUITY & CONNECTION
SAILING, FREEDOM, ADVENTURE
MODEL MAKING
SKETCHES & RENDERING
PROJECTSCURRICULUM VITAE
EDUCATION
SKILLS
COMPUTER SOFTWARE 3D Modeling: Autocad, Revit, Sketch Up, Rhino, Maxwell Visual Communication: Photoshop, Illustrator, In Design, Lightroom, Dreamweaver, Adobe Flash Office: Word, Excel, Powerpoint
PHYSICAL Sketching: Pencil, Ink, Charcoal, Chalk, Watercolor, Marker Fabrication: laser cutting, CNC Router, 3D printing
LANGUAGE English, Burmese, Chinese
2008-2010 Hua Qiao University, Xia Men, China Archiecture
2010- 2013 City College of San Francisco, San Francisco, California, USA Associate Degree of Architecture
2013- 2016 California College of the Arts, San Francisco, California, USA(anticipate) Bachelor of Architecture
EXPERIENCE
2009-2010 Vice President of International Student Organization, Hua Qiao University, China Campus Tour for international students, Managing different activities and events
2011-2012 Administrator, CCSF Oxfam Club, USA Writing Meeting Minutes, Organizing documents and files, Communicating with Associated Student Councils
2013- Present Vice President of Youth Society for Education, non-profit organization, USA Meeting with private business, filing related with government documents, Helping in designing logos, banners, posters, website, and building
2014- Present Event and Project Assistant of Architecture Division, California College of the Arts, USA Preparing for exhibitions and events, Data Entry, Collecting materials for recycle
2013- Present Photographer in Online Shoe Store, USA Taking photos of shoes, Editing photos in Lightroom
WATER IN THE STRUCTURE
CONTINUITY & CONNECTION
SAILING, FREEDOM, ADVENTURE
MODEL MAKING
SKETCHES & RENDERING
SKETCHES & RENDERING 2009 - 2012
HUA QIAO UNIVERSITY l CITY COLLEGE OF SAN FRANCISCO
HAND DRAWINGSUsing different kinds of techniques and mediums
to practice the hand drawing skills. Even
though, nowadays we use different computer
softwares as design tools, I believe that we need
to know how to produce a drawing in short
period of time. We usually sketch out our ideas
and thoughts of the relationships between
space and people, connection of outdoor and
indoor. Sketching is requried in every single step
of design process. In my practice, I learn not
only sketches, but also the rendering with water-
color, markers, charcoal, ink and chalk.
SKETCHES & RENDERING 2009 - 2012
HUA QIAO UNIVERSITY l CITY COLLEGE OF SAN FRANCISCO
HAND DRAWINGSUsing different kinds of techniques and mediums
to practice the hand drawing skills. Even
though, nowadays we use different computer
softwares as design tools, I believe that we need
to know how to produce a drawing in short
period of time. We usually sketch out our ideas
and thoughts of the relationships between
space and people, connection of outdoor and
indoor. Sketching is requried in every single step
of design process. In my practice, I learn not
only sketches, but also the rendering with water-
color, markers, charcoal, ink and chalk.
RENDERINGSKETCHES
Practicing Two Point PerspectiveMedium: Pencil drawingSize: 11” x 8.5”Year: 2011
Expansion of Piranesi DrawingMedium: Color Pencils drawingSize: 20” x 15”Year: 2012
Practicing One Point Perspective Medium: Ink drawingSize: 8” x 8.5”Year: 2010
Rendering ElevationMedium: Watercolor paintingSize: 24” x 18”Year: 2011
Rendering SectionMedium: Chalk and Color pencilsSize: 24” x 18”Year: 2011
In Class Practice:Drawing within 3 minutesMedium: Marker and InkSize: 8” x 8.5”Year: 2010
Rendering PerspectiveMedium: Watercolor and InkSize: 36” x 24”Year: 2009
Palace of Fine ArtsMedium: Color pencils drawing on Color PaperSize: 15” x 24”Year: 2012
Doric Order: Black and White TonesMedium: Graphite Pencils drawingSize: 18” x 24”Year: 2012
RENDERINGSKETCHES
Practicing Two Point PerspectiveMedium: Pencil drawingSize: 11” x 8.5”Year: 2011
Expansion of Piranesi DrawingMedium: Color Pencils drawingSize: 20” x 15”Year: 2012
Practicing One Point Perspective Medium: Ink drawingSize: 8” x 8.5”Year: 2010
Rendering ElevationMedium: Watercolor paintingSize: 24” x 18”Year: 2011
Rendering SectionMedium: Chalk and Color pencilsSize: 24” x 18”Year: 2011
In Class Practice:Drawing within 3 minutesMedium: Marker and InkSize: 8” x 8.5”Year: 2010
Rendering PerspectiveMedium: Watercolor and InkSize: 36” x 24”Year: 2009
Palace of Fine ArtsMedium: Color pencils drawing on Color PaperSize: 15” x 24”Year: 2012
Doric Order: Black and White TonesMedium: Graphite Pencils drawingSize: 18” x 24”Year: 2012
MODEL MAKING Work House
Los Angeles I West Hollywood l California
Fall 2013 l California College of the Arts l Material & Methods l David Maynard TEAM WORK
HAND MADEUnderstanding the details of the primary
elements of the building such as floor, roof,
walls and openings of the “Work House”
designed by Guthrie and Buresh, our team
needed to build a section of the building. Since,
the building has rectangular volume, long and
narrow, we three members selected the longitu-
dinal section to learn about how work space
and living space are interlocking orthogonally
formed spaces in simultaneous and multiple
containment and release. In model making, we
used rockite for concrete and bass wood for
plywood and MDF for the foundation.
MODEL MAKING Work House
Los Angeles I West Hollywood l California
Fall 2013 l California College of the Arts l Material & Methods l David Maynard TEAM WORK
HAND MADEUnderstanding the details of the primary
elements of the building such as floor, roof,
walls and openings of the “Work House”
designed by Guthrie and Buresh, our team
needed to build a section of the building. Since,
the building has rectangular volume, long and
narrow, we three members selected the longitu-
dinal section to learn about how work space
and living space are interlocking orthogonally
formed spaces in simultaneous and multiple
containment and release. In model making, we
used rockite for concrete and bass wood for
plywood and MDF for the foundation.
MODEL MAKINGMODEL MAKING
SOUTH ELEVATION
SELECTED SECTION
MODEL MAKINGMODEL MAKING
SOUTH ELEVATION
SELECTED SECTION
SALINGFREEDOM
The Chinese junk boat called “Free China” was constructed for
sailing in 1955 by five young men to set out on a jounery. Even
without sailing experience, it was successfully sailed across
the occean, from Taiwan to the United States. Recently, some
portions of the Junk were destroyed and it will not be a good
idea to display the junk in outside atmosphere.
ADVENTURE
SALINGSAILING FREEDOM ADVENTURE
Exhibition Hall for “Free China” JunkSan Francisco l California
Spring 2013 l City College of San Francisco l Studio 3 l Andrew Chandler
SALINGFREEDOM
The Chinese junk boat called “Free China” was constructed for
sailing in 1955 by five young men to set out on a jounery. Even
without sailing experience, it was successfully sailed across
the occean, from Taiwan to the United States. Recently, some
portions of the Junk were destroyed and it will not be a good
idea to display the junk in outside atmosphere.
ADVENTURE
SALINGSAILING FREEDOM ADVENTURE
Exhibition Hall for “Free China” JunkSan Francisco l California
Spring 2013 l City College of San Francisco l Studio 3 l Andrew Chandler
EXHIBITION HALLSEXHIBITION HALLS
HISTORIC RESOURCES The site is rich in historical character derived from a convergence of cultural and natural resources, associations with historical events, and distinctive design. The site itself is included in Northeast Water-front historic district, part of a former maritime and industrial district that has evolved into a vibrant urban neighborhood.
RESPONSE: To infuse the building with certain sensitivity, to explore the adventure work of sailing the “Free China” junk from Taiwan to America, to integrate the outside and inside atmosphere, and to prepare the exhibition space for the current usage and the future usage.
3
1
4
Grid System Private & Public Circulation
EXHIBITION HALLSEXHIBITION HALLS
HISTORIC RESOURCES The site is rich in historical character derived from a convergence of cultural and natural resources, associations with historical events, and distinctive design. The site itself is included in Northeast Water-front historic district, part of a former maritime and industrial district that has evolved into a vibrant urban neighborhood.
RESPONSE: To infuse the building with certain sensitivity, to explore the adventure work of sailing the “Free China” junk from Taiwan to America, to integrate the outside and inside atmosphere, and to prepare the exhibition space for the current usage and the future usage.
3
1
4
Grid System Private & Public Circulation
EXHIBITION HALLSEXHIBITION HALLS
OfficesExhibition Space Theater Museum Interior Circulation Exterior Public Spaces
-The “Free China” Junk itself have the spirit of sailing in the ocean under the sunshine, the large network roof structure which covers the Free China Junk, allowing natural daylight and also protect from direct sunlight. -The massive transparent glass wall is designed in the facade of the building, stands dominently along the Embracadero Street. These glass walls’s are operated differently during the Day time and the night time since in the future, the hall will be used as the Exploratorium pavillion.-The Brick wall is designed for the offices, located on the west, to have a consistency with surroundings and to have privacy.
SECTION B-B SECTION A-A
FIRST FLOOR PLAN SECOND FLOOR PLAN
1. Junk Hall2. Exhibition Spaces3. Theater4. Staff Offices5. Rrestrooms6. Small restaurant
EXHIBITION HALLSEXHIBITION HALLS
OfficesExhibition Space Theater Museum Interior Circulation Exterior Public Spaces
-The “Free China” Junk itself have the spirit of sailing in the ocean under the sunshine, the large network roof structure which covers the Free China Junk, allowing natural daylight and also protect from direct sunlight. -The massive transparent glass wall is designed in the facade of the building, stands dominently along the Embracadero Street. These glass walls’s are operated differently during the Day time and the night time since in the future, the hall will be used as the Exploratorium pavillion.-The Brick wall is designed for the offices, located on the west, to have a consistency with surroundings and to have privacy.
SECTION B-B SECTION A-A
FIRST FLOOR PLAN SECOND FLOOR PLAN
1. Junk Hall2. Exhibition Spaces3. Theater4. Staff Offices5. Rrestrooms6. Small restaurant
CONTINUITY CONNECTION Recreation- Research- Culture Center
San Francisco l California
Spring 2014 l California College of the Arts l Studio 2 l Jason Anderson, Eric Bloom, Lian Eoyang
With the use of the geometric shape of the infinity , the
building itself provides a continuous path in a public
open space. With two different inner courtyards: the
marsh and small gardens, people can sense the
outside atmosphere even when they are inside the
building. Meanwhile, it creates the active public space
with the combination of 24 hour accessible routes and
daytime accessible routes.
CONTINUITY
CONNECTION
CONTINUITY CONNECTION Recreation- Research- Culture Center
San Francisco l California
Spring 2014 l California College of the Arts l Studio 2 l Jason Anderson, Eric Bloom, Lian Eoyang
With the use of the geometric shape of the infinity , the
building itself provides a continuous path in a public
open space. With two different inner courtyards: the
marsh and small gardens, people can sense the
outside atmosphere even when they are inside the
building. Meanwhile, it creates the active public space
with the combination of 24 hour accessible routes and
daytime accessible routes.
CONTINUITY
CONNECTION
RECREATION- RESEARCH- CULTURE CENTERRECREATION- RESEARCH- CULTURE CENTER
MASON ST
MASON ST
MARINA BLVD
Amenities
Entrance
Recreation Center
Walkway Green Roof
Library
Research Facility
Cultural Center
Walkway- Green Roof
Walkway- Green RoofWalkway- Green Roof
ESTABLISHING SITE: PRESIDIO
THREE OPERATIVE TERMS: CANTILEVER, EXCAVATION, BRIDGING
SITE PLAN
PRIVATE PUBLIC CIVIC AREAOFFICE AREA
ONE WAY TWO WAY
ACTIVITIES AREA NO PREDESTRIAN AREA
CANTILEVER
EXCAVATIONBRIDGING
CANTILEVER
EXCAVATION
BRIDGING
BRIDGING
Visitors can circulate through different paths: coming down from the top of the slope, going up from the bottom of the slope and the middle pathway, which connects directly to the library. Since, the circulation is the same as the infinity sign, visitors are forced to go around all the program spaces by experiencing outside atmosphere.
Green Roof
Terrace
Concrete Texture
Glass
Pathway
RECREATION- RESEARCH- CULTURE CENTERRECREATION- RESEARCH- CULTURE CENTER
MASON ST
MASON ST
MARINA BLVD
Amenities
Entrance
Recreation Center
Walkway Green Roof
Library
Research Facility
Cultural Center
Walkway- Green Roof
Walkway- Green RoofWalkway- Green Roof
ESTABLISHING SITE: PRESIDIO
THREE OPERATIVE TERMS: CANTILEVER, EXCAVATION, BRIDGING
SITE PLAN
PRIVATE PUBLIC CIVIC AREAOFFICE AREA
ONE WAY TWO WAY
ACTIVITIES AREA NO PREDESTRIAN AREA
CANTILEVER
EXCAVATIONBRIDGING
CANTILEVER
EXCAVATION
BRIDGING
BRIDGING
Visitors can circulate through different paths: coming down from the top of the slope, going up from the bottom of the slope and the middle pathway, which connects directly to the library. Since, the circulation is the same as the infinity sign, visitors are forced to go around all the program spaces by experiencing outside atmosphere.
Green Roof
Terrace
Concrete Texture
Glass
Pathway
RECREATION- RESEARCH- CULTURE CENTER RECREATION- RESEARCH- CULTURE CENTER
Gift ShopsLoading Dock
Offices Lab/ Lab Support Automatic Data
Entrance
Gathering Space
Cafe
Kitchen
Storage
Painting Room
Yoga
Workshop
Library
MarshMarsh
Marsh
A
B
B
C
C
A
FIRST FLOOR PLAN
SECTION A-A
SECOND FLOOR PLAN
SECTION B-B
MEZZANINE FLOOR PLAN
SECTION C-C
RECREATION- RESEARCH- CULTURE CENTER RECREATION- RESEARCH- CULTURE CENTER
Gift ShopsLoading Dock
Offices Lab/ Lab Support Automatic Data
Entrance
Gathering Space
Cafe
Kitchen
Storage
Painting Room
Yoga
Workshop
Library
MarshMarsh
Marsh
A
B
B
C
C
A
FIRST FLOOR PLAN
SECTION A-A
SECOND FLOOR PLAN
SECTION B-B
MEZZANINE FLOOR PLAN
SECTION C-C
RECREATION- RESEARCH- CULTURE CENTER RECREATION- RESEARCH- CULTURE CENTER
Visitors can sense the outside atmosphere even when they are inside the building. Circulating around the building, people also can enjoy the marsh and the activities inside the program spaces at the same time. If they are in the program spaces, they can see the panoramic view of the presidio. In that way, the building provides the horizontal program arrangement which gives clear linear organization, vertical hierarchy of program
spaces and diagonal relationships.
RECREATION- RESEARCH- CULTURE CENTER RECREATION- RESEARCH- CULTURE CENTER
Visitors can sense the outside atmosphere even when they are inside the building. Circulating around the building, people also can enjoy the marsh and the activities inside the program spaces at the same time. If they are in the program spaces, they can see the panoramic view of the presidio. In that way, the building provides the horizontal program arrangement which gives clear linear organization, vertical hierarchy of program
spaces and diagonal relationships.
HOTEL
OUT DOORAQUARIUM
WATER IN THE STRUCTURE HOTEL NEAR TOURIST ATTRACTION
NEW YORK l NEW YORK
Spring 2014 l California College of the Arts l Studio 2 l Jason Anderson, Eric Bloom, Lian Eoyang
The site is located near the High line, New York, which
is the tourist attraction, designing the aquarium in the
hotel creates a new atmosphere for all visitors. They
have a chance to get different experience even though
they pass through the hotel by looking up the aquari-
um or going inside the hotel and experience the
outdoor aquarium. Moreover, the sense of water
brings peacefulness and pleasantness to the users of
the space.
HOTEL
OUT DOORAQUARIUM
WATER IN THE STRUCTURE HOTEL NEAR TOURIST ATTRACTION
NEW YORK l NEW YORK
Spring 2014 l California College of the Arts l Studio 2 l Jason Anderson, Eric Bloom, Lian Eoyang
The site is located near the High line, New York, which
is the tourist attraction, designing the aquarium in the
hotel creates a new atmosphere for all visitors. They
have a chance to get different experience even though
they pass through the hotel by looking up the aquari-
um or going inside the hotel and experience the
outdoor aquarium. Moreover, the sense of water
brings peacefulness and pleasantness to the users of
the space.
HOTEL HOTEL
MAPPING: THE SPACES SHAPED BY THE HIGH LINE AND THE BUILDINGS SITE PLAN
W 19th Street
W 18th Street
W 20th Street
W 21st Street
11th
Ave
10th
Ave
Hudson River
Swimming Pool
Aquarium
Waterfall
1
2
3
4
5
1
2
3
3
4
5
6
6
Rain Water CollectorFilter + Treatment with salt waterWater InWaste Filter + Water Out
Recycle Water In
Oxygen Pump
1
22
33
4
5
1
2
3
4
5
Water TankFlow to the earth (underground)Equabalance the temperature of waterTemperature control water flow
Warm up/ Cool down the sleeping plots
1
2
12
Primary Diaphragm
Secondary Diaphragm
WATER SYSTEM FLOW WITHIN THE STRUCTURE
THE SLEEPING PLOT & CIRCULATION ARE ATTACHED TO THE STRUCTURESHAPING THE CENTRAL ATRIUM CORE, PLAY AREA
Connecting the hotel rooms and the cirulation Relationship between Circulation & Sleeping Area Relationship between Circulation, Program Spaces, & Structure
Dividing the main play area, the central core into three sections as swimming pool, aquarium and the waterfall, the hotel will be full of different spatial events and it will become active in both day and night. In that way, more people will come in and enjoy open public spaces which is directly connected to the High Line Level.
The Geothermal water system is treated in the underground and it is used for all four seasons in New York, and water is running through the whole structure of the building including the one which is holding the aquarium and swimming pool. All the structure and trusses are exposed to outside the show the community that how water is essential and treated in different ways.
Ground
High Line
New Buildings
Buildings across the High Line
Interactions between Outside and Inside
Difference Moments Along the High Line
N
Spaces pass through High Line
1
1
2
2
3
3
4
4
5
5
HOTEL HOTEL
MAPPING: THE SPACES SHAPED BY THE HIGH LINE AND THE BUILDINGS SITE PLAN
W 19th Street
W 18th Street
W 20th Street
W 21st Street
11th
Ave
10th
Ave
Hudson River
Swimming Pool
Aquarium
Waterfall
1
2
3
4
5
1
2
3
3
4
5
6
6
Rain Water CollectorFilter + Treatment with salt waterWater InWaste Filter + Water Out
Recycle Water In
Oxygen Pump
1
22
33
4
5
1
2
3
4
5
Water TankFlow to the earth (underground)Equabalance the temperature of waterTemperature control water flow
Warm up/ Cool down the sleeping plots
1
2
12
Primary Diaphragm
Secondary Diaphragm
WATER SYSTEM FLOW WITHIN THE STRUCTURE
THE SLEEPING PLOT & CIRCULATION ARE ATTACHED TO THE STRUCTURESHAPING THE CENTRAL ATRIUM CORE, PLAY AREA
Connecting the hotel rooms and the cirulation Relationship between Circulation & Sleeping Area Relationship between Circulation, Program Spaces, & Structure
Dividing the main play area, the central core into three sections as swimming pool, aquarium and the waterfall, the hotel will be full of different spatial events and it will become active in both day and night. In that way, more people will come in and enjoy open public spaces which is directly connected to the High Line Level.
The Geothermal water system is treated in the underground and it is used for all four seasons in New York, and water is running through the whole structure of the building including the one which is holding the aquarium and swimming pool. All the structure and trusses are exposed to outside the show the community that how water is essential and treated in different ways.
Ground
High Line
New Buildings
Buildings across the High Line
Interactions between Outside and Inside
Difference Moments Along the High Line
N
Spaces pass through High Line
1
1
2
2
3
3
4
4
5
5
SINGLE BED ROOM
DOUBLE BED ROOM
FAMILY BED ROOM
GROUND FLOOR PLAN WEST ELEVATION
SCUBA DIVING EXPERIENCE OUTDOOR AQUARIUM EXPERIENCE
SOUTH ELEVATION
Entrance
Reception O�ce
Storage
UP
UP
UP
UP
UP
UP
UP
UP
UP
HIGH LINE LEVEL FLOOR PLAN
SINGLE ROOM FLOOR PLAN
UP
UP
ROOF TOP FLOOR PLAN
DN
DN
Rain CollectorRoof Top Bar
Sleeping Plot
Sleeping Plot
Circulation
Circulation
HOTEL HOTEL
RELATIONSHIP BETWEEN SLEEPING AREA AND AQUARIUM
The whole building is connecting the hotel rooms and the circulation path by using bridge system. There is no actual floor plates running through each floor. Only the back of the building, which is the center circulation area has floor plates. The rest are intertwined with individual sleeping plots and the bridge.
SINGLE BED ROOM
DOUBLE BED ROOM
FAMILY BED ROOM
GROUND FLOOR PLAN WEST ELEVATION
SCUBA DIVING EXPERIENCE OUTDOOR AQUARIUM EXPERIENCE
SOUTH ELEVATION
Entrance
Reception O�ce
Storage
UP
UP
UP
UP
UP
UP
UP
UP
UP
HIGH LINE LEVEL FLOOR PLAN
SINGLE ROOM FLOOR PLAN
UP
UP
ROOF TOP FLOOR PLAN
DN
DN
Rain CollectorRoof Top Bar
Sleeping Plot
Sleeping Plot
Circulation
Circulation
HOTEL HOTEL
RELATIONSHIP BETWEEN SLEEPING AREA AND AQUARIUM
The whole building is connecting the hotel rooms and the circulation path by using bridge system. There is no actual floor plates running through each floor. Only the back of the building, which is the center circulation area has floor plates. The rest are intertwined with individual sleeping plots and the bridge.
-Within these two years, I learned about the process of designing and
constructing a space, building or an object. In every project, I start from map-
ping and researched about the surrounding atmosphere of the site. Based on
the proposal of the project, I explore about the connection between the content
of the project and my study of the site. Relating these two things, form of the
building, organization of spaces and circulation are designed.
- I need to more focus on choosing materials, designing new systems to create
green environment.
“Any work of architecture that has been designed. Any work of architecture that has the potential to exist, or that exists, was discovered.
It wasn’t created; our role is to be the discoverer, not the creator.”
Glenn Murcutt.
-Within these two years, I learned about the process of designing and
constructing a space, building or an object. In every project, I start from map-
ping and researched about the surrounding atmosphere of the site. Based on
the proposal of the project, I explore about the connection between the content
of the project and my study of the site. Relating these two things, form of the
building, organization of spaces and circulation are designed.
- I need to more focus on choosing materials, designing new systems to create
green environment.
“Any work of architecture that has been designed. Any work of architecture that has the potential to exist, or that exists, was discovered.
It wasn’t created; our role is to be the discoverer, not the creator.”
Glenn Murcutt.
THANK YOUTHANK YOU