hsc english (common module) head start lecture...hsc english (common module) head start lecture...
TRANSCRIPT
HSC English (Common
Module) Head Start Lecture
Prepared by:
Emily Tyrrell
Presented by:
Angelina Nguyen
Why is this important?
• Concepts are the basis of English
– That is, you study English to learn about how ideas are
communicated through texts
– When you are analyse a quote, you are looking for how it represents
an idea
– Your thesis is your own idea about the text
However, this is not philosophy. You’re not expected to come
up with your own idea entirely. Instead, use the rubric to guide
your concepts.
Your rubric will become your best friend!
Syllabus Work
In this common module students
deepen their understanding of how
texts represent individual and
collective human experiences
a) What is the human experience?
Hannah Arendt (The Human Condition, 1958):
As humans, we do three things:
1. Labor: things that we do to sustain life at its
most basic level (ie. eating, reproducing
etc).
2. Work: things that we to do build and
maintain a world fit for human use
3. Action: things that we do to form out
identities, to participate in community, to
recognise and exercise out capacity for
freedoma) This requires that we communicate and participate with
other people. Arendt calls this plurality
b) Narrative is essential to action. Storytelling allows us to
reflect and express on our identities
Being absorbed by their immediate ais and concerns, not aware
of the full implications of their actions, actors are often not in a
position to access the true significance of their actions, motives
and intentions. Narratives help us to reflect on, and understand
the aims, concerns, implications and significance of our actions.
Syllabus Work
https://plato.stanford.edu/entries/arendt/#ActNarRem
In this common module students
deepen their understanding of how
texts represent individual and
collective human experiences
a) What is the human experience?
Hannah Arendt (The Human Condition, 1958):
As humans, we do three things:
1. Labor: things that we do to sustain life at its
most basic level (ie. eating, reproducing
etc).
2. Work: things that we to do build and
maintain a world fit for human use
3. Action: things that we do to form out
identities, to participate in community, to
recognise and exercise out capacity for
freedom
We have a unique ability to tell stories and
these narratives provide a window for empathy.
Syllabus Work
https://plato.stanford.edu/entries/arendt/#ActNarRem
In this common module students
deepen their understanding of how
texts represent individual and
collective human experiences
b) What is narrative?
Fredrich Jameson (Postmodernism; Or the
Cultural Logic of Late Capitalism, 2001).
The individual has been alienated from
themselves, and from a clear sense of meaning
Syllabus Work
Therefore, there is no such thing as an
original text – everything is mimicry.
We parody and pastiche old forms of
narrative in our attempt to find meaning
OR to prove its absence
In this common module students
deepen their understanding of how
texts represent individual and
collective human experiences
However, there is an increased emphasis on
personal voice in the new syllabus, which
encourages you to draw your understanding out
from the text
Syllabus Work
Narrative as a political
act; individuality
Biography, nationhood
British social realism
Empathy, narrative and prejudice
Syllabus Work
There is no clear definition of the
human experience
You must consider the relationship
between text and the human experience
Your text will provide you with
concepts
So
what??
The human experience is
tested in three ways:
1. Short Answers
2. Essay
3. Creative
Short Answers The human
experience is tested
in three ways:
1. Short Answers
2. Essay
3. Creative
Short Answers
a) Concept Statement
b) Textual Reference
c) Link
Short Answers
a) Concept Statement • What is it?
A summary of your answer
Linking the rubric to your text
An idea rather than the text itself
Q: Compare how each of the
two posters create a sense
of shared human experience
Narratives may conjure a
shared sense of belonging
amongst audiences.
• What does it include?
The question – specified to suit the text
An idea from the rubric
Short Answers
a) Concept Statement • How do I do it?
Q: Explain how different aspects of the writer’s family
experience are represented in this extract.
1. Identify the human experience in the question
Short Answers
a) Concept Statement • How do I do it?
Q: Explain how different aspects of the writer’s family
experience are represented in this extract.
1. Identify the human experience in the question
Short Answers
a) Concept Statement • How do I do it?
Q: Explain how different aspects of the writer’s family
experience are represented in this extract.
1. Identify the human experience in the question
2. Look for how that concept is specifically identified in the text
a) Quote
b) Idea represented in this quote
With a mixture of fascination and horror, I realised I was starting to look and
smell just like Dad . . .
So Dad became Thai, just like my uncles in Canada had turned Japanese
Short Answers
a) Concept Statement • How do I do it?
Q: Explain how different aspects of the writer’s family
experience are represented in this extract.
1. Identify the human experience in the question
2. Look for how that concept is specifically identified in the text
3. Link the two together
Though experiences of family may be diverse, they nonetheless have a profound
effect on identity
Short Answers
a) Concept Statement
b) Textual Reference
c) Link
Short Answers
b) Textual Reference
1. Quote + Technique + Meaning + Audience
2. Visual technique + Meaning + Audience
Generally, you should do one less textual
reference than the mark allocated to the question
(ie. 3 marks = 2 textual references)
Short Answers
a) Concept Statement
b) Textual Reference
c) Link
Short Answers
c) Link
This is where you link your analysis back to the question.
Think of it as your ‘therefore’ statement.
Usually includes your concept and the question. Short and
simple.
Q: Compare how Text 2 and Text 3 explore the paradoxes
in the human experience
Therefore, paradoxes within the human experience can be
confusing, yet, are unavoidable considering the
tempestuous nature of human emotion and relationships.
Short Answers
a) Concept Statement
b) Textual Reference
c) Link
Different Structure for Mini Essays (5 –
7 Markers)1. Mini Thesis
a. Expand the question through introducing ‘two paths’
b. Tell me what texts you’re using
Ie; Family experiences can have a profound impact on our
sense of self and the world around us
2. First Mini Paragraph
a. Deals with first path
b. 2 - 3 Quotes
c. Can focus on one text, or compare two
3. Second Mini Paragraph
a. Deal with second path
b. 2 - 3 Quotes
c. Can focus on one text, or compare two
4. Concluding Sentence
a. Reiterate what you said in your first concept statement
There are examples for
all types of Short
Answers provided in
the ATARNOTES
English Books.
Short Answers The human
experience is tested
in three ways:
1. Short Answers
2. Essay
3. Creative
Quote + Technique + Meaning + Audience
Short Answers
A line from the
text that
represents the
concept you’re
trying to prove
What is working in your
text to produce meaning.
Hint: you don’t get marks
from obscure techniques
What is the meaning of the
quote in the context of the
text?
How does this representation help
the audience to learn about the
concept provided by the question
Q: How does Text 3 explore the paradoxes in the
human experience?
The metaphor in the line ‘her stories invaded our
dreams’ suggest the pervasiveness of the
Grandmother’s tales, which continue to inform
the author’s understanding of fact and fiction in
her present life. Therefore, the audience may
also glean the importance of storytelling to
understanding paradoxes inherent in the human
experience
Technique + Meaning + Audience
Short Answers
What is working in your
text to produce meaning.
Hint: you don’t get marks
from obscure techniques
What is the meaning of the
quote in the context of the
text?
How does this representation help
the audience to learn about the
concept provided by the question
Q: How does Text 3 explore the paradoxes in the
human experience?
The use of a first person, italicized voice to
depict the protagonists grandmother
suggests the pervasiveness of the
Grandmother’s tales, which continue to inform
the author’s understanding of fact and fiction in
her present life. Therefore, the audience may
also glean the importance of storytelling to
understanding paradoxes inherent in the
human experience.
Things to be careful of:
• Assertion
• “The composer has the ultimate say on how human
experiences are understood in texts.” vs “The composer
represents a diverse array of human experiences, propelling
audiences towards formulating their own understandings.”
• Missing the question
• Leaving out a technique
• Every quote you use should have at least one technique
assigned to it.
• Spending too much time trying to ‘get’ the texts
• Refer to the module!
Short Answers
Short Answers The human
experience is tested
in three ways:
1. Short Answers
2. Essay
3. Creative
Jump on the forums and answer the question below:
How does the composer challenger the reader’s assumptions about the
human experience in Text One?
Short Answers
Immants Tillers, Nature Speaks
https://atarnotes.com/
forum/index.php?topic
=188016.0
Short Answers The human
experience is tested
in three ways:
1. Short Answers
2. Essay
3. Creative
Short Answers
The human experience is
tested in three ways:
1. Short Answers
2. Essay
3. Creative
Short Answers
The human experience is
tested in three ways:
1. Short Answers
2. Essay
3. Creative
1. Introduction
a) Rubric
b) Thesis
2. Paragraphs
a) Structure
b) The audience
3. Conclusion
Essay Writing
a. Rubric
• Your essay should be guided by the relationship
between texts and the human experience
Students study one prescribed text and and a range of short texts that
provide rich opportunities to further explore representations of human
experiences illuminated in texts
• Therefore, every thesis that you write should reflect the
importance of narrative and text
Essay Writing
a. Rubric
• It should also reflect the question
Rubric + Question + Your Own Idea = Thesis
b. Thesis
• The first one or two sentences of your essay
• A conceptual statement (without texts!)
• Short and sweet
Essay Writing
b. Thesis
Texts are shared spaces that allow us to represent the plurality essential to
the human experience. Indeed, through both reading and reflecting on
stories that we learn more about ourselves, and the diversity of of people
who share in our stories.
Essay Writing
Through the telling and receiving of stories, we become more aware of ourselves and
our shared human experiences. Explore this statement with close reference to your
prescribed text.
b. Thesis
Texts are shared spaces that allow us to represent the plurality essential to
the human experience. Indeed, through both reading and reflecting on
stories that we learn more about ourselves, and the diversity of of people
who share in our stories.
Essay Writing
Through the telling and receiving of stories, we become more aware of ourselves and
our shared human experiences. Explore this statement with close reference to your
prescribed text.
Rubric
My Own Idea
b. Thesis
Text can challenge prejudices and norms that exist within a society.
Therefore, conventions such as mise-en-scene are essential to challenging
dominant representations of the human experience, which in turn,
encourages audiences to properly indulge in a shared sense of community
and belonging.
Essay Writing
How has your understanding of the challenges of the human experience been
shaped by the director’s use of mise-en-scène in your prescribed text?
Your turn!
“A word after a word after a word is power” – Margaret Atwood
To what extent does the above quote reflect your
understanding of how texts can ignite new ideas about the
human experience?
https://atarnotes.com/forum/index.php?topic=1880
16.0
Essay Writing
1. Introduction
a) Rubric
b) Thesis
2. Paragraphs
a) Structure
b) The audience
3. Conclusion
Essay Writing
a. Structure
• The structure of your essay must mimic your thesis – not
only does your analysis prove your argument, but the logical
progression of the essay itself must also work towards
proving your agreement.
• Clarity is key
• This is where maths and science brains will thrive!
Essay Writing
a. Structure
Text can challenge prejudices and norms that exist within a society. Therefore,
conventions such as mise-en-scene are essential to challenging dominant
representations of the human experience, which in turn, encourages audiences to
properly indulge in a shared sense of community and belonging.
What does this mean for structure?
• You need to analyse mise-en-scene in most references
• The effect on the audience needs to be challenging
dominant narratives
• You need to specify exact prejudices and norms
Essay Writing
a. Structure
Text can challenge prejudices and
norms that exist within a society.
Therefore, conventions such as mise-
en-scene are essential to challenging
dominant representations of the human
experience, which in turn, encourages
audiences to properly indulge in a
shared sense of community and
belonging.
1. Narratives can challenge
prejudices around race
a) Where racial prejudice is identified
in the text (through MIS)
b) Where this racial prejudice is
confronted
c) How this confrontation motivates
the audience to a greater sense of
community and belonging
2. Narratives can challenge
prejudices around class
3. Narratives can challenge our
perception of self
Essay Writing
a. Structure
Text can challenge prejudices and
norms that exist within a society.
Therefore, conventions such as mise-
en-scene are essential to challenging
dominant representations of the human
experience, which in turn, encourages
audiences to properly indulge in a
shared sense of community and
belonging.
1. Narratives can challenge
prejudices around race
2. Narratives can challenge
prejudices around class
3. Narratives can challenge our
perceptions of self a) How the self is reflected through the
mise-en-scene
b) How this character is confronted, and
as a result, how their value system and
expectations of themselves change
c) How this motivates the audience to a
similar realization, and thus, asks them
to reconsider their subscription to
exclusionary narratives
Essay Writing
a. Structure
What do we learn?
• That your essay needs to
‘be on track’ the whole
time
• It has to be guided by the
question
• It must be logical and
thought through
Essay Writing
b. The audience
When you talk about the
audience in your essay, you are
really talking about yourself
What have you learnt through
the text?
Does the question accurately
reflect what you’ve learnt?
How does your text both reflect
and shape the context that it
was made in?
Essay Writing
Thus, the audience learns that
individual identity is essential to
the human experience
Therefore, whilst the audience is
somewhat exposed to differing
representations, they are more so
affirmed through the texts
representation the mainstream
Australian experience.
Consequently, one learns that the
human experience is not only
reflected in text, but is shaped by
the narratives we consume.
1. Introduction
a) Rubric
b) Thesis
2. Paragraphs
a) Structure
b) The audience
3. Conclusion
Essay Writing
The conclusion should not make or break your essay
1. One sentence that links back to your thesis
2. One sentence that retells the focuses of your paragraphs
3. One sentence that links ‘what we have learnt’.
Conclusively, it is clear that text has the capacity to challenge
prejudice and norms that exist within a society. Through
analyzing how mise-en-scene is mobilized to confront notions
of race, class and self, one may glean how such narrative
techniques contribute to the effectiveness of a text. In turn, we
also glean how text contributes to our understanding of a
shared and inclusive human experience
Essay Writing
1. Introduction
a) Rubric
b) Thesis
2. Paragraphs
a) Structure
b) The audience
3. Conclusion
Essay Writing
Get these habits out of your
writing – they don’t get you
band sixes
1. No rote learning
2. No big, unnecessary words
3. You’re not doing philosophy,
pls keep it simple
The human experience is
tested in three ways:
1. Short Answers
2. Essay
3. Creative
• What I had prepared before Trials
– List of quotes, accompanied by techniques and
brief analysis
– Palm cards for Discovery and Module C
– Had recorded successful assessment tasks, and
would listen to them when I could
– I was still reading papers and podcasts
– I had completed practice essays throughout the
year, but hadn’t done so in bulk for trials
– Wrote learnt a creative, and had it marked by
various teachers
How to study
• Post Trial
– This is where the real work is put in – so don’t
exhaust yourself
– I still had space to redo my study notes with
purpose and consolidate my knowledge This is
not what you should be doing for trial
How to study
Read the syllabus
Break it down into the most
important features
Read up briefly on the
context of the text
Make an A4 page of notes
Collaborate with your class
Read the text
Briefly identify quotes /
sections you think may be
useful
1. Before studying a text in class
Match up excerpts you study in class
with the syllabus
Listen for reoccurring themes
Make note of those emphasised by
your teachers
Read academic papers
Your teacher may have access to
subscription services
Your school library
These can be found most easily at the
State Library of NSW
2. Whilst studying the text in class
Record all of your quotes
and themes
Tables, palm cards, flow
charts – its totally up to you!
Make sure you have
recorded the name and title
of your papers
REMEMBER WHERE YOU
PUT THEM
3. Immediately after studying a text in class
Practice papers
Complete 2 hour papers
40 min essays
Find every question that you can and answer it!
Plans
o A good idea when you’re tired
o Not a suitable replacement for actually writing essays
Writing out your notes
Practice your quotes
o Write the number of quotes you have, and then fill the blanks
o Match up your quotes with their techniques
o Listen to your quotes
4. Before the exam
Talk to other people
Argue your point!
Compare readings and interpretations
Listen to podcasts and watch documentaries
Revise on the context of your text whilst taking a break
SLEEP
5. Before the exam
• The benefit of practice
papers
– Timing
– Where are your strengths?
– What to be aware of
• My own structure
– 20 mins short answers
– 30 mins creative
– 1hr 10 mins for essay
– 40 mins for each module
• ‘Reading’ time
In the exam?!
• Order of the paper
Essentially, do what is best
for you
1. Introduction
a) Rubric
b) Thesis
2. Paragraphs
a) Structure
b) The audience
3. Conclusion
Essay Writing
Get these habits out of your
writing – they don’t get you
band sixes
1. No wrote learning
2. No big, unnecessary words
3. You’re not doing philosophy,
pls keep it simple
The human experience is
tested in three ways:
1. Short Answers
2. Essay
3. Creative
1. You have to do it in every single module
2. It’s now in Paper Two, and;
a. Is worth 20 Marks
b. Includes a piece and critical analysis of such.
3. It will now be assessed at a school level
4. You can explicitly write in any form you want
5. It has specific texts that you have to study
Creative Writing
What does this mean???
• You need to be reflecting on what
you’ve learnt throughout the year
• Experiment with different forms
• The Process of Writing
• Rubric Focus:
Through a considered appraisal of, and imaginative
engagement with these texts, students reflect on the complex
and recursive processes of writing to further develop their
ability to apply their knowledge of textual forms and features
in their own sustained and cohesive compositions.
Why do you think your texts are good? Take those good parts
and put them in your own story.
Creative Writing Reflecting on
what you’ve
learnt
Why do you think your texts are good? Take those good parts
and put them in your own story.
Creative Writing Reflecting on
what you’ve
learnt
Characters Ideas
Narrative
Conventions Techniques Audience effects
However, these are going to change with each module that you
study.
Creative Writing Reflecting on
what you’ve
learnt
However, these are going to change with each module that you
study.
The Human Experience• Students draw from personal experience to make
connections between themselves, the world of the
text and their wider world
• They communicate ideas using figurative language
to express universal themes
• By responding to a range of texts they further
develop skills and confidence using various literary
devices, language concepts, modes and media to
formulate a considered response to texts
Module C: The Craft of Writing• Students strengthen and extend their
knowledge, skills and confidence as
writers. They write for a range of audiences
and purposes to convey ideas with power
and increasing precision
• The writing process
• Through a considered appraisal of, and
imaginative engagement with these texts,
students reflect on the complex and
recursive process of writing to further
develop their ability to apply their
knowledge of textual forms and features in
their own sustained and cohesive
compositions
A Band Six Will: • Reflect an idea about the human experience that
has been introduced in their texts
• Have a strong personal voice
• Borrow and manipulate devices to produce an
original style and meaning
Let’s Practice!
https://www.youtube.com/watch?v=IOTXQHbJK_k
• Whilst watching:
1. Brainstorm ideas about the human experience that are
represented in the piece and what works to represent
them
Creative Writing Reflecting on
what you’ve
learnt
Let’s Practice!
https://www.youtube.com/watch?v=_nEOFVOBNLo
• After watching
1. Where have you experienced those ideas in your own lives?
2. What key scene/memory holds those ideas?
3. What text type what you use to represent that scene/memory?
What techniques does that text type have available to it, which
could help you represent the key themes about the human
experience?
4. Write one line, as an example of how you could use a technique to
represent that idea about the human experience
Creative Writing Reflecting on
what you’ve
learnt
What are different forms?
Creative Writing Experiment with
different forms
Short Story
Speech
Feature Article
Discursive essay
Poetry
Diary entry
Dialogue
Creative Writing The Process of
Writing
Pre – writing
stage
Drafting and
Revising
Critical
Analysis
Creative Writing The Process of
Writing
Pre – writing
stage
Generate and explore various concepts
Inspiration!
- Should come from your two
texts in Mod C
- Could come from extra reading
- Try these writing prompts:
- What is the first story that you
remember?
- What’s under the kitchen sink?
- Take yourself through your
childhood house
Creative Writing The Process of
Writing
Pre – writing
stage
Through discussion and exploration
• So, you can either
o Share your ideas (argh!)
• Or, write lots yourself
o Journaling = your best friend
Creative Writing The Process of
Writing
Drafting and
Revising
1. Write your first draft
and let it be horrible
• Start from whatever
gave you inspiration
• Write quickly
• Let yourself be cheesy
2. Let it rest, come back
to it later
• Means you’ve got to
start it now
• Be harsh once you
come back, and write
out a plan
3. Revising
• Things not to do
❌ Clichés
❌ Telling and not showing
❌ Melodrama
❌ The As
• Things that you should do
✅ Draw from every day
experience
✅ Be experimental (and
then revise)
✅ Try different styles
✅ Think about the marker
Creative Writing The Process of
Writing
Drafting and
Revising
1. Write your first draft
and let it be horrible
• Start from whatever
gave you inspiration
• Write quickly
• Let yourself be cheesy
2. Let it rest, come back
to it later
• Means you’ve got to
start it now
• Be harsh once you
come back, and write
out a plan
3. Revising
• Things not to do
❌ Clichés
❌ Telling and not showing
❌ Melodrama
❌ The As
• Things that you should do
✅ Draw from every day
experience
✅ Be experimental (and
then revise)
✅ Try different styles
✅ Think about the marker
Students consider purpose,
audience and context to
deliberately shape meaning
Purpose:
- What am I trying to convey
about the human experience?
- What would I write as a thesis
statement?
Creative Writing The Process of
Writing
Drafting and
Revising
1. Write your first draft
and let it be horrible
• Start from whatever
gave you inspiration
• Write quickly
• Let yourself be cheesy
2. Let it rest, come back
to it later
• Means you’ve got to
start it now
• Be harsh once you
come back, and write
out a plan
3. Revising
• Things not to do
❌ Clichés
❌ Telling and not showing
❌ Melodrama
❌ The As
• Things that you should do
✅ Draw from every day
experience
✅ Be experimental (and
then revise)
✅ Try different styles
✅ Think about the marker
Students consider purpose,
audience and context to
deliberately shape meaning
Audience
- Am I writing for a HSC marker?
- What do I want them to learn?
Creative Writing The Process of
Writing
Drafting and
Revising
1. Write your first draft
and let it be horrible
• Start from whatever
gave you inspiration
• Write quickly
• Let yourself be cheesy
2. Let it rest, come back
to it later
• Means you’ve got to
start it now
• Be harsh once you
come back, and write
out a plan
3. Revising
• Things not to do
❌ Clichés
❌ Telling and not showing
❌ Melodrama
❌ The As
• Things that you should do
✅ Draw from every day
experience
✅ Be experimental (and
then revise)
✅ Try different styles
✅ Think about the marker
Students consider purpose,
audience and context to
deliberately shape meaning
Context
- Am I talking about something
that has relevance right now?
- How am I playing on the
values and ideas important at
the moment?
Creative Writing The Process of
Writing
Drafting and
Revising
1. Write your first draft
and let it be horrible
• Start from whatever
gave you inspiration
• Write quickly
• Let yourself be cheesy
2. Let it rest, come back
to it later
• Means you’ve got to
start it now
• Be harsh once you
come back, and write
out a plan
3. Revising
• Things not to do
❌ Clichés
❌ Telling and not showing
❌ Melodrama
❌ The As
• Things that you should do
✅ Draw from every day
experience
✅ Be experimental (and
then revise)
✅ Try different styles
✅ Think about the marker
Students consider purpose,
audience and context to
deliberately shape meaning
Context
- Am I talking about something
that has relevance right now?
- How am I playing on the
values and ideas important at
the moment?
Creative Writing The Process of
Writing
Drafting and
Revising
1. Write your first draft
and let it be horrible
• Start from whatever
gave you inspiration
• Write quickly
• Let yourself be cheesy
2. Let it rest, come back
to it later
• Means you’ve got to
start it now
• Be harsh once you
come back, and write
out a plan
3. Revising
• Things not to do
❌ Clichés
❌ Telling and not showing
❌ Melodrama
❌ The As
• Things that you should do
✅ Draw from every day
experience
✅ Be experimental (and
then revise)
✅ Try different styles
✅ Think about the marker
Students consider purpose,
audience and context to
deliberately shape meaning
Context
- Am I talking about something
that has relevance right now?
- How am I playing on the
values and ideas important at
the moment?
Different Text Types
Discursive Essay: The Insults of
Age, Helen Garnderhttps://www.themonthly.com.au/issue/2015/may/1430
402400/helen-garner/insults-age
Speech: Richard Flanagan’s Speech
to the Press Club https://www.theguardian.com/australia-
news/2018/apr/18/richard-flanagan-national-press-club-
speech-full-politics-black-comedy
Creative Writing The Process of
Writing
Critical
Analysis
The exam (and perhaps assessments) will ask you to
reflect on your writing.
Choose a character, persona or speaker from ONE
prescribed text that you have studied in Module C.
Express the thought processes of this character,
persona or speaker by exploring a moment of tension
in the text from an alternative point of view (12 Marks)
Justify the creative decisions that you have made in
your writing in part (a). (8 Marks)
1. Why you have chosen this specific character?
2. How have you represented their thought
processes, and for what purpose?
3. How does the tension contribute to
characterisation, and why?
Creative Writing The Process of
Writing
Critical
Analysis
What to have prepared for the Critical Section:
1. A clear, thoughtful understanding of representation
in your own piece
2. A thesis/multiple thesis’ that you intend to prove
3. Practice
Structure of the Critical Section
1. Break up the question into small chunks, and
allocate them to the most appropriate part of your
essay
2. Thesis – largely guided by the first question, and
how/why you’re responding to the question in the
way that you are
3. Two body paragraphs that analyse your creative as
if it were any other text
In Summary:
1. Start now
2. You will have multiple Creatives throughout the year
3. Read more
4. Construct your piece thoughtfully – this will make writing
the critical analysis on the piece easier.
Creative Writing
Head to the forums and ask here!
https://atarnotes.com/forum/index.php?topic=1880
05.0
Any questions or concerns?