how to read world history in art [part 1]

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HOW TO READ WORLD HISTORY IN ART [PART 1]

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Page 1: How to Read World History in Art [part 1]

HOW TOREAD

WORLDHISTORY

IN ART[PART 1]

Page 2: How to Read World History in Art [part 1]

In a period of justthree days – from

27 to 29 July 1830 –Charles X’smonarchy

collapsed in Paris,overturned by apopular uprisingand the uppermiddle class’s

desire for a moreliberal regime.

1830 The July Revolution EUGÈNE DELACROIX, 28 July: LibertyLeading the People [1830]

Page 3: How to Read World History in Art [part 1]

The allegory of Liberty has thestrength of Michelangelo's

figures

Exposed breast to make thefigure more heroic. Derived from

classical nudes

Phrygian cap (the cap of liberty)brings this symbolic figure intothe realm of current reality

Her force represents a proud woman of the public

Page 4: How to Read World History in Art [part 1]

The work has a pyramidalcomposition, with the

personification of Liberty atthe peak, and dead bodies at

the base

Page 5: How to Read World History in Art [part 1]

The artist intended to represent

all the social groups that

participated in the revolution

Craftsman, not a bourgeois, ascan be seen from the longpants and flannel belt (believedby some to be a self­portrait)

Tradesman with sabre

Unskilled Labourer

Page 6: How to Read World History in Art [part 1]

This youth is one of the most

famous figures in the painting. 

Student’s beret

Battle cry on his lips

Pistols in hand

Ammunition pouch that is too big for him

Smoke of cannon fire

Silhouette of Notre­Dame in Paris

Page 7: How to Read World History in Art [part 1]

Liberty Leading the People is a grand ‘manifesto’ that celebrates the people of

Paris and their revolutionary drive.

When it was exhibited at the Salon of 1831, its realism and the figures’ distance

from academic models caused a scandal. To some critics, the woman lookedlike a prostitute and the insurgents like common criminals. Despite this, the

canvas was purchased by the state, but by 1833 it was hidden from public view.

Only in 1863 (the year of Delacroix’s death) was it finally put on display in the

Louvre.