MAY 1 - 7 , 2020 / VOL. 42 / NO. 24 / LAWEEKLY.COM

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Home recordings, online shows and capers to retrieve studio equipmentBy Brett Callwood

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COVID-19: LOCAL MUSICIANS SPEAK OUTHome recordings, online shows and capers to retrieve studio equipmentBY BRETT CALLWOOD

L ife has changed beyond all recogni-tion for most of us since COVID-19 forced us into lockdown. Fears over our health and our livelihood have left us with a tangible sense of dread

as we attempt to continue with our days, gen-erally from home, in as “normal” a fashion as possible. This virus is the great leveler — most of us are in the same boat. We spoke to a handful of L.A.-area musicians about their own experi-ences over the past few weeks...

Aimie Lovett Sommer, Loretti I am a musician with a day job. Most of us are,

but I actually have the good fortune of being able to work during the current quarantine and it is something I deeply appreciate. Prior to the pandemic I had plans to release new mu-sic this spring, a common story for L.A. indie artists. I have four songs recorded at MooseCat Recording, a studio owned by Carly Rosenthal and Mike Post. Post recorded, co-produced and mixed the EP, and Will Borza mastered it. I’m very excited and proud of these songs, which are the first Loretti offerings since 2014.

With PR and release shows on hold, my focus is on content I can continue to produce and re-lease, i.e. three new music videos. My situation

is stable, and I am not taking that for granted. Every day I hear about my fellow musicians and promoters losing their livelihood and it’s absolutely heartbreaking and frustrating. Both their income from the music business along with their freelancing and side gigs have evap-orated... I may have buried the lead, but my day job, for which I am blessed to have, is that I am an RN working at a local hospital during the pandemic. I am equally grateful to have music and my community as an outlet during this stressful time. To be of service to both the medical and music populations is an honor that I do not take lightly. I know that connection

and support is how we will all get through this terrible time in our history.

Mike Berault, Bite Me BambiToday I made chili. Yesterday, I tried to re-

member all the songs I knew by heart on guitar. I blew through the ska stuff pretty easy but it was somewhere in the Bob Mould/Sugar/Husker Du section that lost it and got stuck. In many ways a small band like Bite Me Bambi is better suited for a pandemic quarantine situa-tion, I mean… surviving to make music is our everyday struggle living in the L.A./O.C. area.

The good news is: We are small and nimble, we can change strategies for touring or pro-

PHOTO BY RED DEF PHOTOGRAPHY

Bite Me Bambi

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3ductions on a dime. Try to do that if you’re Radiohead, or Imagine Dragons, or whatever. Bad news is: It takes a while to get on the radar of booking agents and promoters, and hard to regain lost momentum that has been earned pre-pandemic.

Kakophonix, Hvile I KaosThe outbreak of the coronavirus pandemic

and the subsequent quarantine affected me in much the same way as they did other mu-sicians, and indeed those of all disciplines. My teaching job closed its doors, my live gigs were canceled, and my band had a grand total of one rehearsal before such gatherings became obsolete. In short, I lost work and income, just

like everyone else.As such, I’ve fallen back on my ability to re-

cord and compose from home. I have worked as a session cellist, primarily in the black metal scene, for several years now, and writing for my own band has always been something I can do in isolation. The quarantine, howev-er long it ends up lasting, has afforded me a unique opportunity not only to expand upon this essential aspect of my work, but also to reflect upon what makes my chosen artistic trajectory truly unique, from both a practical and spiritual standpoint.

Zambricki Li, Magic GiantMagic Giant got home to Los Angeles from a

two month tour on March 7 and it was like be-

ing dropped back into a different city. The first couple of days we were all laying low anyway, with life-hangovers from playing 60+ shows. We started listening to Sam Harris’ podcast Making Sense where he went into the concept of social distancing early on so we just rolled our tour recovery into harboring in place. On March 17, I did a stealth mission to our record-ing studio in Silver Lake and pulled micro-phones, recording equipment, instruments, all the wires: the basic stuff so we could write and make records from home. Even looking back Shakespeare wrote King Lear during the Spanish Flu. Some people are really struggling out there, so if we can do our job and create art in this time it’s probably the best use of it.

We were supposed to go back out on tour in April, supporting our new single “Disaster Party” which we originally wrote about how the wildfires in Los Angeles brought neigh-borhoods together in unexpected ways. Now we’re seeing what we can do from here to help out in small ways from home.

Magic Giant threw an Instagram festival called “Live from Quarantine” on our Ins-tagram page last Sunday supporting Musi-Cares, which helps out the road crews and different people in all aspects of the music industry get insurance and help get their bills paid.

For more stories from local musicians, check out laweekly.com.

DEEP DIVEUpcoming documentary The Delicacy showcases sea urchin’s culinary journeyBY MICHELE STUEVEN

T he journey the sea urchin makes from the Channel Islands off Santa Barbara to the

consumer is as prickly as the spiny creature’s exterior and the exciting subject of a stunning new SOMM documentary, The Delicacy, which premieres on May 7. It’s  a mouthwater-ing  excursion featuring Cali-fornia’s uni divers and the chefs who sing their praises.

Highlighting the rich  colors of the California coast — both under and above water — di-rector and SOMM TV founder Jason Wise brings them to life by shooting the entire docu-mentary on Kodak film. Wise delivers a world of   natural beauty and the risks of one of the most dangerous jobs to the safety of your own couch. You can almost taste the briny uni, reminiscent of that big breath you take just before diving under a wave.

The Delicacy is the story of the rare and ex-otic  sea urchin — how it’s harvested, how it’s eaten, and the role it plays in nature and the lives of those who bring it to the table. With commentary from some of the most influential and prolific voices in the culinary world including Andrew Zimmern and Ray Isle, the film follows the fascinating historic journey of this food from the ruins of Pompeii to the present day coasts of California, where sea urchin is a prized delicacy not only for humans, but also for sea otters.

“Harvested by hand, risking life and limb collecting food off the ocean floor, because they can make a living out of it,” chef and host of Bizarre Foods Andrew Zimmern says in the film. “It’s done the old fashioned way by real people who are carrying on the legacy of taking food from the ocean that is as old as human history.”

At the heart of the film is a small group of Santa Barbara divers who gather the delicacy from the depths of the ocean including  Steph-anie Mutz, the only female sea urchin diver who shifted the distribution directly into the hands of consumers, and her partner Harry

Liquornik. Also featured is Jim Marshall, a diver who has nearly 50 years of experience and has witnessed the ebbs and flows of the industry as it changed overnight from harvest-ing the dwindling abalone to the plentiful sea urchin. The film follows their journey through the trials of their profession and how they deal with losing one of their own in a shark incident.

“I am thrilled that food enthusiasts all over the world will now have the opportunity to gain an in-depth look into the extreme envi-ronments and physical nature divers must go through in order to bring the delicious sea ur-chin to our plates,”  Wise, who shot the under-water photography, said in a statement.  “This film was a labor of love and I can’t wait to share the beautiful documentary with food lovers worldwide.”

SOMM TV is the first full SVOD (subscrip-tion video on demand) streaming platform in the wine, food and travel space with exclu-sive new shows, films and educational content created from the ground up by the team that made the award-winning SOMM documen-tary series. First-time users to SOMM TV can enjoy all available content with a seven-day free trial.

F O O D

PHOTO BY BKM PHOTOGRAPHYPHOTO BY LUCA VENTER

PHOTO BY LONE WOLF PRODUCTIONS

Aimie Lovett SommerMagic Giant

Hvile I Kaos

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©2019 ViiV Healthcare or licensor.DLLADVT190031 November 2019Produced in USA.

Important Facts About DOVATOThis is only a brief summary of important information about DOVATO and does not replace talking to your healthcare provider about your condition and treatment.What is the Most Important Information I Should Know about DOVATO?If you have both human immunodefi ciency virus-1 (HIV-1) and hepatitis B virus (HBV) infection, DOVATO can cause serious side effects, including:• Resistant HBV infection. Your healthcare provider will test you for HBV infection

before you start treatment with DOVATO. If you have HIV-1 and hepatitis B, the hepatitis Bvirus can change (mutate) during your treatment with DOVATO and become harder to treat(resistant). It is not known if DOVATO is safe and effective in people who have HIV-1 andHBV infection.

• Worsening of HBV infection. If you have HIV-1 and HBV infection, your HBV mayget worse (fl are-up) if you stop taking DOVATO. A “fl are-up” is when your HBV infectionsuddenly returns in a worse way than before. Worsening liver disease can be serious andmay lead to death.

° Do not run out of DOVATO. Refi ll your prescription or talk to your healthcare providerbefore your DOVATO is all gone.

° Do not stop DOVATO without fi rst talking to your healthcare provider. If you stop taking DOVATO, your healthcare provider will need to check your health often and do blood tests regularly for several months to check your liver.

What is DOVATO?DOVATO is a prescription medicine that is used without other antiretroviral medicines to treat HIV-1 infection in adults who have not received antiretroviral medicines in the past, and without known resistance to the medicines dolutegravir or lamivudine. HIV-1 is the virus that causes Acquired Immune Defi ciency Syndrome (AIDS). It is not known if DOVATO is safe and effective in children.Who should not take DOVATO?Do Not Take DOVATO if You:• have ever had an allergic reaction to a medicine that contains dolutegravir or lamivudine.• take dofetilide.What should I tell my healthcare provider before using DOVATO?Tell your healthcare provider about all of your medical conditions, includingif you:• have or have had liver problems, including hepatitis B or C infection.• have kidney problems.• are pregnant or plan to become pregnant. One of the medicines in DOVATO (dolutegravir)

may harm your unborn baby. ° Your healthcare provider may prescribe a different medicine than DOVATO if you

are planning to become pregnant or if pregnancy is confi rmed in the fi rst 12 weeks of pregnancy.

° If you can become pregnant, your healthcare provider will perform a pregnancy test before you start treatment with DOVATO.

° If you can become pregnant, you should consistently use effective birth control (contraception) during treatment with DOVATO.

° Tell your healthcare provider right away if you are planning to become pregnant, you become pregnant, or think you may be pregnant during treatment with DOVATO.

Tell your healthcare provider about all of your medical conditions, including if you: (cont’d)• are breastfeeding or plan to breastfeed. Do not breastfeed if you take DOVATO.

° You should not breastfeed if you have HIV-1 because of the risk of passing HIV-1 to your baby. ° One of the medicines in DOVATO (lamivudine) passes into your breastmilk. ° Talk with your healthcare provider about the best way to feed your baby.

Tell your healthcare provider about all the medicines you take, including prescription and over-the-counter medicines, vitamins, and herbal supplements.Some medicines interact with DOVATO. Keep a list of your medicines and show it to your healthcare provider and pharmacist when you get a new medicine.• You can ask your healthcare provider or pharmacist for a list of medicines that interact

with DOVATO.• Do not start taking a new medicine without telling your healthcare provider.

Your healthcare provider can tell you if it is safe to take DOVATO with other medicines.What are Possible Side Effects of DOVATO?DOVATO can cause serious side effects, including:• Those in the “What is the Most Important Information I Should Know about

DOVATO?” section.• Allergic reactions. Call your healthcare provider right away if you develop

a rash with DOVATO. Stop taking DOVATO and get medical help right awayif you develop a rash with any of the following signs or symptoms: fever;generally ill feeling; tiredness; muscle or joint aches; blisters or sores in mouth; blistersor peeling of the skin; redness or swelling of the eyes; swelling of the mouth, face, lips, ortongue; problems breathing.

• Liver problems. People with a history of hepatitis B or C virus may have an increasedrisk of developing new or worsening changes in certain liver tests during treatment withDOVATO. Liver problems, including liver failure, have also happened in people without ahistory of liver disease or other risk factors. Your healthcare provider may do blood teststo check your liver.Tell your healthcare provider right away if you get any of the following signsor symptoms of liver problems: your skin or the white part of your eyes turns yellow(jaundice); dark or “tea-colored” urine; light-colored stools (bowel movements); nauseaor vomiting; loss of appetite; and/or pain, aching, or tenderness on the right side of yourstomach area.

• Too much lactic acid in your blood (lactic acidosis). Lactic acidosis is a seriousmedical emergency that can lead to death. Tell your healthcare provider rightaway if you get any of the following symptoms that could be signs of lacticacidosis: feel very weak or tired; unusual (not normal) muscle pain; trouble breathing;stomach pain with nausea and vomiting; feel cold, especially in your arms and legs; feeldizzy or lightheaded; and/or a fast or irregular heartbeat.

• Lactic acidosis can also lead to severe liver problems, which can lead todeath. Your liver may become large (hepatomegaly) and you may develop fat in yourliver (steatosis). Tell your healthcare provider right away if you get any of thesigns or symptoms of liver problems which are listed above under “Liverproblems.” You may be more likely to get lactic acidosis or severe liverproblems if you are female or very overweight (obese).

Learn more about Kalvin and DOVATO at DOVATO.com

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HN17619HN17619HN17619HN17619DLLADVT190031GSKDOVATOPrint AdsMag & Newspr

ViiVHCcmyk.aiViiVConnect Logo Lock-up Patient Print Horizontal 2019.aiDOVATO_PRINTAD_QR_CMYK.aiDOV_17_KALVIN_CollageM03_News_V1_L.psd 300 ppi CMYKD3 Dovato US Logo CMYK.aiDovato_Icon_V4_Schedule_SW.aiDovato_Icon_V4_YingYang_SW.ai

Please contact rrodriquez at 212.886.4100 with any questions regarding these materials. This advertisement was prepared by Havas Worldwide NY at 200 Hudson Street, New York, NY 10013.

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KALVIN

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Studio ManagerProofreaderPrint ProducerAccount ExecutiveArt DirectorCopywriter

H. WEINTRAUB/M. JOHNSONNonerrodriquezNoneNoneNone

Contacts Initial Date

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Mechanical SpecificationsJob Description

Links LinksMode ModePPI PPI

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HN17428_DLLADVT190031_M03_New_Kalvin_CAM_1.inddPath:Premedia:Prepress:_Glaxo Smith Kline:Dovato:2019:17428_DLLADVT190031:Final:Prepress:HN17428_DLLADVT190031_M03_New_Kalvin_CAM_1.indd

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Living with HIV

KALVIN‡

SO MUCH GOESINTO WHO I AMHIV MEDICINE IS ONE PART OF IT.

Living with HIV

KALVIN‡

SO MUCH GOESINTO WHO I AMHIV MEDICINE IS ONE PART OF IT.

Reasons to ask your doctor about DOVATO:

Results may vary.*Undetectable means reducing the HIV in your blood to very low levels (less than 50 copies per mL).† As compared with 3-drug regimens.

DOVATO is a once-a-day complete treatment for adults who are new to HIV-1 medicine.

What are Possible Side Effects of DOVATO (cont’d)?• Changes in your immune system (Immune Reconstitution Syndrome)

can happen when you start taking HIV-1 medicines. Your immune system may getstronger and begin to fi ght infections that have been hidden in your body for a longtime. Tell your healthcare provider right away if you start having new symptomsafter you start taking DOVATO.

• The most common side effects of DOVATO include: headache;diarrhea; nausea; trouble sleeping; and tiredness.

These are not all the possible side effects of DOVATO. Call your doctor for medical advice about side effects. You are encouraged to report negative side effects of prescription drugs to the FDA. Visit www.fda.gov/medwatch,or call 1-800-FDA-1088.Where Can I Find More Information? • Talk to your healthcare provider or pharmacist.• Go to DOVATO.com or call 1-877-844-8872, where you can also

get FDA-approved labeling.

October 2019 DVT:2PI-2PIL Trademark is owned by or licensed to the ViiV Healthcare group of companies.

You can take it any time of day with or without food(around the same time each day)—giving you fl exibility

‡ Compensated by ViiV Healthcare

DOVATO can help you reach and then stay undetectable* with just 2 medicines in 1 pill. That means fewer medicines† in your body while taking DOVATO

Could DOVATO be right for you? Ask your doctor today.

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HN17619HN17619HN17619HN17619DLLADVT190031GSKDOVATOPrint AdsMag & Newspr

ViiVHCcmyk.aiViiVConnect Logo Lock-up Patient Print Horizontal 2019.aiDOVATO_PRINTAD_QR_CMYK.aiDOV_17_KALVIN_CollageM03_News_V1_L.psd 300 ppi CMYKD3 Dovato US Logo CMYK.aiDovato_Icon_V4_Schedule_SW.aiDovato_Icon_V4_YingYang_SW.ai

Please contact rrodriquez at 212.886.4100 with any questions regarding these materials. This advertisement was prepared by Havas Worldwide NY at 200 Hudson Street, New York, NY 10013.

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KALVIN

Johnny.HoTimothy.KinzlerNone10” x 10.5”NoneNoneNoneNoneNone

Studio ManagerProofreaderPrint ProducerAccount ExecutiveArt DirectorCopywriter

H. WEINTRAUB/M. JOHNSONNonerrodriquezNoneNoneNone

Contacts Initial Date

Proo

f

Mechanical SpecificationsJob Description

Links LinksMode ModePPI PPI

Colors Font Families

Production Notes

HN17428_DLLADVT190031_M03_New_Kalvin_CAM_1.inddPath:Premedia:Prepress:_Glaxo Smith Kline:Dovato:2019:17428_DLLADVT190031:Final:Prepress:HN17428_DLLADVT190031_M03_New_Kalvin_CAM_1.indd

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ART IN A TIME OF PANDEMICHow artists and institutions stay connected BY ANNE WALLENTINE

On March 20, California’s lock-down went into effect to combat the spread of COVID-19. Since then, artists and institutions alike have been swiftly adapt-

ing to new ways of making and sharing art while studios, schools, galleries and museums are closed.

Digital platforms like Instagram were already woven into the fabric of the art world, but in the absence of physical spaces they have turned into lifelines for community and communication. Many artists have begun to offer livestreamed art classes and prompts, including Bay Area illustrator Wendy MacNaughton, who started leading her 30-minute drawing classes for kids almost as soon as quarantine began. “This is uncharted territory, and we’re all stepping up in new and exciting ways,” MacNaughton said.

MacNaughton, who trained as a social work-er, aims to provide “fun, silly, and interactive”

sessions to help stressed-out parents whose children are now at home. Her joyful, high-en-ergy presence on screen is balanced by her abil-ity to create an emotional grounding that helps children process their feelings.

“Drawing is a creative activity, but it’s also focusing and calming…it’s very meditative,” McNaughton said. In the first week, her class drew an audience of around 2,200 live viewers, with roughly 15,000 views over 24 hours. She hopes to use the platform to build a sense of shared community, noting that, “the classroom just got a lot smaller, but at the same time it got huge.”

Other artists are fostering community and communal coping by sharing creative prompts. Dane Nakama, a third-year CalArts student, has been posting a multidisciplinary prompt on Instagram daily since quarantine began. With classes moved online, it was important to him to stay connected to other artists. “Re-

gardless of the specific responses, you feel like you’re with others — that’s what’s exciting,” he said. Nakama keeps the prompts open-ended in order to create opportunities for interaction across mediums. “I’ve always understood the real art to be the interaction,” he said, “whether it be between the artists and the medium or between the viewers and the artwork.”

That interaction is vital for artists to continue their practice in a distanced world, not only to engage with community, but also to have op-portunities to display and sell work. Art Share L.A., a stalwart organization for artist resources, has created a virtual gallery on Instagram while hosting daily home performances via Zoom.

Benjamin Cook, an artist and adjunct profes-sor at the Art Academy of Cincinnati, started

the Social Distance Gallery after his students’ BFA show was canceled along with those of many other schools. The Instagram account showcases BFA and MFA students’ thesis proj-ects, creating “opportunities for visibility [and] network building.” Cook said that he wanted to use the digital project “to not only help stu-dents, but to recontextualize how people look at the experience of viewing art.” This moment, he said, will force a reassessment of digital im-ages as “an important part of how art is now consumed, rather than…a lesser version of a physical gallery show.”

Cook noted that, like physical venues, digital platforms are subject to inherent bias — in this case, through algorithms that can reinforce societal privilege. “If visibility and success are partially linked, Instagram takes the flawed system of inequality that exists in a physical world and heightens it,” he said. The allure of immediate, global connection comes with the

danger of reinforcing systemic barriers. Artist and educator Micol Hebron also pointed out the issues of equitable access that arise, from access and understanding of technology to physical ability.

Artists Samuel Borkson and Arturo Sandoval III, the co-collaborators of FriendsWithYou, see this as a transformative period for artists to question societal structures. “There’s no choice but to take in this moment and have it be a part of your art,” Borkson said. As they and their studio assistants work remotely on ongoing works, they are brainstorming projects that will support and entertain people during the crisis, including coloring books and online tools for people to build their own FriendsWithYou-in-spired art.

“The focus of our art has been to bring peo-ple together, and now more than ever I feel that’s essential,” Sandoval said. “This moment is bringing to light that we have to act as an organism that is connected; that situations like this we cannot face alone.”

Artists are indeed part of an ecosystem, which includes museums struggling to stay connected to audiences who can no longer visit. Many shuttered institutions are providing al-ternatives by shifting to virtual exhibitions. The Annenberg Space for Photography released an online audio tour of their latest exhibit, Vanity Fair: Hollywood Calling. That and their Pho-to Ark guides garnered around 5,000 listens in their first week of release — a remarkable demand, given that they average around 2,000 visitors weekly. As Director Katie Hollander explained it, art is “providing a human touch and connection — something that we need more than ever right now.”

Like many institutions and individuals, the Annenberg also plans to increase their social media engagement. The Getty has already had a strong response to its call for people to recreate their favorite paintings at home via Twitter using #MuseumFromHome, while indepen-dent Instagram accounts like @hemapatel, @tussenkunstenquarantaine and @covidclassics have popped up with amusingly inventive rec-reations of famous works. “Even if we can’t be together physically, [art] can provide solace and reflection and humor,” Hollander said.

The glut of artistic responses shows how strong the desire to connect and create remains, even — or especially — in times of crisis. But, as several artists pointed out, this is only the beginning. The impact of the coronavirus, and the varied artistic responses to it, will continue to evolve.

Hebron found herself “bemused” by artists’ rush to act, saying, “I think they’re blowing their creative wads,” she said. “This is gonna be the reality for a while. We can take our time and work through it…and lots of amazing things will come out of it.”

While it is a powerful form of communica-tion, art is not, in itself, a solution. For now, as Hollander said, and many echoed, “it’s a mo-ment of humanity.”

A R T

MOVIE NIGHT AT HOMEThe best of streaming services and VOD during quarantineBY CHUCK WILSON AND LINA LECARO

L .A. Weekly’s (Streaming) Movie Guide is your look at the hottest films available on your TV sets and electronic devices — from indie art house gems to new movies garner-

ing buzz that moved from theaters to digital video on demand and streaming subscription services. Check this guide regularly as you shel-ter at home during the pandemic.

Extraction | Ne tflixStop the presses … Netflix has finally pro-

duced an action movie worth watching. Ex-traction stars Chris Hemsworth as a sad-eyed mercenary hired to rescue the kidnapped teen-age son (Rudhraksh Jaiswal) of a Bangladesh drug lord. Things don’t go according to plan, prompting a spectacular 12-minute, one-shot action sequence reportedly filmed with a hand-held camera strapped to the chest of stunt coor-dinator-turned-director Sam Hargrave. Writ-ten by Avengers director Joe Russo, Extraction proves itself memorable not for its crazy ac-tion but for the poignant chemistry between Hemsworth and Jaiswal. On set, Hemsworth is said to have referred to Jaiswal as “the little legend.” It’s easy to see why. —CHUCK WILSON

Circus of Books | NetflixFor decades, the Circus of Books stores in

West Hollywood and Silverlake weren’t just a place to buy porn and poppers, they were a safe harbor for gay men still nervous about being themselves. Filmmaker Rachel Mason’s parents, Karen and Barry, owned the shops, and in a Netflix documentary of particular interest to Angelenos, tracks her folk’s battles against censorship and homophobia, even as they struggled to reconcile their son’s emerging sexuality. Narratively, Circus of Books moves in fits and starts, but the story of how the Masons stumbled into the porn biz is fascinating — it’s easy to imagine executive producer Ryan Mur-phy making the Masons the heroes of a future miniseries. —C.W.

Selah and the Spades | Amazon Prime Video

Five social factions rule the illicit goings-on at the Haldwell Prep School, including the Spades, the school’s drug and booze running posse, led by Selah (Lovie Simone), a brilliant, beautiful senior looking for her successor. Enter Paloma (Celeste O’Connor), a socially ambitious pho-tographer flattered by Selah’s attentions but soon overwhelmed by the labyrinthine turns of prep school villainy. For her virtuoso de-

but feature, writer-director Tayarisha Poe has made a film that’s funny and sexy, angry and complicated and most wonderfully, proudly ferocious. —C.W.

Stray Dolls | VODIn upstate New York, Riz (Geetanjali Thapa),

an undocumented Indian immigrant, is en-snared by Una (Cynthia Nixon), a motel owner who promises her papers in exchange for work. A beat later, Riz is in deep with fellow maid, Dallas (Olivia DeJonge), who becomes both her best friend and biggest danger point, in ways that feel true to the complexities of a friendship built in duress. First-time writer-director Sone-juhi Sinha is frustratingly skimpy on plot spe-cifics but her resourceful young leads, buoyed by the ever-amazing Nixon, are captivating. It’s been a week since I saw Stray Dolls, and I’m still worried about Riz. —C.W.

And Then We Danced | Outfest On Demand

Backdropped by Tbilisi, Georgia, and taking place in the dance world,  this evocative film explores the nature of dedication and desire, and how one can influence the other. Merab, a competitive dancer who has been training for years with his partner for a spot in the National Georgian Ensemble, finds himself grappling with conflicted emotions when Irakli, a new male dancer enters his world. Delving into the hyper-conservative confines of Georgian soci-ety, the film aims to explore LGBTQ+ struggles in an personal way while providing insight into the history and modern culture in a part of the world that is not well known beyond its surrounding regions. —LINA LECARO

We Summon The Darkness | VODAfter rocking out at a heavy metal concert,

three stud-n-leather-clad gal pals invite some dudes to party at the estate where one of them lives- owned by her preacher dad (Johnny Knoxville). When the soiree turns deadly, all signs point to Satan, but the true villains are not who you’d expect. This fun little horror film will satisfy fans of menacing movie fare and metal music alike. Director Marc Meyers’ (My Friend Dahmer) takes on old school slasher movies shamelessly referencing the creepster cliches we’d expect from a film of this kind, but it manages to feel somewhat fresh thanks to the performances and in-on-the-joke dialog. —L.L.

For even more recommendations, check out laweekly.com.

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KEEPING THE FLAMES ALIVEBludso’s Bar & Que gets $10,000 infusion from Kingsford Charcoal to keep feeding communityBY MICHELE STUEVEN

In an effort to help save BBQ joints from closing, Kingsford  Charcoal has launched the #TogetherWithBBQ program, which will provide financial contributions of up to $250,000 to pit

masters across the country to help them keep the flames ablaze. The first recipient of a $10,000 donation is L.A. pit master Kevin Bludso of Bludso’s Bar & Que.

Kingsford will identify 25 U.S. restaurant recipients in need and contribute up to $10,000 each.

“When we first talked to the Kingsford team, they  said there were so many places in consideration, but Bludso’s was on the top of the list because they were familiar with our story and knew that we would pay if forward,” Bludso tells L.A. Weekly, as his location in Hollywood is surviving the pandemic with a steady takeaway business. “Whatever we give right now will come back to us tenfold. That donation is coming in and going right back out. We need it but there are many who need it much more than us.

Bludso and partner James Starr are work-ing with Dine11, the nonprofit organization

that’s currently delivering meals to health-care workers and first responders, as well as the pit master’s Faith Inspirational Mission-ary Baptist Church community in Compton, where the original BBQ shack opened and has since closed.

“The black community has been hit hard by COVID-19,” Bludso says. “I don’t give to be blessed, I am blessed, so I give.”

Additionally, with avid grillers spending more time at home, Kingsford has also im-plemented realtime responses for its #Grill-WhatYouGot program to help curate recipes using ingredients readily available at home. Home chefs can submit the ingredients they have in the fridge and pantry to the Kings-ford social media platforms for recipe ideas.

Try these two for coffee-rubbed pork me-dallions with BBQ butter and a grilled peach-es and cream pizza with salted caramel for summer: kingsford.com/recipe/grilled-peach-es-and-cream-pizza-with-salted-caramel; kingsford.com/recipe/coffee-rubbed-pork-medallions-with-bbq-butter.

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FALL OFF THE BONEJar’s Suzanne Tracht shares her Passover lamb shanks recipe with L.A. WeeklyBY MICHELE STUEVEN

Passover, Easter and spring are upon us during one of the most difficult times in history. Still, we can isolate and celebrate. Su-zanne Tracht shared with L.A.

Weekly her recipe for braised lamb shanks, which you can easily make at home and are also available for curbside pickup at her award-winning restaurant, The Jar. The shanks used in Tracht’s demonstration are from the famous Huntington Meats in the Original Farmers Market, which also delivers. Spices can be ordered online and vegetables pre-ordered for pickup at your local farmers market. Or just let Suzanne do the heavy lifting.

Braised Lamb ShanksLamb shanks are slowly braised with

aromatics, port wine and a hint of spicy Thai chili. Great served with polenta, mashed po-tatoes or my family’s favorite root vegetables to soak up the wonderful sauce. A fantastic dish for company and Passover, as all the prep work is done at the beginning, and then you just have to wait; the oven does all the work for you! You’ll have the most tender, fall-off-the-bone lamb. Serves 6 to 8.

• ¼ cup whole coriander seeds, toasted and ground

• ¼ cup whole fennel seeds, toasted and ground

• 2 tablespoons freshly ground black pepper, plus more to taste

• ½ cup olive oil• 8 bone-in lamb shanks, trimmed

and patted dry• 3 carrots, peeled• 1/2 bunch (4 stalks) celery ribs

and leaves• 2 leeks, white and light green

part only, cleaned and rinsed• 1 white onion, peeled• 1 whole bulb of garlic• 1/2 cup canola oil• Kosher salt

• 1 cup ruby port wine• 2 quarts chicken or veal stock• 1 dried Thai red chili pepper• 3 whole star anise cloves• 3 whole bay leaves, preferably

fresh• 8 whole cloves

In a small bowl, combine the ground coriander, fennel and black pepper. Reserve half of the seasoning mixture for the stock; to the other half add the olive oil to make a paste.  Lay the lamb shanks in a single layer on a sheet pan and rub all sides of the meat with the spice paste to cover. Set the meat aside at room temperature for 1 hour to absorb the flavor. In the meantime make the stock.

Cut the carrots, celery, leeks, and onion into 1½ to 2-inch chunks and place in bowl. Cut the garlic bulb in half and add to vege-tables. Heat a large pot or Dutch oven over medium-high heat and coat with the canola oil. When the oil is hot, add the prepared vegetables and reserved seasoning mixture, along with a generous pinch or two of salt. Cook and stir until the vegetables begin to soften, about 8 to 10 minutes. Carefully pour in the port and reduce for about 15 to 20 minutes, stirring as needed. Add the stock and bring to a boil, removing from heat as liquid begins to thicken.

Preheat the oven to 350 degrees. Preheat an outdoor grill or indoor grill pan over high heat and rub with oil.

Place shanks on hot grill, turning occa-sionally with tongs until well seared on both sides, then remove. Place the lamb shanks side by side in a large roasting pan. Carefully pour the vegetables and reduced stock over the shanks and season with salt and pepper. Add the Thai chili, star anise, bay leaves and cloves. Cover tightly with aluminum foil. Place in the preheated oven for two hours until very tender.

Serve the lamb shanks with the sauce spooned over the meat.

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MOVIE NIGHT AT HOMEThe best of streaming services and VOD during quarantineBY CHUCK WILSON AND LINA LECARO

L .A. Weekly’s (Streaming) Movie Guide is your look at the hottest films available on your TV sets and electronic devices — from indie art house gems to new movies garner-

ing buzz that moved from theaters to digital video on demand and streaming subscription services. Check this guide regularly as you shel-ter at home during the pandemic.

Extraction | Ne tflixStop the presses … Netflix has finally pro-

duced an action movie worth watching. Ex-traction stars Chris Hemsworth as a sad-eyed mercenary hired to rescue the kidnapped teen-age son (Rudhraksh Jaiswal) of a Bangladesh drug lord. Things don’t go according to plan, prompting a spectacular 12-minute, one-shot action sequence reportedly filmed with a hand-held camera strapped to the chest of stunt coor-dinator-turned-director Sam Hargrave. Writ-ten by Avengers director Joe Russo, Extraction proves itself memorable not for its crazy ac-tion but for the poignant chemistry between Hemsworth and Jaiswal. On set, Hemsworth is said to have referred to Jaiswal as “the little legend.” It’s easy to see why. —CHUCK WILSON

Circus of Books | NetflixFor decades, the Circus of Books stores in

West Hollywood and Silverlake weren’t just a place to buy porn and poppers, they were a safe harbor for gay men still nervous about being themselves. Filmmaker Rachel Mason’s parents, Karen and Barry, owned the shops, and in a Netflix documentary of particular interest to Angelenos, tracks her folk’s battles against censorship and homophobia, even as they struggled to reconcile their son’s emerging sexuality. Narratively, Circus of Books moves in fits and starts, but the story of how the Masons stumbled into the porn biz is fascinating — it’s easy to imagine executive producer Ryan Mur-phy making the Masons the heroes of a future miniseries. —C.W.

Selah and the Spades | Amazon Prime Video

Five social factions rule the illicit goings-on at the Haldwell Prep School, including the Spades, the school’s drug and booze running posse, led by Selah (Lovie Simone), a brilliant, beautiful senior looking for her successor. Enter Paloma (Celeste O’Connor), a socially ambitious pho-tographer flattered by Selah’s attentions but soon overwhelmed by the labyrinthine turns of prep school villainy. For her virtuoso de-

but feature, writer-director Tayarisha Poe has made a film that’s funny and sexy, angry and complicated and most wonderfully, proudly ferocious. —C.W.

Stray Dolls | VODIn upstate New York, Riz (Geetanjali Thapa),

an undocumented Indian immigrant, is en-snared by Una (Cynthia Nixon), a motel owner who promises her papers in exchange for work. A beat later, Riz is in deep with fellow maid, Dallas (Olivia DeJonge), who becomes both her best friend and biggest danger point, in ways that feel true to the complexities of a friendship built in duress. First-time writer-director Sone-juhi Sinha is frustratingly skimpy on plot spe-cifics but her resourceful young leads, buoyed by the ever-amazing Nixon, are captivating. It’s been a week since I saw Stray Dolls, and I’m still worried about Riz. —C.W.

And Then We Danced | Outfest On Demand

Backdropped by Tbilisi, Georgia, and taking place in the dance world,  this evocative film explores the nature of dedication and desire, and how one can influence the other. Merab, a competitive dancer who has been training for years with his partner for a spot in the National Georgian Ensemble, finds himself grappling with conflicted emotions when Irakli, a new male dancer enters his world. Delving into the hyper-conservative confines of Georgian soci-ety, the film aims to explore LGBTQ+ struggles in an personal way while providing insight into the history and modern culture in a part of the world that is not well known beyond its surrounding regions. —LINA LECARO

We Summon The Darkness | VODAfter rocking out at a heavy metal concert,

three stud-n-leather-clad gal pals invite some dudes to party at the estate where one of them lives- owned by her preacher dad (Johnny Knoxville). When the soiree turns deadly, all signs point to Satan, but the true villains are not who you’d expect. This fun little horror film will satisfy fans of menacing movie fare and metal music alike. Director Marc Meyers’ (My Friend Dahmer) takes on old school slasher movies shamelessly referencing the creepster cliches we’d expect from a film of this kind, but it manages to feel somewhat fresh thanks to the performances and in-on-the-joke dialog. —L.L.

For even more recommendations, check out laweekly.com.

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8EMPLOYMENT & EDUCATION

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Account Executive:Assist in sales & marketing plans. Mail resume: Cinderella Divine, Inc. 1142 San Julian St. #B, LA, CA 90015 Wk Site: 1651 Naomi Ave. LA, CA 90021

Accountant:Prepare financial reports and tax returns, deal with State Board of Equaliza-tion. Min Req: Bachelor’s or forgn. equiv. in accounting or finance plus 2 yrs exp. as accountant or related. Send resume: Adam Moloudi Incor-porated 11400 West Olympic Blvd., Suite 200. LA, CA 90064 Attn: Adam Moloudi

ACCOUNTINGCore Assurance Manager, Ex-ternal Audit Generalist (Mult. Pos.), PricewaterhouseCoo-pers LLP, Los Angeles, CA. As-sist a variety of clnts to solve their complex bus issues from strategy to execution. Req Bach’s deg or foreign equiv in Acct, Fin, Bus Admin or rel + 5 yrs post bach’s progressive rel work exp; OR a Master’s deg or foreign equiv in Acct, Fin, Bus Admin or rel + 3 yrs rel work exp.; Req active US CPA lic. Travel up to 40% req. Apply by mail, referencing Job Code CA2464, Attn: HR SSC/Talent Management, 4040 W. Boy Scout Blvd, Tampa, FL 33607.

Architectural DesignerReq’d:MA in Architecture & 24 months exper. in architectural design of commercial & mix-use projects. Special Req’mts: Must have demonstrated proficient knowledge of: REVIT, SketchUP, Rhinoceros, Keyshot, V-RAY, Adobe Illustra-tor, Adobe Photoshop, & Artlantis. Will accept Special Req’mts thru employment exper. &/or academic course-work. Architects’ license not req’d. All work supervised by licensed architect. Duties: architectural design using computer-aided tools & plan/design commercial/mixed-use structures. Full-time. KFA, LLP, Culver City, CA 90232. Email Resumes Attn: HR at hiring@kfalosangeles.com.

Assistant Professor of Economics Sought by Loyola Marymount University, in Los Angeles, CA. Ph.D. in Economics or a related field. Send resumeto: Bill McKinney, LMU, 1 LMU Drive, UHall, Suite 1912, Los Angeles, CA 90045 or fax (310) 338-2722.

Assistant Professor of MathematicsSought by Loyola Marymount University, in Los Angeles, CA. Ph.D. in Mathematics or a related field. Send resume to: Bill McKinney, LMU, 1 LMU Drive, UHall, Suite 1912, LosAngeles, CA 90045 or fax (310) 338-2722.

Associate Pastor: Prepare and deliver sermons. App. must have a Master’s deg. in Divinity, Ministry, Christian Education or related field and must be ordained as a Pastor. Mail your resume to Hosanna Presbyterian Church at 1723 Park Lawn Rd, Hacienda Heights, CA 91745; Attn: Rev. Se Yom Ra.

AUDIT SUPERVISOR sought by Squar MilnerLLP in Los Angeles, CA. Super-vise SeniorAssociates, review established and communi-cated roles and expectations for staff, and resolve conflicts between Senior Associates and other staff. Resumes to careers@squarmilner.com.

Canoo has openings in Torrance, CA:Closures CAE Engineer: Resp. for all aspects of perfor-mance & structural dev’t of side & rear closures for autos. Job Code: W9SRMechanical Engineer: Perform specialized eng. processes focused on battery sys components. Minimal travel (2-4 trips/year). Job Code: W9ARThermal Analysis Engineer: Support dev’t of thermal sys present in an EV’s propulsion sys. 10-15% domestic/int’l travel. Job Code: W9CRCAE Occupant Safety Engineer: Improve occupant safety in EVs using CAE. 10% domestic travel. Job Code: W9PGMechanical Engineer Propulsion Systems: Design propulsion systems for EVs. 4 int’l trips/yr. Job Code W9MKRFirmware Engineer:Dev. embedded firmware for automotive apps, incl. BMS controller. Job Code W9BWMail resume to: Attn: HR and Ref. Job Code, Canoo Inc, 19951 Mariner Avenue, Tor-rance, CA 90503.

Director of Children Ministry:Coordinate children’s ministry. Req: MA in Christian Edu., Intercultural Studies or re-lated Mail resume: New Song Evangelical Church 4413 La Crescenta Ave. La Crescenta, CA 91214

Fashion Designer:Modify & update designs. Req: AA in Fashion Des., Textile Des., or related Mail resume: Vocal, Inc. 4063 Adair St. LA, CA 90011

Financial Analystsought by Sunvalley Solar Tech Inc. (Walnut, CA) to plan & manage the Sunvalley Inc. Employee Stock Option Plan. Prep business plans for various projects. Fin'l forecasting & fin'l statements analysis, etc. Reqs Bach (or foreign equiv) deg in Acctg or Economics & 1 yr of work exp in the job offd or rltd. Some work exp reqd w/ MathWorks, MATLAB & SAS. Mail resume to Sunvalley Solar Tech Inc., 659 Brea Canyon Rd, #3, Walnut, CA 91789, Attn: James Zhang, CEO

General ManagerDelegate responsibilities to the best employees to per-form them & oversee their completion. App must have a Master's deg. in Business Admin., Econ., Management, or related. Alternatively, app must have a Bachelor's deg. in Business Admin., Econ., Management, or related + a min of 5 yrs of exp in a mana-gerial or supervisory position. Mail resume to Golf Buddy America, Inc. 10700 Norwalk Blvd., Santa Fe Springs, CA 90670 Attn: Terry Kim.

Luxottica of America Inc.has an opening for VP Gen-eral Manager in West Holly-wood, CA. Manage and direct company operations to meet budget and financial goals, sustain business growth and increase profitability. Position supervises a management team (HR; Marketing; Finance & Operations; Sales & Business Development). Travel (20-30% of time) may be required to work on projects at various, unanticipated sites through-out the U.S. & internationally. To apply, please mail resume to Amanda Womack at 4000 Luxottica Place, Mason, Ohio 45040. Please refer to Job# 6734.113.

McKinley Children's Center Inc seeks School Based Services Coordinator. Mstrs. in MFT reqd. Must be registered w/ CA Board of Behavioral Services as Marriage & Family Therapist or Social Worker. Fa-cilitate school-based services. Work site: San Dimas, CA. Mail resumes to 762 West Cypress St., San Dimas, CA 91733.

Operations ManagerReq’d: 2 yr exp. as Operations Manager, General Manager or rel. Mail Resume: SBP Asia Education Inc. 2525 W 8th St. Ste. 200, Los Angeles, CA 90057

Operations Research Analyst: Assist mgmt. with wholesale operation. Req: BS in Stat., Comp. Sci., Mech. Engr., or related Mail resume: Shims Bargain, Inc. 2600 S Soto St. LA, CA 90058

PRODUCT PACKAGING SPECIALISTSolaris Paper, Inc. seeks Product Packaging Specialist in Moreno Valley, CA: Dsgn, test, implement packaging designs. Req MS in Packaging Tech/Dsgn/Science or rel & 2 yrs industrial or consumer packaging exp. Proof of legal authorization to work in U.S. required. To apply refer to job code P007 & email resume to shelley.farnham @solarispaper.com.

Senior Data Engineer for Neustar Information Services in Los Angeles, CA to prfrm full cycl dta mngmnt prcsses for mrkting anlytcs. Reqs MS in Comp Sci, Info Tech, Eng Mngmnt, or rel field + 3 yrs of (willing to accpt foregn equivlnt) dsgning & dvlping dta loadng prcsses (or BS + 5 yrs). Also req exp prformng fnctnl dsgn & confgratn, incldng wrkflw ruls, pg layut mngmnt, recrd typ algnmnt & updtes, cstm objct desgn, & apprvl process mngmnt; and desgnng & implmntng in an anlytcl en-vrnmnt usng thrd-prty & in-house reprtng tools incldng Tbleau to mdl metadata, buld reprts &dshboards. Mail resume: ATTN: HR, Job Code AY20, 21575 Ridgetop Circle, Sterling, Virginia 20166.

Social Worker: Provide elderly clients social services. Req: MA in Counsel-ing, Christian Counseling, or Social Work Mail resume: Pacific ADHC, Inc. 5562 Reseda Blvd. Tarzana, CA 91356

Software EngineerReq’d: MS, Comp. Science, Comp. Engineering, or similar & 36-months exper. in software development of SaaS based web apps. In lieu, will accept BS, Comp. Science, Comp. Engineering, or similar & 60-months exper. in software development of SaaS based web apps. Special req’mnts: Must have demonstrated knowledge of: JavaScript, ASP.NET, MVC Framework, JQuery, Backbone JS, Oracle, SQL, and T-SQL. Accepts special req’mnts thru employment exper. &/or academic coursework. Duties: software architecture dev & rich enterprise class SaaS SW app development of public sector HR mgmt. software syst. Full-time. Government-jobs.com, Inc., dba NEOGOV- El Segundo, CA 90245. Email resume to Thomas Frisch, HR Manager at tfrisch@neogov.net"

CIVIL DISTRICT COURT FOR THE PARISH OF ORLEANSSTATE OF LOUISIANANO. 2015-06793 DIVISION: “J” – SECTION 15

IN RE: SUCCESSION OF DORIS BAUDY HUNTSBERRYFILED: DEPUTY CLERK

NOTICE OF FILING TABLEAU OF DISTRIBUTION

Notice is hereby given to the creditors of this estate and all other interested persons to show cause within seven (7) days from the publication of this notice, if any they have or can, why the tableau of distribution filed by Romona Baudy, in her capacity as the executrix of the succession of Doris Baudy Huntsberry should not be approved and homologated and the funds distributed in accordance with it.

__________________________DEPUTY CLERK

ROOM FOR RENT2116 Portland Street.

Bedroom with private bathroom.

Rent is $1,100/monthWifi, A/C and all utili-

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(213) 215-1350