Me with my husband, Brett in his workshop. This captures my home environment as even inside the house there are bikes and a continuous motorcycling language that surrounds me.

Left – compositional experimentation space. Right – beach combing collections

I have actually got a lot more books than this – a lot of them have been moved onto the new mezzanine Brett has built in the house which acts as a library.

This is a broach I’m working on for Vivien Atkinson’s Salon Rouge that will be at the Dowse opening of Wunderruma as a promotional performance for HS2

I’m playing here with using silver and brass as a veneer on the surface of old Presscraft trays that I cut up. Although this one is actually from the last one that I made for Masterworks ‘Brace Yourself’ earlier this year. The rivets act as pivots

The beginnings of compositional experiments. With this resent work I have been challenging myself by limiting my materials and relying on my own using my own shapes cut from flat Presscraft trays as opposed to earlier work that reconfigured dissected handles from kitchen implements

I’m an avid collector of old domestic-ware. This is in my kitchen