holo'space manifesto part eight
DESCRIPTION
Coherent Presence is a paradoxical state of wholeness that’s anything but uniform. It is infinitely diverse and multiplex. It maximizes both local freedom and global cohesion. The coherent is spontaneous and free, expressing the Now. Non-local and instantaneous, transcending separations of spaces and our identifications within time. This accounts for the perfect coordination of functions in the healthy organismTRANSCRIPT
1 Philip Randolph Lilien [email protected]
Complexity Dimensions Complexity Space is non 3 dimensional space. Can have any number or frac3ons of dimensions. Have some of the proper3es of fractal space such as self-‐similarity but not the same. Holo’space has Hypersymetry substance.
Living Art is emergent, boGom-‐up, distributed and parallel.
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Hypersymmetry field • The surface of the art is a projec3ve frame window into complex dimensions
of 4 to hundreds of dimensions. The super-‐symmetry field is the low entropy and high order carrier of the space. Evolu3onary processes increase dimensionality able to hold and render more harmonic resonance.
• By maintaining the complex dimensional harmonic symmetry while vectorizing dimensional symmetry, a flow of energe3c informa3on is liberated.
• Light from a light source is emiRng into the space/3me material world but is conserving its symmetry in the higher complex dimension, i.e. it is absorbing an equal poten3al through the Zero Point Dimension. This maintains the Material Space.
• This nega3ve resistor effect is a synentropic reordering of the surface to the viewer space poten3al.
• Process, form and rela3onship are unified.
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• In Holo’Dimensional Qubism, the surface of the art is frameless. The surface is a projec3on of space with complex proper3es, that is a space with holo’-‐dimensional proper3es.
• Holo’Qubism is the explora3on and discovery of forms of principles, as the roots of the Creator's Original Design Science.
• The viewer experiences Emergent Principle. The frame becomes a window of percep3on into Space that is becoming alive, that uses the energe3c ecology of the perceiver to emerge spontaneous living presence.
• The environment of the art as life is the psycho-‐energe3c field of the viewer.
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Holo’Dimensional Qubism • The surface of the frame is frameless, a projec3on of space with dimensional proper3es.
• Qubism is the discovery of the Creator’s Original Design Science.
• Holo’Qubis3c principle have unbounded syntropic alignments, a cosmological informa3on bonding.
• Principles reveal the original oscilla3ons of crea3ve potency. Principles operate everywhere yet take up no Material Space. Space and principle co-‐emerge.
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Philosophical Founda3ons • To provide a framework to understand the basis of Holo’Space Qubism in rela3onship to Space itself.
• We are going to engage in the reconstruc3on of Art in rela3onship to Reinterpreta3on of Crea3on.
• We are going to s3ck with simple, intui3ve postulates as to space and how this can be applied to a new understanding of the role and power of art. 7
Super-‐symmetry Complexity Space
• Complexity space expresses the physics of dimensionality embodying through hyper-‐informa3on or syntropic informa3on fields large scalings of energy.
• Dimensions, not space interpenetrate.
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Some Fundamental Design Principles
of Life Expressing Art • Strong center is made stronger by smaller strong centers contained
in it with s3ll smaller strong centers. Strong centers defines the way that a strong center requires a spa3al field-‐like effect, created by other centers, as the primary source of its strength
• Boundaries is the way in which the field-‐like effect of a center is strengthened by the crea3on of a ring-‐like center, made of smaller centers, which surround and intensify the first. The boundary also unites the center with the centers beyond it, thus strengthening it further.
• Alterna3ng repe33on is the way in which centers are strengthened when they repeat, by the inser3on of other centers between the repea3ng ones.
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• Posi3ve Space • Good Shape • Local symmetries • Deep interlock and ambiguity • Contrast • Roughness • Gradients • Echoes • The Void • Simplicity and inner calm • Non-‐separateness, interdependence 10
Surprise, Freedom and the Organizing Process
• Our highest success in manifes3ng Art as Life will come in the marriage of the surprise and freedom with an elegant field of organizing processes genera3ng the spontaneous evolu3on of new poten3al.
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Holo’Qubis3c Organiza3on • Entropy or the tendency towards the loss of order increases
in closed systems, that is system divorced from their source space. This true for both Subjec3ve and Material Space.
• Syntropic comes from Coherent Space to Subjec3ve Space as an increase in harmonic resonance.
• Negentropic comes from Real Space to Material Space and is expressed as an increase in complexity and symmetry.
• Engineered together, produces harmonic super-‐symmetry. Every symmetry is harmonic and propor3onal to all other symmetries.
• With sufficient density, Qubis3c Art is able to radiate gigabytes of informa3on.
• This is the life field of Holo’Qubism.
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Coherent Space in the Subjec3ve Realm
• By projec3ng Coherent Space through Material and Subjec3ve Space, we are able to glimpse immortality and analogs to shamanic and psychedelic pathways, making them familiar.
• Human imagina3on informed by Coherent Space points to where human history is heading.
• Subjec3ve Space bound to Material Space is the prison planet.
• The collec3ve controllers use Coherent Space Powers to bind and control consciousness.
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Inherent Archetypes • The Ar3st as conscious director is a fabricator of inherent
archetypes. • If we are to mi3gate our worst ecological, social and
poli3cal excesses, we beGer understand and replicate nature, or create beGer metaphors and analogies of reality (with these archetypes).
• This is not an appeal for the imita3on of the strict vernacular but rather recogni3on that just as in the past, differing climates and cultures produce different design solu3ons producing discrete conven3ons of symbol and signal appropriate to their cultural environment so Qubis3c ar3sts will reveal Coherent Space expressions with unique perspec3ves and proper3es.
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Power from the Precipita3on of Space. • Hyper’Classical Art is about awakening a new energy source engineered via coherence, extrac3ng power through the precipita3on of Space, Real Space to Material Space and Coherent Space to Subjec3ve Space..
• Ul3mately, Hyper’Classical Art is about rendering principles themselves. Coherent Space everywhere ac3ve as Principles, is an original unity.
• Geometries across scale precipitate the sacred, allowing insight into the nature of existence and space as Conscious Poten3al.
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Pure Coherent Space • Coherent Space is the comple3on of Evolu3on. The true upwards arc of humanity is the realiza3on of Coherent Space through the flow of history.
• Coherent Space is the Crea3ve eternity, 3me its moving images.
• Soul-‐mind subjec3ve space is the expression of the coherent ordering of the whole universe. Every stage is reflected in the subjec3ve space of the soul-‐mind.
• The soul-‐mind expressed as a visual field so Coherent Space mass-‐maGer-‐material can be assimilated.
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Hyper’Classical Ar3sts • They are shamans, healers, alchemists.
• Holo'Dimensional design is an aGractor of new order drawing the viewer beyond their ordinary awareness, revealing another realm, ini3a3ng them into a space of meaning, a movement of evolu3on.
• Art needs to be a driving force woven into the fabric of our 3mes.
• Hyper’Classical Art expresses a range of styles arising out of experimenta3on and research, emerging as their own unique crea3ons.
• Qubis3c Art is evolved not designed; therefore, NOT fully subjec3ve. Art is sourced by space evolving from its own nature, becoming more and more unique in its own way. 18
• Geometries across scale precipitate the sacred, allowing insight into the nature of existence and space as Conscious Poten3al.
• Holo’dimensional Space re-‐organizes and re-‐energizes the psyche, weaving the viewer with the Fabric of Being.
• Viewing Coherent Space can re-‐organize the psyche, weaving the viewer with hyperspace consciousness. Inner and outer are woven.
• The Hyper’Classical ar3st uses tools of art to explore truth, life and crea3on
• The art expresses alchemical living presences through crea3ve ecologies of space.
• New space evokes new feelings. 19
New space evokes new feelings • Holo'Dimensional Space re-‐organizes and re-‐energizes the psyche, weaving the viewer with the Fabric of Being.
• Inges3ng Coherent Space can help re-‐organize the psyche, weaving the viewer with hyperspace consciousness. Inner and outer are woven together.
• New space evokes new emo3ons. • The Nature of the space determines the quali3es of feelings. Within the viewer is a complex of self-‐iden3fying spaces.
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Coherent Grace of Presence
• Subjec3ve Space iden3fica3on with Material Space is Ignorance or Samsara.
• Subjec3ve Space Realiza3on of Coherent Space is Enlightenment or Nirvana or Sainthood.
• Good basis to cul3vate pure mind and pure feelings as that is the conduit for Coherent Grace of Presense.
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Rela3onship of the Domains of Space • Coherent Space is to Subjec3ve Space as Real Space is to Material Space.
• Through Subjec3ve Space, Coherent Space expresses interest in Material Space.
• Coherent Space is the posi3ve pole of Subjec3ve Space.
• Material Space is the nega3ve pole of Real Space. • Coherent Space manifests Electro-‐Material Fields through Harmonic Vortexing.
• This allows the evolu3on of the atomic community through geometric bonding, and then through the range of Material appearances.
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Subjec3ve Space Is/Is not the Fundamental Space
• From a Subjec3ve Space perspec3ve, it is only the concepts we hold about space that is space. Space is also in fact the most fundamental aGribute of the Subjec3ve . From our Subjec3ve Space conceptualiza3ons come our purposes, visions, goals, ac3ons, and manifesta3ons. We invent or create our Space.
• Subjec3ve Space as an ar3fact of our history, our culture and our languages includes all.
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Holo’Qubism • Spaces and Dimensions can interpenetrate spaces. Spaces rela3ve to each other.
• Consciousness is cellular, organic, human ecological, global, solar, galac3c, cosmic all AS the same space. When we limit our iden3ty we lose the Con3nuum of Space.
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Fundamental Par3cles Crea3on • Fundamental par3cles can be produced by literally vortexing them from Real
Space. • Material Space is driven by harmonic interac3on with Real Space, through the
impulse of Coherent Space. • Standing wave vortexes of Real Space cons3tute the par3cles of the Material
Space. • Material Space par3cles, electrons and positrons and unified neutrons are
essen3ally standing wave, non-‐temporally defined sustained by Real Space Poten3al.
• Material Space par3cles create a zone of charge density and is radial, spherical and 3me harmonic as the expansion of the standing wave. Something out of 3me can exist forever.
• Standing wave force fields provide the illusion of solidity and the volume of maGer. They self-‐organize Real Space as Material Space Expression.
• Art—Local Complexity, Global Spontaneity • Crea3on—Local Spontaneity, Global Coherence
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Material Space Engineering Zero Point Space Space
– Iner3al and gravita3onal proper3es of Material Space are due to the non-‐equilibrium interac3on with Zero Point Real Space and thus are not immutable proper3es of Material Space and can be engineered based on Material Space interac3on with Real Shak3 Space.
– Shak3 Space is disturbed or otherwise locally reduced entropy with the appearance of material effects by Coherent Space Ac3on.
– No Real Space material involved – Real Space is Super dense all pervasive and dynamic
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Light • Light rela3ve to Real Space
• Real Space waves are Longitudinal – Exists across scale – Holographic Color
• Light is a pulse transverse wave – The difference
• Longitudinal Waves exist in a realm of vast oceanic poten3al • Transverse light waves are like ripples on the surface or sound waves through the depth.
• Photons are single impulses of Real Space, its ul3mate material 3ck-‐tock. These pulses, dipolely reflected or absorbed allow coherent field reordering to occur.
• Mass is not an immutable property of maGer. 27
Holo’dimensional separated color fields
• The colors become related holo’dimensionally as they are combined and recombined through genera3ng holo’dimensional space.
• Holo’dimensional processes liberate the spectrum and become spectral free colors related to the whole instead of each other.
• The Qubis3c space rotates around mul3ple dimensional axes simultaneously embedded through holo’dimensional parallel color fields. The color channels embed the holo’harmonics.
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Spa3al Rela3onship to Spirituality • Spiritually Real Space is akin to the Primordial Mother of Crea3on
who embodies All Poten3al. • Coherent Space is the Godhead where is sourced the very
appearance of crea3on through all Real Space and Material Space (as so by 3me-‐space).
• Material Space is illusion when we believe it to be the only existence. Subjec3ve Space is reduced to a sideshow posi3on in the Scheme of Illusion.
• Subjec3ve Space is the Godhead appearing through the Material Lens. It is all-‐pervading even if we are under the view that Subjec3ve Space is separate.
• Crea3on is reducible to two fundamental Spaces: Creator Source and Crea3on Source, Divine Male and Divine Female dipole.
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– Healers see beyond the surface • Deepen dimensions • Expand Subjec3ve Space Experience • Art can expand and expand experience
– Deep sleep – Psychic reorganiza3on
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Causal Space • Frequency and vibra3on transverse movement through the realm of 3me-‐space-‐energy-‐maGer. Oscilla3ons are longitudinal movement through the Real space substrate of the Hyperdimensional Causal.
• Principles being everywhere originally exis3ng are the power basis of hyper-‐spa3al poten3al. According to the nature of the receiver, so the poten3al is experienced.
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Hypersymmetry complexity space • Hypersymmetry complexity space reveals how life emerges from space.
Space is without dimensional limit. How we scale the energy and informa3on determines the dimensional parameters.
• Through dimensional symmetry harmonics linear and non-‐linear have play. • Without hyper’dimensionality, one would expect any two points of the plane
of the picture to be unrelated. With hypersymmetry complexity, proper3es appear. The interac3ve strength between par3cles of light and its super-‐symmetric partners are strengthened.
• Density of dimensional informa3on manifests real energy and a real appearance of mass through the space expressed through the space of the brane frame.
• The realiza3on of Harmonic Complexity is an extension of symmetries associated with space and 3me right at the root of the string of dimensions that define every point of existence.
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Subjec3ve Space relates to Coherent Space
• Coherent Space relates to Subjec3ve Space as being all-‐pervading, non-‐local and diffuse.
• Subjec3ve Space accesses Coherent Space as space that is everywhere, broadcas3ng the divine order.
• This is our fundamental change agent.
• Electron pairs are compressive symmetries through local Casimir effects.
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Negentropic Re-‐ordering of the Poten3al Field The Forma3on of Dipolar Resonance
• Dipole harmonic wavepairs are projected through the surface space, reordering Subjec3ve Space, exhibi3ng living quali3es.
• Through Qubis3c Arts, Real space is translated.
• Poles Separa3on is an illusion. Polari3es are impelled together via Real Space. The greater the harmonic density associated with the dipole so the perceptual mass is increased.
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Casimir Art
• Super-‐symmetry coherence causes transla3ons of coherence effects. The Real Space through Material Space to Subjec3ve Space.
•
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Casimir Force • The direct measurement of the Casimir force (Fc=p2hcA/240d4 ) has been performed on several occasions, first by Sparnaay in 1958 and most recently in 1998 by Mohideen. Using an atomic force microscope, Mohideen’s measurements where found to be within 1% of Casimir’s theore3cal predic3on. One will note that this force increases very rapidly in propor3on to the inverse of the fourth power of the distance between the plates. Decreasing the spacing by a factor of 10, increases the force by a factor of 10,000. Increase of Symmetry
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Casimir Forces on an Atomic Scale
• A Simple extrapola3on of this force down to the separa3on distance of bonded atoms in the range of 10-‐9 to 10-‐10 m yields an astounding Casimir pressure of 106 to 1010 kPa, providing values tantalizing close to the ul3mate strength of many metals and Young’s modulus. This would not appear to be a coincidence, providing a far more logical and intui3ve mechanism for atomic and molecular bonds. Extrapola3ng even further to the dimension of bonded nucleons, generally conceded to be in the order of 10-‐15 m, (to be contested) yields an astronomical radia3on pressure of 1030 kPa, which seems rather absurd but certainly sufficient to hold the nucleus together against the coulomb repulsion of the protons....
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• The viewer experiences Emergent Principle. The frame becomes a window of percep3on into Space that is becoming alive, that uses the energe3c ecology of the perceiver to emerge spontaneous living presence.
• In other words, the environment of the art as life is the psycho-‐energe3c field of the viewer.
Subjec3ve Space and Material Space Without Subjec3ve Space Material Space would not appear. Without Material Space Subjec3ve Space would not exist. They appear to be inseparable.
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Presence • How do we know Presence?
– Spontaneity – Coherence – Someone who has Presence appears to be spontaneous in their
ac3ons and also coherent in their expression • Real Space of everywhere is present, as is Coherent Space.
Presence is a common concept of Coherent Space. • Presence is not part of 3me. The present is not Presence as
all experience is of the past. Presence arises as its own nature and is not bound by our concepts or limita3ons of 3me. The Now is the Gateway to Presence; never found in our projec3ons of Past and Future. It is at once all connected and free.
• Free aGen3on can realize presence by aware resonance with the Free arising of connected coherence.
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How do we know Presence? • How do we know Presence? – Spontaneity – Coherence – Someone who has presence appears to be spontaneous in their ac3ons and also coherent in their expression. – This is the fundamental organizing principle of consciousness and sense of Self.
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Effortless, coherent ac3on
• Effortless, coherent ac3on, taken when the en3re universe is at one with you. Saints achieve this.
• Freedom, spontaneity, sensi3vity, effortless ac3on and effortless crea3on are all Taoist ideals. Cul3vated in tradi3onal Hyper’Classical Chinese art and poetry, in life itself. The way to a healthy life without stress and strife. We can contemplate this for the rest of our lives.
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Local Freedom/Global Cohesion • Coherent Presence is a paradoxical state of wholeness that’s
anything but uniform. It is infinitely diverse and mul3plex. It maximizes both local freedom and global cohesion.
• The coherent is spontaneous and free, expressing the Now. • Non-‐local and instantaneous, transcending separa3ons of
spaces and our iden3fica3ons within 3me. This accounts for the perfect coordina3on of func3ons in the healthy organism.
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Holo’Dimensional Time
• Holo’Space Hyper’Time flows in all direc3ons at once. Coherent Space archetonics is Awareness connected to Source.
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Consciousness is Resonance
• Consciousness is Resonance. Wherever Resonance Arises, Arises Consciousness.
• When Resonance Disappears So Does Consciousness Appear to Disappear
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Currencies of Space • Electrical can be of three types:
– Electron Currents, Positronic Currents and Positronic/Electronic Neutral Neural Currents.
• These are all drawn directly from the Real Space. • Symmetry in parity and harmonic resonance can cause the arising of Free
Energy. • Syntropy is low entropy transmission directly to Subjec3ve Space. • Technology of freed Material Space. The Cold Radiant Current to
Subjec3ve Space. • The Frame Field of space is aGenuated compared to the ambient entropy
of the Viewer. • Via Subjec3ve Space the ambient reordering of the Cogni3ve Field of
Subjec3ve Space. • Coherent Space reorders Subjec3ve Space via Syntropy. • Principles are Currencies of Coherent Space. • Material Space can be effected via Subjec3ve Vibra3ons.
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Coherent Space reorders through Shak3 Space • The interior Field of the Frame of the complexity space is
aGenuated compared to the ambient entropy of the Viewer.
• This is via Subjec3ve Space, the ambient reordering of the Cogni3ve Field of the rendered Subjec3ve Space.
• Coherent Space reorders the Real Space via Longitudinal Oscilla3ons.
• Principles are in Coherent Space the Currencies. • Material Space is effected via Subjec3ve Vibra3ons.
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Hyper Classical Art, Ain Sophia Shekinah Space of Wisdom-‐Presence Expresses the beau3ful, good and true.
Hyper’Classical Ar3st uses tools of art to discover science and philosophy; to explore the nature of life and Crea3on; to gain insight into the nature of Existence and Space and Poten3al.
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• That we see or operate through only three or four or five spa3al dimensions doesn't mean that's all that exists or even that is what actually exists. There are many unseen ingredients to the universe. We do not include other dimensions, because we have no direct rela3onship to them.
• We iden3fy within 3 dimensions. We seldom reflect on the possibility of an existence with an endless number of dimensions encoded into the nature of space itself.
• An evolu3on of lower dimensional objects expressed through a higher dimensional space as projec3ve dimensional space.
• Par3cles and living designs adhere on the dimensional surface Brane forming the material lens.
• Dimensional spaces allow an en3rely new set of possibili3es. Par3cles of percep3on confined to 3-‐dimensional surfaces moving as images of 3me never venture beyond.
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• Through an evolu3on of lower dimensional objects expressed through a higher dimensional space art be projec3ve dimensional space
• All sorts of par3cles and living designs adhere on that dimensional surface forming the material lens.
• Dimensional space allow an en3rely new set of possibili3es. Par3cles of percep3on confined to 3-‐dimensional surfaces as form moving through a dimension of 3me never venturing beyond that.
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Symmetry • Symmetry has held a special fascina3on to humanity for all 3me – The Power of Symmetry is revealed through our inherent rela3onship to Real Space as Hyperdimensional Symmetry standing wave Life. We are aGracted to symmetry; it is a basic condi3on of life.
– A localized coherence of random impressions
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Holo’Qubis3c Art
• Hyper’Classical Art creates new thought. It creates new emo3ons. It adds to the repertoire of experience and represents a triumph over the raw data of sensa3on.
• We are intelligence designed to find and amplify the order that is found in the material realm.
• Qubis3c pieces employ principles of evolu3on holographically organized with self-‐similar proper3es across scale emerging non-‐linear fields of space and frame. What the viewer sees are not forms but emergent principles. The paradox is that Subject Space finds form through Material Space.
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• On ini3al viewing of Coherent Space, Space is viewed separately as linear sequences. Then there begins a remembering of the feel of everything at once, that we inhabit more than 3 dimensions at once.
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• The harmonic resonant space rela3ons are themselves dense virtual life-‐tronic field poten3al. The greater the projec3on of dimensional space, the denser the harmonic mass.
• Mass is condensed informa3on. Dimensionality ethereally penetrates mass.
• Harmonic Coherent Space embodies the sourcing of dimensionality itself. It exists through the scale of Real Space as synforma3on; syntropic informa3on fields.
• Energy emerges with Holo’Dimensional proper3es. Harmonic Coherent Space reveals how life emerges from space and is inherent to Space.
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• Percep3ons are organized by vectorized coherence. Tendencies conserved in maGer organized percep3ons are spa3alized as distribu3ons of non-‐linear harmonic transients.
• Life emerges naturally when condi3ons are met. Qubism Art arises to meet these condi3ons.
• Life is manifested through Holo’Fractal densifica3on.
• Neural Expressions are organized and informed by harmonic psychoac3ve densifica3on. Qubism frames the frameless.
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• Informa3on chroma3cally bound expresses space. We can see mul3ple spaces at once. Powerful crea3ve energe3cs are released via mul3ple spaces.
• Viewer in more than one place there is no ground of past. Colors rebound into their own space. Yellow is never seen as more yellow nor violet as violet.
• Holo’dimensional space rotates and remains fixed while preserving harmonic integrity. Space projec3ons do radical and irreversible non-‐linear changes to the figure as a whole. The form of the figure is retained in a topological con3nuity. The harmonics move through the air of the viewer.
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• Through an evolu3on of lower dimensional objects expressed through a higher dimensional space art be projec3ve dimensional space
• All sorts of par3cles and living designs adhere on that dimensional surface forming the material lens.
• Dimensional space allow an en3rely new set of possibili3es. Par3cles of percep3on confined to 3-‐dimensional surfaces as form moving through a dimension of 3me never venturing beyond that.
• Coherent Space expressed culturally includes Holographic Imagery that the whole network of knowledge and connec3ons are everywhere distributed for instant and deep access.
• This allows the instant re-‐crea3on of extended reality everywhere linked with any other place anywhere. This will birth the fusion of the vernacular processes with self-‐educa3ng global sharing of syntropy.
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• We are liberated to epitomize the Mean.
• Constraints are op3mized as a spectrum of Holographic Informa3on through an elegance of design (holding of dynamic forces), a spontaneous efficiency of organiza3on, contextual resonance, and the economies of rela3onships.
• Genius Lotus of Complexity; celebrate diversity, contextual veracity over homogenized anomie, elegance and efficiency, the proper syntheses paGern binding the dynamics of fields with form.
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• The dynamics of the Golden Mean is the basis of Life proper3es. The basis of the condi3ons in complexity space for the emergence of self-‐reflexive consciousness is perfect dynamic media3on. An op3mum expression of energy-‐efficiency, achieved as a means of genera3ng the maximum complexity of informa3on structures of energy and maGer at the lowest energy cost.
• The crea3ve conceptualiza3on of Pure Principle through the Oversoul of Holo’Qubis3c Art.
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• Dynamic art can be seen as a dissipa3ve, open system like an organism, which absorbs low entropy coherence.
• Visual viewing, as an act of metabolism. The less entropy produced, the less energy wasted. This can be achieved at both the local (part) and global (whole and beyond) scale.
• Holo’Qubism Art is the interdependent carrier of meaning, as metabolism.
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• Experience Crea3on Whole from the Source that is the Creator eternal to the Real Space of the Mother of all Manifes3ng Poten3al Through Material Space for Subjec3ve Space Reorganiza3on.
• Modern Media is Wormhole in nature, holo to the fractal evolu3on of Material Space. It connects through another dimension. This shit from Fractal to Holo’Fractal Evolu3on is the threshold of Human Consciousness.
• Then to Co’Holofractal Evolu3on which is the invoking into the world through Technics, an Evolu3on that is collec3ve and is Enlightened.
• Holo’Qubism creates evolu3onary incarna3ons of harmonic Life, which allow explora3ons of syntropic crea3on.
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Light from a light source is emiRng into the space/3me material world but is conserving its symmetry in the higher complex dimension, i.e. it is absorbing an equal poten3al through the Zero Point Dimension.
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• Holo’Space discovers what is prior to Vector Space.
• The surface is a frameless field projector of Space with Dimensional proper3es. Space itself is the medium.
• The viewed surface is a projector of complex dimensional space. By building, infusing, vectorizing and evolving the space, dimensionally complex harmonic resonance is anchored amplified. The flow of informa3on poten3al is conserved in the complex space but liberated through the surface projector, which syntropically and negentropically ac3vates the viewer.
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New Cause
• Holo’Space acts by installing New Cause into the Root Directories of the Incarna3ng Being. These replace the "Unprincipled Direc3ves" that perpetuate the Karmic Pathways. . Our illusions hide the Universal Being from our Awareness. This is akin to installing a new opera3ng kernel into fields of life. Oscilla3ons by their nature are expressions of Divine Presence
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Holo’Dimensional Space • Essen3al nature express alchemical living presences and
crea3ve ecologies. • Appearance arises according to the complex condi3ons of
resonance and harmonics. • Rooted as universal harmonic transware, transcendent to
Material Space. • Transware building of harmonic informa3on fields
containers of poten3alized crea3vity. • Everything is rooted through a universal harmonic
transware. • The perceiver views the Holo’Dimensional Space from but
one perspec3ve out of a nearly infinite number of perspec3ves.
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• Ordering a field of poten3al ini3ates the reordering of harmonic wave pairs.
• The bindingness of form is liberated through Holo’Dimensional expressions.
• Coherent Space radiates self-‐similarity resonance.
• Energy flow converges from coherent complexity space and diverges from surface space. Harmonic resonant space rela3ons form fields of force with life proper3es.
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• Qubis3c Art organizes the rela3vely randomized energies of the viewer giving rise to coherent phenomena including visionary insights. Gravita3onal effects can be experienced, being a by-‐product of the coherent principle expressed.
• Field effect propulsion can arise without a material medium.
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• Transware building of harmonic informa3on fields containers of poten3alized crea3vity.
• Everything is rooted through an universal harmonic transware.
• The perceiver views the Holo’Dimensional Space from but one percep3on out of a nearly infinite number of perspec3ves.
• The denser the harmonic resonant space, the more life-‐tronic fields become alive. The frameless projec3on of dimensional space densi3es harmonic mass.
• Mass is condensed informa3on. Holo'Space condenses mass.
• Harmonic complexity space expresses coherence, exis3ng across scale as synforma3on; syntropic informa3on fields. Scales of energy emerge with Holo’Dimensional proper3es. Harmonic complexity space reveals how life emerges from space.
• Energy and informa3on scale across dimensions. Tradi3onal Arts express linear parameters. (Linear and Non-‐linear together at the edge of complex chaos)
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• Harmonic complexity space expresses coherence, exis3ng across scale as synforma3on; syntropic informa3on fields.
• Scales of energy emerge from Holo’Dimensional proper3es. Harmonic complexity space reveals how life emerges from space.
• Energy and informa3on scale across dimensions. Tradi3onal Art expresses linear parameters.
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• Qubis3c Art frames evolve through a con3nuumiza3on of itself.
• Such Art is Itself. It is not a symbol or rendering of something else. With Holo’Qubis3c Art process, form and rela3onship are unified.
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• Holo’Qubis3c designers act as mediators, coordinators and catalysts for emergent, complex spontaneous form to arise.
• The final cause of least ac3on is the op3mal ar3fact for this role.
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• Holo’Dimensional Qubism shows how evolu3onary order emerges out of any kind of chaos.
• Hardwired into Existence, Life is encoded to appear everywhere. Life is hardwired into Existence!
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Non-‐Linear Harmonic Transients
• Coherent Syntropics do not involve … with spa3al or dimensional limita3ons.
• Holo’loca3ons exist as Holo’harmonic fields.
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• Life itself is a Holo’Dimensional Coherent Space projected through Material Space.
• Mind is the syntropic expression of this formula.
• This is the incarna3on of spirit. Bondage is the habitua3on to Subjec3ve incarna3on.
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• Spiritual darkness comes from aGachment by the subjec3ve soul to Material Space.
• Subjec3ve Space masquerading as Material Space.
• Coherent Space is the memory of maGer.
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Energy flow converges from complexity space and energy flow diverges from surface space. The harmonic resonant space rela3ons are themselves dense "virtual" life-‐tronic fields.
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• Through radical complexity, linear and non-‐linear coherence and spontaneity are maintained.
• Harmonic complexity space is dense, giving density to mass and ecology. The very condi3ons of Space can evolve.
• The resonance strength between a harmonic and its super-‐symmetric rela3onships are closely aligned. Density of super-‐symmetric informa3on manifests real energy when grounded through a receiving viewer and an appearance of real mass through Psychic re-‐organiza3on via syntropic harmonics expressing through the frame-‐view.
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• The realiza3on of syntropic harmonics is an extension of symmetries associated with space and 3me. Harmonics Complexity is right at the root of the scaling of dimensions penetra3ng the root at every point of existence. Pure poten3al is pure intelligence.
• When poten3alized harmonics break it produces according its nature of the roots of unique space-‐regions a holoarchy of wave par3cles seen as movement of form in space.
• Holo'dimensionality provides a means to explore the nature of primordial existence.
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Harmonic Densifica3on • Harmonic densifica3on occurs when the syntropic and/or negentropic fields increase geometrically.
• Super-‐symmetry harmonics appear through the viewer’s field of consciousness and are geometric in this sense. A reorganiza3on of the psycho-‐synap3c membranes as a scalar poten3al across scale as dimensional fields of expression.
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• Syntropic means moving together and goes from Coherent Space to Subjec3ve Space as an increase in harmonics.
• Negantropic means nega3ve entropic arising energy field self-‐organizing towards an organizing higher order, and goes from Real Space to Material Space. It is expressed as an increase in symmetry. With sufficient density, it is able to store mul3ple gigabytes of informa3on. This is the life field of Holo’Space Qubism.
• Samadhi and spontaneous healing are condi3ons where the higher dimensions reorganize lower dimensions.
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• We can the four-‐field of space-‐3me as the quantum reversibility with the non-‐linear rela3vis3c of place and the vector of 3me as the direc3ng energies. Thus we transmit the fire of the Divine Plan of Design of and as Principle, the Archetypal molders of the 3meless unity of all vectors of possibili3es.
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Non-‐local self-‐referencing webs of interrela3onships persist and develop, characterized by a high degree of corrella3on imposed by symmetry. Imposed correla3ons have momentum-‐energy rela3onships with other entrained systems. This cons3tutes the con3nuous forma3ve basis to the evolu3on of space.
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• Local chance events underlie and create our apparent reality in the most fundamental of ways, and yet they paradoxically are the basis for global causality. We amplify the local un3l it has Global Wave-‐effects. Dynamic equilibrium. Pure Newtonian causality is an incorrect (finite) view; so is complete uncertainty and infinite chance. Presence is pure causality and pure spontaneity.
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• This local energy-‐minimizing behavior, when applied to the large numbers of shit-‐opera3ons implicit the complex neural and metabolic processes of individual organisms -‐ allows global stability to be maintained in the face of an environment in constant flux.
• This stability has just enough crea3vity in it to deal adap3vely with most new situa3ons. A flux between order and randomness, with not too much of either extreme, is the key to any act of both evolu3onary adap3vity with homeostasis.
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The Golden Mean is the primary mediator, the pathway to op3mized stability, a metaphor for Holo’Qubism embedded in the greater evolu3onary impera3ve-‐-‐the behavior of nature leading to a pathway to reveal Art as Life.
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• For Holo’Qubism the first emergent feedback-‐led evolu3on is in the design process itself; the formal cause being the result of the processes that inform it.
• Rich feedback loops result. The ar3st then acts as mediator, coordinator and catalyst for the emergent, complex space to arise.
• The ar3st personifies the op3mizing impera3ve of Phi in his or her role in the design process.
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• Designs display a form of metabolic homeostasis with an emergence of system-‐memory and learning capaci3es. Recursive loops exist in the design. Dynamics synthesize with sta3cs, linear with non-‐linear.
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• Coherent Space is manifes3ng as a networked, mul3-‐dimensional reality field.
• Every computer screen is a window − geographical distance is irrelevant. Objects seen or heard are neither physical, nor necessarily representa3ons of physical objects, but are in form, character, and ac3on made up of data or pure informa3on.
• This informa3on is derived from the opera3ons of the natural, physical world but is derived primarily from the immense traffic of symbolic informa3on, images, sounds, and people, that cons3tute human enterprise in science, art, business and culture.
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• Holo’Qubis3c design architecture is imbued with Phi/Chaos dynamical symmetry; the Golden Mean in novel ways, not sta3cs and state, but via dynamics and process: tension, as paradox, as a dynamical unity of opposites, the finite with the infinite reciprocal, fusing the linear with the non-‐linear, the ordered with the random -‐ and causality with chance.
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• This is the Logos of Heraclitus of Ephesus, or the Tao of Lao Tsu. It is a universal archetype in the Jungian sense.
• Gaia is a paradigm for global homeostasis based on Complexity. The whole planet minimizes its entropy-‐produc3on at the edge of Chaos because of the Coherent Space transceiving of the biosphere.
• Qubism reveals the cultural impera3ve of the collec3ve direc3on.
• Topology of dialec3c harmonics bound via spa3al development.
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• Some3mes a statement is too complex and reflexive to be proven -‐ one falls prey to tautology and paradox. Our highest success will come in the marriage of the surprise and freedom with an elegant field of organizing processes that will allow the spontaneous evolu3on of the new and the new poten3al actualized.
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• Symmetry is a sign that a theory is viable, because nature exhibits symmetry in so many ways.
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Water
• Water on cellular levels are holders of coherent space condi3ons. Through the dipole crystal liquid nature.
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How is coherent space found in the world? Through
that which is presence…
• Coherent space is the quality aspect of existence and Shak3 space is the quan3ty aspect.
• Principles are the basis of all. • Creator is an infinite intelligence. The words omnipotent, omniscient, and omnipresent all express the idea of infinite consciousness
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• The state of Being is the founda3on of all existence. Being is mo3onless and was the primal state before the original act of crea3on occurred. This is because the universe exists within the consciousness of the Original Creator. The original act of Crea3on was infinite in its poten3al, causing not just the crea3on of one universe, but an infinite number of universes.
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• The male-‐female principle, as in the original Crea3on, is not the same idea as a comparison between men and women. Men and women on Earth each contain a mixture of both male and female aGributes. A man is physically a more male version of the human gender mix, and a woman is physically a more female version. The Father Creator principle of consciousness, however, is energe3cally pure male and works in synchronicity with the pure female principle, which is the Mother Creator principle of Pure Impulse. Behind this lays the Absolute Beyond Space Itself.
An exact balance between the male and female crea3ve principles made possible the manifesta3on of the consciousness templates for an infinite number of universes.
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• Coherent is thought like • Real Space is feeling like • The fundamental formula of crea3on is, “Coherent Thought plus Real space Feeling equals manifesta3on.”
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• Dimensions are the fundamental building blocks of reality. We live in a conscious universe because the universe was created en3rely from original consciousness. Every aspect of the universe, from stars to humans and even sunlight, are all composed of 100% original consciousness.
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• New Paradigm of Transmuta3on -‐ Holo'Scalar Restora3on Theo'Surrec3on
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• The Creator's Design Science has as its basis a Cosmic Language, an Original Re'Sonics. The 27 Holo'LeGers are the Fundamental Principles out of which All That Is Emerges.
• Principles are Holographic in Nature in that All Principles exist under all condi3ons and scale.
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Holo’Space Principles Electricity, Magne4sm, Equilibrium, Cohesion, Cogni4on, Expansion, Contrac4on, Intelligence, Grace, Philosophy Intui4on Inven4ons Freedom Void Dimensionality Harmony Insights The Geniis Light MaGer Music Arts Rhythms Miracles Chaos EMERGE FROM The Language of Holight Crea3on
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Electricity Magnetism Equilibrium Cohesion Cognition
Expansion Contraction Intelligence Grace Philosophy
Intuition Inventions Freedom Void Dimensionality
Harmony Insights The Geniis Light Matter
Music Arts Rhythms Miracles Chaos
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Level Expression of Divinity
What is its Ac3on Through
Regenerate Characteris3cs for Remedy Ac3on
Coherent Space Holo'Vision Oscilla3onal Templates
Principled Founda3ons
Mental Spiritual Thought PaGern Resonance Focus
Soul Feeling Energy Vibra3on Coherence
Ins3nct Body Ins3nct Form Iner3a
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Holo’Space LeGers • Through Principles all is brought forth, all existence and all
possibility. In our capacity and our knowledge of how to "pronounce" these "leGers" that they become effec3vely realized, a means by which we can embody directly that which is First Cause. Otherwise, Quabbalah is only an intellectual pursuit. The various leGers as they are rendered in English text can best be understood as a type of mul3sensory holographic complex. Parts of the body and elemental zones are focused even as it is dispersed throughout the whole psycho-‐spiritual field. These Holographic complexes are the simulitudes of the Original Divine Oscilla3ons and directly embody their potencies. For Quabbalah to become effec3ve certain facul3es must be unfolded and developed (trained) otherwise we simply do not have the capacity to speak the leGer just as a very small child does not have the capacity to speak because the necessary facul3es have not yet developed. Ater one's capacity has been developed and unfolded, one then has the opportunity to cause these primordial "principles" to become crea3vely ac3ve in the micro and macrocosm by crea3ve combining of various principles. 108
27 inherent therefore necessary for existence, Divine Principles as follows: Ain Sophia
Shekinah’s Design Science Fundamentals • Principle of Equilibrium • Principle of Polarity • Principle of The Eucharist • Principle of Quadra-‐polar Magnet • Principle of Akasha • Principle of Harmony • Principle of Grace • Principle of Language • Principle of Clarity • Principle of Purity • Principle of Iden3ty • Principle of Love • Principle of Omnipotence • Principle of Virtue • Principle of Magne3cs • Principle of Cohesion • Principle of Jus3ce • Principle of Evolu3on • Principle of Expansion • Principle of First Appearance • Principle of Freedom • Principle of Ingenuity • Principle of Intui3on • Principle of Cogni3on • Principle of MaGer • Principle of Voidness • Principle of Rhythm
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• Tri-‐Elemental Pronuncia3on – Shin Holo'Color – Aleph Carrier – Tone Mem Feeling
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• Holo'Sensory Sensoriums • Dynamic Holibrium
• Holo'Presence Ac3va3on • Ul3mate Sensory Field Prac3ce
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• Founda3on Tablets of Crea3on • Language of Holight Crea3on • Theo'Surrec3on • Apriori Kingdom Vibratory Templates
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Scalergy • Space3me Densifica3on – Non-‐rela3vis3c curvature – Intellergy as S.T.E.M./Space Time Energy Mass – Asymmetrical Dynamic Equilibrium – Harmonic Drive Systems
– Non-‐linear Algorithms of Space – Inphotonic Shock Waves – Vortex Holo'Descent
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Universally Principled Templates
– Art as Virtual Life – Cosmic Acupuncture – Nega3ve Gravity – Dissipa3ve Visual Structures – Self-‐Boundedness Across Scale
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Seven-‐headed Heterarchy
Psychology of The Divine -‐ Arts • Concerned with The Basic Characteris3cs – Light -‐ Process – Magne3sm -‐ Rela3onship – Energy -‐ Object – Design – Symmetry – Scale – Flux
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Reflected in The Human Being • Illumina3on or Wisdom • AGrac3veness or Love • Intelligent Ac3vity – Art – Science – Religion – Organiza3on
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• Art Divine divided into three stages. First Salva3on Art. Art consumma3on integra3on and purifica3on of vital expression, sen3ence and mental awareness. Directly related to Mass Consciousness Art.
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• The Second Stage Divine Art, Art of Enlightenment. Art of Solar Consciousness the integra3on of the three aspects deliberately induced revela3ons. Included is the process of group unifica3on through telepathic or resonant rapport, the Psycheology of 24 Lights.
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Art of Libera3on
• Art of Libera3on Psychology of Source unifica3on of human with Cosmic Causal, the transcendence of Solar Consciousness and ascension via direct iden3fica3on unifica3on with the Whole.
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Objec3ve of Divine Art • Integrate Personality Vehicles to The Group then to the God/Goddess Global Self of the Transcendental Creator.
• Elucidate coherent founda3ons for the field of art axioms. Searching for founda3on through context limi3ng modern Art is wandering a jungle of ever-‐increasing meaninglessness. This present course of Art leads to simple coherent clear understanding to express full gestalts in range and depth. 120
• Lacking in tradi3onal Art are a set of axioms that can apply to living and non-‐living as well as micro and macrocosmic levels and the psychic dimensions. This Art of The Divine is an expression with applica3on to culture, economics, poli3cs… into a unified whole with no sharp demarca3on dividing different fields of human ac3vity and knowledge.
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• Energies of the electromagne3c spectrum of light tend to achieve a balance when a higher poten3al gets in contact with a lower poten3al. For instance, if you bring a hot body in contact with a cold one, a heat exchange occurs un3l both bodies approach the same temperature. Physicists call this process entropy.
• With Syntropic Forces, the opposite is the case. When a body of high Syntropic Force comes in contact with a body of lower poten3al, a process takes place we could call nega3ve entropy. Here the stronger poten3al draws energy from the weaker one becoming stronger but the net effect is posi3ve for both par3es. How? While the poten3al move up the gradient poten3al and poten3al is reduced for the party with a lower poten3al, s3ll the very exchange opens for both par3es to an infusion of syntropic force greater than that “lost” by the party with the lower poten3al. That is called “holding space”.
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• S3ll more marked is the difference of the space in which both energies act. As we all know, the electromagne3c energies diminish in intensity with the square of the distance from their source. They are totally part of the three-‐dimensional space of our visual and most kine3c percep3ons. That's why we need amplifiers of considerable strength if we want to pick up radio waves from a very distant transmiGer. This principle is valid for the space 3me con3nuum of the physicist. People of all ages who used life energies knew of the power of "psychic links," or iden3cal structures. Once a person who is working with life energies (such as a shaman, magician, or healer) has a psychic link to the target of his or her opera3on, he can bridge the physical space that separates him from the target, no maGer how distant it may be. Therefore it is obvious that work with life force requires a new model of space-‐3me. This model of space-‐3me is essen3ally different from the space-‐3me that the physicist describes, yet it interacts with it. It is a hyper space in which iden3cal objects establish warps, or direct contacts. The natural law of ac3on of life energy is simple. It states that DISTANCE IS A RESULT OF STRUCTURAL DIFFERENCE.
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• Science of The Sacred Word, the Cosmic Language to awaken the Divine Poten3als in All of us. The Ac3va3on and release of these Divine Expressive Elements in the sutbtle organizing Presence allows the appearance of a new set of condi3ons. These conditons bring a change in the opera3ons of all the bodies.
• The Original Language is Principle. Understanding and applica3on of Principles are at the root of all human transforma3onal technologies and social and personal evolu3on. For example, without an understanding of equilibrium (fulcrum) and polarity, the use of levers and leverage would not be recognized. The Eucharist is based on the principle of self-‐spiritualiza3on or transforma3on by receiving from a higher order. The work of Prigogine on systems far from equilibrium is based in part on the same principle. Steam engines could not exist without the expansion principle while Expression expresses the Principle or Oscilla3on of Freedom.
• Word as Expression of Divinity ini3ated Crea3on Itself. At the root of All That Is is a "Creator's Design Science". Quabbalis3cs here is understood as that Science. A set of Principles are necessary for Crea3on. Out of these Principles, The Creator creates All That Is.
• Forms of Intelligence are Forms of Principle. 124