AP-61

(MONPHONIC)

HIS TRIO and

NONET

“Music with the Modern Touch”

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“MUSIC WITH THE MODERN TOUCH’

PERSONNEL OF THE TRIO Herbert Pilhofer, piano; Dale Olinger, guitar; Stuart Anderson, bass viol.

A well integrated group — flexible and talented. It is their avowed purpose to develop a style by which their group can be identified: in this album they show their interest in exploring various possibilities for this type of instrumentation.

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THE NONET Herbert Pilhofer, piano-celesta; Jack Coan, trumpet; Paul Binstock, french horn; Stanley Haugesag, trombone; David Karr, flute-bass

clarinet-baritone saxophone; Robert Crea, alto-bass clarinet; Dale Olinger, guitar; Robert Pope, drums; Stuart Anderson, bass viol.

Mr. Pilhofer says, “The nonet is actually an octet. | have been working with it for several years now — plus one! Dale Olinger has joined us with his guitar.” This group, which was originally organized as a rehearsal-experimental unit, does concert work

around Minnesota and adjoining states and is featured each summer at the Walker Art Center in Minneapolis.

Side |

1. Conversation (Trio) — Jose Ferrer 2. I’m Beginning To See The Light (Nonet) —

Duke Ellington Canon (Trio) — Werner Heider You’re My Thrill (Nonet) — Lane and Washington |

5. Jordu (Trio) — Duke Jordan

Side 2

1. There’s A Small Hotel (Trio) — Richard Rogers 2. ‘Round About Midnight (Trio) — Thelonius

Monk 3. Bemsha Swing (Nonet) — Thelonius Monk 4. Softly As In A Morning Sunrise (Trio) —

Sigmund Romberg 5. Monk’s Cloth (Trio) — Don Specht

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Although Herbert Pilhofer should not be likened to a “Dr. Jekyll and

Mr. Hyde’, he nevertheless is on both sides of the fence: during the day

he is on the campus of the University of Minnesota where he is a staff

member; at night he practices what he preaches: he headquarters with

his group at a Minneapolis night club.

Herbert Pilhofer’s interpretation of the various selections in this album

suggest the European touch. He was born in Nuremburg, Germany, about

twenty-nine years ago and has been in the United States since 1954.

His musical activities in Germany included performances for the Armed

Forces radio network, Radio Munich, and several special shows for the USO.

lt will repay you, both in pleasure and in dollars, to carefully watch the condition of your stylus. A “permanent” stylus may permanently damage your records. A diamond stylus

is the cheapest and best to use buf even a diamond is not permanent. Your dealer will be glad to examine your stylus for you under a microscope and tell you when it

should be changed. Changing a stylus in time will save irrepairable damage to your records.

We neither monitor nor compress our program material to meet the limitations of obsolete or inadequate equipment. All Audiophile records are deliberately made with the

widest dynamic range feasible, and play back only with high grade electromagnetic pickups is contemplated. The true beauty of Audiophile records will be brought out only

on high quality equipment, in good operating condition.

AUDIOPHILE RECORDS, INC, ssrvue wisconsin Printed in U.S.A,

AUDIOPHILE AP-6]