harmony that matters · 2019-12-11 · this is what guitarists like sor, giuliani, mertz, regondi,...
TRANSCRIPT
Har mony That Matters
Major and Minor Triads
Daniel Nistico
Preface The guitar is an instrument founded on harmony. Dionisio Aguado said that “ guitar music is founded on chords”. This means that chords are found behind any piece written for the guitar. So what would happen if you never practiced chords in a systematic and thorough way? You won’t have a connection or understanding of the foundations of guitar music.
Practicing exercises in harmony can seem overwhelming - it’s like learning the vocabulary of a whole new language! But this time is well worth the effort, as it enables you to make huge leaps in progress when sight reading or learning pieces. You’re essentially practicing the stuff music is made of. If you don’t practice exercises like these, then you will very slow progress sight reading and learning new pieces. Each new piece you read or learn will feel like going back to square one.
While there is some theoretical information presented, it’s aimed to be minimal and focus much more on the practical side of harmony. This is what guitarists like Sor, Giuliani, Mertz, Regondi, Tarrega and Bream practiced. This tradition is now lost.
Practicing “A thorough knowledge of the Theory of Harmony, which may also be gained practically by means of the finger- exercises, assists us much in playing at sight; on the contrary, he who has only a mere superficial knowledge of it, and that only in his brains, will only be led the more astray”
—- Carl Czerny (one of Beethoven’s most prized pupils)
This is an enlightening quote that reveals the secret to learning harmony. It’s all about practicing harmony and not just having knowledge of it in your head. Practice harmony first and the knowledge will come later. Music is sound, not math. You need to hear and play any and every aspect of harmony you learn about before trying to understand it intellectually.
It only takes a little bit of practice each day for these harmony exercises to sink in. Try dedicating one week to one key, practicing that key everyday. Doing that would take you 12 weeks to master these triads. If you want to go more slowly and take your time, try dedicating one month to one key. In 12 months you will have a very solid foundation of harmony.
!1
�10
C Major
“A pure, certain and decisive manner, full of innocence, earnestness, deepest religious feeling.”
“Completely pure. Its character is innocence, simplicity, naïvety and children's talk.”
“State of nature, virginal chastity and purity, lovely innocence of youth.”
L’Innocence - William-Adolphe Bouguereau (1825-1905)
Chords and Rotations
423 3
20 2
01 001 3
41
VIII
23
423
VIII
23
341
0
01 2
01 3
20 2
43
421 2
II
4
231 310
V
3
231 3
21
231
V
3
013 231 2
II
4
421
120 100 000 3
21 2
III
3
43
2 431 4
3
2 2
III
3
213 00
0 001 12
0
312 210 020 0
0
0 231 3
21 4
23
321
231 0
0
0 020 210 312
001 3
42 413 132 2
II
3
43
1 2
31 4
31 2
II
3
132 413 342 00
1
120 2
4
1 210 432 421
VII
3
241
VII
3
421 432 210 1
24
120
431 3
II
4
123 2
V
3
342 4
31 3
42
2
V
3
123II
4
3 431
423 132 3
II
3
231 3
21 4
23
321
231
II
3
3 132 423
40
0
21
3
030
214
4
01
134
4
01
214
003
21
3
40
0
032
021
3
02
3
V3
4
31 4
X4
4
31
3V3
3
02
021
032
02
0
103
04
0
134
214
XII
4
h4
214
134
04
0
103
020
010
3
02
010
204
14
0
134
14
0
204
010
302
10
0
0
2
1
032
0II
3
12
4
VII
4
4
34
1 VII
4
4
12
4
0
II3
032
02
1
100
231
001
VII
33
314
XII
4h4
314
VII
3
3
001
231
100
012
3
01
21
3
431
14
2
431
1
3
2
0
31
012
3II6
041
3
II
3
14
3
VII
44
431 VII
44
14
3
II
3
3
041
3II6
4
Harmonized Scale (Rule of the Octave)
III
6
43
1
0
00 0
201 3
III4
4
23
4312
3
4
21
VIII23
3
VIII2
3
3 4213
VII4
2 43
12
III4
2
4102
100
0 0
01
3
0
21
0
4
1
2
0 0123 2
100 0
0
12
4312
3
412
V3
3
V
3
3
4
2
31
4321
3
421
00
01
0123
4
1
2
0 01
0
2
III
6
23
4
4132
II
0002
40
21 4
12
3 4301
3
124
III3
23
III3
23
213
42
2310
3
41
2 3
001
41
23
0002
0
002
3
1
2
0 2
0
10 4
3
21 1
0
34
0013 3
1
40 0
002
0002
4301
0231
4321
0132
0012
3
210 0
0
0
2
2
1
A Minor
”Pious womanhood and tenderness of character”
“Expressive of tender, womanly feeling. Most effective for exhibiting the quiet melancholy sentiment of Northern nations. A minor also expresses sentiments of devotion mingled with pious resignation.”
The Mourning Virgin - Hans Memling (c. 1433-194)
Chords and Rotations
423 3
20 2
01 001 3
41
VIII
23
423
VIII
23
341
0
01 2
01 3
20 2
43
421 2
II
4
231 310
V
3
231 3
21
231
V
3
013 231 2
II
4
421
120 100 000 3
21 2
III
3
43
2 431 4
3
2 2
III
3
213 00
0 001 12
0
312 210 020 0
0
0 231 3
21 4
23
321
231 0
0
0 020 210 312
001 3
42 413 132 2
II
3
43
1 2
31 4
31 2
II
3
132 413 342 00
1
120 2
4
1 210 432 421
VII
3
241
VII
3
421 432 210 1
24
120
431 3
II
4
123 2
V
3
342 4
31 3
42
2
V
3
123II
4
3 431
423 132 3
II
3
231 3
21 4
23
321
231
II
3
3 132 423
40
0
21
3
030
214
4
01
134
4
01
214
003
21
3
40
0
032
021
3
02
3
V3
4
31 4
X4
4
31
3V3
3
02
021
032
02
0
103
04
0
134
214
XII
4
h4
214
134
04
0
103
020
010
3
02
010
204
14
0
134
14
0
204
010
302
10
0
0
2
1
032
0II
3
12
4
VII
4
4
34
1 VII
4
4
12
4
0
II3
032
02
1
100
231
001
VII
33
314
XII
4h4
314
VII
3
3
001
231
100
012
3
01
21
3
431
14
2
431
1
3
2
0
31
012
3II6
041
3
II
3
14
3
VII
44
431 VII
44
14
3
II
3
3
041
3II6
4
Harmonized Scale (Rule of the Octave)
III
6
43
1
0
00 0
201 3
III4
4
23
4312
3
4
21
VIII23
3
VIII2
3
3 4213
VII4
2 43
12
III4
2
4102
100
0 0
01
3
0
21
0
4
1
2
0 0123 2
100 0
0
12
4312
3
412
V3
3
V
3
3
4
2
31
4321
3
421
00
01
0123
4
1
2
0 01
0
2
III
6
23
4
4132
II
0002
40
21 4
12
3 4301
3
124
III3
23
III3
23
213
42
2310
3
41
2 3
001
41
23
0002
0
002
3
1
2
0 2
0
10 4
3
21 1
0
34
0013 3
1
40 0
002
0002
4301
0231
4321
0132
0012
3
210 0
0
0
2
2
3
C Major
A Minor
Practice the triads and inversions in the following keys.Practice option #1: Say the name of each note
Practice option #2: Say the name and inversion of each chordI recommend choosing the same keys that the pieces you’re playing are in
https://www.danielnistico.net/triads-from-fundamental-harmony.html
Roman numerals indicate the fret to barre and small numbers to the right indicate the number of strings to barre. The ‘h’ indicates a hinge bar.
(Long term - do it later!)
Practice the triads and inversions in the following keys. Practice option #1: Say the name of each note
Practice option #2: Say the name and inversion of each chord
I recommend choosing the same keys that the pieces you’re playing are in.
!2
�11
G Major
”Everything rustic, moderately idyllic and lyrical, each quiet and satisfied passion, each tender recompense for sincere friendship and true love; in a word, each gentle and serene motion of the heart can be expressed splendidly in this key.”
“Favourite key of youth, expresses sincerity of faith, quiet love, calm meditation, simple grace, pastoral life and a certain humour and brightness.”
The rustic dinner - Samuel Palmer (1805-1881)
Chords and Rotations
423 3
20 2
01 001 3
41
VIII
23
423
VIII
23
341
0
01 2
01 3
20 2
43
421 2
II
4
231 310
V
3
231 3
21
231
V
3
013 231 2
II
4
421
120 100 000 3
21 2
III
3
43
2 431 4
3
2 2
III
3
213 00
0 001 12
0
312 210 020 0
0
0 231 3
21 4
23
321
231 0
0
0 020 210 312
001 3
42 413 132 2
II
3
43
1 2
31 4
31 2
II
3
132 413 342 00
1
120 2
4
1 210 432 421
VII
3
241
VII
3
421 432 210 1
24
120
431 3
II
4
123 2
V
3
342 4
31 3
42
2
V
3
123II
4
3 431
423 132 3
II
3
231 3
21 4
23
321
231
II
3
3 132 423
40
0
21
3
030
214
4
01
134
4
01
214
003
21
3
40
0
032
021
3
02
3
V3
4
31 4
X4
4
31
3V3
3
02
021
032
02
0
103
04
0
134
214
XII
4
h4
214
134
04
0
103
020
010
3
02
010
204
14
0
134
14
0
204
010
302
10
0
0
2
1
032
0II
3
12
4
VII
4
4
34
1 VII
4
4
12
4
0
II3
032
02
1
100
231
001
VII
33
314
XII
4h4
314
VII
3
3
001
231
100
012
3
01
21
3
431
14
2
431
1
3
2
0
31
012
3II6
041
3
II
3
14
3
VII
44
431 VII
44
14
3
II
3
3
041
3II6
4
Harmonized Scale (Rule of the Octave)
III
6
43
1
0
00 0
201 3
III4
4
23
4312
3
4
21
VIII23
3
VIII2
3
3 4213
VII4
2 43
12
III4
2
4102
100
0 0
01
3
0
21
0
4
1
2
0 0123 2
100 0
0
12
4312
3
412
V3
3
V
3
3
4
2
31
4321
3
421
00
01
0123
4
1
2
0 01
0
2
III
6
23
4
4132
II
0002
40
21 4
12
3 4301
3
124
III3
23
III3
23
213
42
2310
3
41
2 3
001
41
23
0002
0
002
3
1
2
0 2
0
10 4
3
21 1
0
34
0013 3
1
40 0
002
0002
4301
0231
4321
0132
0012
3
210 0
0
0
2
2
5
E Minor
“Effeminate, amorous, grief, mournfulness, restlessness”
“Grief, mournfulness and restlessness of spirit.”
“Full of passion, painful palpitation and impetuousness. Contemplative character, autumn. Falling leaf and the bare-coming branches.”
Amorous Couple in a Landscape - Peter Lely
Chords and Rotations
423 3
20 2
01 001 3
41
VIII
23
423
VIII
23
341
0
01 2
01 3
20 2
43
421 2
II
4
231 310
V
3
231 3
21
231
V
3
013 231 2
II
4
421
120 100 000 3
21 2
III
3
43
2 431 4
3
2 2
III
3
213 00
0 001 12
0
312 210 020 0
0
0 231 3
21 4
23
321
231 0
0
0 020 210 312
001 3
42 413 132 2
II
3
43
1 2
31 4
31 2
II
3
132 413 342 00
1
120 2
4
1 210 432 421
VII
3
241
VII
3
421 432 210 1
24
120
431 3
II
4
123 2
V
3
342 4
31 3
42
2
V
3
123II
4
3 431
423 132 3
II
3
231 3
21 4
23
321
231
II
3
3 132 423
40
0
21
3
030
214
4
01
134
4
01
214
003
21
3
40
0
032
021
3
02
3
V3
4
31 4
X4
4
31
3V3
3
02
021
032
02
0
103
04
0
134
214
XII
4
h4
214
134
04
0
103
020
010
3
02
010
204
14
0
134
14
0
204
010
302
10
0
0
2
1
032
0II
3
12
4
VII
4
4
34
1 VII
4
4
12
4
0
II3
032
02
1
100
231
001
VII
33
314
XII
4h4
314
VII
3
3
001
231
100
012
3
01
21
3
431
14
2
431
1
3
2
0
31
012
3II6
041
3
II
3
14
3
VII
44
431 VII
44
14
3
II
3
3
041
3II6
4
Harmonized Scale (Rule of the Octave)
III
6
43
1
0
00 0
201 3
III4
4
23
4312
3
4
21
VIII23
3
VIII2
3
3 4213
VII4
2 43
12
III4
2
4102
100
0 0
01
3
0
21
0
4
1
2
0 0123 2
100 0
0
12
4312
3
412
V3
3
V
3
3
4
2
31
4321
3
421
00
01
0123
4
1
2
0 01
0
2
III
6
23
4
4132
II
0002
40
21 4
12
3 4301
3
124
III3
23
III3
23
213
42
2310
3
41
2 3
001
41
23
0002
0
002
3
1
2
0 2
0
10 4
3
21 1
0
34
0013 3
1
40 0
002
0002
4301
0231
4321
0132
0012
3
210 0
0
0
2
2
7
G Major
E Minor
!3
�12
D Major
“The key of triumph, of Hallelujahs, of war-cries, of triumphant rejoicing. Thus inviting symphonies, marches, festive songs and heaven-rejoicing choruses”
“Majesty, grandeur, and pomp, and adapts itself well to triumphal processions, festival marches and pieces in which stateliness is the prevailing feature.”
Triumph of the name of Jesus - Giovanni Battista Gaulli (1639-1709)
Chords and Rotations
423 3
20 2
01 001 3
41
VIII
23
423
VIII
23
341
0
01 2
01 3
20 2
43
421 2
II
4
231 310
V
3
231 3
21
231
V
3
013 231 2
II
4
421
120 100 000 3
21 2
III
3
43
2 431 4
3
2 2
III
3
213 00
0 001 12
0
312 210 020 0
0
0 231 3
21 4
23
321
231 0
0
0 020 210 312
001 3
42 413 132 2
II
3
43
1 2
31 4
31 2
II
3
132 413 342 00
1
120 2
4
1 210 432 421
VII
3
241
VII
3
421 432 210 1
24
120
431 3
II
4
123 2
V
3
342 4
31 3
42
2
V
3
123II
4
3 431
423 132 3
II
3
231 3
21 4
23
321
231
II
3
3 132 423
40
0
21
3
030
214
4
01
134
4
01
214
003
21
3
40
0
032
021
3
02
3
V3
4
31 4
X4
4
31
3V3
3
02
021
032
02
0
103
04
0
134
214
XII
4
h4
214
134
04
0
103
020
010
3
02
010
204
14
0
134
14
0
204
010
302
10
0
0
2
1
032
0II
3
12
4
VII
4
4
34
1 VII
4
4
12
4
0
II3
032
02
1
100
231
001
VII
33
314
XII
4h4
314
VII
3
3
001
231
100
012
3
01
21
3
431
14
2
431
1
3
2
0
31
012
3II6
041
3
II
3
14
3
VII
44
431 VII
44
14
3
II
3
3
041
3II6
4
4
3
0
1II4
2
42
IX
23
2
34
V4
3V
23
43
21
32
41
X623
X62
3
13
4 4
21
4
2
4
312
II422310
II 6
23
4 123
1230
3
II 2
4 23
4312
3
412
VII3
3
VII
3
3
43
21
234
1
3
421
II4 2
130
2 4
II 6
123
23
430
0 4132
II4
3 3400 0
0
21
4
13
23
4
21
V323
V32
3
4213
IV4
2
42
0010
II4
43
41
23
4
23
0
II6
4
2
3 II3
30
43
21 2
1
43
4
13
23 412
II33
II33
V44
2 4231
4321
4
3
2
1
II3
30
4
II6
2
3
1
3
3
9
B Minor
“B minor, is, as it were, the key of patience, of the silent expectation of fate, and of the submission to the divine decree. Therefore, its complaint is so gentle, without ever breaking out in offending murmurs or whimpers.”
“Very melancholy, tells of a quiet expectation and patient hope. It has been observed that nervous persons will sooner be affected by that key than by any other”
Malinconia - Francesco Hayez
Chords and Rotations
423 3
20 2
01 001 3
41
VIII
23
423
VIII
23
341
0
01 2
01 3
20 2
43
421 2
II
4
231 310
V
3
231 3
21
231
V
3
013 231 2
II
4
421
120 100 000 3
21 2
III
3
43
2 431 4
3
2 2
III
3
213 00
0 001 12
0
312 210 020 0
0
0 231 3
21 4
23
321
231 0
0
0 020 210 312
001 3
42 413 132 2
II
3
43
1 2
31 4
31 2
II
3
132 413 342 00
1
120 2
4
1 210 432 421
VII
3
241
VII
3
421 432 210 1
24
120
431 3
II
4
123 2
V
3
342 4
31 3
42
2
V
3
123II
4
3 431
423 132 3
II
3
231 3
21 4
23
321
231
II
3
3 132 423
40
0
21
3
030
214
4
01
134
4
01
214
003
21
3
40
0
032
021
3
02
3
V3
4
31 4
X4
4
31
3V3
3
02
021
032
02
0
103
04
0
134
214
XII
4
h4
214
134
04
0
103
020
010
3
02
010
204
14
0
134
14
0
204
010
302
10
0
0
2
1
032
0II
3
12
4
VII
4
4
34
1 VII
4
4
12
4
0
II3
032
02
1
100
231
001
VII
33
314
XII
4h4
314
VII
3
3
001
231
100
012
3
01
21
3
431
14
2
431
1
3
2
0
31
012
3II6
041
3
II
3
14
3
VII
44
431 VII
44
14
3
II
3
3
041
3II6
4
4
3
0
1II4
2
42
IX
23
2
34
V4
3V
23
43
21
32
41
X623
X62
3
13
4 4
21
4
2
4
312
II422310
II 6
23
4 123
1230
3
II 2
4 23
4312
3
412
VII3
3
VII
3
3
43
21
234
1
3
421
II4 2
130
2 4
II 6
123
23
430
0 4132
II4
3 3400 0
0
21
4
13
23
4
21
V323
V32
3
4213
IV4
2
42
0010
II4
43
41
23
4
23
0
II6
4
2
3 II3
30
43
21 2
1
43
4
13
23 412
II33
II33
V44
2 4231
4321
4
3
2
1
II3
30
4
II6
2
3
1
3
3
11
D Major
B Minor
!4
�13
A Major
“This key includes declarations of innocent love, satisfaction with one's state of affairs, hope of seeing one's beloved again when parting, youthful cheerfulness and trust in God.”
“Full of confidence and hope, radiant with love and redolent of simple genuine cheerfulness, excels all the other keys in portraying sincerity of feeling. Almost every composer of note has breathed his sincerest and sweetest thoughts in that favourite key.”
Idleness - John William Godward (1861-1922)
Chords and Rotations
423 3
20 2
01 001 3
41
VIII
23
423
VIII
23
341
0
01 2
01 3
20 2
43
421 2
II
4
231 310
V
3
231 3
21
231
V
3
013 231 2
II
4
421
120 100 000 3
21 2
III
3
43
2 431 4
3
2 2
III
3
213 00
0 001 12
0
312 210 020 0
0
0 231 3
21 4
23
321
231 0
0
0 020 210 312
001 3
42 413 132 2
II
3
43
1 2
31 4
31 2
II
3
132 413 342 00
1
120 2
4
1 210 432 421
VII
3
241
VII
3
421 432 210 1
24
120
431 3
II
4
123 2
V
3
342 4
31 3
42
2
V
3
123II
4
3 431
423 132 3
II
3
231 3
21 4
23
321
231
II
3
3 132 423
4
3
0
1II4
2
42
IX
23
2
34
V4
3V
23
43
21
32
41
X623
X62
3
13
4 4
21
4
2
4
312
II422310
II 6
23
4 123
1230
3
II 2
4 23
4312
3
412
VII3
3
VII
3
3
43
21
234
1
3
421
II4 2
130
2 4
II 6
123
23
430
0 4132
II4
3 3400 0
0
21
4
13
23
4
21
V323
V32
3
4213
IV4
2
42
0010
II4
43
41
23
4
23
0
II6
4
2
3 II3
30
43
21 2
1
43
4
13
23 412
II33
II33
V44
2 4231
4321
4
3
2
1
II3
30
4
II6
2
3
1
3
3
40
0
21
3
030
214
4
01
134
4
01
214
003
21
3
40
0
032
021
3
02
3
V3
4
31 4
X4
4
31
3V3
3
02
021
032
02
0
103
04
0
134
214
XII
4
h4
214
134
04
0
103
020
010
3
02
010
204
14
0
134
14
0
204
010
302
10
0
0
2
1
032
0II
3
12
4
VII
4
4
34
1 VII
4
4
12
4
0
II3
032
02
1
100
231
001
VII
33
314
XII
4h4
314
VII
3
3
001
231
100
31
0
012
3
01
21
3
431
14
2
431
1
3
2
0
31
012
130
3II6
041
3
II
3
14
3
VII
44
431 VII
44
14
3
II
3
3
041
3II6
4
13
F# Minor
“F-sharp minor, a gloomy key. It pulls at passion as the biting dog at one's pants leg. Anger and discontent are its language. Ordinarily, it does not seem to be well in its position; therefore, it always languishes for the repose of A major or for the conquering bliss of D major.”
“Dark, mysterious and spectral key. Full of passion.”
The limpid water. Gloomy Day. Crimea - Arkhip Kuindzhi (1842-1910)
Chords and Rotations
423 3
20 2
01 001 3
41
VIII
23
423
VIII
23
341
0
01 2
01 3
20 2
43
421 2
II
4
231 310
V
3
231 3
21
231
V
3
013 231 2
II
4
421
120 100 000 3
21 2
III
3
43
2 431 4
3
2 2
III
3
213 00
0 001 12
0
312 210 020 0
0
0 231 3
21 4
23
321
231 0
0
0 020 210 312
001 3
42 413 132 2
II
3
43
1 2
31 4
31 2
II
3
132 413 342 00
1
120 2
4
1 210 432 421
VII
3
241
VII
3
421 432 210 1
24
120
431 3
II
4
123 2
V
3
342 4
31 3
42
2
V
3
123II
4
3 431
423 132 3
II
3
231 3
21 4
23
321
231
II
3
3 132 423
40
0
21
3
030
214
4
01
134
4
01
214
003
21
3
40
0
032
021
3
02
3
V3
4
31 4
X4
4
31
3V3
3
02
021
032
02
0
103
04
0
134
214
XII
4
h4
214
134
04
0
103
020
010
3
02
010
204
14
0
134
14
0
204
010
302
10
0
0
2
1
032
0II
3
12
4
VII
4
4
34
1 VII
4
4
12
4
0
II3
032
02
1
100
231
001
VII
33
314
XII
4h4
314
VII
3
3
001
231
100
012
3
01
21
3
431
14
2
431
1
3
2
0
31
012
3II6
041
3
II
3
14
3
VII
44
431 VII
44
14
3
II
3
3
041
3II6
4
4
3
0
1II4
2
42
IX
23
2
34
V4
3V
23
43
21
32
41
X623
X62
3
13
4 4
21
4
2
4
312
II422310
II 6
23
4 123
1230
3
II 2
4 23
4312
3
412
VII3
3
VII
3
3
43
21
234
1
3
421
II4 2
130
2 4
II 6
123
23
430
0 4132
II4
3 3400 0
0
21
4
13
23
4
21
V323
V32
3
4213
IV4
2
42
0010
II4
43
41
23
4
23
0
II6
4
2
3 II3
30
43
21 2
1
43
4
13
23 412
II33
II33
V44
2 4231
4321
4
3
2
1
II3
30
4
II6
2
3
1
3
3
15
A Major
F# Minor
!5
�14
E Major
“Loud shouts for joy, laughing pleasure, and still not altogether full gratification lies in E major.”
“The brightest and most powerful key, expresses joy, magnificence, splendour and the highest brilliancy.”
A Merry Party - Jan Steen (1625-1679)
3II
6
132 130 100 2
IV
3
43
1 213 4
3
1 2
IV
3
00
1 130 132 3
II
6
341 4
21 132 4
3
2 241
IX
3
241
IX
3
24
1 432 12
3 421 341
213 4
31 3
IV
4
321
VII
3
2 3
42
VII
12
3
321
IV
4
3 431 231
3I
6
1
02 3
4
1 132 2III
3
43
1 312 4
3
1 2
III
3
132 413
1
02 3
I
6
341 410 012 4
3
2 241
VIII
3
241
VIII
3
24
1 432 01
2 410 341
021 4
31 3
III
3
123 2
VI
3
42
32
VI
3
123
III
3
3 431 021
130 100 3
41 4
III
3
4
21 1
23 4
2
1III
3
4 341 100 1
30
2
021
3
01
10
2
140
214
4
IX
4
214
1
40
10
2
301
021
041
3
II
6
410
4
II
4
431
12
4
4431
4
II
4
4410
3II
6
041
20
1
34
1
2
10
IV
4
4
134
12
4
134 IV
4
4
2
10
34
1
20
1
21
3
140
14
3
1
2
4
VIII
4
4
1
2
4
1
4
3
140
213
3I6
240
4
I4
3
1
4
4
12
3
1
4
4
I4
240
3I6
01
3
134
III
3144
4
4
31
12
4
431 III
4
4
314
134
013
3
20
104
III
33
314
VIII
44
431 VIII
44
III
3143
3
104
3
20
5
0
0
13
4
231 1
3
42
43
21 0
431
0013 3
1
40 0
012
0
210
IV
443
0
31
2 4321
IV
6
32
II6
4
3 4132
1320
IV62
34
12
3
12
43 3
2 23
4
12
3 3
4
21
IX6
3
IX6
3
4
13
2
43
12
43
21
IV6 2 4
23
4 23
23
IV
6
43
4132
IV
4
33
4II 4
23
43
21
3
2
41
VII3
23
VII
3
32
4
12
3
VI42
34
12
II42 IV
443
4132
4321
VI6
43
III4
2 4
23
3
VI4
423
43
21 3
2
41
XI6
2
XI6
2
4213
X 2 43
21
VI4
2
4213
III4
2
42
4
17
C# Minor
“Laments or repentance, intimate conversations with God, the friend and the playmate of life, sighs of unsatisfied friendship and love lie in its circle.”
“So full of dignity and of inspiration. Serious and sad. Noble feeling, full of depth and energy.”
Jeremiah lamenting the destruction of Jerusalem - Rembrandt (1606-1669)
3II
6
132 130 100 2
IV
3
43
1 213 4
3
1 2
IV
3
00
1 130 132 3
II
6
341 4
21 132 4
3
2 241
IX
3
241
IX
3
24
1 432 12
3 421 341
213 4
31 3
IV
4
321
VII
3
2 3
42
VII
12
3
321
IV
4
3 431 231
3I
6
1
02 3
4
1 132 2III
3
43
1 312 4
3
1 2
III
3
132 413
1
02 3
I
6
341 410 012 4
3
2 241
VIII
3
241
VIII
3
24
1 432 01
2 410 341
021 4
31 3
III
3
123 2
VI
3
42
32
VI
3
123
III
3
3 431 021
130 100 3
41 4
III
3
4
21 1
23 4
2
1III
3
4 341 100 1
30
2
021
3
01
10
2
140
214
4
IX
4
214
1
40
10
2
301
021
041
3
II
6
410
4
II
4
431
12
4
4431
4
II
4
4410
3II
6
041
20
1
34
1
2
10
IV
4
4
134
12
4
134 IV
4
4
2
10
34
1
20
1
21
3
140
14
3
1
2
4
VIII
4
4
1
2
4
1
4
3
140
213
3I6
240
4
I4
3
1
4
4
12
3
1
4
4
I4
240
3I6
01
3
134
III
3144
4
4
31
12
4
431 III
4
4
314
134
013
3
20
104
III
33
314
VIII
44
431 VIII
44
III
3143
3
104
3
20
5
0
0
13
4
231 1
3
42
43
21 0
431
0013 3
1
40 0
012
0
210
IV
443
0
31
2 4321
IV
6
32
II6
4
3 4132
1320
IV62
34
12
3
12
43 3
2 23
4
12
3 3
4
21
IX6
3
IX6
3
4
13
2
43
12
43
21
IV6 2 4
23
4 23
23
IV
6
43
4132
IV
4
33
4II 4
23
43
21
3
2
41
VII3
23
VII
3
32
4
12
3
VI42
34
12
II42 IV
443
4132
4321
VI6
43
III4
2 4
23
3
VI4
423
43
21 3
2
41
XI6
2
XI6
2
4213
X 2 43
21
VI4
2
4213
III4
2
42
4
19
E Major
C# Minor
!6
�15
F Major
“Full of peace and joy, but also expresses effectively a light, passing regret — a mournful, but not a deeply sorrowful feeling. Available for the expression of religious sentiment.”
“Clear and simple. Free from all bitterness and melancholy.”
On the Shores of the Sea - Hans Knöchi (1850-1927)
3III
6
423 241I2
2 3
42 3
41 33
42 2
I2
2241 423 3III
6
001 143 142 1
2
3 231 3
21 4
32 3
21
231 123 1
42 143 010
3
31
2
041
321
34
1
214
4
X4
214
34
1
321
041
132
1
20
430
1
02
III
4
4
134
214
134
III
4
4
1
02
430
120
6
III6
23
4 32
2
43 3
2 23
43
21 3
4 21
VIII3
3
VIII3
3 43
21
4321
42
3
1
III6
2 423
4 32
32
I6
4
3 4132
III
4
33 4I4
23
43
21
3
2
41
VI3
23
VI3
32
4
12
3
V42
24
3
41
2
III
443
4132
4
23
1
III
6
34
2
343 4
3
21 2
34
1 4301
34 1
2
III3
3
III3
3
4312
34
21
32
01
3
41
2 III
6
43
4
2
3 3
I6
23
4
31
24
1
23 3
4
10 1
320
4213 3
412
I323
I323
4
02
1 0
1
00
0
01
3 2
30
1 III
6
4
3 4
1
23
42
13
5
33
D Minor
“Expresses a subdued feeling of melancholy, grief, anxiety, and solemnity.”
“A pensive key full of nobility and refined feeling.”
Pensive - Wladysław Czachórski (1850-1927)
3III
6
423 241I2
2 3
42 3
41 33
42 2
I2
2241 423 3III
6
001 143 142 1
2
3 231 3
21 4
32 3
21
231 123 1
42 143 010
3
31
2
041
321
34
1
214
4
X4
214
34
1
321
041
132
1
20
430
1
02
III
4
4
134
214
134
III
4
4
1
02
430
120
6
V6
23
4 23
4
23 3
2 2
3
4
213 3
2
41
X6
X6
4
2
31
4
123
43
21
V6 2 3
4
2 4 23
23
6
35
F Major
D Minor