grades 1 to 8: scales & arpeggios (classical guitar)
DESCRIPTION
Grades 1 to 8: Scales & ArpeggiosFor classical guitar.TRANSCRIPT
Guitar InitialAll to be performed mf with RH fingering: im (or mi), apoyando or tirando at examiner's choice unless otherwise stated, d = 60.
Major scales of C and G (range of a fifth from tonic to dominant)Minor scale of A (range of a fifth from tonic to dominant)Phrygian scale on E (i.e. all notes natural, including F) (1 octave; with RH fingering: p; tirando)
q = 60 1
C major scale
3 0 1 3 1 0 3 1
q = 60
0
G major scale
2 0 1 3 10 2 0
q = 60
2
A minor scale
0 1 3 0 3 10 2
q = 600
Phrygian scale on E
1 3 0 2 3 0 2 0 3 2 0 3 1 0
1
Guitar Grade 1All to be performed mf with RH fingering: im (or mi) unless otherwise stated.Scales to be performed at d = 100; arpeggios to be performed at d = 80.
Major scales of C and G (1 octave; apoyando or tirando at examiner's choice ) Major scale of F (1 octave; with RH fingering: p; tirando only)Dorian scale on D (all notes natural, including B) (1 octave; tirando only)Arpeggios of C major, and E minor starting on the 4th string (1 octave; tirando only)
q = 100 3
C major scale
0 2 3 0 2 0 10 2 0 3 2 0 3
q = 100
0
G major scale
2 0 1 3 0 2 3 2 0 3 10 2 0
q = 100 0
Dorian scale on D
2 3 0 2 0 1 3 10 2 0 3 2 0
q = 100 1
F major scale
3 0 1 3 0 2 3 2 0 3 1 0 3 1
q = 80
3
C major arpeggio
p 2
i
0
m
1
a0
m
2
i
3
p
q = 80
2
E minor arpeggio
p 0
i 0
m 0a
0
m0
i
2
p
2
Guitar Grade 2All to be performed mf and p with RH fingering: im (or mi) Scales: apoyando or tirando at examiner's choice; arpeggio andchord sequence: tirando.Scales to be performed at d = 126; arpeggio and arpeggiated chord sequence to be performed at d = 100.
Major scales of C and D (1 octave)Minor scales of A (in natural and harmonic and melodic forms)Arpeggio of E minor starting on the 6th string (1 octave)Arpeggiated D major chord sequence: ii–V–I
q = 126
1
V
C major scale
3 1 2 4 1 3 4 3 1 4 2 1 3 1
q = 126
0
D major scale
2 4 0 2 0 2 3 2 0 2 0 4 2 0
q = 126
2
A natural minor scale
0 1 3 0 1 3 3 1 1 0 3 10 2
q = 126
2
A harmonic minor scale
0 1 3 0 1 4 4 41 0 3 1
0 2
q = 126
2
A melodic minor scale
0 1 3 0 1 3 4 4 1 0 3 10 2
q = 100 Arpeggio of E minor
p 4
p 2
p 3
p
2p
4p
p
q = 100
2
Arpeggiated D major chord sequence: ii-V-I
p
i m a m i 1
p
2i m 4
a m1
i 2m
1
i3
p
p
3
Guitar Grade 3All to be performed f, mf and p in straight and swung rhythms. RH fingering: im (or mi) and ma (or am)Scales: apoyando or tirando at examiner's choice; scale in broken 3rds, arpeggio and exercise: tirando.Scales to be performed at d = 72; arpeggio at d = 60; half barré exercise at d. = 60.
Major scale of C (two octaves)Minor scales of D, in natural and harmonic and melodic forms (two octaves) Major scale of C in broken thirds (1 octave)Diminished arpeggio on A (1 octave)Half Barré exercise
q = 72 2II
C major scale
4 1 24 1 3 1
V
3 1 2 4 1 3 4 3 1 4 2 1 3
1 3
II1 4
2 1 4 2
q = 72 1
V
D natural minor scale
3 4 1 3 4 1 3 1 2 4 1 2 2VII
4 2 2V
1 4 2 1
3 1 43
1 4 3 1
q = 72 1
V
D harmonic minor scale
3 4 1 3 42 3 1 2 4 1 2
VIII2 3 2
2V
1 4 2 1
3 24
3
1 4 3 1
q = 72
1
V
D melodic minor scale
3 4 1 3 IX1 3 4 1 2 4 2
4 1 2 4V
2 1 4 2 1
3 1 43
1 4 3 1
q = 72 3
C major scale in broken thirds
2 0 3 2 0 32 0 0 2
1
4 3 1 04 3 2
1
0
0
3 2 1
00
43
2
10 3
q = 60
Diminished arpeggio on A
I
31 4
2 4 13
q. = 60
p
Half barré exercise
½CV
i ma
p
½CIIIi m
a
p
½CIi m a
p
½CV
4
Guitar Grade 4All to be performed f, mf and p in straight and swung rhythms. RH fingering: im (or mi) and ma (or am)Scales: apoyando or tirando at examiner's choice; arpeggios: tirando.Scales to be performed at d = 84; arpeggios to be performed at d = 54 (all in quavers).
Major scales of E and A (two octaves)Minor scale of B, in natural and harmonic and melodic forms (two octaves)Arpeggios of D major and B minor (two octaves)Dominant 7th arpeggio in the key of D, starting on A (two octaves)
q = 84
2IV
A major scale
4 1 24 1 3 4 1 3 4 2
4 1 2 1 4 2 43 1
4 3 1 4
2 1 42
q = 84
2VI
E major scale
4 12 4 1 3 1
IX3 1 2
4 1 3 4 31 4 2 1 3
1 3VI
1 4
21 4 2
q = 84
4IV
B natural minor scale
12 4
1 2 4 1 3 4 1V 3 4 1
3 14 3 1 4
IV3
1 4 2 1
42 1 4
q = 84
1
B harmonic minor scale
II3
4 1 3 42
3 1 2 4 1 2 V2 3 2
2II
1 4 2 1
3
24
3
1 4 3 1
q = 84
1II
B melodic minor scale
34 1 3
IV1 3
4 1 2 4 24 1 2 4
II2
1 4 2 1
3
1 4 3
1 4 3 1
q = 54
0
D major arpeggio
31 1
2 3
4 3
2 1
13
0
q = 54
1
B minor arpeggio
43
4 2
2
3 2
2 4
34 1
q = 54
0p
Dominant seventh arpeggio in D
3i
1p 4
m
1
i
2
m0
a 2m
4i
2m
0a
2m
1
i 4m
1p 3
i 0p
5
Guitar Grade 5All to be performed f, mf and p in straight and swung rhythms. RH fingering: im (or mi) and ma (or am). Tone: norm. and pont.Scales: apoyando or tirando at examiner's choice; arpeggios, scale in 3rds and Full Barré sequence: tirando.
Major scales of Bb and F (two octaves)Pentatonic major scale on C (two octaves)Arpeggio of Bb major (two octaves)Dominant 7th arpeggio in the key of Eb, starting on Bb (two octaves)Major scale of Bb in thirds (one octave) Full Barré sequence
q = 96
2V
Bb major scale
41 2 4 1 3
4 1 3 4 2 4 1 2 14
2 4 3 1
43 1 4
2 1
42
q = 96 1I
F major scale
3 1
V2 4 1 3 4 1 3 4
1 3 1 2 1 3 1 4 3
1
4 3 1
4
2 1 3
I1
q = 96 4
V
Pentatonic major scale on C
1 3 1 3 1 3 1 4 14
1 4 1 3 1
3
1 3 1 4
q = 60
1
Bb major arpeggio
p0
i
3p
3
p 2
i
½CV
1m 1
a
1m
2
i 3
p
3
p 0i 1
p
3
3 3
3
q = 60
2V
Dominant seventh arpeggio in Eb
1 42 4 3 2
VIII
2 4 22
V
3 4
2 4 1
2
q = 72
10
Bb major scale in thirds
13 3
1 01 2
3 13 3
1 43
31 1
3 32
10 1
3 13 0
1
q. = 60p
Full barré sequence
pp
i
m a
CI
CIII
CV
CVII
CIX
6
Guitar Grade 6All to be performed f, mf and p in straight and swung and triplet rhythms (triplet scales should be performed as follows:2 octaves: first note crotchet followed by running triplets; 3 octaves: running triplets from first note). RH fingering: im (or mi)and ma (or am) and imam.Tone: norm. and pont. and with a change of colour (norm.-pont.-norm.) throughout the scale.Scales: apoyando or tirando at examiner's choice; arpeggios and scales in 3rds: tirando.Scales to be performed at d = 100; arpeggios and scales in 3rds to be performed at d = 80.
Major scales of C (2 octaves) and G (3 octaves)Minor scales of C (2 octaves) and G (3 octaves), in natural and harmonic and melodic formsMajor arpeggios of C (2 octaves) and G (3 octaves)Minor arpeggios of C (2 octaves) and G (3 octaves)Diminished 7th arpeggios on C (2 octaves) and G (3 octaves)Dominant 7th arpeggios in the keys of F, starting on C (two octaves) and G, starting on D (3 octaves)Major scales of C and G in 3rds (2 octaves)Chromatic scale in octaves, starting on G (1 octave)
q = 100
2
II
C major scale
4 1 24 1 3 1
V
3 1 2 4 1 3 4 3 1 4 2 1 3
1 3
II1 4
2 1 4 2
q = 100
4
V
C natural minor scale
1 2 4 1 2 4 1 3 4 1
VI3 4 1 3 1 4
3 1 4
V3
1 4
2 1
4 2 1 4
q = 100
1
III
C harmonic minor scale
3 4 13 4 2
3 1 2 4 12
VI2 3 2
2
III 1 4
2 1
3 2
4 3
1 4 3 1
q = 100
1
III
C melodic minor scale
3 4 1 3 VII
1 34 1 2
4 24 1 2 4
III2
1 42 1
3 1 4
3
1 43 1
q = 100
2
II
G major scale
4 1 2 4 1 3 4
VII1 3 4 1 3 1 2 4 1 2 4 1
XII3 4 3 1
4
VII2 1 4 2
1 3 1 4
3 1 4
II
3
1 4 2 1
4 2
7
q = 100
1
III
G natural minor scale
3 4 1 3 4 2
VII
41 2 4 1 2 1
X3 1 2 4 1 2 2
XII 4 2 2X
1 4 2 1 3
1 2
VII1 4
2 1 4
2
4
III
3 1 4
3 1
q = 100
1
III
G harmonic minor scale
3 4 1 3 42
31
VII
2 4 1 2 X2 3 1 2 4 1 2
XIII2 3 2
2
X
1 4 2 1 3
22
VII1 4
2 1 3
III
2
4 3 1 4
3 1
q = 100
1
III
G melodic minor scale
3 4 1 3 VII
1 34
1 2 4 13 1 2 4
VIII4 1 3
XII1 3 4 4
X2
1 4 2 1 3
1 4V
3 1
43 1
III
1
4 3 1 4
3 1
q = 80
4
CV
p
C major arpeggio
3i m
a
i3
m 4a
3m i
a
m
3i 4
p
3
3 3
3
q = 80
1
III
p
C minor arpeggio
4i
3m
4
a
2i
VII
2m 3
a
2m
2
IIIi
4
a
3
m4
i 1p
3
3 3
3
Guitar Grade 6 continued
8
q = 80
1
III
G major arpeggio
p4
i2
m
3
a
VII
3i
1m 2
a
1
XIIi 3
m 4a
3m
1i VII
2a
1
m
3
i
3
III
a
2
m 4i 1
p
3
33 3
3
3
q = 80
1
III
G minor arpeggio
p4
i2
m
3
a
3
VIi
2m 4
a
2
Xi 1
m 4a
1m
2i
4
VIa
2
m
3
i
3
III
a
2
m 4i 1
p
3
33 3
3
3
q = 80
1
III
Diminished 7th arpeggio on C
4 1
IVIV
41
V
4 3 14 1 3 4
1
4
IV
1 4
III
1
q = 80
1
Diminished 7th arpeggio on G
4 14
1 4 1 43 1 4 1
4 1 4 13
4 1 4
1
4
1 4 1
q = 80
2
Dominant 7th arpeggio in F
II
p1
i1
V
p
4
i
1m
1i 4
m2
i4
m
2i
4m
1i
1
m 4
i
1
p
1
IIi
2p
q = 80
CIII
1
Dominant 7th arpeggio in C
42
1 3 VII3 1 4
2 1
XII4
2 4 24
12VII
4
1 3
CIII
3
1
24
1
q = 80
21
C major scale in 3rds
42 0
123 0
0 12
34
01 3
1 31 1
212
13 1
3 21 1
3 31 1
2 21 1
3 31
01 4
321
00
32 0
1 42
21
Guitar Grade 6 continued
9
q = 80
21
G major scale in 3rds
24 1
0 12
34 0
1 42
00 1
2 43
10 2
313 1
312 3
1 13
32
10
43 1
2
00 4
210
43
21 0
1 42 1
2
q = 80
3
0
Chromatic scale in octaves starting on G
4
1 0
2 1
3 0
2
3
1 4
2 3
0
1
4
0
2
3
1 4
2
0
3 4
2 3
1 2
01
4
3
0 4
2 3
1 2
0 3
1 0
2 4
1 3
0
Guitar Grade 6 continued
10
Guitar Grade 7All to be performed f, mf and p in straight quavers and swung rhythms and triplet rhythms (triplet scales should beperformed as follows: 2 octaves: first note crotchet followed by running triplets; 3 octaves: running triplets from first note).RH fingering: im (or mi) and ma (or am) and imam. Tone: norm. and pont. and with a change of colour (norm.-pont.-norm.)throughout the scale. Scales: apoyando or tirando at examiner's choice; arpeggios and scales in 3rds: tirando.Dynamics: crescendo (ascending) and diminuendo (descending).Scales to be performed at d = 112; arpeggios and scales in 3rds to be performed at d = 92.
Major scales of D (2 octaves) and A (3 octaves)Minor scales of D (2 octaves) and A (3 octaves), in natural and harmonic and melodic formsPentatonic major scale on D (2 octaves)Mixolydian scale on A (i.e. major scale with flattened 7th (Gn)) (3 octaves)Major arpeggios of D (2 octaves) and A (3 octaves)Minor arpeggios of D (2 octaves) and A (3 octaves)Diminished 7th arpeggios on D (2 octaves) and A (3 octaves)Dominant 7th arpeggios in the keys of G, starting on D (2 octaves) and D, starting on A (3 octaves)Major scales of D and A in 3rds (2 octaves)Minor scales of D and A in 3rds (2 octaves)
q = 112
2
IV
D major scale
4 1 2 4 1 3 VII1 3 1 2 4 1 3 4 3
1 4
2
1 3
1 3
IV 1 4
2 1
4 2
q = 112
2
IV
A major scale
4 1 2 4 13 4 1
IX
34 1 3 1 2 4 1 2 4
XIV1 3 4 3 1
4IX
2 1 4 2
1 3 1 4
3 1 4
IV
3
1 4 2 1
4 2
q = 112
1
V
D natural minor scale
3 4 1 3 41 3 1 2 4 1 2 2
VII4 2 2
V 1 4
2 1
3 1
4 3
1 4
3 1
q = 112
1
D harmonic minor scale
V
3 4 1 3 42 3 1 2 4 1 2
VIII2 3 2
2V
1 4
2 1
3 2 4
3
1 4
3 1
q = 112
1
D melodic minor scale
V
3 4 1 3 1
IX3 4 1 2 4 2
4 1 2 V4 2 1
4
2 1
3 1 43
1 4
3 1
11
q = 112
1
V
A natural minor scale
3 4 1 3 4 1 3 1
IX
24 1 2 4 1
X3 4 1 3 4
XIV2 4 2 4
X
3 1 4 3 1
4IX
2 1 4
2 1 3
V
1
4 3 1 4
3 1
q = 112
1
V
A harmonic minor scale
3 4 1 3 42
3 1
IX
2 41 2 2
XII3 1 2 4 1 2
XV2 3
22XII
1 4 2 1 3
2 2
IX1
4
2 1 3
V
2
4 3 1 4
3 1
q = 112
1
V
A melodic minor scale
3 4 1 3 IX
1 34 1 2 4 1
3 1 2 4 4X 1 3
XIV1 3 4
XII4 2
1 4
VII2 1 4
2 43 1
4 3 1
1
V 4 3 1 4
3 1
q = 112
4
VII
Pentatonic major scale on D
1 3 13 1 3 1
4 14
1 4 1 3 1 3
1 3 1 4
q = 112
2
Mixolydian scale on A
IV
4 1 2 4 1 2 4 1 34 1
IX3 4 2 4 1 2 4 1
XIV2 4 2 1
4IX
2 1 4 2
4 3 1
4
IV 3 1 4 2
1 4 2 1
4 2
Guitar Grade 7 continued
12
q = 92
4
II
D major arpeggio
31
½CVII1 1
34 3
½CVII1
1
1
II
34
3
3 3
3
q = 92
1
D minor arpeggio
V
4 34 2
VIII2
3 22
V4
3
41
3
3 3
3
q = 92
1
V
A major arpeggio
42
3 3
IX1
2 2
XII1
4 1 22
IX
13
3
V
2 4
1
3
33 3
3
3
q = 92
1
V
A minor arpeggio
42
3 3
VIII2
4 2XII
14 1
24VIII
2
33
V 2 4
1
3
33 3
3
3
q = 92
1
Diminished 7th arpeggio on D
V
4 1
VI
41
VII
43 1
4 1 3
4 1
4
VI
1 4
V
1
q = 92
2
IV
Dominant 7th arpeggio in G
1
CVII
14 1 1 4
2 4 2 41
1
4
1 1
IV
2
q = 92
1
V
Diminished 7th arpeggio on A
4 1 4
1 4
1 4 3 1
4 1 4 1 41
3
4 1
4 14
1 4
1
q = 92
1
V
Dominant 7th arpeggio in D
4 21 3 3
IX1 4 2 1
4
XIV2 4 2
4IX
12
4 1
33
V 1
2 41
Guitar Grade 7 continued
13
q = 92
43
II
D major scale in 3rds
10 1
3 43 1
1 32 2
0 21 3
1 13
12 2
1 31 1
3 32 1
3 13
12 2
1 13 3
1
21
20
32
11
43 1
3 01 4
3
q = 92
42
II
D minor scale in 3rds
01 3
242 2
1 43
43 3
2 32 2
1 31 3
1 12 2
1 31
21
21
31
31 1
2 32
32 4
3 43 2
1
42 2
3 10
42
q = 92
43
A major scale in 3rds
10 3
1 34 2
1 42 1
0 21 3
2 20 2
1 21 1
3 13 2
131 1
3
21
21
20
32
12
10
42 1
2
34 3
110
43
q = 92
42
A minor scale in 3rds
10 2
1 42 0
1 32 0
0 12
12 4
3 32 3
2 21 2
131
21
21 2
3 23 3
4 12
21
00
32
10
42
21
10
42
Guitar Grade 7 continued
14
Guitar Grade 8All to be performed f, mf and p in straight and swung and triplet rhythms (triplet scales should be performed as follows:2 octaves: first note crotchet followed by running triplets; 3 octaves: running triplets from first note). RH fingering: im (or mi) and ma (or am) and im am. Tone: norm. and pont. and with two changes of colour (norm.-pont.-norm.and pont.-norm.-pont.) throughout the scale.Scales: apoyando or tirando at examiner's choice; arpeggios and scales in 6ths/10ths: tirando.Dynamics: crescendo (ascending)/diminuendo (descending) and diminuendo (ascending)/crescendo (descending).Scales to be performed at d = 126; arpeggios and scales in 3rds, 6ths and 10ths to be performed at d = 100.
Major scales of Bb (3 octaves) and F (2 octaves)Minor scales of Bb (3 octaves) and F (2 octaves), in natural and harmonic and melodic formsMixolydian scales on Bb (3 octaves) and F (2 octaves) (i.e. major scales with flattened 7th (Ab/Eb))Major arpeggios of Bb (3 octaves) and F (2 octaves)Minor arpeggios of Bb (3 octaves) and F (2 octaves)Diminished 7th arpeggios on Bb (3 octaves) and F (2 octaves)Dominant 7th arpeggios in the keys of Eb, starting on Bb (3 octaves) and Bb, starting on F (2 octaves)Major scales of Bb and F in 6ths (2 octaves)Major scale of F in 10ths (2 octaves)
q = 126
2
V
Bb major scale
4 1 2 4 1 3 41
X
3 4 1 3 1 2 4 1 2 4 1XV
3 4 3 1
4
X2 1 4 2
1 3 1 4
3 1
4
V
3
1 4 2 1
4 2
q = 126
1
VI
Bb natural minor scale
3 4 1 3 4 1 31
X
2 4 1 2 4 1XI
3 4 1 3 1XIV
3 4 3 1
3XI
1 4 3 1
4
X2 1 4
2 1 3
VI
1
4 3 1 4
3 1
q = 126
1
VI
Bb harmonic minor scale
3 4 1 3 4 23
1X
2 4 1 2 XIII2
3 1 2 4 12
2 32
2
1 4 2 1 3
22X
1 4
2 1 3
VI
2
4 3 1 4
3 1
15
q = 126
1
VI
Bb melodic minor scale
3 4 1 3 1
X
34
1 2 4 13 1
2 4 4XI 1 3
XV1 3 4
XIII4 2
1 4 2 1 3
1VIII
43 1
4
3 11
VI 4 3 1 4
3 1
q = 1261
F major scale
3 0 1 3 1
V
34 1 3 4 1
3 1 2 1 3 1 43 1
4 3 1 3
I 1 0 3 1
q = 126
4
V
F natural minor scale
1 2 41 2 4 2 4 4
VI1 3 4 1
XI3 1
4VI 3 1 4
4V
2 4 2 1
4 2 1 4
q = 126
4
V
F harmonic minor scale
1 2 41 2
VIII2 3 1 2 4 1 2
XI2 3 2 VIII
2 1 4 2 1
3 22
V1
4 2 1 4
q = 126
4
V
F melodic minor scale
1 2 41 3 1
2 4 4VI
1 3
X1 3 4
VIII4
VI4 3 1 4 3
14V
21
4 2 1 4
q = 126
2
Mixolydian scale on BbV
4 1 2 4 1 2 41
X
3 4 1 3 4 2 4 1 2 4 1XV
2 4 2 1
4
X2 1 4 2
4 3 1 4
3 1
4
V
2
1 4 2 1
4 2
Guitar Grade 8 continued
16
q = 126
4
Mixolydian scale on F
V
1 3 41 3 4 2 4
a
1 24 1
X 2 4 21 4
V2 1
4
2 4 3 1
43 1 4
q = 100
1
VI
p
Bb major arpeggio
4i
2m
3
a
3
Xi
1m2
a
2i 1
m4 1m
2 i
2
Xa
1
m3
i
3
VI
a
2
m 4i 1
p
3
33 3
3
3
q = 100
1
VI
Bb minor arpeggio
p4
i
2m
3a
3
IXi
2m 4
a
2i 1
m 4a
1m2 i
4
IXa
2
m3
i
3
a
VI
2
m 4
i 1p
3
33 3
3
3
q = 100
4
V
p
F major arpeggio
3
i
1
m
2a
2i 1
m 4a
1m
2i
2
Va
1
m
3
i
4p
3
3 33
q = 100
4
V
p
F minor arpeggio
2i
1
m
2a
2
VIIIi 1
m 4a
1 m2 i
2
Va
1
m
2
i
4p
3
3 33
q = 100
1
VI
Diminished 7th arpeggio on Bb
4 1 4
1
4 1 43
14
1 4
1 41 3
4 1 4
1
4 1 4
1
q = 100
1
VI
Dominant 7th arpeggio in Eb
42
1 3 3X
14 2 2
XIII1
34 3
1 22
X
41
3 3
VI 1
24
1
Guitar Grade 8 continued
17
q = 100
1
Diminished 7th arpeggio on F
I
41
II
4 1
III
42
1 4 12 4
1
4
II
14
I
1
q = 1001
Dominant 7th arpeggio in Bb
43
1 3 3
V1 4 2 4 1
33
I 1
34
1
q = 100
1
0
Bb major scale in 6ths
2
3
4
0
2
1
4
3
2
1 1
2 3
4
½CV1
1
2
3
2
1
2
1
2
3
2
3
4
3 3
22
3
1
2
1
2
3
2½CV
11
3
4
2
1
2
1 4
3
2
1 0
4
3
2
1
0
q = 100
0
1
F major scale in 6ths
2
3
4
0
0
1
2
3 4
02
1 4
3 0
0
2
1 4
3
4
3 3
2 2
3 3
4
3
22
3
3
4
3
4
2
1
0
0
43
1
24
02
3
0
1 0
4
3
2
1
0
q = 100
1
2
F major scale in 10ths
4
3
1
0
4
1 3
0
1
0
4
2 1
4 4
2
2
4
1
4
1
4 4
2
4
2 1
4
2
44
2
1
4
1
4
2
4
2
4
1
44
2 0
1
3
0
1
4
0
1
3
4
1
2
Guitar Grade 8 continued
18