‘glasgow sonnets (i)’

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‘Glasgow Sonnets (i)’ Edwin Morgan

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‘Glasgow Sonnets (i)’. Edwin Morgan. Aims Today. Complete annotation of poem Begin TA practice. Themes. Poverty and the effect it has on the psyche of those who experience it. Depravation Hopelessness Isolation. Tone – the voice of the poet. Despairing Sombre Bleak. Form. - PowerPoint PPT Presentation

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Page 1: ‘Glasgow Sonnets (i)’

‘Glasgow Sonnets (i)’

Edwin Morgan

Page 2: ‘Glasgow Sonnets (i)’

Aims Today

• Complete annotation of poem

• Begin TA practice

Page 3: ‘Glasgow Sonnets (i)’

Themes

• Poverty and the effect it has on the psyche of those who experience it.

• Depravation

• Hopelessness

• Isolation

Page 4: ‘Glasgow Sonnets (i)’

Tone – the voice of the poet

• Despairing

• Sombre

• Bleak

Page 5: ‘Glasgow Sonnets (i)’

Form• Petrarchan Sonnet• Originally created by the Italian, Francesco Petrarch (14th Century).• 14 lines• First 8 are known as the octet• Last 6 are known as the sestet• Octave presents a problem – a series of statements that make us

think about a certain truth.• Volta – beginning of the sestet – marks a change in tone.• Sestet – makes a comment on the problem.

• Why does Morgan use this form?• To create a stark contrast between a normally beautiful form,

normally associated with love, and what can be seen as extremely shocking content. This has the effect of forcefully emphasising the latter.

Page 6: ‘Glasgow Sonnets (i)’

Rhyme and Meter

• ABBA• ABBA• CDCDCD• 10 syllables in each line (not regularly iambic

pentameter – 1 stressed + 1 unstressed syllable x 5)

What does the regular rhyme tell us about poverty?

It will never change. Those who experience it are stuck.

Page 7: ‘Glasgow Sonnets (i)’

mean wind wanders through the backcourt trash.

Hackles on puddles rise, old mattresses

puff briefly and subside. Play-fortresses

of brick and bric-a-brac spill out some ash.

Page 8: ‘Glasgow Sonnets (i)’

Four storeys have no windows left to smash,

but the fifth a chipped sill buttresses

mother and daughter the last mistresses

of that black block condemned to stand, not crash.

Page 9: ‘Glasgow Sonnets (i)’

Around them the cracks deepen, the rats crawl.

The kettle whimpers on a crazy hob.

Roses of mould grow from ceiling to wall.

Page 10: ‘Glasgow Sonnets (i)’

The man lies late since he has lost his job,

smokes on one elbow, letting his coughs fall

thinly into an air too poor to rob.

Page 11: ‘Glasgow Sonnets (i)’

Textual Analysis

Page 12: ‘Glasgow Sonnets (i)’

What you must remember

• Generally you always quote• Always make reference to techniques• Explain the effect of techniques in detail• Pay close attention to amount of marks on

offer• 4 marks generally require 2 well

developed main points. If time go for three to make sure.

• Write in bullet points or continuous prose.

Page 13: ‘Glasgow Sonnets (i)’

Bullet point approach

• Technique as subtitle

• Quote underneath

• Explanation

Page 14: ‘Glasgow Sonnets (i)’

Task

• Individually, have a go at the TA questions in the purple booklet.

• Normally this should take you 1 hour.