future christchurch v6 the blueprint?

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FUTURE CHRISTCHURCH V6

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The collection of work gathered in this book stems from three strands: first a course taught during the Studio Christchurch Summer School 2013 titled ‘The Green Frame’, second a course taught at the University of Auckland’s School of Architecture and Planning titled ‘The Blueprint’ and lastly a student submission for the Peterborough Village Competition. The common thread among the different projects is the political engagement with the proposed Blueprint Plan as set out by the CCDU in June 2012. The students were asked to either take an aspect of the Blueprint Plan and develop it further or to propose an alternative. There are 10 projects completed by 24 students.

TRANSCRIPT

FUTURE CHRISTCHURCH V6

FUTURE CHRISTCHURCH V6

Produced by Studio Christchurchhttp://studiochristchurch.co.nz

Future Christchurch course workhttp://futurechristchurch.wordpress.com

FUTURE CHRISTCHURCH V6.0 THE BLUEPRINT First published April 2014Christchurch, New Zealand

Intellectual Copyright Authors and The University of Auckland School of Architecture and Planning

ISBN 978-0-9894723-2-6

This is a non-profit academic publication, self-published and printed online at: http://www.blurb.com/

Editor: Camia Young Graphic Designer: Erica Austin

Students: Taylor Chan, LinBing (Fatina) Chen, Han Chen, Qianzi Chen, Hew Kenn Chew, Adam Chin, Maddie Clarke, Gemma Cookson, Charlotte Farquharson, Damien He, Shirin Heidari, Darryl Jacobson, Ziyi (Bill) Liu, Jianxiang

(Mickey) Ma, Janina (Nina) Massee, Amanda Nakarmi, Sam Peters, Hanin Rajeh, Matthew Ryu, Laurielle Shannon, Tessa (Yichen) Song, Yining Tan, Louie Tong, Samuel Wong, Chunqin Zhang

CATCH & RELEASE [NW]

Amanda Nakarmi, Darryl Jacobson

WAI MAURI [NE]

Janina (Nina) Massee, Gemma Cookson

INNOVATION PRECINCT [SE]

Chunqin Zhang, Tessa (Yichen) Song, Qianzi Chen

URBAN CORRIDORS [SW]

Jianxiang (Mickey) Ma, Matthew Ryu, Ziyi (Bill) Liu

GREEN STITCH

Hew Kenn Chew, Han Chen, Samuel Wong

URBAN ARCHIPELAGO

Damien He, Taylor Chan, Louie Tong

GREEN BUFFER

Maddie Clarke, Sam Peters, Yining Tan

LINEAR CORRIDOR

Adam Chin, Shirin Heidari, Hanin Rajeh

RETAIL PRECINCT

Charlotte Farquharson, Laurielle Shannon

ARK IN THE PARK

LinBing (Fatina) Chen, Ziyi (Bill) Liu, Jianxiang (Mickey) Ma, Matthew Ryu

TABLE OF CONTENTS

STUDIO CHRISTCHURCH SUMMER SCHOOLTUTOR | Camia Young

TEACHING ASSISTANT | Erica Austin

SOAP | 2013TUTOR | Camia Young

TEACHING ASSISTANT | Melissa Harrison

PETERBOROUGH VILLAGE COMPETITION | 2013ADVISOR | Erica Austin

CRA.N D.J WMG.C J.MIP

C.Z T.S Q.C UCB.L M.M M.R

GSH.C H.C S.W

UAD.H T.C L.T GBM.C S.P Y.T LCA.C S.H H.R

RPC.F L.S APF.C B.L M.M M.R

BPF.C V6

?

The collection of work gathered in this book stems from three strands: first a course taught during the Studio Christchurch Summer School 2013 titled ‘The Green Frame’, second a course taught at the University of Auckland’s School of Architecture and Planning titled ‘The Blueprint’ and lastly a student submission for the Peterborough Village Competition.

The common thread among the different projects is the political engagement with the proposed Blueprint Plan as set out by the CCDU in June 2012. The students were asked to either take an aspect of the Blueprint Plan and develop it further or to propose an alternative. This book is a collection of 10 projects completed by 24 students.

INTRODUCTION

CRA.N D.J WMG.C J.MIP

C.Z T.S Q.C UCB.L M.M M.R

GSH.C H.C S.W

UAD.H T.C L.T GBM.C S.P Y.T LCA.C S.H H.R

RPC.F L.S APF.C B.L M.M M.R

BPF.C V6

THE BLUEPRINT PLANThe Christchurch Central Development Unit (CCDU) released the ‘Christchurch Central Recovery Plan’ June 30th, 2012. The Blueprint Plan is Central Government’s proposed spatial framework for the Central Christchurch rebuild.

8 Catch and Release [NW]

REGENERATION

9

TEMPORARY

Amanda Nakarmi, Darryl Jacobson

CRA.N D.J

WMG.C J.M

IPC.Z T.S Q.C

UCB.L M.M M.R

GSH.C H.C S.W

UAD.H T.C L.T

GBM.C S.P Y.T

LCA.C S.H H.R

RPC.F L.S

APF.C B.L M.M M.R

BPF.C V6

10

TOURISM

Catch and Release [NW]

11

HISTORY

Amanda Nakarmi, Darryl Jacobson

CRA.N D.J

WMG.C J.M

IPC.Z T.S Q.C

UCB.L M.M M.R

GSH.C H.C S.W

UAD.H T.C L.T

GBM.C S.P Y.T

LCA.C S.H H.R

RPC.F L.S

APF.C B.L M.M M.R

BPF.C V6

12

AVON RIVER

Catch and Release [NW]

13

PUNTING

Amanda Nakarmi, Darryl Jacobson

CRA.N D.J

WMG.C J.M

IPC.Z T.S Q.C

UCB.L M.M M.R

GSH.C H.C S.W

UAD.H T.C L.T

GBM.C S.P Y.T

LCA.C S.H H.R

RPC.F L.S

APF.C B.L M.M M.R

BPF.C V6

14 Catch and Release [NW]

15Amanda Nakarmi, Darryl Jacobson

‘Catch and Release’ activates CCDU’s proposed CCDU’s ‘Avon Precinct’ by creating inviting spaces to both see and be a part of creative events. The audience is blurred as the public and artists come together to be the art and see the art. In order to activate the Avon Precinct we proposed developing outdoor equivalents of the surrounding cultural institution’s creative spaces. Lighting, paving and furnishings are used to define different event spaces. To play on the concept of Catch & Release the looping pathway is lined with lighting which responds to movement, like a ripple effect and intensifies as people move towards the different event platforms.

CRA.N D.J

WMG.C J.M

IPC.Z T.S Q.C

UCB.L M.M M.R

GSH.C H.C S.W

UAD.H T.C L.T

GBM.C S.P Y.T

LCA.C S.H H.R

RPC.F L.S

APF.C B.L M.M M.R

BPF.C V6

16

GREEN PEDESTRIAN CROSSING Installation Performance 2012 China, Artist Jody Xiong

Catch Release

ProgrammeA system called ‘Catch and Release’ is a reference to recreational fish-ing. In this system the fish are caught and then prompty released back into the water before any harm is done. This keeps fisherman happy but also help fish populations thrive. Many animal introductions oc-cured along the Avon Precinct including trout. Using this system and applying it to the Precinct with architecture, we can reintroduce crea-tive and performing arts into the CBD. Letting the artists be in control of their work.

PROGRAMA system called ‘Catch and Release’ is a reference to recreational fishing, where fish are caught and then released back into the water before any harm is done to them. In this way the fishing sport can thrive without diminishing the fish population.

Borrowing from this notion of ‘Catch and Release’, this project suggests a similar approach for catching creative acts along the River Avon and releasing them back through engaging the passersby. Using this system the project reintroduces creative and performing arts into the CBD and engages the audience in the act of creation.

Catch and Release [NW]

17Amanda Nakarmi, Darryl Jacobson

KILMORE STREET

ARMAGH ST

GLOUCESTER ST

WORCESTER ST

HEREFORD ST

CASHEL ST

MO

NTR

EAL

ST

CHESTER ST

CATHEDRAL SQUAREWORCESTER BOULEVARD

CASHEL STREET MALL

ARMAGH STREET TO HAGLEY PARK

Transport Station

Performance Pit

Studio/Gallery Space

Transverse Staging

KILMORE STREET

ARMAGH ST

GLOUCESTER ST

WORCESTER ST

HEREFORD ST

CASHEL ST

MO

NTR

EAL

ST

CHESTER ST

CATHEDRAL SQUAREWORCESTER BOULEVARD

CASHEL STREET MALL

ARMAGH STREET TO HAGLEY PARK

Transport Station

Performance Pit

Studio/Gallery Space

Transverse Staging

UNDERGROUND WATERWAYSThe proposal introduces a new island and a loop for punting by daylighting underground waterways. This becomes a curatorial route like that of a museum, connecting the different event platforms.

Original Waterways Christchurch CBD 1850

CRA.N D.J

WMG.C J.M

IPC.Z T.S Q.C

UCB.L M.M M.R

GSH.C H.C S.W

UAD.H T.C L.T

GBM.C S.P Y.T

LCA.C S.H H.R

RPC.F L.S

APF.C B.L M.M M.R

BPF.C V6

18 Catch and Release [NW]

PRIMARY ARCHITECTURAL COMPONENTS FOR CULTURAL INSTITUTIONS

Art Gallery+ White Walls+ Ceiling Hooks+ Podiums+ White Spot Lighting+ Event Housing+ Standing Audience

Capactiy 70

Music Concert+ Portable Stage+ Sanding/Seated Audience+ Light/Speaker gantries

Capactiy 2000

Issac Theatre Royal+ 3 Levels of Terrace+ Proscenium Stage+ Flat Stage+ Suspended Lighting

Capactiy 1266

Museum+ Store+ Security+ Gallery+ Cafe+ Dictated Circulation

Capactiy 500

Town Hall+ Icon+ 2 Theatre spaces+ 4 Halls+ Proscenium to 360 stage

Capactiy 4600

Art Gallery+ White Walls+ Ceiling Hooks+ Podiums+ White Spot Lighting+ Event Housing+ Standing Audience

Capactiy 70

Music Concert+ Portable Stage+ Sanding/Seated Audience+ Light/Speaker gantries

Capactiy 2000

Issac Theatre Royal+ 3 Levels of Terrace+ Proscenium Stage+ Flat Stage+ Suspended Lighting

Capactiy 1266

Museum+ Store+ Security+ Gallery+ Cafe+ Dictated Circulation

Capactiy 500

Town Hall+ Icon+ 2 Theatre spaces+ 4 Halls+ Proscenium to 360 stage

Capactiy 4600

Performance Pit+ 360 Stage+ Improved Acoustics+ No Backstage+ Engages Audience

Capactiy 70

Tranverse Stage+ Seating on 2 sides+ Engages Audience+ Flexible+ Standing Audience

Capactiy 2000

Studio Space+ Open Plan work space+ White walls + Shared Services+ Open to public+ Gallery function

Capactiy 1266

Freestanding Walls+ Display of Art+ Lighting+ Unrestricted+ Free

Capactiy 500

Performance Pit+ 360 Stage+ Improved Acoustics+ No Backstage+ Engages Audience

Capactiy 70

Tranverse Stage+ Seating on 2 sides+ Engages Audience+ Flexible+ Standing Audience

Capactiy 2000

Studio Space+ Open Plan work space+ White walls + Shared Services+ Open to public+ Gallery function

Capactiy 1266

Freestanding Walls+ Display of Art+ Lighting+ Unrestricted+ Free

Capactiy 500

Performance Pit+ 360 Stage+ Improved Acoustics+ No Backstage+ Engages Audience

Capactiy 70

Tranverse Stage+ Seating on 2 sides+ Engages Audience+ Flexible+ Standing Audience

Capactiy 2000

Studio Space+ Open Plan work space+ White walls + Shared Services+ Open to public+ Gallery function

Capactiy 1266

Freestanding Walls+ Display of Art+ Lighting+ Unrestricted+ Free

Capactiy 500Performance Pit+ 360 Stage+ Improved Acoustics+ No Backstage+ Engages Audience

Capactiy 70

Tranverse Stage+ Seating on 2 sides+ Engages Audience+ Flexible+ Standing Audience

Capactiy 2000

Studio Space+ Open Plan work space+ White walls + Shared Services+ Open to public+ Gallery function

Capactiy 1266

Freestanding Walls+ Display of Art+ Lighting+ Unrestricted+ Free

Capactiy 500

Performance Pit+ 360 Stage+ Improved Acoustics+ No Backstage+ Engages Audience

Capactiy 70

Tranverse Stage+ Seating on 2 sides+ Engages Audience+ Flexible+ Standing Audience

Capactiy 2000

Studio Space+ Open Plan work space+ White walls + Shared Services+ Open to public+ Gallery function

Capactiy 1266

Freestanding Walls+ Display of Art+ Lighting+ Unrestricted+ Free

Capactiy 500

Performance Pit+ 360 Stage+ Improved Acoustics+ No Backstage+ Engages Audience

Capactiy 70

Tranverse Stage+ Seating on 2 sides+ Engages Audience+ Flexible+ Standing Audience

Capactiy 2000

Studio Space+ Open Plan work space+ White walls + Shared Services+ Open to public+ Gallery function

Capactiy 1266

Freestanding Walls+ Display of Art+ Lighting+ Unrestricted+ Free

Capactiy 500

19

SURROUNDING CULTURAL In order to activate the Avon Precinct we proposed developing outdoor equivalents of the surrounding cultural institution’s creative spaces.

Cultural Institution Outdoor Equivilent

Cultural Institution Outdoor EquivilentCultural Institution

Outdoor Equivilent

Cultural Institution Outdoor Equivilent

Cultural Institution Outdoor Equivilent

Amanda Nakarmi, Darryl Jacobson

CRA.N D.J

WMG.C J.M

IPC.Z T.S Q.C

UCB.L M.M M.R

GSH.C H.C S.W

UAD.H T.C L.T

GBM.C S.P Y.T

LCA.C S.H H.R

RPC.F L.S

APF.C B.L M.M M.R

BPF.C V6

20

KEY

Structure

Lighting

Paving

Existing Tree

Proposed Tree

Bridge of Rememberance

Hereford St

Cashel St

Cam

brid

ge T

ce

PerformancePit

TransportStation

Hereford St

Cam

brid

ge T

ce

Bridge of Remembrance

Catch and Release [NW]

21

ARCHITECTURE PAVING

Bridge of Rememberance

Hereford St

Cashel St

Oxf

ord

Tce

Architecture Paving Lighting Landscaping

Bridge of Rememberance

Hereford St

Cashel St

Oxf

ord

Tce

Architecture Paving Lighting Landscaping

LIGHTING

Bridge of Rememberance

Hereford St

Cashel St

Oxf

ord

Tce

Architecture Paving Lighting Landscaping

LANDSCAPING

Bridge of Rememberance

Hereford St

Cashel St

Oxf

ord

Tce

Architecture Paving Lighting Landscaping

Amanda Nakarmi, Darryl Jacobson

CRA.N D.J

WMG.C J.M

IPC.Z T.S Q.C

UCB.L M.M M.R

GSH.C H.C S.W

UAD.H T.C L.T

GBM.C S.P Y.T

LCA.C S.H H.R

RPC.F L.S

APF.C B.L M.M M.R

BPF.C V6

Gemma Cookson [Unitec]

Janina (Nina) Massee [UoA]

URBAN

URBAN

Wai Mauri [NE]24

URBAN HOME

RESIDENTIAL

Gemma Cookson, Janina (Nina) Massee 25

CRA.N D.J

WMG.C J.M

IPC.Z T.S Q.C

UCB.L M.M M.R

GSH.C H.C S.W

UAD.H T.C L.T

GBM.C S.P Y.T

LCA.C S.H H.R

RPC.F L.S

APF.C B.L M.M M.R

BPF.C V6

VAST

VACANT SITES

Wai Mauri [NE]26

VAST

VACANT SITES

AVON

AVON RIVER

Gemma Cookson, Janina (Nina) Massee 27

CRA.N D.J

WMG.C J.M

IPC.Z T.S Q.C

UCB.L M.M M.R

GSH.C H.C S.W

UAD.H T.C L.T

GBM.C S.P Y.T

LCA.C S.H H.R

RPC.F L.S

APF.C B.L M.M M.R

BPF.C V6

AMSTERDAM, HOLLANDKizergracht/Leliegracht St HousingPopulation (05.2012)City 820,654Density 3,506/ sqkm

Remaining Building

Condemned

Demolished

Northeast Frame

Wai Mauri [NE]

EAST FRAME OVERLAY

28

COPENHAGEN, DENMARKKenny Drews Vej & Slusenholmen St

Population (10.2012)City 557,920

Density 6,300/ sqkm

Gemma Cookson, Janina (Nina) Massee

Remaining Building

Condemned

Demolished

Northeast Frame

EAST FRAME OVERLAY

29

CRA.N D.J

WMG.C J.M

IPC.Z T.S Q.C

UCB.L M.M M.R

GSH.C H.C S.W

UAD.H T.C L.T

GBM.C S.P Y.T

LCA.C S.H H.R

RPC.F L.S

APF.C B.L M.M M.R

BPF.C V6

Wai Mauri [NE]

VENICE, ITALYCalle FenicePopulation (04.2009)City 270,660Density 650/ sqkm

Remaining Building

Condemned

Demolished

Northeast Frame

EAST FRAME OVERLAY

30

Gemma Cookson, Janina (Nina) Massee

LOS ANGELES, USAVenice

Population (2010)City 3,792,621

Density 3,124 / sqkmRemaining Building

Condemned

Demolished

Northeast Frame

EAST FRAME OVERLAY

31

CRA.N D.J

WMG.C J.M

IPC.Z T.S Q.C

UCB.L M.M M.R

GSH.C H.C S.W

UAD.H T.C L.T

GBM.C S.P Y.T

LCA.C S.H H.R

RPC.F L.S

APF.C B.L M.M M.R

BPF.C V6

Wai Mauri [NE]

QUEENSLAND, AUSTRALIAMermaid Watrs, Surfers ParadisePopulation (2006)City 18,501

Remaining Building

Condemned

Demolished

Northeast Frame

EAST FRAME OVERLAY

32

Gemma Cookson, Janina (Nina) Massee

WHITIANGA, NEW ZEALANDWhitianga Waterways Project

Population (2009)City 4,100

Remaining Building

Condemned

Demolished

Northeast Frame

EAST FRAME OVERLAY

33

CRA.N D.J

WMG.C J.M

IPC.Z T.S Q.C

UCB.L M.M M.R

GSH.C H.C S.W

UAD.H T.C L.T

GBM.C S.P Y.T

LCA.C S.H H.R

RPC.F L.S

APF.C B.L M.M M.R

BPF.C V6

Wai Mauri [NE]

LIVING ZONE 113 dwellings per hectare250 dwellings, 500 People

LIVING ZONE 218 dwellings per hectare345 Dwellings, 615 People

LIVING ZONE 333 dwellings per hectare633 Dwellings, 732 People

34

Gemma Cookson, Janina (Nina) Massee

LIVING ZONE 440 dwellings per hectare768 Dwellings, 866 People

LIVING ZONE 560 dwellings per hectare860 Dwellings, 1152 People

DENSITY STUDYRelative to Christchurch City Living Zones (2001)

35

CRA.N D.J

WMG.C J.M

IPC.Z T.S Q.C

UCB.L M.M M.R

GSH.C H.C S.W

UAD.H T.C L.T

GBM.C S.P Y.T

LCA.C S.H H.R

RPC.F L.S

APF.C B.L M.M M.R

BPF.C V6

PHASE 1 PHASE 2 PHASE 3

Wai Mauri [NE]36

‘Wai Mauri’, which translates to mean the essence of water, aims to create desirable housing in the CBD by integrating residential, canals, ecological water treatment, gardens and public pathways into the East Frame. The vast and open site is currently disproportionately large for residential use. By creating waterways, the area is divided into smaller parcels which is more appropriate for residential lots. It also creates a unique alternative for inner city living.

‘Wai Mauri’ is a phased project that over time transitions from an agricultural landscape into residential lots with gardens. The housing forms are derived from wind studies, creating sheltered spaces for both public and private areas.

PROPOSED PLAN

10m

20m

Dwelling 11 Unit1 Story

Dwelling 23 Units2 Stories

North

Scale 1:1000

Dwelling 37 Units2 Stories

Dwelling 417 Units3 Stories

Dwelling 518 Units3 Stories

1 unit:3 bedrooms1 bathroom

1 unit 3 units 7 units 17 units 18 units

10m

20m

Dwelling 11 Unit1 Story

Dwelling 23 Units2 Stories

North

Scale 1:1000

Dwelling 37 Units2 Stories

Dwelling 417 Units3 Stories

Dwelling 518 Units3 Stories

1 unit:3 bedrooms1 bathroom

Gemma Cookson, Janina (Nina) Massee 37

CRA.N D.J

WMG.C J.M

IPC.Z T.S Q.C

UCB.L M.M M.R

GSH.C H.C S.W

UAD.H T.C L.T

GBM.C S.P Y.T

LCA.C S.H H.R

RPC.F L.S

APF.C B.L M.M M.R

BPF.C V6

Wai Mauri [NE]38

Gemma Cookson, Janina (Nina) Massee 39

CRA.N D.J

WMG.C J.M

IPC.Z T.S Q.C

UCB.L M.M M.R

GSH.C H.C S.W

UAD.H T.C L.T

GBM.C S.P Y.T

LCA.C S.H H.R

RPC.F L.S

APF.C B.L M.M M.R

BPF.C V6

Wai Mauri [NE]40

Gemma Cookson, Janina (Nina) Massee 41

CRA.N D.J

WMG.C J.M

IPC.Z T.S Q.C

UCB.L M.M M.R

GSH.C H.C S.W

UAD.H T.C L.T

GBM.C S.P Y.T

LCA.C S.H H.R

RPC.F L.S

APF.C B.L M.M M.R

BPF.C V6

Chunqin Zhang [UoA] Tessa (Yichen) Song [UoA]Qianzi Chen [UoA]

44 Innovation Precinct [SE]

45Chunqin Zhang, Tessa (Yichen) Song, Qianzi Chen

CRA.N D.J

WMG.C J.M

IPC.Z T.S Q.C

UCB.L M.M M.R

GSH.C H.C S.W

UAD.H T.C L.T

GBM.C S.P Y.T

LCA.C S.H H.R

RPC.F L.S

APF.C B.L M.M M.R

BPF.C V6

46 Innovation Precinct [SE]

47Chunqin Zhang, Tessa (Yichen) Song, Qianzi Chen

CRA.N D.J

WMG.C J.M

IPC.Z T.S Q.C

UCB.L M.M M.R

GSH.C H.C S.W

UAD.H T.C L.T

GBM.C S.P Y.T

LCA.C S.H H.R

RPC.F L.S

APF.C B.L M.M M.R

BPF.C V6

48 SW Urban Corridors | ResearchInnovation Precinct [SE]

49

INNOVATION PRECINCTThe design for the CCDU’s proposed Innovation Precinct is a showcase for the creation and consumption of energy. The building forms are a product of integrating sustainable technology and relate to the site’s sun, shadow and wind patterns. A series of energy generators occupy the open space between the stadium and transportation hub creating a dynamic events space.

Chunqin Zhang, Tessa (Yichen) Song, Qianzi Chen

Program

Bus Interchange

Retail

Car Park

Green Frame Innovation

Green Frame

Park

Market

Out DoorMovie

BikeGenerator

Wind Mill/Turbine

Stadium

Car Park

Solar Panel/Turbine

Service

Service

Service

Bus Interchange

Stadium

Innovation Precinct

UrbanCrossover

UrbanFabric

UrbanCrossover

RadiationHeatingPool

Bar&Resturant

PROGRAMME DIAGRAM

CRA.N D.J

WMG.C J.M

IPC.Z T.S Q.C

UCB.L M.M M.R

GSH.C H.C S.W

UAD.H T.C L.T

GBM.C S.P Y.T

LCA.C S.H H.R

RPC.F L.S

APF.C B.L M.M M.R

BPF.C V6

50 Innovation Precinct [SE]

North east-10m North west-10m South west-10m

North east-20m North west-20m South west-20m

North east-30m North west-30m South west-30m

Wind Analysis

OverlapNORTH EAST - 10m NORTH WEST - 10m SOUTH WEST - 10m OVERLAP - 10m

NORTH EAST - 20m NORTH WEST - 20m SOUTH WEST - 20m

NORTH EAST - 30m NORTH WEST - 30m SOUTH WEST - 30m

OVERLAP - 20m

OVERLAP - 30m

North east-10m North west-10m South west-10m

North east-20m North west-20m South west-20m

North east-30m North west-30m South west-30m

Wind Analysis

Overlap

North east-10m North west-10m South west-10m

North east-20m North west-20m South west-20m

North east-30m North west-30m South west-30m

Wind Analysis

Overlap

51Chunqin Zhang, Tessa (Yichen) Song, Qianzi Chen

WATER

CIRCULATION

ACTIVITY SPACEURBAN PLAN

CRA.N D.J

WMG.C J.M

IPC.Z T.S Q.C

UCB.L M.M M.R

GSH.C H.C S.W

UAD.H T.C L.T

GBM.C S.P Y.T

LCA.C S.H H.R

RPC.F L.S

APF.C B.L M.M M.R

BPF.C V6

52

ENERGY EFFICIENT BUILDING DESIGN0 10m1 5

Water pipes running through the �oor system to provide heating and cooling

Saw tooth roof captures di�used light, admitting natural light into deep plan building

Hot water storage and heat exchanger for radiant �oor heating and cooling

In-slab radiant heating and cooling system

Water pipes running through the �oor system to provide heating and cooling

Active oxygen

Winter - Heating

Winter - Heating

Winter - Heating

Summer - Cooling

Summer - Cooling

Summer - Cooling

Direct solar gain is captured by the Solar Ivy and converted to energy

Photovoltaic panels angled 17 degree and facing North for maximum solar gain converting solar energy into electricity

Windswept kinetic facade

Stack e�ect thermal chimney

Di�used solar light is �ltered by the Solar Ivy to illuminate the interior spaces

Organic Solar Ivy photovoltaic module clipped on to a lightweight mesh

A chemical reaction is triggered when radiation hit the surface of TX Active Concrete that breaks down organic pollutants into water, oxygen and harmless salts.

Building Section

Innovation Precinct [SE]

0 10m1 5

Water pipes running through the �oor system to provide heating and cooling

Saw tooth roof captures di�used light, admitting natural light into deep plan building

Hot water storage and heat exchanger for radiant �oor heating and cooling

In-slab radiant heating and cooling system

Water pipes running through the �oor system to provide heating and cooling

Active oxygen

Winter - Heating

Winter - Heating

Winter - Heating

Summer - Cooling

Summer - Cooling

Summer - Cooling

Direct solar gain is captured by the Solar Ivy and converted to energy

Photovoltaic panels angled 17 degree and facing North for maximum solar gain converting solar energy into electricity

Windswept kinetic facade

Stack e�ect thermal chimney

Di�used solar light is �ltered by the Solar Ivy to illuminate the interior spaces

Organic Solar Ivy photovoltaic module clipped on to a lightweight mesh

A chemical reaction is triggered when radiation hit the surface of TX Active Concrete that breaks down organic pollutants into water, oxygen and harmless salts.

Building Section

53

ENERGY TREES0 1 5m

Energy Trees

Stage

Stage Section

Wind

Solar Gain

Chunqin Zhang, Tessa (Yichen) Song, Qianzi Chen

CRA.N D.J

WMG.C J.M

IPC.Z T.S Q.C

UCB.L M.M M.R

GSH.C H.C S.W

UAD.H T.C L.T

GBM.C S.P Y.T

LCA.C S.H H.R

RPC.F L.S

APF.C B.L M.M M.R

BPF.C V6

Ziyi (Bill) Liu [UoA]

Jianxiang (Mickey) Ma [UoA]

Matthew Ryu [UoA]

WAREHOUSES

56 Urban Corridors [SW]

LINEAR

57CR

A.N

D.J

WM

G.C

J.M

IPC.

Z T.

S Q.

C

UCB.

L M

.M M

.R

GSH.

C H.

C S.

W

UAD.

H T.

C L.

T

GBM

.C S

.P Y

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LCA.

C S.

H H.

R

RP C.F

L.S

APF.

C B.

L M

.M M

.R

BP F.C

V6

Ziyi (Bill) Liu, Jianxiang (Mickey) Ma, Matthew Ryu

CAR DEALERSHIPS

58 Urban Corridors [SW]

AVON RIVER

59Ziyi (Bill) Liu, Jianxiang (Mickey) Ma, Matthew RyuCR

A.N

D.J

WM

G.C

J.M

IPC.

Z T.

S Q.

C

UCB.

L M

.M M

.R

GSH.

C H.

C S.

W

UAD.

H T.

C L.

T

GBM

.C S

.P Y

.T

LCA.

C S.

H H.

R

RP C.F

L.S

APF.

C B.

L M

.M M

.R

BP F.C

V6

SOUTH FRAME

60 Urban Corridors [SW]

SOUTH FRAME

ZIPPER CONCEPTSCALE 1:4000

HAGLEY PARK

HOSPITAL

The ‘Urban Corridors’ project proposes an urban zipper, threading the green spaces of the Avon through the use of laneways to Saint Asaph Street. These new connections are created in the open spaces between existing buildings. Each corridor responds to the surrounding buildings’ programs, giving each one a unique identity. The aim is to create experimental platforms to test architecture at an urban scale.

61Ziyi (Bill) Liu, Jianxiang (Mickey) Ma, Matthew RyuCR

A.N

D.J

WM

G.C

J.M

IPC.

Z T.

S Q.

C

UCB.

L M

.M M

.R

GSH.

C H.

C S.

W

UAD.

H T.

C L.

T

GBM

.C S

.P Y

.T

LCA.

C S.

H H.

R

RP C.F

L.S

APF.

C B.

L M

.M M

.R

BP F.C

V6

SAINT ASAPH STREET

OXFORD TERRACE

KEY

Proposed building heights

SAINT ASAPH STREET

OXFORD TERRACE

KEY

Proposed building heights

SAINT ASAPH STREET

OXFORD TERRACE

KEY

Proposed building heights

62 Urban Corridors [SW]

SAINT ASAPH STREET

OXFORD TERRACE

KEY

Proposed building heights

SAINT ASAPH STREET

SAINT ASAPH STREET

OXFORD TERRACE

KEY

Proposed building heights

SAINT ASAPH STREET

OXFORD TERRACE

KEY

Proposed building heights

OXFORD TERRACE

South

North

South-East

North-West

63Ziyi (Bill) Liu, Jianxiang (Mickey) Ma, Matthew RyuCR

A.N

D.J

WM

G.C

J.M

IPC.

Z T.

S Q.

C

UCB.

L M

.M M

.R

GSH.

C H.

C S.

W

UAD.

H T.

C L.

T

GBM

.C S

.P Y

.T

LCA.

C S.

H H.

R

RP C.F

L.S

APF.

C B.

L M

.M M

.R

BP F.C

V6

COLO

MBO

ST

DU

RAM

ST

MO

NTR

EAL

ST

AN

TIG

UA

ST

MA

NCH

ESTE

R ST

HAGLEY AVE

RICCARTON AVE

SAINT ASAPH ST

TUAM ST

LINCHFIELD ST

Car dealershipWarehouseHealth PrecinctTransportation Exchange CenterBusinessessJustice Precinct

key

CCDU PROPOSED BUILDING PROGRAM

COLO

MBO

ST

DU

RAM

ST

MO

NTR

EAL

ST

AN

TIG

UA

ST

MA

NCH

ESTE

R ST

HAGLEY AVE

RICCARTON AVE

SAINT ASAPH ST

TUAM ST

LINCHFIELD ST

Car dealershipWarehouseHealth facilitiesTransportation facilitesBusinessessResidential

KEY

EXISTING BUILDING PROGRAM

EXISTING BUILDING PROGRAMME

COLO

MBO

ST

DU

RAM

ST

MO

NTR

EAL

ST

AN

TIG

UA

ST

MA

NCH

ESTE

R ST

HAGLEY AVE

RICCARTON AVE

SAINT ASAPH ST

TUAM ST

LINCHFIELD ST

Car dealershipWarehouseHealth facilitiesTransportation facilitesBusinessessResidential

KEY

EXISTING BUILDING PROGRAM

Car dealershipWarehouseHealth facilitiesTransportation facilitiesBusinesses Residential

CCDU PROPOSED BUILDING PROGRAMME

COLO

MBO

ST

DU

RAM

ST

MO

NTR

EAL

ST

AN

TIG

UA

ST

MA

NCH

ESTE

R ST

HAGLEY AVE

RICCARTON AVE

SAINT ASAPH ST

TUAM ST

LINCHFIELD ST

Car dealershipWarehouseHealth facilitiesTransportation facilitesBusinessessResidential

KEY

EXISTING BUILDING PROGRAM

Health PrecinctTransportation ExchangeBusinesses Justice Precinct

64 Urban Corridors [SW]

COLO

MBO

ST

DU

RHA

M S

T

MO

NTR

EAL

ST

AN

TIG

UA

ST

MA

NCH

ESTE

R ST

HAGLEY AVE

RICCARTON AVE

SAINT ASAPH ST

TUAM ST

LINCHFIELD ST

KEY VACANT SPACES AREA OF BUILDING, UNITS -m PERCENTAGE OF BUILT STRUCTURES PROPORTIONAL TO BLOCK AREA PLOT LINES

VACANT AREASCALE 1:4000

47.50% 34.83

2

HAGLEY PARK

HOSPITAL

1954.61 439.93

575.84

1136.18233.70

376.85

1224.25

725.6254.914518.30

802.57

4360.69

1377.34

300.60

5581.89

420.73

1716.69

4295.90

249.60 2187.82

1166.5989.33

422.62

358.77

3452.52

2073.3375.71

39.45

941.98

1366.77

862.49

734.872141.86

2791.29

3907.20

245.68679.92

34.83

50.4414.32

59.2226998.05 26448.45 26615.97 27136.66 26321.74

47.50% 42.50% 48.50% 36.00% 28.00%

Ave = 40.50% built structures / block

COLO

MBO

ST

DU

RHA

M S

T

MO

NTR

EAL

ST

AN

TIG

UA

ST

MA

NCH

ESTE

R ST

HAGLEY AVE

RICCARTON AVE

SAINT ASAPH ST

TUAM ST

LINCHFIELD ST

KEY VACANT SPACES AREA OF BUILDING, UNITS -m PERCENTAGE OF BUILT STRUCTURES PROPORTIONAL TO BLOCK AREA PLOT LINES

VACANT AREASCALE 1:4000

47.50% 34.83

2

HAGLEY PARK

HOSPITAL

1954.61 439.93

575.84

1136.18233.70

376.85

1224.25

725.6254.914518.30

802.57

4360.69

1377.34

300.60

5581.89

420.73

1716.69

4295.90

249.60 2187.82

1166.5989.33

422.62

358.77

3452.52

2073.3375.71

39.45

941.98

1366.77

862.49

734.872141.86

2791.29

3907.20

245.68679.92

34.83

50.4414.32

59.2226998.05 26448.45 26615.97 27136.66 26321.74

47.50% 42.50% 48.50% 36.00% 28.00%

Ave = 40.50% built structures / block

VIEW CORRIDORS

Vacant Spaces

Percentage of Built Structures Proportional to Block Area

Plot Boundaries Extended

COLO

MBO

ST

DU

RHA

M S

T

MO

NTR

EAL

ST

AN

TIG

UA

ST

MA

NCH

ESTE

R ST

HAGLEY AVE

RICCARTON AVE

SAINT ASAPH ST

TUAM ST

LINCHFIELD ST

KEY VACANT SPACES AREA OF BUILDING, UNITS -m PERCENTAGE OF BUILT STRUCTURES PROPORTIONAL TO BLOCK AREA PLOT LINES

VACANT AREASCALE 1:4000

47.50% 34.83

2

HAGLEY PARK

HOSPITAL

1954.61 439.93

575.84

1136.18233.70

376.85

1224.25

725.6254.914518.30

802.57

4360.69

1377.34

300.60

5581.89

420.73

1716.69

4295.90

249.60 2187.82

1166.5989.33

422.62

358.77

3452.52

2073.3375.71

39.45

941.98

1366.77

862.49

734.872141.86

2791.29

3907.20

245.68679.92

34.83

50.4414.32

59.2226998.05 26448.45 26615.97 27136.66 26321.74

47.50% 42.50% 48.50% 36.00% 28.00%

Ave = 40.50% built structures / block

EXISTING URBAN FABRIC

Existing Buildings

Primary Streets

Plot Boundaries Extended

COLO

MBO

ST

DU

RHA

M S

T

MO

NTR

EAL

ST

AN

TIG

UA

ST

MA

NCH

ESTE

R ST

HAGLEY AVE

RICCARTON AVE

SAINT ASAPH ST

TUAM ST

LINCHFIELD ST

KEY VACANT SPACES AREA OF BUILDING, UNITS -m PERCENTAGE OF BUILT STRUCTURES PROPORTIONAL TO BLOCK AREA PLOT LINES

VACANT AREASCALE 1:4000

47.50% 34.83

2

HAGLEY PARK

HOSPITAL

1954.61 439.93

575.84

1136.18233.70

376.85

1224.25

725.6254.914518.30

802.57

4360.69

1377.34

300.60

5581.89

420.73

1716.69

4295.90

249.60 2187.82

1166.5989.33

422.62

358.77

3452.52

2073.3375.71

39.45

941.98

1366.77

862.49

734.872141.86

2791.29

3907.20

245.68679.92

34.83

50.4414.32

59.2226998.05 26448.45 26615.97 27136.66 26321.74

47.50% 42.50% 48.50% 36.00% 28.00%

Ave = 40.50% built structures / block

47.5%

65Ziyi (Bill) Liu, Jianxiang (Mickey) Ma, Matthew RyuCR

A.N

D.J

WM

G.C

J.M

IPC.

Z T.

S Q.

C

UCB.

L M

.M M

.R

GSH.

C H.

C S.

W

UAD.

H T.

C L.

T

GBM

.C S

.P Y

.T

LCA.

C S.

H H.

R

RP C.F

L.S

APF.

C B.

L M

.M M

.R

BP F.C

V6

COLO

MBO

ST

DU

RHA

M S

T

MO

NTR

EAL

ST

AN

TIG

UA

ST

MA

NCH

ESTE

R ST

HAGLEY AVE

RICCARTON AVE

SAINT ASAPH ST

TUAM ST

LINCHFIELD ST

CORRIDORS - OVERALL PLANSCALE 1:4000

RETAINED BUILDINGNEW BUILDINGPLAZAPARKSCORRIDORS HARDCORRIDORS SOFT

KEY

HAGLEY PARK

HOSPITAL

CORRIDORS - OVERALL PLAN

Retained BuildingNew BuildingPlazaParksCorridors Hardscape Corridors Softscape

CORRIDOR - CUT BUILDINGS

COLO

MBO

ST

DU

RHA

M S

T

MO

NTR

EAL

ST

AN

TIG

UA

ST

MA

NCH

ESTE

R ST

HAGLEY AVE

RICCARTON AVE

SAINT ASAPH ST

TUAM ST

LINCHFIELD ST

CORRIDORS - OVERALL PLANSCALE 1:4000

RETAINED BUILDINGNEW BUILDINGPLAZAPARKSCORRIDORS HARDCORRIDORS SOFT

KEY

HAGLEY PARK

HOSPITAL

COLO

MBO

ST

DU

RHA

M S

T

MO

NTR

EAL

ST

AN

TIG

UA

ST

MA

NCH

ESTE

R ST

HAGLEY AVE

RICCARTON AVE

SAINT ASAPH ST

TUAM ST

LINCHFIELD ST

CORRIDOR - CUT BUILDINGSSCALE 1:4000

AFFECTED BUILDINGCUT PATHS

KEY

66 Urban Corridors [SW]

COLO

MBO

ST

DU

RHA

M S

T

MO

NTR

EAL

ST

AN

TIG

UA

ST

MA

NCH

ESTE

R ST

HAGLEY AVE

RICCARTON AVE

SAINT ASAPH ST

TUAM ST

LINCHFIELD ST

CORRIDOR CHARACTERISTICSSCALE 1:4000

CAR BUFFERCAR BUFFER CORRIDORMULTI-USE CAR PARKMULTI-USE CAR PARK CORRIDOREXPERIMENTAL PLATFORMSEXPERIMENTAL PLATFORM CORRIDORAUTOMOTIVE INNOVATION EXHIBITION SPACEAUTOMOTIVE INNOVATION CORRIDORBUILDING INNOVATION EXHIBITION SPACEBUILDING INNOVATION CORRIDORRE-KINDLE ARTWORK EXHIBITION SPACERE-KINDLE ARTWORK CORRIDORAVON RIVERAVON RIVER CORRIDOR

KEY

COLO

MBO

ST

DU

RHA

M S

T

MO

NTR

EAL

ST

AN

TIG

UA

ST

MA

NCH

ESTE

R ST

HAGLEY AVE

RICCARTON AVE

SAINT ASAPH ST

TUAM ST

LINCHFIELD ST

CORRIDOR IDENTITIESSCALE 1:4000

MULTI-PLATFORMS CORRIDORSHAGLEY PARK CORRIDORSMOVIE CORRIDORAVON CORRIDORAUTOMOBILE CORRIDORCONSTRUCTION INNOVATION CORRIDORSGALLERY CORRIDORSFERN CORRIDOR

KEY

CORRIDOR IDENTITIES

Multi-platform CorridorsHagley Park CorridorsMovie CorridorAvon CorridorAutomobile Corridor Construction Innovation Corridors

COLO

MBO

ST

DU

RHA

M S

T

MO

NTR

EAL

ST

AN

TIG

UA

ST

MA

NCH

ESTE

R ST

HAGLEY AVE

RICCARTON AVE

SAINT ASAPH ST

TUAM ST

LINCHFIELD ST

CORRIDOR IDENTITIESSCALE 1:4000

MULTI-PLATFORMS CORRIDORSHAGLEY PARK CORRIDORSMOVIE CORRIDORAVON CORRIDORAUTOMOBILE CORRIDORCONSTRUCTION INNOVATION CORRIDORSGALLERY CORRIDORSFERN CORRIDOR

KEY

Gallery CorridorsFern Corridor

CORRIDOR CHARACTERISTICS

Car BufferCar Buffer CorridorMulti-use Car ParkMulti-use Car Park CorridorExperimental PlatformsExperimental Platform CorridorAutomotive Innovation Exhibition SpaceAutomotive Innovation Corridor

Rekindle Artwork Exhibition SpaceRekindle Artwork CorridorAvon RiverAvon River Corridor

COLO

MBO

ST

DU

RHA

M S

T

MO

NTR

EAL

ST

AN

TIG

UA

ST

MA

NCH

ESTE

R ST

HAGLEY AVE

RICCARTON AVE

SAINT ASAPH ST

TUAM ST

LINCHFIELD ST

CORRIDOR CHARACTERISTICSSCALE 1:4000

CAR BUFFERCAR BUFFER CORRIDORMULTI-USE CAR PARKMULTI-USE CAR PARK CORRIDOREXPERIMENTAL PLATFORMSEXPERIMENTAL PLATFORM CORRIDORAUTOMOTIVE INNOVATION EXHIBITION SPACEAUTOMOTIVE INNOVATION CORRIDORBUILDING INNOVATION EXHIBITION SPACEBUILDING INNOVATION CORRIDORRE-KINDLE ARTWORK EXHIBITION SPACERE-KINDLE ARTWORK CORRIDORAVON RIVERAVON RIVER CORRIDOR

KEY

Building Innovation Exhibition SpaceBuilding Innovation Corridor

67Ziyi (Bill) Liu, Jianxiang (Mickey) Ma, Matthew RyuCR

A.N

D.J

WM

G.C

J.M

IPC.

Z T.

S Q.

C

UCB.

L M

.M M

.R

GSH.

C H.

C S.

W

UAD.

H T.

C L.

T

GBM

.C S

.P Y

.T

LCA.

C S.

H H.

R

RP C.F

L.S

APF.

C B.

L M

.M M

.R

BP F.C

V6

SOFTSCAPE CORRIDORS

68 Urban Corridors [SW]

COLO

MBO

ST

DU

RHA

M S

T

MO

NTR

EAL

ST

AN

TIG

UA

ST

MA

NCH

ESTE

R ST

HAGLEY AVE

RICCARTON AVE

SAINT ASAPH ST

TUAM ST

LINCHFIELD ST

ROUGH CONCRETE

CORRUGATED STEEL

HARDSCAPE CORRIDORSSCALE 1:4000

HARDSCAPE CORRIDORSEach corridor is designed to have a distinct palette of materials giving it a unique identity.

69Ziyi (Bill) Liu, Jianxiang (Mickey) Ma, Matthew RyuCR

A.N

D.J

WM

G.C

J.M

IPC.

Z T.

S Q.

C

UCB.

L M

.M M

.R

GSH.

C H.

C S.

W

UAD.

H T.

C L.

T

GBM

.C S

.P Y

.T

LCA.

C S.

H H.

R

RP C.F

L.S

APF.

C B.

L M

.M M

.R

BP F.C

V6

HARDSCAPE CORRIDORSEach corridor is designed to have a distinct palette of materials giving it a unique identity.

69Ziyi (Bill) Liu, Jianxiang (Mickey) Ma, Matthew RyuCR

A.N

D.J

WM

G.C

J.M

IPC.

Z T.

S Q.

C

UCB.

L M

.M M

.R

GSH.

C H.

C S.

W

UAD.

H T.

C L.

T

GBM

.C S

.P Y

.T

LCA.

C S.

H H.

R

RP C.F

L.S

APF.

C B.

L M

.M M

.R

BP F.C

V6

70 Urban Corridors [SW]

CRA.

N D.

JW

MG.

C J.

M

IPC.

Z T.

S Q.

C

UCB.

L M

.M M

.R

GSH.

C H.

C S.

W

UAD.

H T.

C L.

T

GBM

.C S

.P Y

.T

LCA.

C S.

H H.

R

RP C.F

L.S

APF.

C B.

L M

.M M

.R

BP F.C

V6

71Ziyi (Bill) Liu, Jianxiang (Mickey) Ma, Matthew Ryu

SCHOOL O

F ARC

HITEC

TURE

AND PLA

NNING S

TUDIO

Hew K

enn

Chew

Han C

hen

Sam

uel W

ong

74 Green Stitch

WHAT THEY ARE SAYING WHAT WE ARE SEEING

75Hew Kenn Chew, Han Chen, Samuel Wong

DON’T FRAME, STITCH NETWORKS AND CONNECTIONS The Green Stitch creates connections across the CBD. The street grid and existing natural open spaces including Cathedral Square, Hagley Park, Latimer Square and Cranmer Square are preserved.

The CCDU plan is strikingly similar to Howard Ebenzer’s Garden City design of 1898, and is not so dissimilar from the pre-earthquake Christchurch, in that it separates residential from main business districts. While the CCDU proposed Green Frame is intended to contain the inner CBD, and is designed as an open space capable of expanding for future development, it creates a strong divide between inside and outside. Within the Green Frame lies only commercial infrastructures, on the outside is the rest of the city, its suburbs, and residential areas. We believe this approach runs the risk of becoming disconnected, and would therefore lead to a CBD decaying within the Green Frame from lack of use.

CRA.N

D.JW

MG.C J.M

IPC.Z T.S Q.C

UCB.L M

.M M

.R

GSH.C H.C S.W

UAD.H T.C L.T

GBM

.C S.P Y.TLC

A.C S.H H.R

RPC.F L.S

APF.C B.L M

.M M

.R

BPF.C V6

76

GREEN STITCHESThe Green Stitches are located according to perpendicular trajectories to the Avon River.

Green Stitch

CONNECT PROGRAMME

Live

Work

Mixed: Work/Play

77Hew Kenn Chew, Han Chen, Samuel Wong

PROGRAMME ACCESSIBILITY

ResidentialIndustrialRetail

IDENTITIES

TransportationCulturalMixed UseProduceRecreational

CRA.N

D.JW

MG.C J.M

IPC.Z T.S Q.C

UCB.L M

.M M

.R

GSH.C H.C S.W

UAD.H T.C L.T

GBM

.C S.P Y.TLC

A.C S.H H.R

RPC.F L.S

APF.C B.L M

.M M

.R

BPF.C V6

78

AVON RIVER

HIGH

STREET

CPIT

240 X 2146m

515040m2

REMAINING BUILDINGS SITE PERIMETER

N

GRIDA geometry is drawn out based on predominant north easterlies and south westerly winds, the number of stokes are attributed to the directional wind strength

Green Stitch

79

PERPENDICULAR WIND GRIDThe perpendicular vectors of the previous grid are taken to form shelter belt geometries.

OVERLAY GRIDSOverlaying the wind directions with Christchurch’s historical street grid and the Avon River creates the proposed circulation.

Han Chen

MIXED USE STITCHThe urban pattern for the ‘Mixed Use Stitch’ is derived by integrating a perpendicular grid to the dominant wind direction.

CRA.N

D.JW

MG.C J.M

IPC.Z T.S Q.C

UCB.L M

.M M

.R

GSH.C H.C S.W

UAD.H T.C L.T

GBM

.C S.P Y.TLC

A.C S.H H.R

RPC.F L.S

APF.C B.L M

.M M

.R

BPF.C V6

80

RESIDENTIAL HOUSING

CHURCH OF ST FRANCIS

HIGH STREET GRID

MANCHESTER STBAND’S MAIN “SPINE”

PRESERVATIONRetain the historical St Francis Church, private homes and the heritage buildings along High Street.

PRIMARY CIRCULATIONManchester Street becomes the primary route connecting North to South. Small building blocks are removed and turned into voids to provide circulation off the main road.

OPEN SPACECentral blocks are grouped and pressed together to provide open spaces for public gatherings.

Green Stitch

81Han Chen

PROPOSED URBAN PLANThe buildings are designed to mitigate incoming winds to control the micro climate within the band to establish comfortable inhabitation. Manchester Street acts as a spine connecting North to South. Generous allocation of green spaces ensures air purification as well communal spaces for gatherings.

CRA.N

D.JW

MG.C J.M

IPC.Z T.S Q.C

UCB.L M

.M M

.R

GSH.C H.C S.W

UAD.H T.C L.T

GBM

.C S.P Y.TLC

A.C S.H H.R

RPC.F L.S

APF.C B.L M

.M M

.R

BPF.C V6

82

URBAN ENVELOP BORDERProvide a 10m border around the buildings and pathways for seating and circulation purposes.

VIEWRemove the centre cluster of buildings to provide public space, whilst simultaneously providing views towards the space from the surrounding buildings.

ACCESSMain block access geometries are extruded to penetrate through the green space to provide walkways across the area. The green space is extruded also above ground by 1m for a more dynamic urban plane.

CENTREThe central block is removed and the area is paved to hold events and markets.

FILLThe remaining voids are filled with green spaces.

Green Stitch

83Han Chen

PROPOSED BLOCK PLANThe central green space is surrounded by shops and cafes, providing a lively program to activate the central area. A gallery, bank, gym and library are amongst the large list of services provided within the block to cater for the students, public and local residents. Countdown, currently located in the area, is retained as they provide a vital service to the residents. Above the two floors of retail are two floors dedicated to apartments, accommodating approximately 200 residents.

CRA.N

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POINTS OF INTEREST PEDESTRIAN CONNECTIONS

Green Stitch

ESTABLISH VISUAL CONNECTION INTO INNER STRIPEXTEND HIGH ST. AND VICTORIA ST.

85

DIFFERENTIATION ACCORDING TO PROGRAMME

Hew Kenn Chew

TRANSPORT STRIPThe Transport Strip takes it cue from Victoria St and High St, by extending these two streets the strip is generated between them. Both of these streets become primary interchanges for the city’s main transport, creating a transport hub along the outer perimeter of the strip. The inside of the strip is car free and is a pedestrian mall linking a range of public spaces, from parks, to central plazas to pocket gardens. Medium density, mixed use buildings flank the edges of the strip with street frontage along High Street and Victoria Street and public space frontage along the inner strip.

URBAN GRID AS DESIGN DRIVER

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86

3-4 storey with ground floor throughway’s1-2 storey3-4 storey5-10 storey10+ storey

Green Stitch

1

2

PLAN & RELATIVE BUILDING HEIGHTS

87

WETLAND PLANTATION

POPLAR TREES AND SMALL PLANTATION

AVON RIVER

ESPLANADE WALK

CYCLISTS LANE

BUILDING

CAFE/DINING TER-RACES SEPERATED BY PLANTER

2

AVON RIVER

PARK TERRACE

KIDS PLAYGROUND

KISS AND

RIDE AREA

BUILD

ING

1

Hew Kenn Chew

1. HAGLEY PARK ZONEThe paving is oriented in relationship to the Christchurch urban grid and dissolves to create a gradient towards permeable surfaces. A playground is provided within the village park, surrounded by residential it to provide safety and natural surveillance.

2. AVON RIVER ZONEThere is a 50 metre setback between built forms and the Avon River, allowing for an esplanade for pedestrians and cyclists. There is no gap between pavers used for esplanade or for terraces for cafes near buildings. A gradient of paving with permeable ground is used between the esplanade and river. Stone benches are carefully located along the path ways and river front.

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BRIDGESGARDEN BRIDGE - A semi sheltered bridge hometo different edible plants and trees.

SOCIAL BRIDGE - Offering places to sit and be social. Also integrates a pedestrian path and a cycle path.

LIBRARY BRIDGE - A sheltered wooden structure housing a book exchange and a comfortable bench to sit and read.

OBSTACLE BRIDGE - Consists of 20 flatstones spaced to tempt one to cross the river.

ISLAND BRIDGE - Connects to the central island, offers a place to embrace, retreat and rest.

WEAVE BRIDGE - Is a reference to the Maori and Polynesian art of weaving flax.

GRASS BRIDGE - A continuous strip of grass connects the banks, providing a soft place to picnic and rest.

WETLANDS WITH EDIBLE CROPS

PUBLIC FRUIT TREES

SHELTERED FARMERS MARKET

SHELTERED FARMERS FOOD STALLS

BRIDGE FARMERS MARKET

THREE WAY BRIDGE

OUTDOOR SOCIAL/REST

SHELTERED BRIDGE

MA

DRA

S ST

PLAYGROUND SKATE PARKBASKETBALL COURTOUT DOOR WORKOUT

LIBRARY BRIDGE

EXISTING RESIDENTIAL DWELLING

EDIBLE GARDENS

RESTAURANT & CAFES

SHELTERED SPACES FOR PUBLIC ACTIVITIES

MA

NCH

ESTE

R ST

COLO

MBO

ST

EDIBLE GARDENS

OUTDOOR SOCIAL/RESTCONNECTED BRIDGE

89Samuel Wong

GRASS BRIDGE

WEAVE BRIDGE

ART BRIDGE

ISLAND BRIDGE

OBSTACLE BRIDGE

SOCIAL SPACE

GARDEN BRIDGE

RECYCLED BRIDGE

GARDEN BRIDGE

TRANSPORT REST

LIBRARY BRIDGE READING BRIDGE

CONNECTED BRIDGE

GENERAL SHELTERED

THREE PATHWAY BRIDGE

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RECREATIONAL STRIPThe recreational strip is defined along the Avon River and intersects each of the ‘Green Strip’s’ bands, creating different zones of influence. The spaces between each of the strips are also designated as part of the recreational strip. As a result there will be 9 different zones created. A series of bridges are designed and programmed to bring different activities to the Avon River.

ZOOM 1

ZOOM 2

SCHOOL OF ARCHITECTURE

AND PLANNING STUDIO

Damien He

Taylor Chan

Louie Tong

92 Urban Archipelego

CCDU GREEN FRAME CORE The CCDU proposal for the Green Frame creates a consolidated inner CBD.

URBAN ARCHIPELAGO CORE Urban Archipelago suggests an alternative to the proposed single core by creating multiple islands each with a distinct character. Instead of creating a mono-centric city, this proposal aims to create a variety of closely connected yet distinctly different centres.

93Damien He, Taylor Chan, Louie Tong

CHRISTCHURCH 1850 Christchurch is located above vast aquifers and a network of underground waterways. Throughout the planning of the city, this naturally defining characteristic of the city has been concreted over and submerged below a sea of grided streets. The map from 1850 shows the remnants of what were local waterways before they were lost to contemporary urban occupation.

UNDERGROUND WATERWAYS & AVON Through this overlay, a stark yet beautiful contrast emerges between the planar grid of the city blocks and the natural curvaceous form of the river and historic streams. This map became the point of departure to then draw a series of islands knitted together by paths of small streams.

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FOREST LAYERS ARCHITECTURE LAYER EQUIVALENT

Emergent Layer

Canopy Layer

Understory Layer

Forest Floor Layer

Prominent Buildings(Island Icons)

Primary Platformfor the public

Less prominent Buildings(Public facilities)

Public roads(Vehicles)

Translation

Island Floor

8m

16m

25m

Emergent Layer

Canopy Layer

Understory Layer

Forest Floor Layer

PERFORMING ARTS ISLANDLooking to layers within a forest, the design is a translation into an architectural hierarchy. Each layer is defined by its function and level of occupation.

Urban Archipelego

95Damien He

CANOPY LAYER Urban skywalks provide shelter over the lower layers and views out to islands in the distance.

UNDERSTORY LAYER Exhibition halls make up the understory layer.

EMERGENT LAYERPerforming Arts Centre is one of the tallest buildings on site and becomes an icon of the island and the city.

Massing

Greenspace

Pavement

Island

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SECONDARY+TERTIARY: Informal Partially Active Recreational Spaces

PRIMARY: Informal Passive Recreational Spaces

RECREATION ISLANDThis island serves as a location for people to meet, relax, exchange ideas and provides mental relief.

Urban Archipelego

97

DESIGN DRIVERThe proposal for this island is to consolidate the denser urban buildings within the center. Green spaces are arranged near the points of importance and in between the dense zones. The dense zone, and hence also primary roads, were informed by the intersections of the ripples.

Louie Tong

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ENTRY POINTSEntry points via vehicle exist at the four corners of the archipelago. Pedestrians come and go through one of the many bridged gaps on the perimeter of the island. The above figure also shows the connection to the existing Christchurch urban grid.

Vehicle entrancesPedestrian entrances

PRIMARY ROADS + HIGH DENSITY SITESPrimary roads were informed by the areas of turbulence and intersections between the ripple’s sources. The higher the turbulence, the higher the density.

STAGE 2 : SECONDARY ROADSInspired by the abstract forms captured by the stage 2 image during the ripples, secondary roads for low density travel are created for vehicular access to car parks.

Urban Archipelego

99

STAGE 3 : PEDESTRIAN / GREEN PATHS YThe green paths were inspired by the little gaps between air bubbles during stage 3 photo from the ripples. The ones connected to the main high density road point out, towards a green space to give users a sense of direction.

STAGE 4 : CAR PARKSCarparks are located away from the Avon River and placed between high density and green zones. The placement was inspired by stage 3 of the ripples as there were random bubbles which popped up.

STAGE 5 : GREEN SPACESInspired by the last stages of the ripples, the green spaces were arranged as close to the buildings of Interest as possible without being impractical. Smaller pockets of green spaces were also included so that some could specialize in certain recreational activities such as containing a soccer field or skate ramp.

Louie Tong

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ROOT STRUCTURES The concept of this project focussed on ecosystems and the structure of tree roots. The concept investigates how root structures could be integrated into the city to create urban pathways and regenerate the landscape. Tap root structures and fibrous root structures are integrated into the core of the city at different scales: The city scale, The urban scale and the architectural scale.

TAP ROOT FIBROUS ROOT

x2x1 x4

Urban Archipelego

101

AQUA

MIXED USE ISLANDThe identity of the island will be a mixed use island that is designed to accommodate low rise residential, retail and public spaces. The first floor is for retail and public space, and the upper stories are residential. The building’s design follow the idea of organic forms and patterns drawn from the island’s shape. This is seen as a repeatable element at different scales creating public and dwelling spaces that flow into each other seamlessly.

Taylor Chan

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GLOUCESTER STREET

NEW PROPOSED WATERWAYS

NEW PROPOSED MIXED USE BLOCK

LANDSCAPING

Urban Archipelego

Main Road (Quadraple Lane Road)

Secondary Roads (Double Lane Road)

Access Points

Bike Pathways

Green Spaces

New Proposed Buildings

Existing Buildings

Waterways

SITE PLAN

103

Taylor Chan

LEVEL 1 LEVEL 2

RETAIL

RESIDENTIAL

RESIDENTIALPUBLIC

OPEN ATRIUM

OPEN ATRIUM

RESTAURANTS

RETAIL

LEVEL 3 LEVEL 4

RESIDENTIAL

RESIDENTIAL

OPEN ATRIUM

PUBLIC

PUBLIC

RESIDENTIAL

RESIDENTIAL RESIDENTIAL

RESIDENTIAL

OPEN ATRIUM

VISUAL CONNECTION Icons of interest

EXTRUSION Connection to landscape

INNER CIRCULATION Visual connection inside

CHRISTCHURCH CATHEDRAL

VICTORIA SQUARE

HAGLEY PARK

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SCHOOL OF ARCHITECTURE

AND PLANNING STUDIOMaddie ClarkeSam PetersYining Tan

106 Green Buffer

CCDU Propose Transport Hub

Bus Route

CENTRAL BUS STATION The CCDU’s proposed a central transport hub one block south of the original station.

0 200 400 600 800 1000

meters

0 200 400 600 800 1000

0 200 400 600 800 1000

meters

0 200 400 600 800 1000

Transport Hubs

DISTRIBUTED BUS STATION We propose eliminatng private vehicle traffic from the inner core and locating seven transport hubs around the Green Frame. People can park their cars in the hubs and either walk or take an alternative form of transport into the city centre.

Bus Route

107

RETAIL

Maddie Clarke, Sam Peters, Yining Tan

0 200 400 600 800 1000

meters

ART PARK (Corner of Kilmore St and Durham St)Adjacent to the Town Hall, this hub is dedicated to the Arts.

PERFORMANCE PARK (Madras St)This transport hub incorporates public event spaces for social gatherings.

PARK PARK (Between Tuam St and St Asaph St)This transport hub is the only hub located within the Green Frame itself and thus the main driver is the Green Frame.

CAFE FILM ART GALLERY

DINNING MUSIC MOVIES

PARK GARDENS CAFE

HYBRIDISED PROGRAMMEEach transportation hub comprises of a car park, a public transportation hub as well as an additional activity to activate the building. ART PARK PERFORMANCE

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ENGINEERED TIMBER BEAM STRUCTURE The building’s wooden structure and symmetrical plan means the building is designed to perform well in the event of an earthquake.

Green Buffer

109

ART PARKThe Art Park frames the view from Victoria Street into Victoria Square. The building’s height is 20m in keeping with its neighbor, the Town Hall. The design is based on three modular units, each contains six laminated timber beams spanning between eight and thrity-two metres. The modular units are designed to stack, optimizing load paths.

INTERIOR PERSPECTIVE

Sam Peters

THREE MODULES

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SECTION AA

VEHICLE CIRCULATION The ramps are designed to accommodate single directional traffic: the eastern side of the building is for cars travelling upward and the western side is for cars descending the building. There are two bridges that link the ascending and descending routes.

Green Buffer

111

ART PARK PROGRAMMEThe building will satisfy the needs of daily commuters and art enthusiasts alike. It will provide an interchange between car, bus, cyclists and pedestrian activity. It will act as a filter for the Green Frame only allowing busses, bikes and pedestrians to transfer into the inner city.

PARKIN

G

CYCLE HIRE

BUS STATIO

N

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+ CAFE

Sam Peters

CRA.N D.J

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cars arrive at the transport hub and park

people make their way on foot to their desired

destination

bus arrives at terminal

passengers depart bus

new passengers board bus

bus departs the terminal

people arrive at the transport station on foot

taking the bus into the city

bike hires

bikes into city

bike hires

CIRCULATION DIAGRAMThe green leaf indicates where users pass through the gardens and experience the green spaces within the building.

ST ASAPH ST

PEOPLE

CARS (UPPER FLOORS)

CARS

PEOPLE (UPPER FLOORS)

PEOPLE

BUS ROUTE

GREEN SPACES

CIRCULATION PLANThe circulation plan shows how the four users move through the building and through the green spaces. The dotted lines show movement into upper floors.

Green Buffer

113Yining Tan

PARK PARKThe Park Park turns what would otherwise be a generic car park into an attractive place to enjoy. The building is a hybrid between a park and a car park. The architecture integrates light wells and internal gardens with parking platforms and a bus exchange.

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bus waiting area

bus waiting area

LEVEL ONE LEVEL TWO LEVEL THREE

Green Buffer

115

LEVEL FOUR LEVEL FIVE TOP VIEW

Yining Tan

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KEY USERS CIRCULATION TO SITE | CAR | BUS | CYCLIST | PEDESTRIAN

Outgoing Motor TrafficIncoming Motor TrafficOutgoing BusIncoming Bus

Outgoing CyclistIncoming CyclistOutgoing PedestrianIncoming Pedestrian

Green Buffer

SHORT TERM CIRCULATION SEPARATED SPACES INTEGRATED SPACES LONG TERM CIRCULATION

117

PERFORMANCE PARKThe four key users are characterized by their mode of transport: car, bus, cyclist and pedestrian. Located in the South East corner of the Green Frame, the majority of motor traffic comes from the Eastern suburbs of Sumner, Redcliffs, Mt Plesant, Heathcotte and Avonside travelling into the CBD. There is heavy pedestrian and cycle use at the west end of the site, as users park their cars to continue through the Green Frame into the CBD. Busses travel one way up Madras St and pull into the site at either of the three platforms. Creating user specific entry and exit points to the building helps ensures pedestrian safety, with minimal amount of intersecting paths for pedestrians and motor vehicles.

Maddie Clarke

GROUND FLOOR

FIRST FLOOR

UP

DO

WN

DO

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UP

SECOND FLOOR

UP

DO

WN

DO

WN

UP

UP

THIRD FLOOR

UP

DO

WN

UP

SHARED

Music

Circulation

Bike Parking

Services

Car Parking

Dining

Retail

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SCHOOL OF ARCHITECTURE

AND PLANNING STUDIOAdam Chin

Shirin HeidariHanin Rajeh

120

INTERMODAL TRANSIT CORRIDORThe intermodal transit facilities integrates various programmes within the Urban Corridor. The facilities are broken into 4 Phases: Reestablishing Urban Links, Introducing the Mutualism Plazas, Integration of Furnishing and Connection Shelters.

Innovation Precincts Mixed Use PrecinctsTransport Corridor

Linear Corridor

121

CCDU PROPOSED TRANSPORT HUB

PROPOSED TRANSPORT CORRIDOR

INTERMODAL TRANSPORTATIONBeginning to break away from notion of centralisation, the proposal of an Urban Corridor starts to situate itself through High Street, Cathedral Square and Victoria Street. Historically known as the entrances and exits of the City Center, this re-instated linear corridor creates a backbone into which the rest of the city’s transport can plug into.

Adam Chin

CRA.N D.J

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122 Linear Corridor

NETWORKING COURTYARD & PAVINGThe network of the courtyards is defined by the connections made between relative entrances of buildings. The spaces between the connecting paths define the green spaces and furnishing.

MIXED USE PRECINCTThe corridor also integrates the Innovation Precinct and the Retail Precinct, distributing their programmes along the corridor as a means by which to activate the area. In-stead of zoning and segregating programmes this proposal looks at bringing together the different uses along the transportation corridor.

123Adam Chin

INTEGRATION OF FURNISHINGThe courtyards are informed through the trajectories connecting buildings. Submerged seating spaces create public space for leisure.

CONNECTION OF SHELTERSShelters are informed through the same trajectories connecting the entrances of the buildings. Following the sense of a ‘loop’ the Tram Shelter scales the paving through a vertical axis, moving from paving, to shelter in a single linear move.

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INNOVATION PODSA series of discrete programmes are located along a looping corridor.

Linear Corridor

125

Reception

Open Plan Offices

Cafe/Bar

Meeting Spaces

Private Offices

Conference Room

Toilets

Parking Space

PROGRAMMES

RECEPTION

CAFE/BAR

PRIVATE OFFICES

OPEN PLAN OFFICES

MEETING SPACES

CONFERENCE ROOM

TOILETS

PARKING SPACE

Shirin Heidari

CRA.N D.J

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Plant Cell A

Plant Cell B

Plant Cell C

Plant Cell D

DESIGN CONCEPTConceptual drawings of plant cells are overlaid on the site.

Linear Corridor

127

MIXED USE BUILDINGThe formal starting point for the design was to take cellular structures from plants found near the site and scale them up to then inform the massing, programme organisation and circulation.

Hanin Rajeh

SITE PLAN

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LEVEL ONE LEVEL TWO

LEVEL THREE LEVEL FOUR

Linear Corridor

129

MIXED USE PROGRAMLevel 1: Carpark, Mechanical, Storage, Private Entrance to Apartments, Offices, Restaurant, Accessible Restrooms

Level 2: Offices, Food Court,Retail spaces, Public Restrooms, Apartments

Level 3: Apartments, Storage

Level 4: Apartments, Storage

Hanin Rajeh

CRA.N D.J

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SCHOOL OF ARCHITECTURE AND PLANNING STUDIO

Charlotte FarquharsonLaurielle Shannon

132 Retail Precinct

RETAIL PRECINCT The proposed CCDU Retail Precinct is designed to cover two blocks on the edge of the Avon River. In this proposal we are proposing to extend the retail precicnt to include three blocks and the Avon River.

Proposed CCDU Retail Precinct Plan

Our Proposal Extending the Retail Precinct

Proposed CCDU Retail Precinct Plan

Our Proposal Extending the Retail Precinct

Proposed CCDU Retail Precinct

Extending The Retail Precinct Proposal

133Charlotte Farquharson, Laurielle Shannon

Street ExtentionsSurrounding Streets

Street Extensions

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OUTLINE OF FOLIAGE SHOWING LIGHT PENETRATION

CANOPIES Tree Canopies filter light, regulating the amount of sunlight that reaches the ground below. The concept focuses on how light emits through canopies and the light beams that it creates.

The beams of light are interpolated as the form and influence the spatial layout of the building. The light wells carve through the building creating shafts where light penetrates deep within the floor plates.

Retail Precinct

EXTRUSION OF INTERSECTED LINES

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PASSIVE DESIGNThe design focuses on a few key passive design principles such as thermal mass, shading mechanisms, building orientation and effective heating and cooling systems.

Charlotte Farquharson

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12,437.1m2 120 STORES

7694.4m2 600 OFFICES

6895.3m2 110 APARTMENTS

592.25m2 1 GYM

592.25m2 1 DAY CARE CENTRE

5707m2 20 DINING ESTABLISHMENTS

STACKED The building takes its form from studying the programmatic distribution. The arrangement provides a clear separation between the public and private spaces, with the private located on the northern side of High Street and the public located on the southern side. The retail areas are connected to create a long multi-level mall, with the childcare centre and public gym included in the same block to maintain concentration of public activity in the south corner. Residential units are on the northern side of the complex for maximum sunlight, with the offices facing south for even daylight. Residential and office units are located on the top two floors and the apartments away from the public courtyard to minimize disturbance. Retail and dining areas face inwards to the main courtyard, and secondary courtyards are created around the ground floor dining units for a pleasant outdoor experience.

8641.2m2 31% PRIVATE SPACES 19233.6m2 69% PUBLIC SPACES

Retail Precinct

137

STRUCTUREThe structure is effectively a series of large beams overlapping and interlocking with exposed diagonals. A steel frame system is used in the construction to support the cantilevered and overlapping floors. The structure allows for the cantilevered forms and creates unusual shaped geometries while also playing a part in the facade of the complex.

Laurielle Shannon

CRA.N

D.J

WM

G.C J.

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IPC.Z

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PETERBOROUGH VILLAGECOMPETITIONLinbing (Fatina) ChenZiyi (Bill) Liu Jianxiang (Mickey) Ma Matthew Ryu

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PETERBOROUGH VILLAGE PITA KĀIKMIXED USE IDEAS COMPETITION 2013 In 2011 Central Christchurch was badly damaged in a series of earthquakes. On the soft ground in the north of the city centre, whole street blocks have been entirely cleared and some rebuilding begun. A community-based, post-quake organisation, the Peterborough Village Incorporated Society, addresses an area immediately outside the city core embraced by Colombo – Salisbury – Barbadoes Streets and the Ōtākaro Avon River corridor. Village blocks had areas of commercial and areas of residential, with Colombo Street the local main street - a former food hub - and Kilmore Street between Colombo and Manchester being predominantly office buildings.

Lucas Associates COMPETITION SITE LOCATION

Ark in the Park

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CRA.N D.J WM

G.C J.M IPC.Z T.S Q.C UC

B.L M.M M.RGSH.C H.C S.W

UAD.H T.C L.T GB

M.C S.P Y.T LCA.C S.H H.R RP

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Competition site adjoining Te Papa Otakaro

Site

Photo: September 2012

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Chester St.

Armagh St.

Glouchester St.

The City Plan has been revised and for this area seeks that, instead of redevelopment for entirely commercial activity, redevelopment of sites have mixtures of uses, including retail, office and residential. The concept is challenging for site owners. This competition is to generate and inspire concepts to assist in their planning and design and in a vibrant, sustainable post-colonial renewal.

Excerpt from competition briefing documents, 2012

Photo 2012COMPETITION SITE ADJOINING TE PAPA OTAKARO

Linbing (Fatina) Chen, Ziyi (Bill) Liu, Jianxiang (Mickey) Ma, Matthew Ryu

142

1. Site 2. Underground Springs 3. Public Spaces and Courtyards 4. Circulation 5. Massing form 6. Modular massing 7. Green connections

Christchurch, New ZealandChristrhuch Mixed Use Competition, 2013Partners: Jianxiang (Mickey) Ma, LinBing (Fatina) Chen, Matthew RyuConsultants: Camia Young and Eric Austin

Our design proposal is a dynamic response to the brief focusing on the historical spring characteristics of the site. Theriver has always been the gathering point of activities in historical times, our aim was to recreate the vibrant atmosphereassociated with it. Our main focuses were on ‘sense of place’ , ‘timber buildings’ and green connections. We took the1950’s underground spring map as our starting point and focused on using the corresponding land above as sharedspaces where public interaction can take place. Our built spaces are closely interlinked with alternative circulation routesrunning at different levels for both public and private use. Our design cultivates green space as an echoing element tothe surrounding green frame.

ARK IN THE PARKAn Adaptive Mixed Use Village to the Conditions of Christchurch

Ark in the Park

143

1. Site 2. Underground Springs 3. Public Spaces and Courtyards 4. Circulation 5. Massing form 6. Modular massing 7. Green connections

Christchurch, New ZealandChristrhuch Mixed Use Competition, 2013Partners: Jianxiang (Mickey) Ma, LinBing (Fatina) Chen, Matthew RyuConsultants: Camia Young and Eric Austin

Our design proposal is a dynamic response to the brief focusing on the historical spring characteristics of the site. Theriver has always been the gathering point of activities in historical times, our aim was to recreate the vibrant atmosphereassociated with it. Our main focuses were on ‘sense of place’ , ‘timber buildings’ and green connections. We took the1950’s underground spring map as our starting point and focused on using the corresponding land above as sharedspaces where public interaction can take place. Our built spaces are closely interlinked with alternative circulation routesrunning at different levels for both public and private use. Our design cultivates green space as an echoing element tothe surrounding green frame.

ARK IN THE PARKAn Adaptive Mixed Use Village to the Conditions of Christchurch

ARK IN THE PARKThe design proposal responds to the a spring hidden beneath the site. The river historically was the gathering place for activities, the design takes this as a departure point and reveals the location of a stream identified in a 1950s underground spring map and designates the corresponding land above for gathering spaces.

The design aims to create a sense of place using timber buildings integrated with landscape. The built spaces are closely interlinked with alternative circulation routes running at different levels for both public and private use. The design also cultivates green space as a connecting element to the surrounding context.

CRA.N D.J WM

G.C J.M IPC.Z T.S Q.C UC

B.L M.M M.RGSH.C H.C S.W

UAD.H T.C L.T GB

M.C S.P Y.T LCA.C S.H H.R RP

C.F L.SAP

F.C B.L M.M M.R BPF.C V6

PROPOSED ARK IN THE PARK SITE PLAN

Linbing (Fatina) Chen, Ziyi (Bill) Liu, Jianxiang (Mickey) Ma, Matthew Ryu

144 Ark in the Park

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1. SITEAvon river creates a strong contrast with the existing city grid especially the angles at which it intersects with the grid.

2. UNDER-GROUND SPRINGSFocusing on the ‘sense of place’ and the historical aspects of the site.

3. SPRING GEOMETRYAbstracting the spring angles in a general direction

4. PUBLIC SPACES & COURTYARDSUsing the cut spaces as open public courtyards (devided into four separate sections for four separate properties)-echoes the river’s active characteristic

5. CIRCULATIONPassages created between each property line to create permeability; main circulation route is derived from the direction of the underground springs.

6. MASSING FORMFacades facing the courtyard are cut at 60o sloping away, to emphasize the shared space.

7. MODULAR MASSINGBuildings are further shaped with a modular system using the diagonal cuts.

8. FUNCTIONSEvery building is mix used with the lower levels being more concentrated on public permeability and the upper more focused on private living.

9. GREEN CONNECTIONSCreates a very strong connection between each building as a whole and generates a positive atmosphere for its inhabitants.

Residential [3400m2]

Food & Retail [2400m2]

Commercial [2000m2]

Theatre [300 seats]

1. SITEAvon river creates a strong contrast with the existing city grid especially the angles at which it intersects with the grid.

2. UNDER-GROUND SPRINGSFocusing on the ‘sense of place’ and the historical aspects of the site.

3. SPRING GEOMETRYAbstracting the spring angles in a general direction

4. PUBLIC SPACES & COURTYARDSUsing the cut spaces as open public courtyards (devided into four separate sections for four separate properties)-echoes the river’s active characteristic

5. CIRCULATIONPassages created between each property line to create permeability; main circulation route is derived from the direction of the underground springs.

6. MASSING FORMFacades facing the courtyard are cut at 60o sloping away, to emphasize the shared space.

7. MODULAR MASSINGBuildings are further shaped with a modular system using the diagonal cuts.

8. FUNCTIONSEvery building is mix used with the lower levels being more concentrated on public permeability and the upper more focused on private living.

9. GREEN CONNECTIONSCreates a very strong connection between each building as a whole and generates a positive atmosphere for its inhabitants.

Residential [3400m2]

Food & Retail [2400m2]

Commercial [2000m2]

Theatre [300 seats]

1. SITEAvon river creates a strong contrast with the existing city grid especially the angles at which it intersects with the grid.

2. UNDER-GROUND SPRINGSFocusing on the ‘sense of place’ and the historical aspects of the site.

3. SPRING GEOMETRYAbstracting the spring angles in a general direction

4. PUBLIC SPACES & COURTYARDSUsing the cut spaces as open public courtyards (devided into four separate sections for four separate properties)-echoes the river’s active characteristic

5. CIRCULATIONPassages created between each property line to create permeability; main circulation route is derived from the direction of the underground springs.

6. MASSING FORMFacades facing the courtyard are cut at 60o sloping away, to emphasize the shared space.

7. MODULAR MASSINGBuildings are further shaped with a modular system using the diagonal cuts.

8. FUNCTIONSEvery building is mix used with the lower levels being more concentrated on public permeability and the upper more focused on private living.

9. GREEN CONNECTIONSCreates a very strong connection between each building as a whole and generates a positive atmosphere for its inhabitants.

Residential [3400m2]

Food & Retail [2400m2]

Commercial [2000m2]

Theatre [300 seats]

1. SITE RELATIVE TO THE AVON RIVER 2. UNDER-GROUND SPRINGS 3. SPRING’S PRIMARY DIRECTION

4. PUBLIC SPACES & COURTYARDS 5. CIRCULATION 6. MASSING & FORM

7. REFINED MASSING 8. FUNCTIONS 9. GREEN ROOFS

1. SITEAvon river creates a strong contrast with the existing city grid especially the angles at which it intersects with the grid.

2. UNDER-GROUND SPRINGSFocusing on the ‘sense of place’ and the historical aspects of the site.

3. SPRING GEOMETRYAbstracting the spring angles in a general direction

4. PUBLIC SPACES & COURTYARDSUsing the cut spaces as open public courtyards (devided into four separate sections for four separate properties)-echoes the river’s active characteristic

5. CIRCULATIONPassages created between each property line to create permeability; main circulation route is derived from the direction of the underground springs.

6. MASSING FORMFacades facing the courtyard are cut at 60o sloping away, to emphasize the shared space.

7. MODULAR MASSINGBuildings are further shaped with a modular system using the diagonal cuts.

8. FUNCTIONSEvery building is mix used with the lower levels being more concentrated on public permeability and the upper more focused on private living.

9. GREEN CONNECTIONSCreates a very strong connection between each building as a whole and generates a positive atmosphere for its inhabitants.

Residential [3400m2]

Food & Retail [2400m2]

Commercial [2000m2]

Theatre [300 seats]

Linbing (Fatina) Chen, Ziyi (Bill) Liu, Jianxiang (Mickey) Ma, Matthew Ryu

146 Ark in the Park

147

CRA.N D.J WM

G.C J.M IPC.Z T.S Q.C UC

B.L M.M M.RGSH.C H.C S.W

UAD.H T.C L.T GB

M.C S.P Y.T LCA.C S.H H.R RP

C.F L.SAP

F.C B.L M.M M.R BPF.C V6

DETAIL OF STRUCTURAL CONNECTION

ELEVATION OF STRUCTURAL FACADE

Linbing (Fatina) Chen, Ziyi (Bill) Liu, Jianxiang (Mickey) Ma, Matthew Ryu

148

PRESENTATIONS AT THE PALLET PAVILIONPETERBOROUGH VILLAGE COMPETITION AWARDS CEREMONY

STUDIO MEETINGS SITE MODEL UNDER CONSTRUCTION MODEL BUILDING

STUDIO DISCUSSIONS

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FINAL PRESENTATIONS AT UoA

GREEN STRIPS TEAM GREEN ARCHIPELEGO TEAM

GREEN BUFFER

TEAM

LINEAR CORRIDOR TEAM RETAIL PRECINCT TEAM

STUDENTSTaylor ChanLinBing (Fatina) ChenHan ChenQianzi ChenHew Kenn ChewAdam ChinMaddie ClarkeGemma CooksonCharlotte FarquharsonDamien HeShirin HeidariDarryl JacobsonZiyi (Bill) LiuJianxiang (Mickey) MaJanina (Nina) MasseeAmanda NakarmiSam PetersHanin RajehMatthew RyuLaurielle ShannonTessa (Yichen) SongYining TanLouie TongSamuel WongChunqin Zhang

TUTORCamia Young

TEACHING ASSISTANTSErica AustinMelissa Harrison

COURSESStudio Christchurch Summer SchoolThe University of Auckland School of Architecture and Planning Advanced Design 5

COMPETITIONPeterborough Village Student Submission

The collection of work gathered in this book stems from three strands: first a course taught during the Studio Christchurch Summer School 2013 titled ‘The Green Frame’, second a course taught at the University of Auckland’s School of Architecture and Planning titled ‘The Blueprint’ and lastly a student submission for the Peterborough Village Competition.

The common thread among the different projects is the political engagement with the proposed Blueprint Plan as set out by the CCDU in June 2012. The students were asked to either take an aspect of the Blueprint Plan and develop it further or to propose an alternative. There are 10 projects completed by 24 students.

CRA.N D.J WMG.C J.MIP

C.Z T.S Q.C UCB.L M.M M.R

GSH.C H.C S.W

UAD.H T.C L.T GBM.C S.P Y.T LCA.C S.H H.R

RPC.F L.S APF.C B.L M.M M.R

BPF.C V6